Abstract Abstract Prints

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...

La Mosca Negra is a captivating work by Mexican surrealist Pedro Friedeberg, renowned for his visionary style and intricate, esoteric symbolism. In this piece, Friedeberg elevates th...

Lithograph, 1981 Handsigned by the artist in pencil and numbered 29/75 50.00 cm. x 64.70 cm. 19.69 in. x 25.47 in. (paper) 29.50 cm. x 39.50 cm. 11.61 in. x 15.55 in. (image) LCD4393

Artist: Larry Zox Title: Rotation I Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 160 Paper Size: 34 x 38 inches [86.36 x 96.52 cm]

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 14 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Image Size: 31 x 36 inches Size: 32 x 37.5 ...

Louis Schanker : 1903-1981. Well, listed American abstract artist. He was well exhibited and is in the permanent collections of many important museums. This fabulous piece is a color...

A very good impression of this color lithograph on cream laid Japan paper. Signed and numbered 48/250 in pencil by de Kooning. Published by Brand X Editions, Ltd., New York, with the...

Lithograph on vélin Mohawk Superfine Smooth paper. Paper Size: 11.937 x 8.96 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, In Memory of M...

Red Echo Adja Yunkers b. 1900, Riga, Russia; d. 1983, New York Adja Yunkers was born Adolf Junkers on July 15, 1900, in Riga, Russia (now Latvia). He studied...

Artist: Antoni Tapies, Spanish (1923 - 2012) Title: untitled from St. Gallen Year: 1965 Medium: Lithograph, signed and numbered in pencil Edition: 15/75 Size: 22 x 30 in. (55.88 x ...

Cyanotype on rag paper

Untitled - Abstract with Sun Dimitri Petrov, American (1919–1986) Date: circa 1975 Lithograph, signed and numbered in pencil Edition of 250, L Size: 22 x 30 in. (55.88 x 76.2 cm)

Lithograph, 1978 Handsigned by the artist in pencil and numbered 54/190 Catalog : [Schreiner 52] 32.50 cm. x 50.00 cm. 12.8 in. x 19.69 in. (paper) 18.00 cm. x 23.00 cm. 7.09 in. x 9.06 in. (image) A beautiful lithograph where the arrangement of cubes, cones and circles, combined with a shifting perspective, show the research on space of the Portuguese artist...

Eduardo Chillida "Barcelona" 1971 Engraving Hand signed Print run of 75 copies (33/75) 49 x 70 cm.

Artist: Adja Yunkers, Latvian/American (1900 - 1983) Title: Pueblo Year: 1977 Medium: Lithograph, Signed, Dated and Titled in Pencil Edition: 70, Shop Proof Size: 33.5 x 25 in. (85.0...

Artist: Leo Maranz, American (1900 - 1988) Title: Stacatto Year: 1977 Medium: Serigraph, signed and numbered in pencil Edition: 300 Paper Size: 30...

Lithograph poster on paper issued in 1972 for the exhibition, L'Estampe et le Suréalisme du XV au XX siècle, at Vision Nouvelle. The image on the poster was created by French artist...

This unframed, signed, limited edition pigment print by world renown artist Robert Kelly exists in an edition of 30. Paper size is 35"h x 47"w with an image size of 26"h x 37"w. Rob...

Joan Miró - Maravillas con variaciones acrósticas en el jardín de Miró IX Date of creation: 1975 Medium: Lithograph Media: Gvarro paper Edition: 1500 Size: 49,5 x 71 cm Observations:...

80 x 94 cms (31.5 x 37 ins) Edition of 100

Muted colors make this abstract special. It is a limited edition titled and signed by artist D.McBride. As always, reasonable prices for framing are available.

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 17 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 75 Size: 35 x 45 inches

Lithograph realized by Lorenzo Indrimi in 1970s. Edition of 150. Hand signed and numbered. Very good condition.

