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The Quorn Hunt, Holy Vale hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Lionel Edwards (1878 - 1966)
The Quorn Hu...
Category
1930s Landscape Prints
Materials
Lithograph
A Faster Breed (custom framed hand signed silkscreen)
Located in Aventura, FL
Silkscreen in colors on paper. Hand signed lower right by George Rodrigue. Hand numbered 323/350 lower left. Artwork size: 21 x 16 inches. Custom framed as pictured. Frame size: 41 x 35.75 inches.
Artwork is in excellent condition. Certificate of authenticity included.
About the Artist: George Rodrigue (born March 13, 1944) is a Cajun artist who grew up in New Iberia, Louisiana. Rodrigue began painting outdoor family gatherings framed by moss-clad oak trees in an area of French Louisiana known as Acadiana.
Rodrigue attended the Brothers of the Christian Schools all-male high school called St. Peter's College, (now Catholic High School) which was located near St. Peter's Church, and on the banks of the Bayou Teche as it runs through New Iberia. He studied art formally at the University of Louisiana at Lafayette (then named the University of Southwestern Louisiana) and the Art Center College of Design in Los Angeles. He later trained in New York, and became well known for his abstract expressionism of Cajun subjects, inspired by his roots.
Rodrigue’s early notable works include The Aioli Dinner and Three Oaks. His most famous works include the Acadian heroine, Evangeline, portrayed in Henry Wadsworth Longfellow’s epic poem, Evangeline: A Tale of Acadie (1847) and the Cajun modern-day Evangeline, Jolie Blonde...
Category
Early 2000s Contemporary Animal Prints
Materials
Paper, Screen
$4,875 Sale Price
25% Off
Downtown Lion, Framed Pop Art Etching by Larry Rivers
By Larry Rivers
Located in Long Island City, NY
Artist: Larry Rivers, American (1923 - 2002)
Title: Downtown Lion
Year: 1967
Medium: Etching on Wove paper, signed and numbered in pencil
Edition: 3/24
Image Size: 11.5 x 17.5 inches...
Category
1960s Pop Art Animal Prints
Materials
Etching
Ai Weiwei, Cats (Black) - Signed Print, Contemporary Art, Chinese Activist
By Ai Weiwei
Located in Hamburg, DE
Ai Weiwei (Chinese, b. 1957)
Cats (Black), 2022
Medium: Screenprint on paper
Sheet dimensions: 28 x 32.8 cm
Frame dimensions: 36.1 x 41.2 cm
Edition of 150: Hand-signed, numbered and...
Category
21st Century and Contemporary Contemporary Animal Prints
Materials
Screen
Earth Day
Located in Naples, Florida
In response to a massive oil spill off the coast of Southern California in 1969, Wisconsin Senator Gaylord Nelson initiated the idea of the first annual Earth Day on April 22, 1970, ...
Category
Late 20th Century Landscape Prints
Materials
Lithograph
Jack Rabbit
Located in Greenwich, CT
Jack Rabbit is a lithograph on paper, 9.5 x 7.5 inches image size. From the edition of 395, numbered 151/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-t...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Horse
Located in San Francisco, CA
This artwork "Horse" 1971, is an original etching on Wove paper by Japanese artist Akio Yamao, b.1933. It is hand signed, dated and numbered 13/50 in pencil by the artist. The artwor...
Category
Late 20th Century Modern Animal Prints
Materials
Etching
The Owl that calls upon the Night speaks the Unbeliever's ...
Located in San Francisco, CA
This artwork titled "The Owl that calls upon the Night speaks the Unbeliever's" 1968 is an original woodcut on Makuroko paper by noted American artist Leonard Baskin, 1922-2000. It i...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Woodcut
Stag
Located in San Francisco, CA
This artwork titled "Stag" 1957 is an original woodcut on laid paper by noted American artist Leonard Baskin, 1922-2000. It is hand signed and inscribed A.P. (Artist Proof) pencil by...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Woodcut
"Night Snake #3/20" By Kate Breakey, Archival Pigment Print
By Kate Breakey
Located in Denver, CO
"Night Snake #3/20" (2022) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel.
About the artist:
Kate Breakey is international...
Category
2010s Animal Prints
Materials
Pastel, Pencil, Archival Pigment
The Belvoir Hunt hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Lionel Ed...
