Framed Animal Prints

Joan Miro Lithographier Originale (Les Peintures Sur Carton De Miro) Original Color Lithograph Year: 1965 Size: 14.5x10.5in Edition: 150 Portfolio: DLM 151-152 Publisher: Maeght Ed...

Serigraph in colors on paper. Hand signed lower left by Romero Britto. Hand numbered 89/300 lower right. Sheet size: 43 x 42 inches. Image size: 36 x 36 inches. Custom framed as...

Signed lower right, 'Arthur B. Davies' for Arthur Bowen Davies (American, 1862-1928) and created circa 1915. An early twentieth-century sugar-lift aquatint showing Zeus in the guise of a swan, reclining and cradling Lida in his wings while King Tyndareus ponders the mutability of human circumstance. Born in Utica, New York, Arthur Davies attended the Chicago Academy of Design from 1879 to 1882. He furthered his studies at the Chicago Art Institute, before moving to New York City in 1885 where he studied at the Art Students League and Gotham Art Students League. In 1893, he made the first of many trips to Europe, visiting Holland, Paris, and London. He became an arch-exponent of Modernism and the central organizing figure of 1913's watershed Armory Show. Davies developed a style that combined visionary Symbolism with elements of Tonalism and Cubism. Who Was Who in American Art describes him as an “…important but enigmatic Modernist whose work was poetic, mysterious, and visionary”. Davies was the recipient of many gold medals and prizes and juried awards and his work is held in the permanent collections of museums nationwide, including New York’s Museum of Modern Art, the Art Institute of Chicago, the Baltimore Museum of Art and the Los Angeles County Museum of Art, among others. Photo of Arthur B Davies circa 1907 in New York City by Gertrude Käsebier courtesy of Library of Congress Prints and Photographs Division Washington, D.C. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 1, p. 835; Artists in California 1786-1940, Third Edition, Edan Milton Hughes: Crocker Art Museum, Sheridan Books 2002, Vol. 1, p. 280; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 7/8, p. 470; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 4, p. 293; Davenport’s Art Reference and Price Guide 2009/10 Edition, LTB Gordonsart, Inc. 2008, p. 672; et al. Additional biographical information follows, written by Catherine Southwick and Robert Torchia from the National Gallery of Art Online Editions: Arthur B. Davies’s mystical, mysterious paintings hearken back to 19th-century romanticism, even while Davies aligned himself with American artists advancing the most radical ideals of their day. Davies was born on September 26, 1862, in Utica, New York, the son of English and Welsh parents who had immigrated to the United States in 1856. He first took art lessons as a teenager from a local landscape painter, Dwight Williams...

This abstracted print of a dog by artist Russell Miyaki features a warm, colorful palette and captures a brown Labrador from the shoulders up, composed of sweeping colors in front of...

This artwork titled "Impressionabilita" 1969, is an original color screen print on wove by noted Italian artist Marino Marini, 1901-1980. It is hand signed and numbered 93/125 in pen...

‘Non-Fungible Reality’, oil and acrylic on birch panel, 90x90cm (100x100cm with frame) .This piece took over 100 hours to paint and has many layers of meaning. It’s depicts a stunnin...

Archival pigment print on textured matte paper. Signed on back, edition of 25.

Artist: Lumen Martin Winter, American (1908 - 1982) Title: Steeds of Apollo (Apollo XIII) Year: 1981 Medium: Lithograph, signed and numbered in pencil...

An original etching by Peter Moran (1841-1914). On the Road to Santa Fe. Presented in a Hogarth style frame with an antique white mount. Signed in plate to the lower right and again ...

"Simple Things Are In Fashion. The Cow That Laughs." Authenticated by the Laughing Cow Museum Curator of Collections and History department. Artist is Jacques Parnel. Color lithograp...

Covey of Grouse II – a celebration of birds in flight. Guy Allen’s etchings inspired by the fauna of Norfolk have a remarkable level of detail. His etchings capture the character a...

Lovely etching, framed, with fine art glass. Signed, E/A.

This is an original 19th century hand-colored folio-sized lithograph entitled "Falco Candicans" (Greenland Falcon Light) by John Gould, from his "Birds of Great Britain", published i...

This abstracted print of a dog by artist Russell Miyaki features a warm, colorful palette and captures a brown Labrador from the shoulders up, composed of sweeping colors in front of...

