Mid-20th Century Abstract Prints

Abstract Composition is an original lithograph realized by Jean-Paul Riopelle in 1968 for the Art Magazine "Derrière Le Miroir". Good conditions. The artwork represents an abstrac...

Unidentified/ Unknown Artist, "Untitled: Black and White Abstract" Edition 18/200, Abstract Lithograph signed and numbered in Pencil, 15.50 x 22.50, Late 20th Century, 1962 Colors: ...

Animation Contenue is an original B/W lithograph realized by the French founder of Art Brut, Jean Dubuffet. Very good condition. Image Dimensions: 52 x 38.5 cm. The artwork repre...

Unknown/ Unidentified Artist, "Untitled" Abstract Woodcut Print numbered 86/200 and signed in pencil 22.50 x 17 in. Late 20th Century, 1963 Colors: Black. White *Unidentified Arti...

Printed in sepia. Signed and titled in pencil. An Oregon native, Dorothy Dolph Jensen attended at Portland Art School. The Portland Art Museum has...

Myril Adler Figurative in Blues c.1960s Collagraph ink on paper 1.5"x2.5" unframed Estate stamp Myril Adler, was born on September 22, 1920 in Vitebsk, R...

Unidentified/ Unknown Artist, "Untitled: Blue and Grey Abstract" Edition 2/100, Abstract Lithograph signed and numbered in Pencil, 14.25 x 19, L...

Robert Indiana 4, from the original Numbers portfolio (Sheehan 46-55), 1968 Color Silkscreen on Wove Paper Limited Edition of 2500 Not Signed Frame included: Elegantly matted and fr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 175, 1968. Published by Aimé Maeght, Éditeur, Paris; pr...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 175, 1968. Published by Aim...

Burin etching and engraving on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, XXe Siècle, vol. n° 5-6, 1939. Published and prin...

Unknown/ Unidentified Artist, "Fisch" Edition 35/100, Abstract / Animal Lithograph numbered and signed in pencil, 15 x 20, Late 20th Century, 1963 Colors: Red, Blue, Black, White, G...

Warrior 1963 is an original contemporary artwork realized by Marino Marini. Color etching and acquatint depicting a warrior. Edition of 100 copies. On the back oh the artwork there...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 115, 1959. Published by Aimé Maeght, Éditeur, Paris; pr...

Unidentified/ Unknown Artist, " D.O.B." Edition 68/100, Figurative Abstract Lithograph signed and numbered in Pencil, 13.50 x 18, Late 20th Century, 1968 Colors: Blue, Black, Orange...

Unidentified Artist, "Mallia" Edition 38/100, Abstract Lithograph signed and numbered in Pencil, 16 x 22.25, Mid-20th Century, 1965 Colors: Purple, Blue, White, Red, Black *Unident...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 48-49, 1952. Published by Aimé Maeght, Éditeur, Paris; ...

Unidentified Artist, "Propels #4" Edition 1/25, Abstract/ Figurative Lithograph numbered and signed in Pencil, 15 x 11 (Image: 11.75 x 9), Mid-20th Century, 1952 Colors: Turquoise, ...

Artist: Harry Bertoia Title: Untitled 2 Year: circa 1945 Medium: Monoprint on Rice Paper Paper Size: 9 x 11 inches Frame: 14.5 x 17.5 inches