Richard Smith Bramble, 1970 Lithograph on wove paper Signed, numbered and dated 10/75 in pencil lower left Frame included: held in original vintage period frame Pencil signed, dated ...

WILD BUNCH 1 [2022] limited_edition and hand signed by the artist Giclée Print on bright white 230gsm Olmec matte cartridge Edition number 50 Image size: H:82.5 cm x W:60 cm Complete Size of Unframed Work: H:92.5 cm x W:70 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look Inspired partly by Andy Warhol screen prints from the 60s and also by the way I could manipulate the screen dots to give the image a wild and exuberant quality. Pop Art meets Van Gogh. Sort of. Johnny Bull...

Claude Flight (1881-1955), Swing Boats, circa 1919-1921, color linoleum cut on very thin Japan paper, signed and numbered by the artist lower left. In very ...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

Artist: Georg Karl Pfahler, German (1922 - 2002) Title: Untitled 4 Year: 1970 Medium: Silkscreen Edition size: 100 Size: 29.5 x 26 in. (74.93 x 66.04 cm)

A colorful geometric screenprint by American artist Barbara Lynch Zinkel. Date: 1994 Medium: Screenprint, estate stamped verso and numbered in pe...

This is a mixed-media artwork by Monty Montgomery. Its dimensions are 14 x 18 x 1.5 and it is Hand Embellished Giclee print on Canvas with UV Gloss Varnish. A certificate of authent...

Artist: Arthur Boden, American Title: Star Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 4/50 Image Size: 10 x 9.5 inches Size: 14 x 14 inches Plexi Box ...

A detailed abstract geometric print by David Shapiro featuring a blend of aquatint and etching methods on Sekishu, a type of handmade Japanese paper. One half of the composition feat...

"#24-80D Color Climb" is an exemplary work of Paul E. Maxwell's "stencil casting" works. This abstract but grid-like work employs a thickly textured and layered surface that has also...

Lithograph, 1968 Handsigned by the artist in pencil and numbered 48/120 Printer : Mourlot, Paris Catalog : Sorlier 183 72.00 cm. x 51.00 cm. 28.35 in. x 20.08 in. (paper) 68.00 cm. ...

Artist Name: Gene Davis Title: Carousel Year: 1980 Medium Type: Lithograph Size-Width Size-Height: 17" x 23" Signed Edition Size: Signed in pencil, and marked 172/250 Known for ...

Artist: Georg Karl Pfahler (1926-2002) Title: Untitled Year: 1987-93 Edition: 49/100, plus proofs Medium: Silkscreen on Arches paper Size: 27.5 x 27.5 inches Condition: Good Inscript...

Etching and aquatint, 1970 Handsigned by the artist in pencil and numbered 33/75 Publisher : Las estampas de la cometa (Gustavo Gili), Barcelone Printer : Ed...

Engraving Handsigned by the artist in pencil and numbered 13/99 LCD5394

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

"This work was created with two separate entities that play against each other, in real and illusionary space, thus combining two separate realms that come together and play with one...

Artist: Arthur Boden, American Title: T Series Year: circa 1970 Medium: Six Screenprints, each signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Agamograph (4D holographic and lenticular). Hand signed lower right by Yaacov Agam. Hand numbered 97/180 lower left. Artwork size: 19 x 19 inches. Frame size: 22.5 x 22.5 inches....