This abstract limited edition print features a blue heron bird in flight (facing left). The background is an abstract rectangular pattern with blue and gold rectangles, which blend i...

This artwork titled "Rabbit Series #3" 1980, is an original mezzotint with embossing by noted Hungarian artist Radovan Kragulj, b.1935. It is hand signed, dated, titled and inscribed A.P. (Artist Proof) in pencil by the artist. The sheet size is 25.5 x 19.5 inches, framed size is 26.75 x 20.75 inches. It is custom framed in a silver metal frame, with white backing. It is in excellent condition. About the artist: Radovan Kraguly...

This abstracted print of a dog by artist Russell Miyaki features a vibrant palette, with a brown dog from the shoulders up, wearing a bright orange collar in front of a bright, half ...

Lithograph on arches paper. Hand signed, dated titled and numbered in pencil by the artist. From the deluxe edition of 125. Image size 32 x 25 inches. Sheet size 36 x 26.5 inches. ...

The Swallowtail butterfly is the largest butterfly in the UK and a prized inhabitant of the Norfolk Broads – its only established UK home. Its survival has been enabled by an active management of the fen landscape, where reed and sedge are cut to allow other plants to grow in particular the milk parsley, where the butterfly lays its eggs on the tallest plants. On a windless day between late May...

This Blue Dog work consists of one blue dog sitting on the sand with a view of the ocean and 3 blue and yellow striped umbrellas. The dog has soulful yellow eyes. This pop art anima...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog wit...

Antique Dog Portrait Lithograph in the Taste of Alfred De Dreux Wolfhound E France, circa 1870 Lithography 25 5/8 x 19 5/8 (28 x 20 frame) inches Six lithographs of dog portraits....

Artist: Billy Al Bengston – American (1934-2022) Title: Untitled Year: 1990 Medium: Lithograph, silkscreen on Arches paper Sight size: 19.5 x 25.5 inches. Sheet size: 24 x 30 inches. Signature: Signed lower right Publisher: Cirrus Editions, Ltd., Los Angeles, CA Edition: 250 This one: 120/250 Condition: Excellent This print is by Billy Al Bengston. It depicts what looks like a coyote staring out at the horizon on a full moon night. This print was created at the same time Bengston was creating his Moon paintings. The print has dark colors. As a result, my photographs are imperfect; they have a bit of glare. The print is in excellent condition. It is attached by two hinges to a matboard measuring 26 x 32 inches and has a Plexiglas frame. The frame is in fair condition with some light scratches. Billy Al Bengston (June 7, 1934 – October 8, 2022) was an American visual artist and sculptor who lived and worked in Venice, California, and Honolulu, Hawaii. Bengston was probably best known for work he created that reflected California's "Kustom" car and motorcycle culture. He pioneered the use of sprayed layers of automobile lacquer in fine art and often used colors that were psychedelic and shapes that were mandala-like. ARTnews referred to Bengston as a "giant of Los Angeles's postwar art scene." Early life and education Bengston was born in Dodge City, Kansas, on June 7, 1934. His family relocated to Los Angeles in 1948. He attended Los Angeles City College in 1952. Subsequently, he studied painting under Richard Diebenkorn and Saburo Hasegawa at the California College of Arts and Crafts, in Oakland, California, in 1955 and returned to Los Angeles to study at Otis Art Institute in 1956. Career Bengston began showing with the Ferus Gallery in Los Angeles (founded and run by Walter Hopps and Edward Kienholz, and later Irving Blum), having five shows between 1958 and 1963. As a fixture at the gallery, he was among a cohort of artists that included Kienholz, Ed Ruscha, Larry Bell, Kenneth Price, Ed Moses, and Robert Irwin. (The gallery closed in 1966.) In a 2018 article in Vanity Fair, Bengston recalled that he and Irwin hung the 32 pieces in Andy Warhol's Campbell's soup-can paintings show at Ferus in 1962. He notably described the atmosphere of Ferus as a "macho intellectual gang bang". After seeing the work of Jasper Johns at the 1958 Venice Biennale he adopted the motif of a set of sergeant's stripes. This recurring chevron image was painted with industrial materials and techniques associated with the decoration of motorcycle fuel tanks and surfboards. According to Grace Glueck of The New York Times, Bengston "was among the first to ditch traditional oil paint on canvas, opting instead for sprayed layers of automobile lacquer on aluminum in soft colors, achieving a highly reflective, translucent surface." Bengston encouraged viewers in the early 1960s to associate his art with motorcycle subculture; on the cover of a 1961 catalogue for a Ferus show, he was seen straddling a motorcycle. (He also competed in motocross competitions.) "When I painted these motorcycle paintings...

