Skip to main content

Framed Animal Prints

to
104
130
183
186
112
127
Overall Width
to
Overall Height
to
215
83
76
34
32
11
9
9
5
4
3
3
2
1
53
40
37
13
12
26
68
344
300
8
7
15
11
12
25
39
44
38
16
21
335
289
112
258
189
114
91
77
74
64
55
53
45
34
29
29
23
21
16
16
16
14
13
291
159
105
89
87
169
575
144
Frame Included
The Quorn Hunt, Holy Vale hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Edwards (1878 - 1966) The Quorn Hu...
Category

1930s Landscape Prints

Materials

Lithograph

A Faster Breed (custom framed hand signed silkscreen)
Located in Aventura, FL
Silkscreen in colors on paper. Hand signed lower right by George Rodrigue. Hand numbered 323/350 lower left. Artwork size: 21 x 16 inches. Custom framed as pictured. Frame size: 41 x 35.75 inches. Artwork is in excellent condition. Certificate of authenticity included. About the Artist: George Rodrigue (born March 13, 1944) is a Cajun artist who grew up in New Iberia, Louisiana. Rodrigue began painting outdoor family gatherings framed by moss-clad oak trees in an area of French Louisiana known as Acadiana. Rodrigue attended the Brothers of the Christian Schools all-male high school called St. Peter's College, (now Catholic High School) which was located near St. Peter's Church, and on the banks of the Bayou Teche as it runs through New Iberia. He studied art formally at the University of Louisiana at Lafayette (then named the University of Southwestern Louisiana) and the Art Center College of Design in Los Angeles. He later trained in New York, and became well known for his abstract expressionism of Cajun subjects, inspired by his roots. Rodrigue’s early notable works include The Aioli Dinner and Three Oaks. His most famous works include the Acadian heroine, Evangeline, portrayed in Henry Wadsworth Longfellow’s epic poem, Evangeline: A Tale of Acadie (1847) and the Cajun modern-day Evangeline, Jolie Blonde...
Category

Early 2000s Contemporary Animal Prints

Materials

Paper, Screen

Downtown Lion, Framed Pop Art Etching by Larry Rivers
Located in Long Island City, NY
Artist: Larry Rivers, American (1923 - 2002) Title: Downtown Lion Year: 1967 Medium: Etching on Wove paper, signed and numbered in pencil Edition: 3/24 Image Size: 11.5 x 17.5 inches...
Category

1960s Pop Art Animal Prints

Materials

Etching

Ai Weiwei, Cats (Black) - Signed Print, Contemporary Art, Chinese Activist
Located in Hamburg, DE
Ai Weiwei (Chinese, b. 1957) Cats (Black), 2022 Medium: Screenprint on paper Sheet dimensions: 28 x 32.8 cm Frame dimensions: 36.1 x 41.2 cm Edition of 150: Hand-signed, numbered and...
Category

21st Century and Contemporary Contemporary Animal Prints

Materials

Screen

Earth Day
Located in Naples, Florida
In response to a massive oil spill off the coast of Southern California in 1969, Wisconsin Senator Gaylord Nelson initiated the idea of the first annual Earth Day on April 22, 1970, ...
Category

Late 20th Century Landscape Prints

Materials

Lithograph

Jack Rabbit
Located in Greenwich, CT
Jack Rabbit is a lithograph on paper, 9.5 x 7.5 inches image size. From the edition of 395, numbered 151/275 (there were also 100 Roman and 20 AP), framed in a contemporary, silver-t...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

The Mother Hen, 1942 (Histoire Naturelle - Textes de Buffon, B.345)
Located in Greenwich, CT
The Mother Hen is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 8 inc...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Horse
Located in San Francisco, CA
This artwork "Horse" 1971, is an original etching on Wove paper by Japanese artist Akio Yamao, b.1933. It is hand signed, dated and numbered 13/50 in pencil by the artist. The artwor...
Category

Late 20th Century Modern Animal Prints

Materials

Etching

The Owl that calls upon the Night speaks the Unbeliever's ...
Located in San Francisco, CA
This artwork titled "The Owl that calls upon the Night speaks the Unbeliever's" 1968 is an original woodcut on Makuroko paper by noted American artist Leonard Baskin, 1922-2000. It i...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Woodcut

