Skip to main content

Vertical Abstract Prints

to
2,332
3,555
1,754
3,623
1,889
937
Overall Width
to
Overall Height
to
4,875
1,773
1,520
749
661
136
83
48
38
38
36
12
10
431
164
122
114
111
8
75
8,679
2,991
5
16
47
136
212
671
1,579
2,938
1,245
700
11,758
6,695
2,451
100
67
47
32
32
31
31
21
18
16
15
13
13
13
13
11
11
10
8
8
4,855
2,032
1,965
1,711
702
1,428
3,396
7,551
3,587
Orientation: Vertical
The Butler Institute of American Art poster (Hand Signed by Peter Halley)
Located in New York, NY
Peter Halley New Works, The Butler Institute of American Art (Hand Signed), 1999 Offset lithograph poster (signed by Peter Halley) 38 × 21 1/2 inches Boldly signed in black marker by...
Category

1990s Abstract Geometric Abstract Prints

Materials

Offset, Lithograph

Fire Bird by Makoto Ouchi, Japanese etching, kabuki contemporary red gold black
Located in Santa Fe, NM
Fire Bird by Makoto Ouchi, Japanese etching, kabuki contemporary red gold black Ouchi Makoto (大内マコト) was born in Kawasaki, Kanagawa Prefecture, and enter...
Category

1980s Contemporary Abstract Prints

Materials

Etching

Lagunkide - 20th Century, Eduardo Chillida, Abstract Graphic Art, Masterprinter
Located in Köln, DE
Within this outstanding aquatint etching, Eduardo Chillida depicts his sculptural and structural ideas in a two dimensional artwork. By regarding it, the beholder gets an idea of Chi...
Category

1990s Abstract Abstract Prints

Materials

Aquatint

Joan Miró - MARAVILLAS CON VARIACIONES... Lithograph Contemporary Art Abstract
Located in Madrid, Madrid
Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró XIX Date of creation: 1975 Medium: Lithograph on Gvarro paper Edition: 1500 Size: 49,5 x 35,5 cm Observations: ...
Category

1970s Abstract Abstract Prints

Materials

Paper, Lithograph

German Surrealist Hans Bellmer Etching Engraving Print Cecile Reims Surrealism
Located in Surfside, FL
After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...
Category

20th Century Abstract Prints

Materials

Etching

Munich Olympic Games Art Series
Located in Winterswijk, NL
Shipping on request This impressive offset lithograph by Serge Poliakoff, a significant figure in abstract art, captures the powerful dynamism of his work. The skillful interplay of red and blue in this harmonious artwork from 1972, part of the Munich Olympic Games Art Series, creates a fascinating visual tension and bestows upon the space an aura of refinement and elegance. Poliakoff's mastery in abstraction is evident in a composition that is both energetic and balanced. Signed in stone by the artist, this vintage piece encapsulates the essence of its time and is a valuable addition to any art collection. Serge Poliakoff, born on January 8, 1900, in Moscow, Russia, was a prominent figure in 20th-century abstract art. After relocating to Paris in 1923 and briefly pursuing a career as a cabaret guitarist, he found his calling in painting. By 1935, he increasingly embraced abstraction, utilizing color without representational references. Poliakoff developed a unique form of abstract painting, juxtaposing colored fields. In the 1940s, he predominantly worked with shades of gray and brown before expanding his palette to include vibrant, contrasting colors from 1950 onwards. His later works were characterized by a reduction in color intensity to earthy tones and a tendency towards monochromatic compositions. This evolution reflected his artistic maturity and pursuit of expressive depth. Serge Poliakoff's works are renowned for their powerful abstraction and subtle mastery of color. He passed away on October 12...
Category

20th Century Abstract Abstract Prints

Materials

Lithograph

Les Amoureux- From the Album "Jean Cocteau Lithographies" by Jean Cocteau
Located in New York, NY
The modern lithograph "Les Amoureux" by Jean Cocteau was printed at the Atelier Mourlot in 1957. Cocteau was a master at representing the languid forms of his subjects in sketches. H...
Category

