Framed Animal Prints
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Frame Included
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
"Pool Party 2023", Dog Motif, Backyard Scene, Screen Print
Located in Philadelphia, PA
This piece titled "Pool Party 2023" is an original print by Dylan Goldberger and is made from screenprinting. This piece measures 20.25"h x 26"w framed, and is shipped in the pictured black frame.
Dylan Goldberger is a talented printmaker and illustrator known for his ability to blend traditional relief printmaking, screen printing, and digital drawing. He runs his full-time art practice from his Brooklyn studio, where he carves blocks, burns screens, and editions his own prints. His work often revolves around the captivating world of animals, cleverly infusing humorous social commentary into his anthropomorphized characters. Beyond his studio practice, Dylan is a versatile illustrator and has lent his creative talents to various projects, including product design, branding, and editorial illustration. Dylan has earned a distinguished reputation in the skateboard industry for his intricate board graphics and apparel design. Dylan graduated from Pratt Institute with a BFA in Communication Design. During his time there, he was introduced to the world of printmaking by Dennis McNett. After graduating, Dylan worked as a studio assistant for McNett for several years, gaining valuable experience and insight into the world of printing and sustaining a career as an artist. In 2017, Dylan decided to pursue freelance illustrating full-time, and in 2020, he launched his own brand called Dog Gone Studios.
Dylan’s prints...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Screen, Ink
Ferruginous Duck - Colored lithograph on paper 1950s
Located in Napoli, IT
Colored silkscreen print on paper with mahogany wood frame
Category
1950s Old Masters Animal Prints
Materials
Lithograph, Paper
The Devil in Me
Located in Metairie, LA
“The Devil in Me” (1991) 22x28, 31x37 framed as is.
Among the first ever Blue Dogs, this early important original silkscreen is among the artist’s most t...
Category
1990s Pop Art Animal Prints
Materials
Screen, Archival Paper
Lithographier Originale (Les Peintures Sur Carton) (Abstract, Fun, Gestural)
By Joan Miró
Located in Kansas City, MO
Joan Miro
Lithographier Originale (Les Peintures Sur Carton De Miro)
Original Color Lithograph
Year: 1965
Size: 14.5x10.5in
Edition: 150
Portfolio: DLM 151-152
Publisher: Maeght Ed...
Category
1960s Abstract Expressionist Abstract Prints
Materials
Lithograph
Kurt Meyer-Eberhardt (1895-1977) - Framed Etching, Study of a Great Dane
Located in Corsham, GB
A striking tonal etching of a Great Dane by the famous German printmaker Kurt Meyer-Eberhardt (1895-1977). Signed in graphite below plate lines. Presented in a wash-line mount and el...
Category
Mid-20th Century Animal Prints
Materials
Etching
Birds on Branches - Lithograph in Ink on Paper - Edition of 75
Located in Soquel, CA
Birds on Branches - Lithograph in Ink on Paper - Edition of 75
Delicate and detailed lithograph of birds by Fugi Nakamizo (Japanese/American, 1889-1950)...
Category
Early 20th Century Impressionist Animal Prints
Materials
Lithograph, Ink, Paper
See No Evil, Hear No Evil, Speak No Evil XV (Dogs)
Located in Greenwich, CT
See No Evil, Hear No Evil, Speak No Evil XV (Dogs) is a lithograph on paper, 6 x 9 inches image size. From the edition of 395, numbered 220/275 (there were also 100 Roman and 20 AP),...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
The Spider, 1942 (Histoire Naturelle - Textes de Buffon, B.353)
Located in Greenwich, CT
The Spider is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
A Number One Tiger Fan (LSU Blue Dog) Estate
Located in Metairie, LA
“A Number One Tiger Fan” (2011), Estate stamped with Estate COA
The only LSU Blue Dog, this incredibly rare piece, estate stamped by the official estate of the artist, was created i...
Category
2010s Pop Art Animal Prints
Materials
Screen, Archival Paper
"Wizard Dogs", Dog Motif, Fantasy Scene, Still Life, Screen Print
Located in Philadelphia, PA
This piece titled "Wizard Dogs" is an original print by Dylan Goldberger and is made from screenprinting. This piece measures 22.75"h x 22.75"w framed, and is shipped in the pictured black frame.