Stag
Located in San Francisco, CA
This artwork titled "Stag" 1957 is an original woodcut on laid paper by noted American artist Leonard Baskin, 1922-2000. It is hand signed and inscribed A.P. (Artist Proof) pencil by...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Woodcut

"Night Snake #3/20" By Kate Breakey, Archival Pigment Print
Located in Denver, CO
"Night Snake #3/20" (2022) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel. About the artist: Kate Breakey is international...
Category

2010s Animal Prints

Materials

Pastel, Pencil, Archival Pigment

The Belvoir Hunt hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...
Category

1920s Landscape Prints

Materials

Lithograph

"White Swan" (2022) By Kate Breakey, Archival Pigment Print
Located in Denver, CO
"White Swan" (2022) by Kate Breakey is an archival pigment print that depicts a swan in a lake. This piece was hand colored using pencil and pastel. About the artist: Kate Breakey...
Category

2010s Animal Prints

Materials

Pastel, Pencil, Archival Pigment

The Party Animal III (Buffalo)
Located in Greenwich, CT
The Party Animal III (Buffalo) is a lithograph on paper, initialed lower right 'BD', 7.25 x 9" image size. From the edition of 395, numbered C/C (there were also 275 Arabic and 20 AP...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

The Horse "Lampo" - Lithograph by Giorgio de Chirico - 1971
Located in Roma, IT
The horse "Lampo" is a modern artwork realized by Giorgio De Chirico in 1971. Mixed colored lithograph. Hand signed, titled and numbered on the lower margin. Edition of 30/48 inc...
Category

1970s Modern Figurative Prints

Materials

Lithograph

Equestrian Beauty #3
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Equestrian Beauty #9 (Photography, Horse Portrait)
Located in New York City, NY
60 x 40 inches Archival Pigment Print Mounted and Framed - Black Matt Frame. Frame Profile 0.75 x 2 inches (see images) Non-glare Large-scale photograph from the Equine Beauty serie...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

A Group of Four engraved and hand-coloured Birds Nests.
Located in London, GB
NOZEMAN, Cornelius and Jan Christian SEPP. A Group of Four Birds Nests: NIDUS ARDEAE, Nycticoracis; NIDUS PLATALEA, Leucorodia; NIDUS ARDEAE STELLARIS and NIDUS PELECANI, Carbonis f...
Category

1770s Naturalistic Animal Prints

Materials

Watercolor, Engraving

SHARE
By KAWS
Located in Washington, DC
Artist: KAWS Title: SHARE Medium: Screenprint on Stonehenge gray paper Year: 2021 Edition: 184/500 Framed Size: 28" x 24" Sheet Size: 20" x 16" Signed: Hand signed and numbered in pe...
Category

2010s Figurative Prints

Materials

Screen

Fox hunting print by Lionel Edwards
Located in London, GB
To see our other hunting pictures, scroll down to "More from this Seller" and below it click on "See all from this Seller" and then search. Lionel Ed...
Category

1960s Landscape Prints

Materials

Lithograph

Le Coq, from Verve Vol VII No. 27-28
Located in Washington, DC
Artist: Georges Braque Title: Le Coq Portfolio: Verve Vol VII No. 27-28 Medium: Lithograph Date: 1952 Edition: 6000 Frame Size: 22" x 18 1/4" Sheet Size: 14" x 10" Signature: Unsigned
Category

1950s Modern Animal Prints

Materials

Lithograph

Say's Marmot Squirrel /// John James Audubon Quadruped Natural History Animal
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Say's Marmot Squirrel" (Plate 114, No. 23) Portfolio: The Viviparous Quadrupeds of North America, Royal Octavo Edition Year: 1849-1870 Medium: Original Hand-Colored Lithograph on wove paper Limited edition: approx. 8,000 Printer: John T. Bowen, Philadelphia, PA Publisher: John Woodhouse Audubon...
Category

1850s Victorian Animal Prints

Materials

Watercolor, Lithograph

Ocelot, or Leopard-Cat /// John James Audubon Quadruped Big Wild Cat Animal Art
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851) Title: "Ocelot, or Leopard-Cat" (Plate 86, No. 18) Portfolio: The Viviparous Quadrupeds of North America, Imperial Bowen Edition Year...
Category