Ronnie Landfield (1947- American) 1969 Hand signed, numbered, and dated in pencil Serigraph on handmade paper. With the blindstamp of the Tanglewood Press. From the portfolio Various Artists that Included works by Alan Cote, David Diao, Ronnie Landfield, Lee Lozano, Brice Marden, William Pettet, Alan Shields, Kenneth Showell, Lawrence Stafford, and Peter Young. co-printed by Bank Street Atelier, Chiron Press, Fine Creations, Inc., Tom Gormley, Maurel Studios and S.D. Scott & Co., New York and published by Tanglewood Press, Inc., New York. Ronnie Landfield (American, 1947-) is an abstract painter. During his early career from the mid-1960s through the 1970s his paintings were associated with Lyrical Abstraction (related to Postminimalism, Color Field painting, and Abstract expressionism), and he was represented by the David Whitney Gallery and the André Emmerich Gallery. Landfield is best known for his abstract landscape paintings, and has held more than seventy solo exhibitions and more than two hundred group exhibitions. Born and raised in Pelham Parkway in the Bronx, Landfield first exhibited his paintings in Manhattan in 1962. He continued his study of painting by visiting major museum and gallery exhibitions in New York during the early sixties and by taking painting and drawing classes at the Art Students League of New York and in Woodstock, New York. He graduated from the High School of Art and Design in June 1963. He briefly attending the Kansas City Art Institute before returning to New York in November 1963. At sixteen Landfield rented his first loft at 6 Bleecker Street near The Bowery (sublet with a friend from the figurative painter Leland Bell), during a period when his abstract expressionist oil paintings took on hard-edged and large painterly shapes. In February 1964, Landfield traveled to Los Angeles; and in March he began living in Berkeley where he began painting Hard-edge abstractions primarily painted with acrylic. He briefly attended the University of California, Berkeley and the San Francisco Art Institute before returning to New York in July 1965. From 1964 to 1966 he experimented with minimal art, sculpture, hard-edge geometric painting, found objects, and finally began a series of 15 - 9' x 6' mystical "border paintings". After a serious setback in February 1966 when his loft at 496 Broadway burned down, he returned to painting in April 1966 by sharing a loft with his friend Dan Christensen at 4 Great Jones Street. The Border Painting series was completed in July 1966, and soon after architect Philip Johnson acquired Tan Painting for the permanent collection of The Sheldon Memorial Art Gallery in Lincoln, Nebraska. In late 1966 through 1968 he began exhibiting his paintings and works on paper (painting, lithograph and silkscreen) in leading galleries and museums. Landfield moved into his loft at 94 Bowery in July 1967; there, he continued to experiment with rollers, staining, hard-edge borders, and painted unstretched canvases on the floor for the first time. Briefly in 1967-1968 he worked part-time for Dick Higgins and the Something Else Press. Landfield was part of a large circle of young artists who had come to Manhattan during the 1960s. Peter Young, Dan Christensen, Peter Reginato, Eva Hesse, Carlos Villa, William Pettet, David R. Prentice, Kenneth Showell, David Novros, Joan Jonas, Michael Steiner, Frosty Myers, Tex Wray, Larry Zox, Larry Poons, Robert Povlich, Neil Williams, Carl Gliko, Billy Hoffman, Lee Lozano, Pat Lipsky, John Griefen, Brice Marden, James Monte, John Chamberlain, Donald Judd, Frank Stella, Carl Andre, Dan Graham, Robert Smithson, Robert Rauschenberg, Andy Warhol, Kenneth Noland, Clement Greenberg, Bob Neuwirth, Joseph Kosuth, Mark di Suvero, Brigid Berlin, Lawrence Weiner, Rosemarie Castoro, Marjorie Strider, Dorothea Rockburne, Leo Valledor, Peter Forakis...

Hans Rudolf Bosshard (*1929 Balm-Lottstetten), Twelve variations on a dice theme, 1962. Portfolio with inserted cover sheet and twelve woodcuts on thin Japanese paper. Copy no. 2/10,...

Unknown/ Unidentified Artist, "Familie" Edition 34/100, Abstract Figurative Lithograph signed and numbered in pencil, 15.25 x 21, Late 20th Century, 1967 Colors: Red, Blue, Yellow, ...

The Martyrs of Basovizza is an original Modern artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the half of the 20th Century. Original Black and White woodcut print on cardboard. Excellent conditions. Lojze Spacal...

Portrait of D’Annunzio is an original artwork realized by Mino Maccari. Hand signed in pencil on the lower right margin. Passpartout included 49.5 x 35 cm. Good conditions except for...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3"x6" mahogany wood gallery frame 8.25"x11.25" Estate stamp lower right Myril Adler, was born on September 22, 1...

First book illustrated by Michaux. Edition of 296 copies including 12 lithographs by Michaux. One of the 250 copies on Pur Fil Johannot. Original slipcase on beige cardboard and insi...

The Fan Silkscreen printed in colors, 1950's Signed and numbered in pencil by the artist (see photos) Edition: 40 (24/40) Condition: very good Image size: 25 1/8 x 19 5/8 inches Cou...

Myril Adler "Goldenscape" c.1960s Intaglio etching collage, ink on paper 5.75"x2.5" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, R...

Lithograph, 1960 Handsigned by the artist in pencil and numbered 70/100 Publisher : Galerie Creuzeveult, Paris Printer : E. Desjobert, Paris Catalog : Schneider 27 LCD4013

Hand signed. Artist's proof. Etching and drypoint on ivory colored paper. In excellent condition. Image Dimensions : 48 x 32 cm Reference: I Selection, Plate IV, Propyläen, berlin,...

Folding Invitation to the Basaldella’s exhibition in San Marco Gallery in Rome in March-April 1952. Lithograph 46/500, Numbered, Signed and Dated by MIRKO. Dim: 21.8 x 13.5 cm. Image...

Failles is an original B/W lithograph realized by the French founder of Art Brut, Jean Dubuffet Very good condition. Image Dimensions: 52 x 41.5 cm. The artwork represents an Abst...

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x2" site unframed Signed in ink lower right Myril Adler, was born on September 22...

Composition is a lithograph print realized after Alexander Calder in 1968. The artwork shows abstract shapes in vivid colors is typical of the artist's style. Good conditions with slight foxing and a very small cut on the lower. On the back of the artwork there is a description. Alexander Calder ( July 22, 1898 – November 11...

Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Cartones 16: Oiseau dans un Paysage Year: 1965 (after 1963 original) Medium: Pochoir Edition: 1200 Size: 12.5 in. x 8.75 in. ...

Untitled Engraving, drypoint & carborundum, c. 1960's Signed and numbered in pencil (see photos) Edition: 25 (9/25) Printed by the artist Condition: Adhesive residue on the verso to...

Irma la Douce ("Irma the Sweet") is a 1963 American romantic comedy film based on the 1956 French stage musical Irma La Douce by Marguerite Monnot and Alexand...

Laing was born in Newcastle upon Tyne. He grew up during World War II and experienced the Battle of Britain as young boy. He attended the Royal Military Academy Sandhurst and served...

Untitled is a contemporary artwork realized by Aldo Turchiaro. Black and white etching. Includes frame. Hand signed and numbered on the lower margin. Edition of IV/XXV

Myril Adler Untitled c.1960s Intaglio etching collage, ink on paper 3.75"x1.75" site unframed Signed in ink lower right Very Good Condition- Wear consiste...

Alexander Calder Lithographic cover c. 1968 from Derrière le miroir: Lithographic cover; 11 x 15 inches (folding out to 15x22 inches). Very good overall vintage condition. Unsigned from an edition of unknown. Published Paris, c. 1968. Looks fantastic framed. Derrière le miroir: In October 1945 the French art dealer Aimé Maeght opens his art gallery at 13 Rue de Téhéran in Paris. His beginning coincides with the end of Second World War and the return of a number of exiled artists back to France. The publication was created in October 1946 (n°1) and published without interruption until 1982 (n°253). Its original articles and illustrations (mainly original color lithographs by the gallery artists) who were famous at the time. The lithographic publication covered only the artists exhibited by Maeght gallery either through personal or group exhibitions. Among them were, Pierre Alechinsky, Francis Bacon, Alexander Calder, Marc Chagall, Eduardo Chillida, Alberto Giacometti, Vassily Kandinsky, Ellsworth Kelly, Fernand Léger, Henri Matisse, Joan Miró, Saul Steinberg and Antoni Tapies. Related Categories: Mid century modern. Alexander Calder prints. Calder orange...

Artist: Felix Ruvolo – American (1912 - 1992) Title: “Samson and Delila” aka “Untitled” from the suite: 10 West Coast Artists, Collector’s Press, 1967 Year: 1967 Medium: Lithograph on Arches paper Size: 30 x 22.5 inches. Publisher: Collector’s Press, San Francisco Edition: 75. Signature: Signed lower right in pencil Embossed publisher’s chop lower left of the Collector’s Press, San Francisco; Embossed printer’s chop lower left of Ernest De Soto Numbered: 39/75 lower right in pencil Condition: Excellent This lithograph is from the notable portfolio “10 West Coast Artists” containing ten prints, title page and colophon page, published by Collector’s Press in San Francisco in 1967. Prints by Keith Boyle, Bruce Conner, Richard Diebenkorn, Roy de Forest, Sidney Gordin, Frank Lobdell, James Melchert, Manuel Neri, Frank Ruvolo, Peter Voulkos are in the portfolio. The print has no margins – it is full bleed. The print is in excellent condition. Felix Ruvolo was born in New York City in 1912, but raised in the home of his grandparents in Sicily where he first studied with an Italian artist. At age 12, he returned to the home of his parents, who soon moved to Chicago. They were aware of his intense interest in art and had him continue studies with a local artist and then at the Chicago Art Institute. By 1938 he was exhibiting regularly and was accorded his first invitation to participate in an American Federation of Arts traveling exhibition. Invitations to exhibitions at other major institutions followed--the Whitney Museum of American Art, the Metropolitan Museum of Art, the Brooklyn Museum, the Corcoran Gallery of Art, the Carnegie Institute, the Phillips Gallery Museum, the Pennsylvania Academy, the Walker Art Center, the “Contemporary American Painting” surveys at the Krannert Museum from 1948 to 1961, the Sao Paulo Biennials in Brazil, the Galerie Creuse in Paris. He was represented in the ground-breaking exhibition at the Museum of Modern Art in New York in 1951, “Abstract Painting and Sculpture in America.” His many one-man shows included those at the Durand Ruel Gallery, the Catherine Viviano Gallery, the Grand Central, the Poindexter Gallery in New York and the University of Southern California. His works entered public and private collections such as the Chicago Art Institute, the Krannert Museum, the Walker Art Center, the Oakland Museum of Art, and the Aukland City Museum in New Zealand. His work was reproduced in national magazines and in anthologies published by the Museum of Modern Art, the Whitney Museum, and Albright Museum in New York, the Los Angeles County Museum, the American Encyclopedia, the Dictionaire de la Peinture Abstraite, and Il Giornale D'Italia. His teaching career began at the Art Institute of Chicago in 1945 and continued until 1948 when he moved with his wife Mardi to New York. Mills College in Oakland had established a program of bringing distinguished artists, such as Fernand Leger, to the campus as guest instructors. Felix was invited for the summer session of 1948; during that sojourn, he had solo exhibitions in the Mills College Art Gallery and at the De Young Museum in San Francisco. At that time, he met many Bay Area artists who were to become life-long friends of the Ruvolos. His national reputation had been firmly established, when in 1949 Felix was extended the invitation for appointment to the faculty on the Berkeley campus. His earlier works were referential, often on fantasy themes. These new paintings were non-objective in idiom, rich in color, line and texture. They were marvelous, they were beautiful, they bespoke his creative genius. Critics came, collectors came, colleagues came, students came, friends from the East came. Artists were invited to serve as visiting faculty. George McNeil, then Director of the Pratt Institute, said that he accepted an invitation to come to Berkeley because Felix was there. Among his students who have achieved distinction in the profession are: Wayne Anderson, Walter de Maria, Mark di Suvero, William Brown, Mary Snowden...