See No Evil, Hear No Evil, Speak No Evil (Giraffes) is a lithograph on paper, initialed 'BD' lower right, 6 x 9 inches image size. From the edition of 395, numbered LII/C (there were...

Listing includes framing with UV plexi ($1,000 value), free shipping for the continental US and a 14 day return policy. Also available for local pick up at our New York City galler...

Colored silkscreen print on paper with mahogany wood frame

Joseph Wolf Lithograph c.1940

This abstracted print of a dog by artist Russell Miyaki features a vibrant palette, with a brown dog from the shoulders up, wearing a bright orange collar in front of a bright, half ...

This abstracted print of a dog by artist Russell Miyaki features a unique palette and captures a black Doberman dog from the shoulders up, with warm accents in front of a gold backgr...

George Cronias (1925-2004) "Track Pals" Original Color Lithograph C.1960 Track pals hanging out on a nice day at Santa Anita Lithograph dimensions 17.75"...

This abstracted print of a dog by artist Russell Miyaki features an earthy neutral palette and captures a brown dog in profile in front of a white background. It pairs larger abstrac...

Artist: Jacques Barraband Title: La Perruche Javane Pt 69 Year: 1801 - 1805 Medium: Engravings with Original Hand-Coloring Sheet Size: 20" x 13.38" About the Artist: Jacques Barraba...

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

This artwork titled "Bird About to Take a Flight" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist...

Colored silkscreen print on paper with mahogany wood frame

This abstracted print of a dog by artist Russell Miyaki features a light neutral palette with colorful accents and expressive, playful elements to create an energetic composition of ...

This abstracted print of a dog by artist Russell Miyaki features a light neutral palette with colorful accents and expressive, playful elements to create an energetic composition of ...

MASSIMO CAMPIGLI 1895-1971 Florenz 1895-1971 St. Tropez (Italian) Title: L'Ecuyere, 1954 Technique: Original Hand Signed and Dated Lithograph in Colours on BFK Rives Wove Paper Th...

This abstracted print of a dog by artist Russell Miyaki features a light neutral palette with expressive, playful elements to create an energetic composition of a Dalmatian with his ...

This abstracted print of a dog by artist Russell Miyaki features a vibrant palette, with a brown dog from the shoulders up, wearing a bright orange collar in front of a bright, half ...

This abstracted print of a dog by artist Russell Miyaki features a vibrant palette, with a brown dog from the shoulders up, wearing a bright orange collar in front of a bright, half ...

Artist: Millard Owen Sheets, American (1907 - 1989) Title: Brood Mare Pasture Year: circa 1977 Medium: Lithograph, signed in pencil Edition: 250, A...

This abstracted print of a dog by artist Russell Miyaki features an earthy neutral palette and captures a brown dog in profile in front of a white background. It pairs larger abstrac...

This abstracted print of a dog by artist Russell Miyaki features a unique palette and captures a black Doberman dog from the shoulders up, with warm accents in front of a gold backgr...

This abstracted print of a dog by artist Russell Miyaki features a unique palette and captures a black Doberman dog from the shoulders up, with warm accents in front of a gold backgr...

John Gould: 1804-1881. British ornithologist and bird artist. He was the equivalent to the American Audabon. He produced books with lithographed prints such as The Birds of Great Bri...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog wit...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog lic...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog lic...

This abstracted print of a dog by artist Russell Miyaki features a light, colorful palette and loose, expressive, and playful elements to create an energetic composition of a dog lic...

Lithograph signed in the plate on paper

Artist: Pablo Picasso Title: Head of a Calf (Plate XXXVI) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet Size: 13" x 10 3...

Giclee on canvas. Hand signed lower left by Robert Wyland. Hand numbered 181/750 lower right. Canvas size 39.25 x 29.5 inches. Frame size: approx 43.5 x 33.5 inches. Artwork is in excellent condition. Frame has some random scratches from storage. Certificate of Authenticity included.. All reasonable offers will be considered. About the Artist: The marine wildlife artist Robert Wyland, was born in 1956 in Detroit Michigan. He attended the Center for Creative Studies in Detroit majoring in painting and sculpture. Upon graduation, Wylands' professors, Jay Holland...