1950s Modern Abstract Prints

Materials

Lithograph

Peter Halley, Jablonka Galerie Köln rare abstract exhibition print (Hand Signed)
Located in New York, NY
Peter Halley Jablonka Galerie, Köln (Hand Signed), 1990 Offset lithograph (Hand Signed by Peter Halley) 26 1/2 × 30 inches (ships rolled in a tube 37 x 6 x 6) Signed by Peter Halley ...
Category

1990s Abstract Geometric Abstract Prints

Materials

Lithograph, Offset, Permanent Marker

Lithographier Originale (Les Peintures Sur Carton) (Abstract, Fun, Gestural)
Located in Kansas City, MO
Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 1,500 Portfolio: DLM 151-152 Publisher: Maeght ...
Category

1960s Abstract Abstract Prints

Materials

Lithograph

Plate No. 339 - Print, Landscape, Portrait, Sea, Ocean, Animals, Nature
Located in Brighton, GB
Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper w...
Category

2010s Contemporary Abstract Prints

Materials

Archival Ink, Archival Paper, Giclée

GIGI: Serengeti Dancing Queen! (Limited Edition Of Only 30 60X45 Print - Canvas)
Located in LOS ANGELES, CA
**Annual Summer Sale Until August 31st** **This Offer Won't Be Repeated Again This Year - Tale Advantage of it** GIGI: Serengeti Dancing Queen is a very speci...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Canvas, Giclée

Derriere le Miroir Issue 242
Located in Brooklyn, NY
Derrière Le Miroir (DLM) issue no. 242, designed by Eduardo Chillida in 1980, is a visually captivating publication. This issue contains 5 full-page designs printed on vellum, along ...
Category

1980s Abstract Abstract Prints

Materials

Lithograph

Tapies. "MESTRES DE CATALUNYA " lot 7 lithography abstract painting
Located in CORAL GABLES - MIAMI, FL
ANTONI TAPIES was the maximum representative of Spanish abstract art of the 20th century. His works are represented in museums and foundations around the world. Lot of 7 lithography...
Category

Late 20th Century Abstract Abstract Prints

Materials

Paper, Lithograph

Matisse, Série K, var. 2 (Duthuit 9), Dessins, Thèmes et variations (after)
Located in Southampton, NY
Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...
Category

1940s Modern Figurative Prints

Materials

Lithograph

London Sakura-Hand painted Limited Edition-British Awarded Artist-Edition #4
Located in London, GB
This painting captures the early spring in Shizico Yi’s garden, where the Cherry Prunus stands as the season’s first joyful announcement. Painted en plein air, it reflects the raw fr...
Category

2010s Abstract Impressionist Abstract Prints

Materials

Metal

'Feu sous L'eau' (Fire Under Water) —Mid-century Modernism, Atelier 17
Located in Myrtle Beach, SC
Stanley William Hayter, 'Feu sous L'eau (Fire Under Water)', color engraving, soft-ground etching and scorper with yellow silkscreen, 1955, edition 50 plus 10 artist proofs, Black & Moorhead 221. Signed, titled 'Fire Under Water', dated and annotated 'Essai' in pencil. Dedicated in the artist’s hand 'for Adja & Dove WH Bill 17–5–55' in the top margin. A superb, richly inked impression with fresh colors, on heavy, cream wove paper; wide margins (2 1/2 to 3 7/8 inches), in excellent condition. One of 10 artist’s proofs. Image size 10 3/16 x 7 inches; sheet size 18 1/8 x 12 1/4 inches. Matted to museum standards, unframed. ABOUT THIS WORK In 1950 Hayter returned to Paris and reopened Atelier 17. Works such as 'Fire Under Water' reveal newfound influences, such as that of the Ardèche area of southern France, where he acquired a house in 1951 and frequently visited. Hayter took great interest in the flowing Escoutay River, an experience that parallels the artist and co-director of Atelier 17 Krishna Reddy’s interest in depicting water. While some forms in this print evoke the natural world, the palette of contrasting tones of purple, yellow, black, and white reflects Hayter’s belief in using color intuitively to express emotions and evoke feelings. The sharp white relief lines from the paper and the textural effects realized through soft-ground etching operate in tandem with the sweeping curves and bold colors to give the composition a sense of vitality and dynamism. —edited from the Metropolitan Museum of Art Published by 'La Jeune Gravure Contemporaine', Paris. Impressions of this work are in the following collections: British Museum, Metropolitan Museum of Art, National Gallery of Art. ABOUT THE ARTIST Stanley William Hayter (1901-1988) was a British painter and printmaker associated in the 1930s with Surrealism and from 1940 onward with Abstract Expressionism. Regarded as one of the most significant printmakers of the 20th century, Hayter founded the legendary Atelier 17 studio in Paris, now known as Atelier Contrepoint. Among the artists he is credited with influencing are Pablo Picasso, Alberto Giacometti, Joan Miró, Alexander Calder, and Marc Chagall. The hallmark of the workshop was its egalitarian structure, breaking sharply with the traditional French engraving studios by insisting on a cooperative approach to labor and technical discoveries. In 1929 Hayter was introduced to Surrealism by Yves Tanguy and André Masson, who, with other Surrealists, worked with Hayter at Atelier 17. The often violent imagery of Hayter’s Surrealist period was stimulated in part by his passionate response to the Spanish Civil War and the rise of Fascism. He organized portfolios of graphic works to raise funds for the Spanish cause, including Solidarité (Paris, 1938), a portfolio of seven prints, one of them by Picasso. Hayter frequently exhibited with the Surrealists during the 1930s but left the movement when Paul Eluard was expelled. Eluard’s poem Facile Proie (1939) was written in response to a set of Hayter’s engravings. Other writers with whom Hayter collaborated included Samuel Beckett and Georges Hugnet. Hayter joined the exile of the Parisian avant-garde in 1939, moving with his second wife, the American sculptor Helen Phillips...
Category

