Unframed Figurative Prints

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue "Liebe" (Dear), Text in German on the plate, The drawing created unusually bold erotic subjects through deft strokes. Good conditions. Mihály Zichy...

Original Continental Airlines travel poster. Linen backed in fine condition. Signed and numbered 35/50. This original Continental Airlines poster is an artistic representation of regional destinations prominently served by Continental Airlines in the past. The design is modern and bold, showcasing a unique black-and-white theme with strong, futuristic typography and graphical illustrations. Each city is creatively depicted using stylized imagery that resonates with its character—Oklahoma City features a cowboy motif, New Orleans embraces a jazzy, cultural essence, Dallas reflects the energy of movement, and Midland/Odessa highlights industrial and oil-centric themes. This limited-edition poster is printed in black and white. It features the destinations of Hawaii, San Francisco, Albuquerque and Portland Above each name is a design that represents each destination city. Hawaii has rows of palm trees and hula dancers. San Francisco has rolling hills and cable cars. Albuquerque has tribal Indians dancing. Portland has the cruise shipping. This image features the Saul Bass l967 Continental logo in the design. Continental Airlines was a major United States airline founded in 1934 and eventually headquartered in Houston, Texas. The airline was acquired by UAL Corporation, the parent company of United Airlines, on October 1, 2010. This is an original vintage Continental Airlines poster...

Lithograph on vélin d’Arches 300gm paper. Paper Size: 21.8125 x 18.3125 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, For My People, 1992. Published...

Christopher Wool The Show is Over Poster (Hand Signed by Christopher Wool), 2013- Offset lithograph poster Hand signed and dated 2017 on lower front. This work was uniquely signed i...

Basquiat boxing poster 1997: This rare double-sided 1997 Basquiat boxing poster was published on occasion of the 1990s exhibition, “Jean-Michel Basquiat Works and Portraits” at Parco...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Van Dongen, 1925. Published by Henri Floury, Paris; printed by Pierre Dumont, Pa...

Lithograph and stencil on vélin Rives BFK paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Yvette Guilbert vue par Toulouse-...

AUTUMN OF THE ROOSTER is an original hand drawn, limited edition lithograph by the American master artist and collagist Romare Bearden printed usi...

Boris Lovet-Lorski, Untitled (Nike), lithograph, edition 250, 1929. Signed and numbered 1 in pencil. Number 1 of Volume 1, a series of 10 lithographs in each of 2 portfolios, publish...

Henri EVENEPOEL (1862 - 899) Going to the Park, 1897 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 12 in) INFORMATION: Lit...

Nan Goldin Lydia Lunch at the Russian Baths, 268 East 10th Street, 1985 poster, 2018 Offset lithograph poster (unsigned, unnumbered and unframed) 17 × 22 inches Published by The Kitchen in 2018, on the occasion of their Gala honoring Nan Goldin and Lydia Lunch Provenance Acquired from The Kitchen on the occasion of their 2018 Gala Also accompanied by Certificate of Guarantee from Alpha 137 Gallery Excerpt from The Kitchen description of this event: “During the late ‘80s and early ‘90s, icons Goldin and Lunch were vanguards of post-punk New York. Both women have presented their work at The Kitchen throughout the years, consistently returning to premiere new works that went on to exemplify their careers. Goldin’s portraiture of her close-knit circle of friends in New York became emblematic of her generation’s grappling with the social issues of the time, from the epidemic of drug addiction to the AIDS crisis. Lunch is revered as a radical progenitor of No Wave music, fronting the influential Teenage Jesus and the Jerks and collaborating with acts like JG Thirlwell, Birthday Party, and Sonic Youth. Lunch has a broad artistic practice, also working in film, visual art, writing, and spoken-word. Goldin and Lunch have also collaborated on numerous occasions. For instance, the cover of Lunch’s 1995 album Drowning In Limbo featured a portrait of her taken by Goldin. Lunch also posed for Goldin’s project for The Village Voice’s short-lived fashion insert Vue in 1985. Shot as part of an editorial called “Masculine/Feminine,” the image of a reclining Lunch at Russian baths in the East Village was ultimately not included in the final layout, and we were pleased to be present the image for the first time as a limited-edition print in support of The Kitchen. At The Kitchen in November 1980, Goldin presented slides as part of Dubbed in Glamour, a three-day event of “spectacle and extravagance” organized by Edit deAk that featured primarily women artists. Introduced by Cookie Mueller, who served as the master of ceremonies, these slides were an early version of Goldin’s landmark work The Ballad of Sexual Dependency, which continued to take shape during the next few years. The Bush Tetras, who performed at this year’s gala, also participated in Dubbed in Glamour. In 1994, Goldin returned to The Kitchen to premiere three slideshows for the first time in the United States as part of the winter lecture series curated by Ira Silverberg. The first slideshow developed from her 1992 award-winning book The Other Side, which lauded the drag queens she lived with and among in New York. During the ‘70s, when Goldin first moved to the city, the people she lived with became not just her subjects, but also her chosen family. The second slideshow was a series of intimate self-portraits. The evening concluded with a collection of Goldin’s images that traced her relationships to her close friends Alf Bold, Gilles Dusein, and Cookie Mueller and celebrated the joy of their lives and the pain of their deaths from AIDS. In 1985, Lunch first appeared at The Kitchen as part of the two-night screening series of experimental short films, Super 8 Motel. She and Richard Kern...

