American Modern Figurative Prints
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Style: American Modern
Untitled (Portrait of a young woman - wife of the artist)
Located in New Orleans, LA
This is a self portrait of a young woman who is the wife of the artist.
Francisco Souto was born in Venezuela, and received a BFA from Herron School of Art and a MFA from The Ohio ...
Category
Early 20th Century American Modern Figurative Prints
Materials
Mezzotint
Summer Queen
Located in San Francisco, CA
This artwork titled "Summer Queen" c.1980 is an original color lithograph on wove paper by American artist Robert Raymond Anderson, 1945-2010. ...
Category
Late 20th Century American Modern Figurative Prints
Materials
Lithograph
The Heartkeepers
Located in San Francisco, CA
This artwork titled "The Hearthkeepers" c.1980 is an original color lithograph on wove paper by American artist Robert Raymond Anderson, 1945-2...
Category
Late 20th Century American Modern Figurative Prints
Materials
Lithograph
Modern American Industrial Landscape
Located in Buffalo, NY
An original woodblock print dated 1965, titled "Our Town" but signed illegibly.
Category
1960s American Modern Figurative Prints
Materials
Paper, Woodcut
Left Bank Cafe, Paris
By LeRoy Neiman
Located in San Francisco, CA
This artwork titled "Left Bank Cafe, Paris" 1987 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered H.C 166/175 in pencil by the artist. The image size is 26 x 38 inches, sheet size is 32.25 x 44 inches. With the blind stamp of the printer Styria Studio at the lower left corner margin. It is in excellent condition, two small pieces of hanging tape remain on the back.
About the artist:
Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival.
Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes.
Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions.
When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union.
In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars.
Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care.
Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out."
His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995.
LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather.
He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess.
As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid."
After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war.
On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s.
When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint.
While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine.
In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician.
Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation.
In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter.
Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world.
"Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962.
Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him.
A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters.
Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS.
Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne Farrell...
Category
21st Century and Contemporary American Modern Figurative Prints
Materials
Screen
Tribute to Nelligan : Visage of Nature - Original lithograph, Handsigned
Located in Paris, FR
Jean-Paul RIOPELLE
Tribute to Nelligan : Visage of Nature
Original lithograph
Handsigned in pencil
On Arches vellum 56 x 76 cm (c. 22 x 30 in)
REFERENCE : Catalog raisonne Y. Riope...
Category
1970s American Modern Figurative Prints
Materials
Lithograph
'Lobsterman's Wharf, Maine' original lithograph signed by "Zsissly" Albright
Located in Milwaukee, WI
'Lobsterman's Wharf, Maine' is an original lithograph signed by Malvin Marr "Zsissly" Albright. While Malvin Marr – along with his better-known identical twin Ivan Albright – was known for his meticulous and unsettling magic realist compositions, he and his brother were also prolific in capturing landscapes of the coast of Maine where the two spent several consecutive summers away from Chicago over their lives. Sometimes these Maine landscapes and views would be painterly and seemingly antithetical to the careful realism of his other work; but in this example, however, the wharf is treated with the same macabre decay as his human subjects. In the composition, the shack...
Category
1940s American Modern Figurative Prints
Materials
Lithograph
Ecology : Protect the Planet (Earth Crisis) - Tall screenprint signed & numbered
Located in Paris, FR
Shepard FAIREY (Obey Giant)
Flowering Eiffel Tower (A Delicate Balance)
Original sceen print
Handsigned in pencil
Authenticated with blind stamp on the artist
A rare AP (Artist proo...
Category
2010s American Modern Figurative Prints
Materials
Screen
Clayton Knight, Stinson Liaison Observation Monoplane
Located in New York, NY
Clayton Knight drew a careful rendering of the plane -- even showing how it would look in the air as it banked.
Edward Stinson was an accomplished, eve...
Category
1940s American Modern Figurative Prints
Materials
Lithograph
Alfred Bendiner, On Vacation
Located in New York, NY
No matter the seriousness (or lack thereof) of the subject, everything is always beautifully drawn on the lithographic stone by Bendiner.
In this 'Day at the Beach' scene Bendiner h...
Category
1940s American Modern Figurative Prints
Materials
Lithograph
Subway Station, Architectural Etching by August Mosca
By August Mosca
Located in Long Island City, NY
Artist: August Mosca (1905 - 2003)
Title: Subway Station
Medium: Lithograph, signed and numbered in pencil
Edition: 1/20
Image Size: 14.5 x 16.5 inches...