1950s Abstract Expressionist Abstract Prints

Materials

Engraving, Etching

Condo, Conversations, Drawing Paintings (after)
Located in Southampton, NY
Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...
Category

2010s Contemporary Figurative Prints

Materials

Archival Pigment

Dienen, Dienen
Located in Brooklyn, NY
The Dienen, Dienen exhibition poster, featuring the work of Antoni Tàpies, was published by Galerie Lelong in 1997. This poster was designed to promote an exhibition of Tàpies' work,...
Category

Late 20th Century Abstract Abstract Prints

Materials

Offset

Dienen, Dienen
$60 Sale Price
20% Off
Homage to the Square
Located in Fairlawn, OH
Happy Ray Day! For 1 week, from April 19th, 2017, all Ray H. French works of art on paper will be discounted 19% and 1 lucky random patron will receive a second FREE! Embossed relief print on heavy paper Signed, dated, titled and numbered Edition: 10 (10/10) Provenance: Estate of the artist References And Exhibitions: This work predates Josef Albers serigraph...
Category

1960s Abstract Abstract Prints

Materials

Other Medium

Birth Chart, Modern Hand colored Etching by Van Amerige
Located in Long Island City, NY
Van Amerige - Birth Chart, Medium: Hand colored Etching on hand made paper, signed and numbered in pencil, Edition: AP, Image Size: 14 x 11 inches, Size: 23 x 16 in. (58.42 x 40....
Category

1960s Modern Abstract Prints

Materials

Etching

Salute to 1965, Modern Lithograph with Woodblock and Intaglio
Located in Long Island City, NY
June Mary Ann Hildebrand - Salute to 1965, Year: 1965, Medium: Lithograph, Woodblock and Intaglio on Japon, signed, titled and numbered in pencil, Edition: 5/8, Image Size: 22 x ...
Category

1960s Modern Abstract Prints

Materials

Lithograph, Woodcut

Two nudes - Lithograph and stencil, Signed
Located in Paris, IDF
Pablo PICASSO (1881-1973)(after) Two nudes, 1946 Lithograph and stencil Signed in the plate On vellum 48 x 33 cm (c. 18.9 x 13 inches) INFORMATION: Edited by Albert Carman in 1946 ...
Category

1940s Abstract Abstract Prints

Materials

Lithograph, Stencil

Grey Mood 1978 Signed Limited Edition Screen Print
Located in Rochester Hills, MI
Pierre Fernandez Arman Year: 1978 GREY MOOD Medium Type: Silkscreen, on grey vellum paper Size-Width Size-Height: 22'' x 30'' Edition Size: Signed in pencil and marked 12/150 Ste...
Category