1840s Victorian Animal Prints

Materials

Watercolor, Lithograph

Untitled “From Color to Form” Series
Located in New York, NY
This stunning lithograph, was realized by the celebrated Italian artist Marino Marini in 1969. Part of the series “From Color to Form” by Marino Marini (Italian, 1901-1980), the work...
Category

1960s Abstract Abstract Prints

Materials

Lithograph

The Pigeon, 1942 (Histoire Naturelle - Textes de Buffon, B.347)
Located in Greenwich, CT
The Pigeon is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.75x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Cecil Aldin: 'The Master' 20th century hunting lithograph
Located in London, GB
Cecil Aldin (1870 - 1935) The Master Lithograph 48 x 40 cm A jolly lithograph of an MFH and his hounds. Cecil Charles Windsor Aldin was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rural buildings in chalk, pencil, and also wash sketching. He was an enthusiastic sportsman and a Master of Fox Hounds, and many of his pictures illustrated hunting. Aldin's early influences included Randolph Caldecott and John...
Category

Early 20th Century Animal Prints

Materials

Lithograph

Kurt Meyer-Eberhardt (1895-1977) - Early 20th Century Etching, The Meeting
Located in Corsham, GB
A humorous etching by the artist Kurt Meyer-Eberhardt (1895-1977) depicting the meeting of an unusual group of birds. Signed to the lower right. Presented in a gilt frame with a deli...
Category

20th Century Animal Prints

Materials

Etching

Abstract Giclée Print with Glitter, 'Taytu Betul', 2022
Located in New York, NY
Damien Hirst’s ‘Taytu Betul’ is laminated giclée print on aluminum composite panel with glitter, and is one in a series of five mesmerizing prints in ‘The Empresses’ series. ‘Taytu B...
Category

2010s Pop Art Animal Prints

Materials

Glitter, Giclée

Frontispiece from the Jerusalem Windows series
Located in Washington, DC
Artist: Marc Chagall Medium: Original lithograph Title: Frontispiece from the Jerusalem Windows series Year: 1962 Edition: Unnumbered Framed Size: 20...
Category

1960s Animal Prints

Materials

Lithograph

One Cat D
Located in Bozeman, MT
Born in 1937 in Breckenridge, Minnesota, Fritz Scholder knew what he must do at an early age. As a high school student at Pierre, South Dakota, his teacher was Oscar Howe...
Category

Late 20th Century Contemporary Animal Prints

Materials

Monotype

"The Fish" Ida Ten Eyck O'Keeffe, Trout, Black and White, Water, Animal Art
Located in New York, NY
Ida Ten Eyck O'Keeffe The Fish, 1935 Signed and dated in pencil lower right Monotype on paper Image 6 x 8 1/2 inches Exhibited Dallas Museum of Art, Ida O'Keeffe: Escaping Georgia's...
Category

1930s American Modern Animal Prints

Materials

Paper, Monotype

Toucans
Located in Greenwich, CT
Toucans is a lithograph on paper, initialed lower right 'BD', 9 x 9" image size. From the edition of 395, numbered LI/C (there were also 275 Arabic and 20 AP), framed in a contempora...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

Blue Dog "And the Dog Jumped Over the Moon"
Located in Mount Laurel, NJ
This Blue Dog work consists of two blue dogs on a purple and blue background. One of the dogs is sitting upright and the other is upside down suspended over a red moon. The dogs ha...
Category

Early 2000s Pop Art Animal Prints

Materials

Screen

See No Evil, Hear No Evil, Speak No Evil XV (Dogs)
Located in Greenwich, CT
See No Evil, Hear No Evil, Speak No Evil XV (Dogs) is a lithograph on paper, 6 x 9 inches image size. From the edition of 395, numbered 220/275 (there were also 100 Roman and 20 AP),...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

Magpie by Georges Manzana Pissarro - Stencil art, Animal
Located in London, GB
Magpie by Georges Manzana Pissarro (1871-1961) Pochoir 26.5 x 45 cm (10 ³/₈ x 17 ³/₄ inches) Signed lower right manzana - Pissarro and numbered 2/100 Artist biograpraphy: Like all s...
Category

1920s Animal Prints

Materials

Stencil

The Sparrow Hawk, 1942 (Histoire Naturelle - Textes de Buffon, B.342)
Located in Greenwich, CT
The Sparrow Hawk is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