Artist: Jean Fautrier Title: Annabelle Nue Medium: Pochoir in Gouache Date: 1957 Edition: 1500 Sheet Size: 12 1/2" x 9 3/4 Signature: Unsigned

Vibrant abstract lithograph of a cat by artist Karel Appel in 1969. Edition of 100. Signed and dated by artist in lower right corner. Marked E.A., or "épreuve d’artiste", which is th...

Léopold Survage (French/Russian, 1879-1968), "Rythmes Colorés", 1967-1968 Lithograph on Vélin d'Arches paper, Printed by Mourlot, Paris Hand signed in pencil and numbered "AN 16/75"...

Composition is an original Screen Print realized by François Bret in the mid-20th Century. Hand-Signed. Numbered. Edition, 53/65. The artwork id depicted in a well-balanced compos...

Edward Avedisian (1936-2007) Cleo, Fur Queen, 1969 Lithograph in color on Arches wove paper. Hand signed, dated and numbered in pencil. Edition 100 Dimensions: 22.25 inches X 30.25...

Johnny Gotthard Friedlaender (German, 1912-1992) 'Cadran Solair' (Sun Dial) Titled verso Aquatint etching in colors on wove paper Pencil signed lower right, edition EA (épreuve d'ar...

Stanley Lewis was a Jewish Canadian sculptor, photographer and an internationally renowned art teacher born on March 28, 1930 in Montreal. His works are held in many public collectio...

Myril Adler "Magic Window" c.1960s Intaglio etching collage, ink on paper Image outlined in blue ink 5.75"x2.5" site unframed Signed and titled in ink Myril Adler, was born on Septe...

Asymmetric Abstract Composition is an original lithograph realized by Marcello Avalani between 1960s and 1970s. Hand-signed in pencil on the lower right margin and numbered in pencil...

Ex Libris Henryk Raczyniewski is an original Contemporary Artwork realized in the half of the 20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued ...

Hand Signed. Edition of 50 copies plus 15 artist's proofs. Aquatint and drypoint. Image dimensions: 32 x 46 cm Reference: Bloch 1219; Baer 1201.

Deux nus Dansant Fernand Leger, French (1881–1955) Date: circa 1932 Drypoint Etching Image Size: 8.5 x 7.5 inches Size: 14.75 x 11 in. (37.47 x 27.94 cm) From the collection of the l...

Klaus Bendixen Untitled Geometric Abstraction Color Silkscreen Year: 1965 Signed and numbered by hand Edition: 100 Size: 10.4 × 8.2 inches COA provided Ref.: 924802-784 Klaus Bendi...

Original title: Paesaggio This beautiful black and white etching is hand-signed and dated in pencil on the lower left. Numbered on the lower right. Edition of 25 prints. Overleaf sta...

Nervures is an original B/W lithograph realized by the French founder of Art Brut, Jean Dubuffet Very good condition. Image Dimensions: 46 x 35 cm. The artwork represents an Abstr...

An excellent impression of this large color aquatint. Numbered in pencil 99/175. Printed by Lacourière, Paris. Published by Vollard, Paris. Catalogue reference: Chapon/Rouault 141; ...

Des Oeufs Pout Ta Fette (Holiday Eggs) Mezzotint, 1960 Signed, dated, titled and numbered in pencil Edition: 50 (33/50) Image: 8 5/8 x 10 11/16" Condition: Mint Mario Avati is a Fren...

Faste is an original B/W lithograph realized by the French founder of Art Brut, Jean Dubuffet Very good condition. Image Dimensions: 50 x 39 cm. The artwork represents an Abstract ...