1970s Abstract Expressionist Abstract Prints

Materials

Screen

Letter L - Lithograph by Rafael Alberti - 1972
Located in Roma, IT
Letter L, from the Alphabet series,  is a lithograph, realized by Rafael Alberti in 1972. Hand-signed and dated on the lower right margin.  Numbered in pencil on the lower, from an...
Category

1970s Contemporary Abstract Prints

Materials

Lithograph

Doubles - Etching by Max Ernst - 1972
Located in Roma, IT
Hand signed. Edition of 100 pieces. Very good condition Provenance: P. Prouté
Category

1970s Surrealist Abstract Prints

Materials

Etching

Oiseau Entre deux Astres, Framed Etching by Joan Miro 1967
Located in Long Island City, NY
Joan Miro was a Catalan painter who combined abstract art with surrealist fantasy, using his signature biomorphic forms and geometric shapes to form a unique identity. This etching’s...
Category

1960s Modern Abstract Prints

Materials

Etching, Aquatint

The White Horse-Poster, New York Graphic Society. Printed in U.S.A.
Located in Chesterfield, MI
1970 New York Graphic Society Ltd. Printed in U.S.A. The poster measures 39 x 26.25 inches and is unframed. The image is in Good Condition. The border is in Fair/Distressed Condition...
Category

1970s Abstract Prints

Materials

Lithograph

Miró, Composition (Mourlot 872-881; Cramer 164), El tapís de Tarragona (after)
Located in Southampton, NY
Lithograph on vélin Sarrió paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Tapís De Tarragona, il·lustracions, Joan Miró, 1972. Published by Sala Ga...
Category

1970s Modern Abstract Prints

Materials

Lithograph

Nice Photography Print Limited Edition Signed
Located in Slovak Republic, SK
Print/photography, limited edition of 15, signed by the author.
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Color, Digital, Archival Pigment

Bechtold Original Vintage Exhibition Poster
Located in London, GB
Bechtold Original vintage 1975 Oversize size gallery exhibitions poster. 35.1 x 50.1 cm Sold as seen rolled - excellent condition. Exhibition detailed : Galería Carl van der Voo...
Category

1980s Modern More Art

Materials

Archival Paper

LeWitt, Composition, Ficciones (after)
Located in Southampton, NY
Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...
Category

1980s Conceptual Abstract Prints

Materials

Screen

Plate V, from 1972 Lithographe I
Located in Washington, DC
Artist: Joan Miro Title: Plate V Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x ...
Category

1970s Abstract Prints

Materials

Lithograph

FELIPE PANTONE - CHROMADYNA MICAP #3 Op Art Abstract Street Art Black Modern
Located in Madrid, Madrid
Felipe Pantone CHROMADYNA MICAP #3 Date of creation: 2020 Medium: Lithograph on paper Edition: 30 Size: 75.5 x 55.5 cm Condition: New, in mint condition and never framed Lithograph o...
Category

2010s Op Art Abstract Prints

Materials

Paper, Lithograph

Composition sur fond jaune
Located in Palo Alto, CA
utting a new spin on one of his favorite subjects, Léger here depicts tree trunks and logs as objects in space rather than related to the ground. The gnarled branches form an abstract still-life composition, twisting and turning in unanticipated directions. The earthy browns, greens, and yellows contrast with the bold black outlines. The logs appear as though arranged on a platter, presented to the viewer for contemplation. An intriguing aspect of this piece is the tiny box...
Category

1950s Modern Abstract Prints

Materials

Lithograph

La Fôret "Lettera Amorosa"
Located in Paris, FR
Lithograph, 1963 Handsigned by the artist in pencil and numbered 43/75 Publisher : Nouveau Cercle parisien du Livre, Paris Printer : Mourlot, Paris Catalog : [Vallier 187 page 275] 38.00 cm. x 28.00 cm. 14.96 in. x 11.02 in. (paper) 30.00 cm. x 22.00 cm. 11.81 in. x 8.66 in. (image) On Arches vellum...
Category

1960s Abstract Abstract Prints

Materials

Lithograph

Cloud 9
Located in New York, NY
ABOUT THIS PIECE: I based Cloud 9 on the spectrum of colors found in nature at different times of the day and four seasons in Aspen, Colorado. Little Nell is a reflection of the cool...
Category