Screenprint printed in black and white on handmade oatmeal paper. Signed, dated and numbered in white pencil. Date and name lower right, Signed and numbered edition of 85 from ARTISTS PORTFOLIO, a limited edition series of five prints in support of the dance company of Bill T. Jones/Arnie Zane & Company. The other four artists who contributed were Robert Longo, Keith Haring, William Katz and Gretchen Bender. Bill Katz was born in New York, studied at The Art Students League and with Sebastiano Mineo of New York City. He was the studio assistant to Robert Indiana for more than a decade, initiating and arranging print projects for the artist, including Numbers (1968), with poems by Robert Creeley.For five years he worked and lived in the home that was once occupied by the great American sculptor Gutson Borglum. He also spearheaded the project of the cover artwork at Chanterelle with the full roster of distinguished contributing artists, photographers, musicians, and writers — Marisol, Chuck Close, Jasper Johns and Robert Mapplethorpe. Almost all the images were made specifically for the menus In addition, some of the images were made for one night special events, such as annual benefits held for the Bill T. Jones and Arnie Zane Dance Company. He also Curated for the Fisher Landau Center for Art, Painting and Sculpture, Selections from the collection, which included work by Carl Andre, Willem de Kooning, John Duff, Robert Indiana, Neil Jenney...

Eduardo Arranz-Bravo - Casa negra (Black House) Date of creation: 1988 Medium: Lithograph on paper Edition: 75 Size: 56 x 76 cm Condition: In perfect conditions and never framed Obse...

Etching and aquatint, 1965 Handsigned by the artist in pencil and numbered 23/50 Publisher : Galerie Louise Leiris, Paris Printer : Crommelynck Catalog : [Baer n°1179 Bb1 T. V p. 201...

Untitled Screen print, 1941 Signed and dated in pencil lower right From an unnumbered edition of 6 Condition: Excellent Image size: 7 1/4 x 5 3/4 inches Sheet size: 10 x 8 inches Pr...

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Artist: Nicholas Krushenick Title: Greensboro Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 34 x 26 inches

Artist: Christian Jaccard (French/Swiss 1939 - ) Title: Fils Noir Sur Le Rouge Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Image Size:...

Wassily Kandinsky (1866-1944), Etching 1916 Number II, drypoint, signed in pencil lower right, titled, numbered (No. 9) and dated lower left [also with initials and date in the plate lower right]. Reference: Roethel 154, only state, edition of 10. In excellent condition (the barest handling fold at sheet edge), printed on a heavy ivory wove paper, the full sheet with full margins, 4 7/8 x 3 1/4, the sheet 17 1/2 x 13 inches, archival mount with window mat. A fine fresh impression of this great rarity, printed in a dark brown ink. Kandinsky created this drypoint (erroneously named Etching 1916) in early 1916 while staying with Gabriel Munter in Stockholm during the winter of 1915-16. This is from the second series of drypoints he made; the first was in the year 1913-14. Provenance: Kornfeld Auction, Bern, June 2007. The tiny size of this edition (10) makes this print a great rarity within the Kandinsky’s printed...

Lithograph, 1960 Handsigned by the artist in pencil Edition : 80 Publisher : Louis Broder, Paris Printer : Desjobert, Paris Catalog : [Vallier 153 p.219-220] 17.00 cm. x 11.00 cm. ...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 12 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Size: 32 x 40 in. (81.28 x 101.6 cm)

This original lithographic poster was created for Max Bill's 1974 exhibition at Marlborough Galerie Zürich. A leading figure in the Concrete Art movement, Bill's work is celebrated f...

Artist: Lloyd Fertig, American (1943 - 1995) Title: Untitled - Green Abstract Year: 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 28 x 22 in. (71.12 x 55....

Lithograph, 1968 Handsigned by the artist in pencil and numbered 9/75 Publisher : XXe siècle (Paris) Printer : Mourlot (Paris) Catalog : [Schneider 68] 32.00 cm. x 26.00 cm. 12.6...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Engraving, 1991 Handsigned by the artist in pencil and numbered 12/16 76.00 cm. x 56.50 cm. 29.92 in. x 22.24 in. (paper) 64.50 cm. x 50.50 cm. 25.39 in. x 19.88 in. (image) LCD2884

Artist: Gaston Petit, Canadian (1933 - ) Title: Millepertuis Corail Year: 1971 Medium: Woodcut, signed, numbered, and titled in pencil Edition: 3/37 Ima...