Signed, titled, and numbered from the edition of 15. Image of a young girl with a crown and brooch. While the images have some resemblance to traditional Japanese Ukiyo-e prints, the...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

Woodcut print from the Series "Der vreeselijke avonturen vas Scholastica" (The Terrible Adventures of Scholastica). Edition of 300, published by A. J. van Dishoeck. Unsigned, ass i...

Banging the Drum, 2020 by Yoshitomo Nara Offset lithograph in colors, 2020, on 80# Archival Quality Wove Paper, unframed published by Dallas Contempo...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

Plate VI, Le Cocu Magnifique etching & aquatint, 1968 Unsigned as usual From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 i...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered. Good condition, with centerfold, as issued. Notes: From Derrière le miroir, N° 107-109. Published by Aimé Maeght, Édi...

Raymond Pettibon Black Flag flyer Los Angeles, 1982: Black Flag Olympic Auditorium, Los Angles, CA, Saturday July 17, 1982. Flyer/handbill for gig by Black Flag, DOA, Descendents, U...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...

The photographs of the young Turkish artist Melissa Mizrakli focus on the human body, giving it a personal interpretation. In some of her black and white works she uses the human body only as a pictorial sign in order to create almost abstract works. First made anonymous, the female model is then cloned and circularly multiplied. The result is a kind of wheel in which the repeated human body gives birth to a new, seemingly vegetal or mineral structure. Thus, the human element seems to be transformed into different other natural species...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 11.24 x 8.46 inches Inscription: Unsigned and unnumbered, as issued Notes: From the fo...

This print by Pablo Picasso showcases the artist's changing methods of incorporating Cubism into his portraits of sitters. Colored almost entirely in greyscale, the print contains a ...

Only Elvis Gold by B A T I K signed limited edition print pop art print of the infamous mock arrest mugshot of Elvis Presley. Archival pigment print paper size 40x30 inches / 1...

Boris Lovet-Lorski, Untitled (Profile of an African Woman), lithograph, edition 250, 1929. Signed and numbered 15 in pencil. Number 15 of Volume 2, a series of 10 lithographs publish...

Kenny Scharf Absolut Scharf for Absolut Vodka, 1987 Lithograph with offset lettering in colors on wove paper Hand signed and dated by artist on lower right front Limited Edition of 2...

Tracey Emin (born 1963 in Croydon) Choose Love, 2024 Medium: Lithograph on paper Dimensions: 76 × 60 cm (29 9/10 × 23 3/5 in) Edition of 100: Hand-signed, numbered and titled in penc...

Taira no Munekiyo Captures Tokiwa no Mae is an original modern artwork realized by Utagawa Hirosada (Japanese, active 1825–75) in 1856. Woodcut print oban format. Signature Ichiyosa...

Original vintage lithograph poster with depiction of Munich-based balletic duo Peter Pathe and Maria Hagen. Design by Walter Schnackenberg (German, 1880-1961). A very scarce example....