2010s Abstract Prints

Materials

Photographic Paper

Offset Lithograph signed & warmly Inscribed to African American Arts prof Framed
Located in New York, NY
Sam Gilliam Offset Lithograph Warmly Inscribed to Renowned African American Arts Educator, 1988 Offset Lithograph Card Hand written, signed and inscribed card with a warm personal message from the artist Frame Included Hand written, signed and inscribed offset lithograph card with a warm personal message from Sam Gilliam to Lindsay Waldorf Patterson. Measurements: Frame: 14 7/8 x 12 x 1/2 inches Card: 8 x 5 inches The inscription reads: To Lindsay: With Warmest Regards Sam Gilliam Lindsay Waldorf Patterson was an American English literature educator and author as well as a MacDowell Colony fellow (3 awards); Edward Albee Foundation fellow (2 awards); recipient award National Foundation on Arts & Humanities. Hand signed on the front Provenance: From the estate of Lindsay Waldorf Patterson. Lindsay Waldorf Patterson was an American English literature educator and author as well as an MacDowell Colony fellow (3 awards); Edward Albee Foundation fellow (2 awards); recipient award National Foundation on Arts & Humanities. Formerly an account executive, Harrison Advertising Agency, New York City, 1964; feature writer and columnist assistant to Langston Hughes, Associated Negro Press, 1965; special feature writer (film) Uptight,, Paramount Pictures, 1968; co-host Celebrity Hour program, Station WRVR-FM, New York City, 1974-1977; co-host Black Conversations program, Station WPIX-television, New York City, 1976-1979; assistant Professor of English, Queens College, Flushing, New York, since 1990. Adjunct Professor Afro-American & Caribbean literature, black theater...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Lithograph, Offset, Ink

A feminine thought Dieter Roth portfolio abstract geometric black white etching
Located in New York, NY
A Feminine Thought (portfolio), 1971 Plate 11.6 x 9.6 in. / 29.5 x 24.5 cm Paper 27.2 x 20.9 in. / 69 x 53 cm 2 prints in portfolio with label, intaglio printing (drypoint) in dark g...
Category

1970s Abstract Abstract Prints

Materials

Drypoint, Etching

Surrealist Tete en Profil Lithograph in Color Young Womans Head Hors de Commerce
Located in Portland, OR
An original French Surrealist lithograph in colors by Jean Cocteau (1889-1963), titled "Tete un Profil", 1950. This wonderful original lithograph by Jean Cocteau depicts a beautiful ...
Category

1950s Surrealist Abstract Prints

Materials

Lithograph

Figure - Print by Sergio Barletta - 1970s
Located in Roma, IT
Hand signed in pencil. Artist's proof. Very good condition.
Category

1970s Modern Abstract Prints

Materials

Etching

Richard Anuszkiewicz, Six Squares - Signed Screen Print from 1969, Op Art
Located in Hamburg, DE
Richard Anuszkiewicz (American, 1930–2020) Six Squares, 1969 Medium: Screenprint on card Dimensions: 64 x 94 cm (25 x 37 in) Edition of 200: Hand-signed and numbered in pencil
Category

20th Century Abstract Geometric Abstract Prints

Materials

Screen

Mandalas, Surrealist Screenprint by Clarence Holbrook Carter 1973
Located in Long Island City, NY
Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Untitled (Mandalas in a Grid) Year: 1973 Medium: Screenprint on Scintilla paper, Signed and numbered in pencil Edition...
Category

1970s Abstract Geometric Abstract Prints

Materials

Screen

Composition - Original lithograph (Agerup #211)
Located in Paris, IDF
Zao Wou-Ki Composition Original lithograph, 1971 Size 31 x 24 cm (c. 12,2 x 9,5 in) Edited by XX Siecle, San Lazarro REFERENCES : Catalog raisonne Agerup #211 Very good condition
Category

1970s Abstract Abstract Prints

Materials

Lithograph

MacDonald of the Isles and Slate (Tartan), Scotland art design lithograph print
Located in Melbourne, Victoria
MacDonald of the Isles and Slate (Tartan) Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886. 365mm by 265mm (sheet). Accompanied by a she...
Category

Late 19th Century Victorian Interior Prints

Materials

Lithograph

Castelli Gallery poster, hand signed and inscribed by artist to Richard Feigen
Located in New York, NY
James Rosenquist Castelli Gallery poster (hand signed and inscribed by the artist to the art dealer Richard Feigen), 1980 Offset lithograph poster Signed, dated and inscribed by Jame...
Category