Category
1920s Landscape Prints
Materials
Lithograph
"White Swan" (2022) By Kate Breakey, Archival Pigment Print
By Kate Breakey
Located in Denver, CO
"White Swan" (2022) by Kate Breakey is an archival pigment print that depicts a swan in a lake. This piece was hand colored using pencil and pastel.
About the artist:
Kate Breakey...
Category
2010s Animal Prints
Materials
Pastel, Pencil, Archival Pigment
The Party Animal III (Buffalo)
Located in Greenwich, CT
The Party Animal III (Buffalo) is a lithograph on paper, initialed lower right 'BD', 7.25 x 9" image size. From the edition of 395, numbered C/C (there were also 275 Arabic and 20 AP...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
The Horse "Lampo" - Lithograph by Giorgio de Chirico - 1971
Located in Roma, IT
The horse "Lampo" is a modern artwork realized by Giorgio De Chirico in 1971.
Mixed colored lithograph.
Hand signed, titled and numbered on the lower margin.
Edition of 30/48
inc...
Category
1970s Modern Figurative Prints
Materials
Lithograph
$1,239 Sale Price
25% Off
Equestrian Beauty #3
Located in New York City, NY
Large-scale photograph from the Equine Beauty series.
The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category
2010s Contemporary Portrait Photography
Materials
Plexiglass, Archival Pigment
Equestrian Beauty #9 (Photography, Horse Portrait)
Located in New York City, NY
60 x 40 inches
Archival Pigment Print
Mounted and Framed - Black Matt Frame.
Frame Profile 0.75 x 2 inches (see images)
Non-glare
Large-scale photograph from the Equine Beauty serie...
Category
2010s Contemporary Portrait Photography
Materials
Plexiglass, Archival Pigment
A Group of Four engraved and hand-coloured Birds Nests.
Located in London, GB
NOZEMAN, Cornelius and Jan Christian SEPP.
A Group of Four Birds Nests: NIDUS ARDEAE, Nycticoracis; NIDUS PLATALEA, Leucorodia; NIDUS ARDEAE STELLARIS and NIDUS PELECANI, Carbonis f...
Category
1770s Naturalistic Animal Prints
Materials
Watercolor, Engraving
SHARE
By KAWS
Located in Washington, DC
Artist: KAWS
Title: SHARE
Medium: Screenprint on Stonehenge gray paper
Year: 2021
Edition: 184/500
Framed Size: 28" x 24"
Sheet Size: 20" x 16"
Signed: Hand signed and numbered in pe...
Category
2010s Figurative Prints
Materials
Screen
$7,995
Fox hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search.
Lionel Ed...
Category
1960s Landscape Prints
Materials
Lithograph
Le Coq, from Verve Vol VII No. 27-28
Located in Washington, DC
Artist: Georges Braque
Title: Le Coq
Portfolio: Verve Vol VII No. 27-28
Medium: Lithograph
Date: 1952
Edition: 6000
Frame Size: 22" x 18 1/4"
Sheet Size: 14" x 10"
Signature: Unsigned
Category
1950s Modern Animal Prints
Materials
Lithograph
Say's Marmot Squirrel /// John James Audubon Quadruped Natural History Animal
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Say's Marmot Squirrel" (Plate 114, No. 23)
Portfolio: The Viviparous Quadrupeds of North America, Royal Octavo Edition
Year: 1849-1870
Medium: Original Hand-Colored Lithograph on wove paper
Limited edition: approx. 8,000
Printer: John T. Bowen, Philadelphia, PA
Publisher: John Woodhouse Audubon...
Category
1850s Victorian Animal Prints
Materials
Watercolor, Lithograph
Ocelot, or Leopard-Cat /// John James Audubon Quadruped Big Wild Cat Animal Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Ocelot, or Leopard-Cat" (Plate 86, No. 18)
Portfolio: The Viviparous Quadrupeds of North America, Imperial Bowen Edition
Year...
Category
1840s Victorian Animal Prints
Materials
Watercolor, Lithograph
Untitled “From Color to Form” Series
Located in New York, NY
This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), the work...
Category
1960s Abstract Abstract Prints
Materials
Lithograph
The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Cecil Aldin: 'The Master' 20th century hunting lithograph
Located in London, GB
Cecil Aldin (1870 - 1935)
The Master
Lithograph
48 x 40 cm
A jolly lithograph of an MFH and his hounds.