Dylan Goldberger is a talented printmaker and illustrator known for his ability to blend traditional relief printmaking, screen printing, and digital drawing. He runs his full-time art practice from his Brooklyn studio, where he carves blocks, burns screens, and editions his own prints. His work often revolves around the captivating world of animals, cleverly infusing humorous social commentary into his anthropomorphized characters. Beyond his studio practice, Dylan is a versatile illustrator and has lent his creative talents to various projects, including product design, branding, and editorial illustration. Dylan has earned a distinguished reputation in the skateboard industry for his intricate board graphics and apparel design. Dylan graduated from Pratt Institute with a BFA in Communication Design. During his time there, he was introduced to the world of printmaking by Dennis McNett. After graduating, Dylan worked as a studio assistant for McNett for several years, gaining valuable experience and insight into the world of printing and sustaining a career as an artist. In 2017, Dylan decided to pursue freelance illustrating full-time, and in 2020, he launched his own brand called Dog Gone Studios.
Dylan’s prints...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Screen, Ink
A Number One Tiger Fan (LSU Blue Dog)
Located in Metairie, LA
“A Number One Tiger Fan” (2011), 14x18 unframed
The only LSU Blue Dog, this incredibly rare piece, signed by the hand of the artist, was created in 2011 just two years before the ar...
Category
2010s Pop Art Animal Prints
Materials
Screen, Archival Paper
David Gilhooly 'Bugs' Artist's Proof Signed Etching Print
Located in San Rafael, CA
David Gilhooly (1943-2013).
Bugs, 2001
Etching on wove paper
Artist's Proof XV/X (6/10) numbered in pencil lower left
Signed and dated in pencil lower right
Dimensions: With Frame ...
Category
1980s Contemporary Animal Prints
Materials
Lithograph
The Donkey, 1942 (Histoire Naturelle - Textes de Buffon, B.329)
Located in Greenwich, CT
The Donkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches,...
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
Oiseau Multicolore, Cubist Etching by Georges Braque 1950
Located in Long Island City, NY
Oiseau Multicolore by Georges Braque, French (1882–1963)
Date: 1950
Aquatint Etching, signed and numbered in pencil
Edition of 69/200
Image Size: 10 x 19.5 inches
Size: 17.75 x 25.25...
Category
1950s Modern Animal Prints
Materials
Aquatint, Etching
Game Cock
Located in Greenwich, CT
Game Cokc is a lithograph on paper, 9 x 9 inches image size. From the edition of 395, numbered 228/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-tone fr...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
The Bull, 1942 (Histoire Naturelle - Textes de Buffon, B.331)
Located in Greenwich, CT
The Bull is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.15 x 8.5 inches...
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
Kurt Meyer-Eberhardt (1895-1977) - Framed Early 20th Century Etching, Dachshunds
Located in Corsham, GB
An adorable etching of two Dachshund puppies by the famous German artist & printmaker Kurt Meyer-Eberhardt (1895-1977). Published by Franz Hanfsta...
Category
20th Century Animal Prints
Materials
Etching
A Hare Out of Place II (Statue of Liberty)
Located in Greenwich, CT
A Hare Out of Place II (Statue of Liberty) is lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 162/275 (there were also 100 Roman and 20 AP).
Robert Deyber’...
Category
2010s Contemporary Prints and Multiples
Materials
Lithograph, Paper
"Voces de sombras" pink contemporary surrealist serigraphy w/gold leaf
Located in Ciudad de México, MX
Nature is a central theme in Alejandra's work, and with this surreal vibrant landscape, we can notice her profound curiosity about the cycles that occur in the natural world that tur...
Category
2010s Surrealist Animal Prints
Materials
Screen
THE BANNISTER
By Will Barnet
Located in Aventura, FL
Lithograph on arches paper. Hand signed, dated titled and numbered in pencil by the artist. From the deluxe edition of 125. Image size 32 x 25 inches. Sheet size 36 x 26.5 inches. ...
Category
1980s Contemporary Portrait Prints
Materials
Paper, Lithograph
The Vulture. 1942 (Histoire Naturelle - Textes de Buffon, B.341)
Located in Greenwich, CT
The Vulture is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
"L'oiseau de sables (Bird of the Sands)" contemporary animal bright signed
Located in Milwaukee, WI
"L'oiseau de sables" ("Bird of the Sands") is an original signed lithograph by Georges Braque executed in 1962. It is 37 of an edition of 125. The work is one of five lithographs cre...
Category
1960s Fauvist Animal Prints
Materials
Lithograph, Printer's Ink
The Lizard, 1942 (Histoire Naturelle - Textes de Buffon, B.355)
Located in Greenwich, CT
The Lizard is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inch...