1980s Pop Art Abstract Prints

Materials

Lithograph, Offset

Braque, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 121-122, 1960. Published by Aimé Maeght, Éditeur, Paris...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Lithographs II (1043), Modern Lithograph by Joan Miro
Located in Long Island City, NY
Joan Miro was a Spanish Surrealist artist, world-renowned for his unique art style that blended surrealist fantasy and modern life. This lithograph is part of the series "Lithographs...
Category

1970s Surrealist Abstract Prints

Materials

Lithograph

"Split Infinity #9BS", OP Art Serigraph, 1980
Located in Long Island City, NY
This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...
Category

1980s Op Art Abstract Prints

Materials

Screen

Game of Chance
Located in London, GB
88.3 x 69.9 cms (34.7 x 27.51 ins) Edition of 100
Category

1980s Abstract Expressionist Abstract Prints

Materials

Mixed Media, Color, Aquatint, Lithograph

SAILS II, COTE D'AZUR
Located in New York, NY
ABOUT THIS PIECE: Since 2008 fine art photographer Jonathan Chritchley has regularly been invited to attend the Classic Yacht Regattas on the legendary Cote d’Azur in France, working...
Category

2010s Prints and Multiples

Materials

Photographic Paper

Braque, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...
Category

1960s Modern Abstract Prints

Materials

Lithograph

Onion Train, Large Abstract Silkscreen by Kikuo Saito
Located in Long Island City, NY
Artist: Kikuo Saito, Japanese (1939 - 2016) Title: Onion Train Year: 1979 Medium: Silkscreen, signed and numbered in pencil Edition Size: 225 Size: 42 x 29.5 inches [106.68 x 74.93 cm]
Category

1970s Abstract Abstract Prints

Materials

Screen

Calder, Composition, Derrière le miroir (after)
Located in Southampton, NY
Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 212, published by Aimé Maeght, Éditeur, Paris; printed ...
Category

1970s Modern Still-life Prints

Materials

Lithograph

Spanish Artist signed limited edition original art print intagio monotype n64
Located in Miami, FL
Luis Feito (Spain, 1929-2021) 'Guadarrama VI', 2004 intaglio monotype on paper 55.2 x 39.4 in. (140 x 100 cm.) Edition of 76 Unframed ID: FEI1051-064 Hand-signed by author
Category

Early 2000s Abstract Prints and Multiples

Materials

Paper, Intaglio, Monotype

Keith Haring INTERNATIONAL VOLUNTEER DAY Lithograph, Signed Edition
Located in Lake Worth Beach, FL
Artist/Designer; Manufacturer: Keith Haring (American, 1958-1990) Marking(s); notes: signed; ed. 280/1000; 1988 Materials: lithograph Dimensions (H, W, D): 11.25"h, 8.5"w; 21.5"h, 17...
Category

1980s Pop Art Abstract Prints

Materials

Lithograph

Large Italian Aquatint Etching Francesco Clemente Neo Expressionist Avant Garde
Located in Surfside, FL
Francesco Clemente (Italian b. 1952), 'This side up / Telemone #2, 1981 Medium: Intaglio hard ground etching, color aquatint, drypoint, and soft-ground etching with chine collé (ha...
Category

1980s Abstract Expressionist Abstract Prints

Materials

Drypoint, Etching, Aquatint, Intaglio

Plate III, from 1972 Lithographe I
Located in Washington, DC
Artist: Joan Miro Title: Plate III Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" ...
Category

1970s Abstract Prints

Materials

Lithograph

Abstract Landscape Indian artist Natural Pigments Australia Earth Brown Blue
Located in Norfolk, GB
There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...
Category