Cecil Charles Windsor Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rural buildings in chalk, pencil, and also wash sketching. He was an enthusiastic sportsman and a Master of Fox Hounds, and many of his pictures illustrated hunting. Aldin's early influences included Randolph Caldecott and John...
Category
Early 20th Century Animal Prints
Materials
Lithograph
Kurt Meyer-Eberhardt (1895-1977) - Early 20th Century Etching, The Meeting
Located in Corsham, GB
A humorous etching by the artist Kurt Meyer-Eberhardt (1895-1977) depicting the meeting of an unusual group of birds. Signed to the lower right. Presented in a gilt frame with a deli...
Category
20th Century Animal Prints
Materials
Etching
Abstract Giclée Print with Glitter, 'Taytu Betul', 2022
By Damien Hirst
Located in New York, NY
Damien Hirst’s ‘Taytu Betul’ is laminated giclée print on aluminum composite panel with glitter, and is one in a series of five mesmerizing prints in ‘The Empresses’ series. ‘Taytu B...
Category
2010s Pop Art Animal Prints
Materials
Glitter, Giclée
Frontispiece from the Jerusalem Windows series
By Marc Chagall
Located in Washington, DC
Artist: Marc Chagall
Medium: Original lithograph
Title: Frontispiece from the Jerusalem Windows series
Year: 1962
Edition: Unnumbered
Framed Size: 20...
Category
1960s Animal Prints
Materials
Lithograph
One Cat D
Located in Bozeman, MT
Born in 1937 in Breckenridge, Minnesota, Fritz Scholder knew what he must do at an early age. As a high school student at Pierre, South Dakota, his teacher was Oscar Howe...
Category
Late 20th Century Contemporary Animal Prints
Materials
Monotype
$4,500
"The Fish" Ida Ten Eyck O'Keeffe, Trout, Black and White, Water, Animal Art
Located in New York, NY
Ida Ten Eyck O'Keeffe
The Fish, 1935
Signed and dated in pencil lower right
Monotype on paper
Image 6 x 8 1/2 inches
Exhibited
Dallas Museum of Art, Ida O'Keeffe: Escaping Georgia's...
Category
1930s American Modern Animal Prints
Materials
Paper, Monotype
Toucans
Located in Greenwich, CT
Toucans is a lithograph on paper, initialed lower right 'BD', 9 x 9" image size. From the edition of 395, numbered LI/C (there were also 275 Arabic and 20 AP), framed in a contempora...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Blue Dog "And the Dog Jumped Over the Moon"
Located in Mount Laurel, NJ
This Blue Dog work consists of two blue dogs on a purple and blue background. One of the dogs is sitting upright and the other is upside down suspended over a red moon. The dogs ha...
Category
Early 2000s Pop Art Animal Prints
Materials
Screen
See No Evil, Hear No Evil, Speak No Evil XV (Dogs)
Located in Greenwich, CT
See No Evil, Hear No Evil, Speak No Evil XV (Dogs) is a lithograph on paper, 6 x 9 inches image size. From the edition of 395, numbered 220/275 (there were also 100 Roman and 20 AP),...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Magpie by Georges Manzana Pissarro - Stencil art, Animal
Located in London, GB
Magpie by Georges Manzana Pissarro (1871-1961)
Pochoir
26.5 x 45 cm (10 ³/₈ x 17 ³/₄ inches)
Signed lower right manzana - Pissarro and numbered 2/100
Artist biograpraphy:
Like all s...
Category
1920s Animal Prints
Materials
Stencil
The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Au Repos
Located in San Francisco, CA
This artwork titled "Au Repos (At Rest)" 1983 is an original color lithograph on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered 157/20...
Category
Late 20th Century Modern Figurative Prints
Materials
Lithograph
Blue Dog Sit in Your Own Chair
Located in Mount Laurel, NJ
This Blue Dog work consists of 4 Adirondack beach chairs, 1 each of Green, Pink, Orange and Blue on a beach in the lower background. The sea and sky are in the upper background. Th...
Category
2010s Pop Art Animal Prints
Materials
Paper, Screen
Bull Market IV (Ticker Tape)
Located in Greenwich, CT
Bull Market IV (Ticker Tape) is a lithograph on paper, 6.75 x 9 inches image size. From the edition of 395, numbered 224/275 (there were also 100 Roman and 20 AP), framed in a conte...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
RAM - PROFILE
Located in Portland, ME
Hnizdovsky, Jacques. RAM. Tahir 86. Woodcut., 1969. Trial Proof aside from the Edition of 100. Signed, Titled, dated and inscrbed :Trial Proof, all in pencil. 21 x 4 3/4 (image),24 ...