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

A rural Genji is an original artwork realized in 1829-1842 by Utagawa Kunisada (1786-1865). Illustrated book in two volumes. Book title "Nise Murasaki Inaka Jenji", 9th instalment....

after Henri MATISSE Edition of 200 with the printed signature, as issued 76 x 56 cm With stamp of the Succession Matisse References : Artvalue - Succession Matisse

This lithograph is hand signed in blue pencil by the artist "Picasso" at the lower left image. Edition info 11/50. It is also hand numbered in blue pencil from the edition of 50, at ...

Soiree is an original artwork realized by Erté (Romain de Tirtoff) in 1980. Mixed colored exhibition poster of the artist. Signed on plate ¨Erté; inscribed i...

This artwork titled " Paris, Place De La Concorde" c.1980, is an original colors lithograph on Arches paper by French artist Urbain Huchet, 1930-2014. It is hand signed and numbered ...

Title: John Lennon Artist: John Van Hamersveld Medium: Color SERIGRAPH Substrate: COVENTRY RAG 320 GSM Paper Size: 34.25″ x 44” Image Size: 30” x 40” Signed and Numbered Edition Printers Proof Year: 2007 John Van Hamersveld (born September 1, 1941) is an American graphic artist and illustrator who designed record jackets for pop and psychedelic bands from the 1960s onward. Among the 300 albums[3] are the covers of Magical Mystery...

Original George Petty pinup, woman sitting with big sunhat and telephone. Archivally linen backed vintage pinup in very fine condition, ready to frame. (Note: this lithograph is NOT removed from a pinup calendar!) Introducing the original George Petty pinup, a captivating piece of art that showcases the iconic style and exquisite talent of George Petty himself. This artwork features a stunning woman adorned with a large red outlined sun hat, donning a classic one-piece bathing suit and high heels. The addition of a telephone in her right hand adds an intriguing element, making this pinup a unique and visually striking piece. The attention to detail and expert craftsmanship are evident in every brushstroke, bringing the woman to life and capturing the essence of Petty's artistic mastery. As an original George Petty pinup, this artwork holds historical and artistic value, making it a collectible and valuable addition to any art enthusiast's repertoire. About Petty: George Petty was an American pin-up artist from the 1920s to the 1970s. His pin-up art appeared primarily in Esquire and True magazine, but was also in calendars marketed by Esquire, True and Ridgid Tool Company. Petty's Esquire gatefolds originated and popularized the magazine device of centerfold spreads. Reproductions of his work were widely rendered by military artists as nose art decorating warplanes during the Second World War, including the Memphis Belle...

Etching on cream wove paper. 6 5/16 x 3 3/4 inches (159 x 94 mm), full margin. Signed in pencil lower center margin, from the edition of 111. A well inked impression with a minor cre...

King, Daniel (with Wenceslaus Hollar) Ordinis Benedictini monialis; Saint Thecla of Kitzengen c 1650. Etching with engraving on cream laid paper with an indiscernible watermark wit...

Original “This Device on Hat or Helmet means U. S. MARINES” vintage poster. Archivally linen-backed in excellent condition. No paper loss an...

Jules Chéret Musée Grévin : Dancer Lifting Her Skirt, 1895 Stone lithograph Printed signature in the plate On vellum Size 39 x 29 cm (c. 15.3 x 11.4") INFORMATION : Plate 41 of "L...

Jean Jansem (1920-2013) Sophie aux bas rouges, 1993 Lithographie sur papier Arches, justifiée E/A Signée en bas à droite 66 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°...

Artist: Alexandra Nechita Title: Soft Velvet Cat Year: 1998 Lithograph on Arches Archival Paper    Size; 35½'' x 23½'' inches Edition: Signed in pencil, dated and marked 65/199 Embo...

"Valerio Adami (Italy, 1935) 'Moments musicaux de six a huit', 1976 Original poster from 1976 lithograph on paper 26 x 18.2 in. (66 x 46 cm.) Unframed Ref: ADA100-202 Valerio Adami ...

Silkscreen on vélin d’Arches paper. Paper Size: 14 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks in the Pages of Life, 1998. Published by The Limited Editions Club, New York; printed by Drexel Press, Inc. Long Island City, 1998. Excerpted from the folio, CCC examples, designed, hand-set in Monotype Perpetua, printed, and hand-bound by Michael and Winifred Bixler, Skaneateles, New York. Paper made in France at Arches. Silkscreens printed by the Drexel Press, Inc. Long Island City, New York. PHOEBE BEASLEY...