Category
20th Century American Modern Figurative Prints
Materials
Lithograph
The Fair
Located in Storrs, CT
The Fair. 1895-96. Lithograph. Way 92, Levy 144, Tedeschi, Stratis and Spink 135 state ii. Image 9 1/4 x 6 1/2 (sheet 13 x 9 5/8). A fine impression printed on antique cream-laid paper. Way lists 15-lifetime impressions (Goulding printed...
Category
Late 19th Century American Modern Figurative Prints
Materials
Drypoint, Etching
Stewart Wheeler, Atlantic City (New Jersey)
Located in New York, NY
The little that is know about the painter and printmaker Stewart Wheeler indicates that most of his career was spent in Philadelphia, Pennsylvania. And...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Screen
Prowling Leopard
By LeRoy Neiman
Located in San Francisco, CA
This artwork titled "Prowling Leopard" 2003 is an original color serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbered 64/425 in pencil by the artist. The image size is 26.5 x 35 inches, framed size is 40 x 48 inches. It is custom framed in a gold frame, with fabric matting and green/gold spacer. It is in excellent condition.
About the artist:
Mr. Neiman's kinetic, quickly executed paintings and drawings, many of them published in Playboy, offered his fans gaudily colored visual reports on heavyweight boxing matches, Super Bowl games and Olympic contests, as well as social panoramas like the horse races at Deauville, France, and the Cannes Film Festival.
Quite consciously, he cast himself in the mold of French Impressionists like Toulouse-Lautrec, Renoir and Degas, chroniclers of public life who found rich social material at racetracks, dance halls and cafes.
Mr. Neiman often painted or sketched on live television. With the camera recording his progress at the sketchpad or easel, he interpreted the drama of Olympic Games and Super Bowls for an audience of millions.
When Bobby Fischer and Boris Spassky faced off in Reykjavik, Iceland, to decide the world chess championship, Mr. Neiman was there, sketching. He was on hand to capture Federico Fellini directing "8 ½" and the Kirov Ballet performing in the Soviet Union.
In popularity, Mr. Neiman rivaled American favorites like Norman Rockwell, Grandma Moses and Andrew Wyeth. A prolific one-man industry, he generated hundreds of paintings, drawings, watercolors, limited-edition serigraph prints and coffee-table books yearly, earning gross annual revenue in the tens of millions of dollars.
Although he exhibited constantly and his work was included in the collections of dozens of museums around the world, critical respect eluded him. Mainstream art critics either ignored him completely or, if forced to consider his work, dismissed it with contempt as garish and superficial — magazine illustration with pretensions. Mr. Neiman professed not to care.
Maybe the critics are right," he told American Artist magazine in 1995. "But what am I supposed to do about it — stop painting, change my work completely? I go back into the studio, and there I am at the easel again. I enjoy what I'm doing and feel good working. Other thoughts are just crowded out."
His image suggested an artist well beyond the reach of criticism. A dandy and bon vivant, he cut an arresting figure with his luxuriant ear-to-ear mustache, white suits, flashy hats and Cuban cigars. "He quite intentionally invented himself as a flamboyant artist not unlike Salvador Dalí, in much the same way that I became Mr. Playboy in the late '50s," Hugh Hefner told Cigar Aficionado magazine in 1995.
LeRoy Runquist was born on June 8, 1921, in St. Paul. His father, a railroad worker, deserted the family when LeRoy was quite young, and the boy took the surname of his stepfather.
He showed a flair for art at an early age. While attending a local Roman Catholic school, he impressed schoolmates by drawing ink tattoos on their arms during recess.
As a teenager, he earned money doing illustrations for local grocery stores. "I'd sketch a turkey, a cow, a fish, with the prices," he told Cigar Aficionado. "And then I had the good sense to draw the guy who owned the store. This gave me tremendous power as a kid."
After being drafted into the Army in 1942, he served as a cook in the European theater but in his spare time painted risqué murals on the walls of kitchens and mess halls. The Army's Special Services Division, recognizing his talent, put him to work painting stage sets for Red Cross shows when he was stationed in Germany after the war.
On leaving the military, he studied briefly at the St. Paul School of Art (now the Minnesota Museum of American Art) before enrolling in the School of the Art Institute of Chicago, where, after four years of study, he taught figure drawing and fashion illustration throughout the 1950s.