Category
1960s Animal Prints
Materials
Woodcut
Bull by the Horns (I've Got the)
Located in Greenwich, CT
Bull by the Horns (I've Got the) is a lithograph on paper, initialed lower right 'BD', 7.75 x 9" image size. From the edition of 395, numbered XCVI/C (there were also 275 Arabic and ...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
Zephyr Bird, Lithograph by Joan Miro 1956
By Joan Miró
Located in Long Island City, NY
An original lithograph from the 1956 Derriere le Miroir “Miro-Artigas” folio. Printed by Mourlot, Published by Maeght, Paris.
Artist: Joan Miro, After, Spanish (1893 - 1983)
Title: Zephyr Bird...
Category
1950s Modern Animal Prints
Materials
Lithograph
$760 Sale Price
20% Off
The Jack Ass (Playing Cards)
Located in Greenwich, CT
The Jack Ass (Playing Cards) is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 40/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs ...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Miranti (Horse Portrait, Equine Beauty)
Located in New York City, NY
Large-scale photograph from the Equine Beauty series.
The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category
2010s Contemporary Portrait Photography
Materials
Plexiglass, Archival Pigment
Submerged Form
Located in San Francisco, CA
This artwork titled "Submerged Form" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graha...
Category
Mid-20th Century Surrealist Animal Prints
Materials
Lithograph
Enchanted Dream, Modern Mixed Media Etching by Max Papart
By Max Papart
Located in Long Island City, NY
Max Papart, French (1911 - 1994) - Enchanted Dream, Year: 1984, Medium: Etching with Carborundum, Aquatint, and Collage, signed and numbered in pencil, Edition: XIV/XXV, Size: 22...
Category
1980s Modern Animal Prints
Materials
Mixed Media, Etching
The Paint Horse: Van Gogh
Located in Greenwich, CT
The Paint Horse: Van Gogh is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 174/275 (there were also 100 Roman an...
Category
21st Century and Contemporary Contemporary Prints and Multiples
Materials
Paper, Lithograph
The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
Jeu de la Cape (III), from A Los Toros Avec Picasso
Located in Washington, DC
Artist: Pablo Picasso
Title: Jeu de la Cape (III)
Portfolio: A Los Toros Avec Picasso
Medium: Transfer lithograph
Date: 1961
Edition: Unnumbered
Frame Size: 18 1/4" x 20 3/4"
Sheet S...
Category
1960s Abstract Animal Prints
Materials
Lithograph
Reigning Cats and Dogs
Located in Greenwich, CT
Reigning Cats and Dogs is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 156/275 (there were also 100 Roman and 20 AP).
Robert Deyber’s lithographs were...
Category
2010s Contemporary Prints and Multiples
Materials
Paper, Lithograph
Utilita I, Wellington, United States, Horse Portrait, Equine Beauty
Located in New York City, NY
Large-scale photograph from the Equine Beauty series.
The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category
2010s Contemporary Portrait Photography
Materials
Plexiglass, Archival Pigment
The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers).
Catalogue - Cramer #37
The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work.
Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential.
For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate).
These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category
20th Century Modern Prints and Multiples
Materials
Drypoint, Aquatint
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Raphael Macek
Maternum, 2020
Afresco series
Large-scale photograph from the Equine Beauty series.
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Category
2010s Contemporary Portrait Photography
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Plexiglass, Archival Pigment
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Marc's Dogs, from IAA, Lithograph in Colours on Wove Paper Painting by Harvey Daniels 1936-2013, 1975
Additional information:
Medium: Lithograph in colours on wove paper
26 3/4 x 18...
Category
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Materials
Lithograph
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George Edwards: "A History of Uncommon Birds", 1749-1761.
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Category
1990s Pop Art Figurative Prints
Materials
Paper, Screen
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Category
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Located in Pasadena, CA
Two cheetahs, lying in tall grass, occupy the foreground of an engraving defined by clean, refined outlines. Their posture—both relaxed and tinged with alertness—reflects the inheren...
Category
Mid-20th Century Post-War Animal Prints
Materials
Lithograph
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