Matador is an original artwork realized by Josè Guevara in 1971 . Colored lithograph on paper. Edited by Fondazione Di Paolo. Hand-signed in pencil on t...

Medium: Lithograph on grand vélin Renage filigrané à la marque de l'éditeur paper. Year: 1951 Paper Size: 12.5 x 9.5 inches; image size: 6.69 x 8.66 inches Inscription: Unsigned and ...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

Color lithograph after the 1948 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Mag...

Medium: original lithograph. Printed in Paris in 1967 at the atelier of Clot, Bramsen et Georges and published in an edition of 2500 for "Les Temps Situationistes" (The Situationist ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Lynd Ward, 'Priests' from the series 'Moriae Encomium (The Praise of Folly)', mezzotint, 1943, no edition, proofs only. Signed in pencil. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (1 1/4 to 2 inches) in excellent condition. Matted to museum standards, unframed. Scarce. Image size 7 3/4 x 4 3/4 inches (197 x 121 mm); sheet size 10 11/16 x 8 1/16 inches (271 x 204 mm). Created by the artist for 'Erasmus's Moriae Encomium,' or 'In Praise of Folly,' published by the Limited Editions Club, 1943. A rare, signed, proof impression apart from the Limited Editions Club publication. ABOUT THE ARTIST Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society. The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage,’ 1932, ‘Prelude to a Million Years,’ 1933, ‘Song Without Words,' 1936, ‘Vertigo,’ 1937; and ‘Last Unfinished Wordless Novel’ (created in the 1960s and published in 2001) were comprised solely of Ward's wood engravings. Ward designed each graphic image to occupy an entire page, the sequence of which conveys the story's narrative. In 1937, Ward was named Director of the Graphic Arts Division of the Federal Art Project, a division of the Works Progress Administration (WPA). In the following years, Ward went on to illustrate more than one hundred books (some of which he wrote), including classics for the Limited Editions Club Goethe’s ‘Faust,’ Faulkner’s ‘A Green Bough,’ and Mary Shelley’s ‘Frankenstein,’ and several children’s books. He also produced single-subject wood engravings, paintings, and drawings. His print ‘Sanctuary,’ 1939, was shown at the 1939 New York World’s Fair, and ‘Clouded Over,’ 1948, received the 1948 Library of Congress Award and was included in ‘American Prize Prints of the 20th Century’ by Albert Reese. He received the National Academy of Design Print Award (1949), the New York Times Best Illustrated Award (1973), and the Regina Award (Catholic Library Association, 1975). ‘The Biggest Bear,’ a children’s book with illustrations by Ward, was the recipient of the esteemed 1952 Caldecott Medal of the American Library Association. An Honorary Fellow of the Royal Society of Painter-Etchers and Engravers, Ward was a member and board member of the National Academy of Design and the Artists’ League of America. He served several terms as president of the Society of American Graphic Artists and was a member of the American Artists Congress and the Society of Illustrators. Ward exhibited at the American Artists Congress; the National Academy of Design; the John Herron Art Institute; and the Library of Congress. He had a one-person show at Associated American Artists, NY, on the publication of his monograph 'Storyteller Without Words,' 1974; AAA mounted a memorial exhibition in 1986. The May 1976 issue of 'Bibliognost,' a book collector’s publication, was dedicated to Ward. ‘Lynd Ward, His Bookplate Designs,’ an article by Dan Burne Jones, was published in the American Society of Bookplate Collectors and Designers Yearbook, 1981/82. In 2001, sixteen years after his death, Rutgers University Libraries published ’Lynd Ward’s Last Unfinished Wordless Novel.’ The blocks were intended to be part of a novel in woodcuts, the first since Vertigo, but Ward did not live to complete the project. Master printer and book designer Barbara Henry collated and printed the twenty-six finished blocks out of the forty-four initially planned for the still unnamed narrative. In 2010 the Library of America honored Ward’s achievements with the meticulous production of a collection of Ward’s woodcut novels—the first time the Library had gone wordless. The publication replicated his original editions with a single full-size image printed on the right page of each double-page spread. In his introduction to the books, renowned cartoonist/illustrator Art...

Pablo Picasso – Toros y Toreros (First American Edition, 1961) Publisher: George Braziller, New York Format: Hardcover, no slipcase Includes: Four original lithographs printed by Mou...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Côtes Normandes 1961. Published by Pierre de Tartas, ...

