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Stefanie SchneiderSunscreen II (Beachshoot) with Radha Mitchell - analog, Polaroid, Contemporary2005
2005
About the Item
Sunscreen II (Beachshoot) - 2005
128x125cm,
Edition of 5, plus 2 Artist Proofs.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Certificate and Signature label.
Artist Inventory # 1394.
Not mounted.
The Tooth of Time
It is obvious that the photographer Stefanie Schneider has a background in film. All her pictures live from the dust-filled eroticism of American road movies. For Hitchhikers, the thirty-seven-year-old artist sent her protagonists into the desert.
The air shimmers. Desert. A highway, massive autos, dusty kisses. One is familiar with these sorts of images from films, even if one hasn't yet seen this particular one. In any case, it seems to be older: The tooth of time has gnawed at the photos; they are discolored, strangely and incorrectly exposed, covered with white spots.
False! The photographic series Hitchhikers was created this year; the photos got their patina because the photographer Stefanie Schneider only uses film which has passed its expiration date by up to five years, and which accordingly reacts to light in unpredictable ways. Where one's assumptions are correct is in the matter of the cinematic allusions: Schneider received a degree in film at the Folkwang-Hochschule in Essen and was a cutter for several years. In the USA, she was responsible for the scene photos in the feature-film debut (Everything put together) of Marc Forster (Monster's Ball, Finding Neverland) and out of the collaboration developed her own photographic series Suburbia.
Hitchhikers is similarly structured and actually consists of stills, in this case without the accompanying film: loosely staged pictures in which the protagonists have space for spontaneous improvisations. No plot, but moods which seem familiar to us.
Stefanie Schneider was born and raised in Cuxhaven, Germany but lives and works in Southern California. Exploring the American dream and capturing it with Polaroid instant film. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters that reflect a part of the narrators life told from her perspective. Often about love, communication. sexuality and relationships. Schneider works with the chemical mutations of expired polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dreamscapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction yet they also explore the relationship with the medium and the viewer. The wabi sabi 'ness' of Schneider's work can not be denied or ignored. It's a step of acceptance of 'flaws', gaps and distortions. Missing pieces of the puzzle. The artist flaunts, uses and exposes the unknown using expired Polaroid instant film intentionally. Presents it. What you do with that is up to you. That missing part of the picture is for you to include yourself, you fill it in with yourself. That might be critical that it's there at all, missing and missing the entire point all together or by filling in the unknown with their own imagination. Even their own memories which then integrats the viewer and artist as one with limitless potential.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2005
- Dimensions:Height: 50.4 in (128 cm)Width: 49.22 in (125 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:Seller: STSCH #0791stDibs: LU652311677882
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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Certificate and signature label. ...
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Spheres (Chicks and Chicks and Sometimes Cocks)
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Edition of 10 plus 2 Artist Proofs.
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Certificate and signature label.
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White Trash Beautiful I from the 29 Palms, CA series with Radha Mitchell
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Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 598.
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Category
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Untitled (Traintracks) - based on a Polaroid
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Untitled (Traintracks) - The last Picture Show - 2004
50x50cm.
Edition of 5, plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Signature label and Certificate.
Artist...
Category
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Archival Paper, Photographic Paper, C Print, Color, Polaroid
Trickle (Stage of Consciousness) - featuring Radha Mitchell
By Stefanie Schneider
Located in Morongo Valley, CA
Trickle (Stage of Consciousness) - 2007
50x49cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Certificate and signature label.
Artist In...
Category
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Materials
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Melancholy (Haley and the Birds)
By Stefanie Schneider
Located in Morongo Valley, CA
Melancholy (Haley and the Birds) - 2013
50x49cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory ...
Category
Early 2000s Contemporary Portrait Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
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