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
Greyhound
Located in Columbia, MO
Greyhound
1773-1802
Engraving
14 x 10 inches
Framed: 24 x 21 inches
Category
1770s Naturalistic Animal Prints
Materials
Engraving
Jean Dulac (1902-1968) - 1955 Monotype, Tête de Faune
Located in Corsham, GB
A striking etching depicting the head of a faun in monochrome. Signed and dated in graphite. Presented in a gilt frame. On paper.
Category
Mid-20th Century Animal Prints
Materials
Monotype
The Jack Ass (Playing Cards)
Located in Greenwich, CT
The Jack Ass (Playing Cards) is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 40/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs ...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Finale, from Carnival of Animals (Tyler Graphics, 119:SB31)
Located in New York, NY
Stanley Boxer
Finale, from Carnival of Animals (Tyler Graphics, 119:SB31), 1979
Etching, aquatint, engraving and drypoint on hand colored TGL handmade paper
Edition 16/20
Pencil sign...
Category
1970s Abstract Expressionist Abstract Prints
Materials
Engraving, Drypoint, Etching, Aquatint
Jean Dulac (1902-1968) - Mid 20th Century Monotype, Tete de Faun II
Located in Corsham, GB
A striking monotype depicting the head of a faun in monochrome. Signed in graphite. Presented in a gilt frame. On paper.
Category
20th Century Animal Prints
Materials
Monotype
"Les Chevres (The Goats), " Etching Landscape by Claude Gelle Le Lorrain
Located in Milwaukee, WI
"Les Chevres (The Goats)" is an original etching by Claude Lorrain. It depicts two pairs of goats and a shepherd watching over them. This etching is also in the collections of the Me...
Category
1630s Old Masters Animal Prints
Materials
Etching
Dog on a Stump
Located in Washington, DC
Artist: George Rodrigue
Title: Dog on a Stump
Medium: Silkscreen
Year: 1996
Edition: 32/75
Framed Size: 39" x 33"
Sheet Size: 30" x 21"
Signed: Hand signed and numbered in silver ink...
Category
1990s Pop Art Animal Prints
Materials
Screen
The Deer, 1942 (Histoire Naturelle - Textes de Buffon, B.336)
Located in Greenwich, CT
The Deer is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
"Divagaciones espontáneas" contemporary screenprint surrealist zebra and pyramid
Located in Ciudad de México, MX
During the pandemic, the artist stayed for 4 months in Oaxaca on a beach called San Aguistinillo, where he developed the Sana Distancia (safe distance) collection, he created each da...
Category
2010s Surrealist Figurative Prints
Materials
Screen
"Watch for the Next Bloom", Still Life, Cat Depiction Patterns, Woodcut Print
Located in Philadelphia, PA
This piece titled "Watch for the Next Bloom" is an original print by Jun Lee and is made by reduction woodcut. This piece measures 35"h x 26"w framed...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Woodcut, Ink
Les Chats
Located in Greenwich, CT
Les Chats is a lithograph on paper with an image size of 4.75 x 3.5 inches, inititaled 'LK' lower right and annotated lower left, framed in a gold-tone classic 'reed and ribbon' moul...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
The Rooster, 1942 (Histoire Naturelle - Textes de Buffon, B.344)
Located in Greenwich, CT
The Rooster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8.15 inc...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Ox, 1942 (Histoire Naturelle - Textes de Buffon, B.330)
Located in Greenwich, CT
The Ox is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.7 x 8.2 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
Neck & Neck
Located in Greenwich, CT
Neck and Neck is a lithograph on paper, 9.5 x 6.75" image size. From the edition of 395, numbered XCII/C (there were also 275 arabic and 20 AP).
Robert Deyber’s lithographs were crea...
Category
Early 2000s Contemporary Prints and Multiples
Materials
Paper, Lithograph
The Turkey, 1942 (Histoire Naturelle - Textes de Buffon, B.346)
Located in Greenwich, CT
The Turkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.8 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
Prairie Monarch Limited Edition Nancy Dunlop Cawdrey Bison Western Art Giclée
Located in Whitefish, MT
"Prairie Monarch" by Nancy Dunlop Cawdrey. Limited Edition Giclée printed on Archival Fine Art Paper and beautifully framed under UV Cyro Acrylic. 28" x 36", 36" x 44" Framed. Editio...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Giclée, Archival Paper
"#MONKEYPOP", Figurative, Monkey Motif, Depictions of Animals, Lithography
Located in Philadelphia, PA
This piece titled "#MONKEYPOP" is an original print by Jun Lee and is made from stone lithography. This piece measures 30"h x 20"w framed, and is shipped in the pictured black frame....