Early 2000s Abstract Abstract Prints

Materials

Paper, Printer's Ink, Pigment

Work Bench — Mid-century Modern
Located in Myrtle Beach, SC
Charles Quest, 'Work Bench', 1949, wood engraving, edition 40. Signed, dated and numbered 9/40 in pencil. Titled and annotated 'wood engraving 1949' in pencil, in the artist’s hand, lower right margin. A fine, richly-inked impression, on off-white wove Japan, with full margins (1 3/4 to 2 inches), in excellent condition. Matted to museum standards, unframed. ABOUT THE ARTIST Charles Quest, a successful artist, and fine art instructor, worked in a variety of mediums including mosaic, stained glass, mural painting, and sculpture, but remains best known as a printmaker. Quest grew up in St. Louis, his talent evident as a teenager when he began copying the works of masters such as Michelangelo on his bedroom walls. He studied at the Washington University School of Fine Arts where he later taught from 1944 to 1971. He traveled to Europe after his graduation in 1929, and studied at La Grande Chaumière and Academie Colarossi, Paris, continuing to draw inspiration from the works of the Old Masters. After returning to St. Louis, Quest received several commissions to paint murals in public buildings, schools, and churches, including one from Joseph Cardinal Ritter to paint a replica of Velasquez's Crucifixion over the main altar of the Old Cathedral in St. Louis. Quest soon became interested in the woodcut medium which he apparently learned through his study of J. J. Lankes' A Woodcut Manual (1932) and Paul Landacre's articles in American Artist magazine ‘since no artists in St. Louis were working in wood’ at that time. Quest also revealed that for him, wood cutting and engraving were ‘more enjoyable than any other means of expression.’ In the late 1940s, his graphic works began attracting a lot of critical attention—several of his woodcuts won prizes and were acquired by major American and European museums. His wood engraving entitled ‘Lovers’ was included in the American Federation of Art's traveling print exhibition in 1947. Two years later Quest's two prize-winning prints, ‘Still Life with Grindstone’ and ‘Break Forth into Singing’ were exhibited in major American museums in a traveling show organized by the Philadelphia Print Club. His work was included in the Chicago Art Institute's exhibition, ‘Woodcut Through Six Centuries’ and the print ‘Still Life with Vise’, was purchased by the Museum of Modern Art in New York. In 1951 he was invited by artist-Curator Jacob Kainen to exhibit thirty wood engravings and color woodcuts in the Graphic Arts Division of the Smithsonian's National Museum (now known as the American History Museum). This one-man exhibition was a remarkable achievement for Quest, who had been working in the medium for only about ten years. In the press release for the show, Kainen praised the ‘technical refinement’ of Quest's work: ‘He obtains a great variety of textural effects through the use of the graver, and these dense or transparent grays are set off against whites or blacks to achieve sparkling results. His work has the handsome qualities characteristic of the craftsman and designer.’ At the time of the Smithsonian exhibition, Quest's work was represented by three New York galleries in addition to one in his home town. He had also won 38 prizes, and his prints were in the collections of the Library of Congress, the Chicago Art Institute, the Metropolitan Museum and the Philadelphia Museum of Art. In cooperation with the Art in Embassies program, his color woodcuts were displayed at the American Embassy in Paris in 1951. Recognition at home came in 1955 with his first solo exhibition in St. Louis. Press coverage of the show heralded the ‘growth of graphic arts toward rivaling painting and sculpture as a major independent medium’. Charles Quest retired from teaching in 1971 and made relatively few prints in his later years, as the rigors of the medium were too demanding. He moved to Tryon, North Carolina, with his wife Dorothy, an artist and portrait painter, and remained active as a painter until his death in 1993. An exhibition of his prints at the Bethesda Art Gallery in 1983 attracted the interest of Curator Emeritus Joseph A. Haller, S.J., who began purchasing his work for the University's collection. In 1990 Georgetown University Library's Special Collections Division became the grateful recipient of a large body of Quest's work including prints, drawings, paintings, sculpture, and stained glass, as well as his archive of correspondence and professional memorabilia. These extensive holdings, including some 260 of his fine prints, provide a rich opportunity for further study and appreciation of this versatile and not-to-be-forgotten mid-Western American artist...
Category

1940s American Modern Abstract Prints

Materials

Woodcut

Sous l´antique désert, by Christian Bozon
Located in Palm Springs, CA
Signed, titled and numbered by the artist. Image size: 4.75 x 4.5 inches Medium: aquatint and drypoint Year: 2014 Edition size: 50 Abstract image invoking scenery of the Mediterrane...
Category

21st Century and Contemporary Abstract Abstract Prints

Materials

Drypoint, Aquatint

Recently Viewed

View All