Fritz Eichenberg, 'A Visit to the King of the Waters' from the suite 'The Adventurous Simplicissimus', wood engraving, 1977, artist's proof apart from the edition of 50. Signed in pencil. Signed in the block, lower right. A fine, richly-inked impression, on cream wove paper, with full margins (1 1/2 to 2 inches), in excellent condition. Image size 14 x 12 inches (356 x 305 mm); sheet size 17 1/2 x 15 inches (445 x 381 mm). Archivally sleeved, unmatted. ABOUT THIS WORK 'Simplicius Simplicissimus' (German: Der abenteuerliche Simplicissimus Teutsch) is a picaresque novel of the lower Baroque style, written in five books by Hans Jakob Christoffel von Grimmelshausen published in 1668, with the sequel Continuatio appearing in 1669. The novel is told from the perspective of its protagonist Simplicius, a rogue or picaro typical of the picaresque novel, as he traverses the tumultuous world of the Holy Roman Empire during the Thirty Years' War. Raised by a peasant family, he is separated from his home by foraging dragoons. He is adopted by a hermit living in the forest, who teaches him to read and introduces him to religion. The hermit also gives Simplicius his name because he is so simple that he does not know his own name. After the death of the hermit, Simplicius must fend for himself. He is conscripted at a young age into service and, from there, embarks on years of foraging, military triumph, wealth, prostitution, disease, bourgeois domestic life, and travels to Russia, France, and an alternate world inhabited by mermen. The novel ends with Simplicius turning to a life of hermitage, denouncing the world as corrupt. ABOUT THE ARTIST Fritz Eichenberg (1901–1990) was a German-American illustrator and arts educator who worked primarily in wood engraving. His best-known works were concerned with religion, social justice, and nonviolence. Eichenberg was born to a Jewish family in Cologne, Germany, where the destruction of World War I helped to shape his anti-war sentiments. He worked as a printer's apprentice and studied at the Municipal School of Applied Arts in Cologne and the Academy of Graphic Arts in Leipzig, where he studied under Hugo Steiner-Prag. In 1923 he moved to Berlin to begin his career as an artist, producing illustrations for books and newspapers. In his newspaper and magazine work, Eichenberg was politically outspoken and sometimes wrote and illustrated his reporting. In 1933, the rise of Adolf Hitler drove Eichenberg, who was a public critic of the Nazis, to emigrate with his wife and children to the United States. He settled in New York City, where he lived most of his life. He worked in the WPA Federal Arts Project and was a member of the Society of American Graphic Artists. In his prolific career as a book illustrator, Eichenberg portrayed many forms of literature but specialized in works with elements of extreme spiritual and emotional conflict, fantasy, or social satire. Over his long career, Eichenberg was commissioned to illustrate more than 100 classics by publishers in the United States and abroad, including works by renowned authors Dostoyevsky, Tolstoy, Charlotte and Emily Brontë, Poe, Swift, and Grimmelshausen. He also wrote and illustrated books of folklore and children's stories. Eichenberg was a long-time contributor to the progressive magazine The Nation, his illustrations appearing between 1930 and 1980. Eichenberg’s work has been featured by such esteemed publishers as The Heritage Club, Random House, Book of the Month Club, The Limited Editions Club, Kingsport Press, Aquarius Press, and Doubleday. Raised in a non-religious family, Eichenberg had been attracted to Taoism as a child. Following his wife's unexpected death in 1937, he turned briefly to Zen Buddhist meditation, then joined the Religious Society of Friends in 1940. Though he remained a Quaker until his death, Eichenberg was also associated with Catholic charity work through his friendship with Dorothy Day...

Original vintage poster. Tennis Club Bray Dunes Mounted on acid-free archival linen. Condition: Grade A- with 1/16" left top edge wear. Clos Fleuri Tel: 47 2 Courts couverts (2 c...

Too Darn Hot combines a landmark moment for Tom Sachs’ practice with his continued investigations of the past, present and future of authentication. “The thing about faith is that i...

This original lithograph is signed in pencil by the artist “Henri Matisse.” at the lower right margin. The work is also hand numbered 87 in pencil from the edition of 130, above the ...

Hand signed, numbered and dated. Edition of 65 prints. Very good condition.