The Monkey, 1942 (Histoire Naturelle - Textes de Buffon, B.339)
Located in Greenwich, CT
The Monkey is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 7.9 inche...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Au Repos
Located in San Francisco, CA
This artwork titled "Au Repos (At Rest)" 1983 is an original color lithograph on paper by noted Bolivian artist Graciela Rodo Boulanger, b.1935. It is hand signed and numbered 157/20...
Category

Late 20th Century Modern Figurative Prints

Materials

Lithograph

Blue Dog Sit in Your Own Chair
Located in Mount Laurel, NJ
This Blue Dog work consists of 4 Adirondack beach chairs, 1 each of Green, Pink, Orange and Blue on a beach in the lower background. The sea and sky are in the upper background. Th...
Category

2010s Pop Art Animal Prints

Materials

Paper, Screen

Bull Market IV (Ticker Tape)
Located in Greenwich, CT
Bull Market IV (Ticker Tape) is a lithograph on paper, 6.75 x 9 inches image size. From the edition of 395, numbered 224/275 (there were also 100 Roman and 20 AP), framed in a conte...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

RAM - PROFILE
Located in Portland, ME
Hnizdovsky, Jacques. RAM. Tahir 86. Woodcut., 1969. Trial Proof aside from the Edition of 100. Signed, Titled, dated and inscrbed :Trial Proof, all in pencil. 21 x 4 3/4 (image),24 ...
Category

1960s Animal Prints

Materials

Woodcut

Bull by the Horns (I've Got the)
Located in Greenwich, CT
Bull by the Horns (I've Got the) is a lithograph on paper, initialed lower right 'BD', 7.75 x 9" image size. From the edition of 395, numbered XCVI/C (there were also 275 Arabic and ...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

Zephyr Bird, Lithograph by Joan Miro 1956
Located in Long Island City, NY
An original lithograph from the 1956 Derriere le Miroir “Miro-Artigas” folio. Printed by Mourlot, Published by Maeght, Paris. Artist: Joan Miro, After, Spanish (1893 - 1983) Title: Zephyr Bird...
Category

1950s Modern Animal Prints

Materials

Lithograph

The Jack Ass (Playing Cards)
Located in Greenwich, CT
The Jack Ass (Playing Cards) is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 40/275 (there were also 100 Roman and 20 AP). Robert Deyber’s lithographs ...
Category

2010s Contemporary Prints and Multiples

Materials

Paper, Lithograph

Miranti (Horse Portrait, Equine Beauty)
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Submerged Form
Located in San Francisco, CA
This artwork titled "Submerged Form" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graha...
Category

Mid-20th Century Surrealist Animal Prints

Materials

Lithograph

Enchanted Dream, Modern Mixed Media Etching by Max Papart
Located in Long Island City, NY
Max Papart, French (1911 - 1994) - Enchanted Dream, Year: 1984, Medium: Etching with Carborundum, Aquatint, and Collage, signed and numbered in pencil, Edition: XIV/XXV, Size: 22...
Category

1980s Modern Animal Prints

Materials

Mixed Media, Etching

The Paint Horse: Van Gogh
Located in Greenwich, CT
The Paint Horse: Van Gogh is a lithograph on paper, 9.5 x 9 inches image size, and initialed 'BD' lower right. From the edition of 395, numbered 174/275 (there were also 100 Roman an...
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Paper, Lithograph

The Goldfinch, 1942 (Histoire Naturelle - Textes de Buffon, B.348 )
Located in Greenwich, CT
The Goldfinch is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 11.2 x 8.25 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Jeu de la Cape (III), from A Los Toros Avec Picasso
Located in Washington, DC
Artist: Pablo Picasso Title: Jeu de la Cape (III) Portfolio: A Los Toros Avec Picasso Medium: Transfer lithograph Date: 1961 Edition: Unnumbered Frame Size: 18 1/4" x 20 3/4" Sheet S...
Category

1960s Abstract Animal Prints

Materials

Lithograph

Reigning Cats and Dogs
Located in Greenwich, CT
Reigning Cats and Dogs is a lithograph on paper, 9 x 9" image size. From the edition of 395, numbered 156/275 (there were also 100 Roman and 20 AP). Robert Deyber’s lithographs were...
Category

2010s Contemporary Prints and Multiples

Materials

Paper, Lithograph

Utilita I, Wellington, United States, Horse Portrait, Equine Beauty
Located in New York City, NY
Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