Category
21st Century and Contemporary Contemporary Figurative Prints
Materials
Lithograph
Fox hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Lionel Ed...
Category
1960s Landscape Prints
Materials
Lithograph
"La Vache Qui Rit Laughing Cow Cheese, " an original Lithograph Poster
By Craig and Kummel Norman
Located in Milwaukee, WI
"Simple Things Are In Fashion. The Cow That Laughs." Authenticated by the Laughing Cow Museum Curator of Collections and History department. Artist is Jacques Parnel. Color lithograp...
Category
1970s Modern Animal Prints
Materials
Lithograph
Frontispiece from the Jerusalem Windows series
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Medium: Original lithograph
Title: Frontispiece from the Jerusalem Windows series
Year: 1962
Edition: Unnumbered
Framed Size: 20...
Category
1960s Animal Prints
Materials
Lithograph
"Nevermore", Bird Iconography, Floral Motif, Osteological Depictions, Etching
Located in Philadelphia, PA
This piece titled "Nevermore" is an original print by Samantha Mendoza and is made from copper etching with aquatint and copper leaf. This piece measu...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Copper
The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Topaza Pella
Located in Columbia, MO
J. Gould & HC Richter.
Topaza Pella
1945
Hand colored etching by J. Gould & HC Richter Del et Lith
Printed London c. 1860s at Hullmandel & Walton, Imp.
21.75 x 14.75 inches
23.75 x ...
Category
19th Century Realist Animal Prints
Materials
Etching
Eugenia Emperatrix
Located in Columbia, MO
J. Gould & HC Richter
Eugenia Emperatrix
1945
Hand colored etching by J. Gould & HC Richter Del et Lith
Printed London c. 1860s at Hullmandel & Walton, Imp.
21.75 x 14.75 inches
23...
Category
20th Century Realist Animal Prints
Materials
Etching
The Wasp, 1942 (Histoire Naturelle - Textes de Buffon, B.351)
Located in Greenwich, CT
The Wasp is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inches, u...
Category
20th Century Modern Prints and Multiples
Materials
Aquatint, Drypoint
The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Seal & Penguin
By Mervin Jules
Located in Provincetown, MA
Mervyn Jules studied at Baltimore City College and the Maryland Institute College of Art before moving to New York City and continuing his art education at the Art Students League of New York under the tutelage of, among others, Thomas Hart Benton. Jules was a Works Progress Administration artist in the 1930s, as a silk screen artist...
Category
Early 20th Century American Impressionist Animal Prints
Materials
Lithograph
A Faster Breed - Blue Dog Signed Silkscreen Print
Located in Mount Laurel, NJ
This Blue Dog work consists of one blue dog sitting on a motorcycle sporting a red scarf around its neck. There is also scenery of mountains in brown and green coloring. The dog has ...
Category
Early 2000s Pop Art Animal Prints
Materials
Screen
"Leopard Dreaming" - Fantasy Lithograph in Ink on Paper
Located in Soquel, CA
"Leopard Dreaming" - Fantasy Lithograph in Ink on Paper
Bold lithograph of a leopard by Carol Jablonsky (American, 1932-1992). A leopard is depicted in a fantastical, surrealist man...
Category
1970s Modern Animal Prints
Materials
Paper, Lithograph, Ink
Landscape with a Cow
Located in Milwaukee, WI
This piece is from a collection of originally designed etchings with drypoints by Rembrandt. It is printed on Ingres D'arches off-white laid paper. The prints are the sixth and final state Posthumous Impression. Printing plates were made in 1650, this collection was printed in 1998.
Rembrandt van Rijn was one of the masters of the landscape genre in his prints and drawings. In his etching, "Landscape with a Cow...
Category
17th Century Renaissance Landscape Prints
Materials
Etching
Eduard Buk Ulreich (1889-1962) - American School Lithograph, Arizona Cowboys
Located in Corsham, GB
An original lithograph by american artist Eduard Buk Ulreich. Titled- 'Arizona Cowboys'. The print was published in England by Baynard press for school prints Ltd. Part of a set of 24 lithographs produced in the 1940s with the intention of bringing contemporary art to young children. The colourful work has been smartly displayed in a large black frame...
Category
Mid-20th Century Animal Prints
Materials
Lithograph
Call of the Wild (Megaphone)
Located in Greenwich, CT
Call of the Wild is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 103/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs were create...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Au Repos
Located in San Francisco, CA
This artwork titled "Au Repos (At Rest)" 1983 is an original color lithograph on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered 157/20...
Category
Late 20th Century Modern Figurative Prints
Materials
Lithograph