"Two Protea" (2024) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel. About the artist: Kate Breakey is internationally know...

This artwork titled "Cynocephalus" from the suite "Bestiary and some Correspondences" 1968 is an original color lithograph on Arches paper by renown British surrealist artist Graham ...

Rudolph Ackermann (20 April 1764 in Stollberg, Electorate of Saxony – 30 March 1834 in Finchley, London)[1] was an Anglo-German bookseller, inventor, lithographer, publisher and busi...

Nancy Graves Original Graham Gallery poster (hand signed by Nancy Graves), 1968 Extremely rare vintage offset lithograph poster (hand signed by Nancy Graves) hand signed by Nancy Graves in pencil on the front Frame included: held in museum quality wood frame with UV plexiglass Publisher: Graham Gallery This late 1960s vintage Graham Gallery poster is hand signed by Nancy Graves on the front. It was published on the occasion of her "Camels" exhibition - a groundbreaking show in the artist's young life, as she died at age 54 of breast cancer. (People forget how brave she was, a sharp counterpoint to the style of the macho Minimalists of the era, like her ex husband Richard Serra.) The following year -- in 1969 - Nancy Graves became the first woman ever to have a solo show at the Whitney Museum. We've never seen another of these posters anywhere else in the world - let alone one hand signed by Nancy Graves. Elegantly framed in a museum quality wood frame with UV plexiglass Measurements: Frame: 17 x 17.5 x 1.5 inches Work: 10 x 10.75 inches About Nancy Graves: Nancy Graves (1940–1995) was born in Massachusetts. Her father worked as an accountant at the local Berkshire Museum, where art was displayed with natural history. He encouraged his daughter’s early interests in art, nature and anthropology — interests which endured for the rest of her life. After graduating from Vassar College with a degree in English Literature, Graves attended Yale University, where she earned both a B.A. and an M.A. in Art, studying alongside Chuck Close, Robert Mangold and Brice Marsden. Following Yale, she won a prestigious Fulbright Scholarship in 1964, and began studying painting in Paris — where she also married sculptor Richard Serra, whom she had met at Yale (and from whom she would divorce in 1970). Moving on to Florence soon after, she would live a somewhat nomadic life, spending time in countries that included Morocco, Kashmir, India, Egypt, Peru, Australia and Canada. From a point of view that she described as “objective,” Graves transformed scientific sources, such as maps and diagrams, into artworks by re-producing their complex visual information in detailed paintings and drawings. Investigating the intersections between art and scientific disciplines, Graves created compelling, formally rigorous, yet ultimately expressive works of art that examine concepts of repetition, variation, verisimilitude, and the presentation and perception of visual information. Based in SoHo, New York, Graves gained prominence in the late 1960s as a post-Minimalist artist for innovative camel, fossil, totem, and bone sculptures that were hand formed and assembled from unusual materials such as fur, burlap, canvas, plaster, latex, wax, steel, fiberglass and wood. Made in reaction to Pop and Minimalism, these works reference archaeological sites, anthropology, and natural science displays. Suspended from the ceiling or clustered directly on the floor, these early sculptures also engage with Conceptualist ideas of display. For her Whitney Museum presentation Graves exhibited three seemingly realistic sculptures of camels in an installation that evoked taxidermy specimens and questioned issues of verisimilitude in art and science, particularly in light of their hand patched and painted fur surfaces. The exhibition elicited wide spread critical responses and established her artistic significance. After intensely engaging with sculpture in the early 1970s, Graves returned to painting. Her detailed pointillist canvasses re-produced — in paint — images culled from documentary nature photographs, NASA satellite recordings, and Lunar maps...

WOLF, Joseph (artist). Two Guinea Fowl London For the author, Red Lion Court, Fleet Street 1871 Two original hand-coloured lithographic plates by Joseph Smit after Joseph Wolf. ...

Dogs is a artwrok realized by Giuseppe Viviani in 1964. The artwork consist in an original screen print on silk. Hand signed signed by the Artist. Edition of 300, of which only a ...

See No Evil, Hear No Evil, Speak No Evil is a lithograph on paper, 5 x 9 inches image size. From the edition of 395, numbered 31/275 (there were also 100 Roman and 20 AP), framed in ...