The White Eagle, 1942 (Histoire Naturelle - Textes de Buffon, B.340)
Located in Greenwich, CT
The White Eagle is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.5 x 8.15 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

The Lobster, 1942 (Histoire Naturelle - Textes de Buffon, B.352)
Located in Greenwich, CT
The Lobster is an aquatint and drypoint print on chine from one of the deluxe copies of Picasso's 1942 Histoire Naturelle - Textes de Buffon series. The image size is 10.6 x 7.9 inches, unsigned as issued, and framed in a contemporary silver and gray moulding. One of about 36 prints that exist with Picasso's remarqued title in French, from the edition of 262 (there were 226 portfolios, some with additional sets on varying papers). Catalogue - Cramer #37 The exceptional etchings from Picasso’s Histoire Naturelle – Textes de Buffon are a masterful combination of sugar-lift aquatint and drypoint, showcasing a full range of gray tonalities. The etchings of animals, birds and insects are considered some of the most beautiful and most unusual examples of Picasso’s graphic work. Roger Lacourière, Picasso’s master printer, pulled the prints for each etching between 1939-1942. It was Lacourière who taught Picasso the sugar-lift aquatint technique which allowed him to mimic the effect of brushstrokes in these etched images. Picasso first explored the technique in his plates for the Vollard Suite, but it was in the creation of the Buffon images that he fully realized its stunning, painterly potential. For the edition, 226 portfolios were produced with the first thirty-six counting as deluxe compilations. These rare deluxe sets were on diverse papers (chine, japon or vergé ancien) and each included a complete additional suite showing Picasso’s title remarques along the bottom. As such, the remarqued versions of the prints are quite rare with just thirty-six of each produced for the edition (with the exception of The Wolf which is never remarqued – the image always fills the entire etching plate). These prints are based on the writings of French naturalist Georges-Louis Leclerc, Comte de Buffon, who extensively documented the natural world in his monumental work Histoire Naturelle. Picasso’s association with the project to illustrate parts of the Buffon came during a tumultuous time in European history – the prelude to, and early years of, World War II. As the continent was ravaged, Picasso lived through the disaster in Paris, which the Germans occupied in 1940. These prints could be seen as a political statement – Picasso channeling his artistic expression into a form of resistance art...
Category

20th Century Modern Prints and Multiples

Materials

Drypoint, Aquatint

Maternum, Horse Portrait
Located in New York City, NY
Raphael Macek Maternum, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring on...
Category

2010s Contemporary Portrait Photography

Materials

Plexiglass, Archival Pigment

Marc's Dogs, from IAA, Geometric Lithograph Print with Dogs, 1975
Located in Kingsclere, GB
Marc's Dogs, from IAA, Lithograph in Colours on Wove Paper Painting by Harvey Daniels 1936-2013, 1975 Additional information: Medium: Lithograph in colours on wove paper 26 3/4 x 18...
Category

21st Century and Contemporary Prints and Multiples

Materials

Lithograph

George Edwards: c18th Engravings of Birds in Decalcomania Frames
Located in Richmond, GB
George Edwards: "A History of Uncommon Birds", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Histo...
Category

18th Century Animal Drawings and Watercolors

Materials

Watercolor, Etching

THREE EYES (FROM ICON SERIES)
Located in Aventura, FL
Three Eyes from the Icons series. Screen print in colors with embossing on Arches cover paper. Hand signed, dated and numbered by the executor of the Haring estate, Julia Gruen, in p...
Category

1990s Pop Art Figurative Prints

Materials

Paper, Screen

George Edwards: 18th Century Engravings of Ducks And Wading Birds
Located in Richmond, GB
George Edwards: ""A History of Uncommon Birds"", 1749-1761. A prominent English naturalist and ornithologist, George Edwards (1694 -1773) is best known for his work, ""A Natural Hi...
Category

18th Century Animal Paintings

Materials

Watercolor, Engraving

"Cheetah" Lithograph by Linda Lloyd
Located in Pasadena, CA
Two cheetahs, lying in tall grass, occupy the foreground of an engraving defined by clean, refined outlines. Their posture—both relaxed and tinged with alertness—reflects the inheren...
Category

Mid-20th Century Post-War Animal Prints

Materials

Lithograph

Recently Viewed

View All