When the janitor of the apartment building next door to his threw out half-empty cans of enamel house paint, Mr. Neiman found his métier. Experimenting with the new medium, he embraced a rapid style of applying paint to canvas imposed by the free-flowing quality of the house paint.
While doing freelance fashion illustration for the Carson Pirie Scott department store in Chicago in the early 1950s, he became friendly with Mr. Hefner, a copywriter there who was on the verge of publishing the first issue of a men's magazine.
In 1954, after five issues of Playboy had appeared, Mr. Neiman ran into Mr. Hefner and invited him to his apartment to see his paintings of boxers, strip clubs and restaurants. Mr. Hefner, impressed, showed the work to Playboy's art director, Art Paul, who commissioned an illustration for "Black Country," a story by Charles Beaumont about a jazz musician.
Thus began a relationship that endured for more than half a century and established Mr. Neiman's reputation.
In 1955, when Mr. Hefner decided that the party-jokes page needed visual interest, Mr. Neiman came up with the Femlin, a curvaceous brunette who cavorted across the page in thigh-high stockings, high-heeled shoes, opera gloves and nothing else. She appeared in every issue of the magazine thereafter.
Three years later, Mr. Neiman devised a running feature, "Man at His Leisure." For the next 15 years, he went on assignment to glamour spots around the world, sending back visual reports on subjects as varied as the races at Royal Ascot, the dining room of the Tour d'Argent in Paris, the nude beaches of the Dalmatian coast, the running of the bulls at Pamplona and Carnaby Street in swinging London. He later produced more than 100 paintings and 2 murals for 18 of the Playboy clubs that opened around the world.
"Playboy made the good life a reality for me and made it the subject matter of my paintings — not affluence and luxury as such, but joie de vivre itself," Mr. Neiman told V.I.P. magazine in 1962.
Working in the same copywriting department at Carson Pirie Scott as Mr. Hefner was Janet Byrne, a student at the Art Institute. She and Mr. Neiman married in 1957. She survives him.
A prolific artist, he generated dozens of paintings each year that routinely commanded five-figure prices. When Christie's auctioned off the Playboy archives in 2003, his 1969 painting Man at His Leisure: Le Mans sold for $107,550. Sales of the signed, limited-edition print versions of his paintings, published in editions of 250 to 500, became a lucrative business in itself after Knoedler Publishing, a wholesale operation, was created in 1975 to publish and distribute his serigraphs, etchings, books and posters.
Mr. Neiman's most famous images came from the world of sports. His long association with the Olympics began with the Winter Games in Squaw Valley in 1960, and he went on to cover the games, on live television, in Munich in 1972, Montreal in 1976, Lake Placid in 1980, and Sarajevo and Los Angeles in 1984, using watercolor, ink or felt-tip marker to produce images with the dispatch of a courtroom sketch artist. At the 1978 and 1979 Super Bowls, he used a computerized electronic pen to portray the action for CBS.
Although he was best known for scenes filled with people and incident, he also painted many portraits. Athletes predominated, with Muhammad Ali and Joe Namath among his more famous subjects, but he also painted Leonard Bernstein, the ballet dancer Suzanne...
Category
21st Century and Contemporary American Modern Figurative Prints
Materials
Screen
Kodavox original vintage poster for magnetic tape
Located in Spokane, WA
Original, linen-backed, KODAVOX original lithographic poster created by the artist Lantelme. The image features a large spool of magnetic recording tape as a face looking down on the Kodak packaging box. Bright reds and yellow in the smaller format original product poster. A fun art...
Category
1950s American Modern Figurative Prints
Materials
Lithograph
Alfred Bendiner, Sweet Innocence
Located in New York, NY
No matter the seriousness of the subject, everything is always beautifully drawn on the lithographic stone by Bendiner, but in this instance the negative space is exploited amazingly...
Category
1930s American Modern Figurative Prints
Materials
Lithograph
Samuel Chamberlain, The Public Gaol, Williamsburg (Virginia)
Located in New York, NY
Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...
Category
1930s American Modern Figurative Prints
Materials
Drypoint
Diana Raised 1
By Larry Rivers
Located in Fairlawn, OH
Diana Raised 1
Lithograph from four stones, 1970
Signed and dated lower right (see photo)
Annotated "PP" for Printers Proof lower right (see photo)
Publisher: ULAE
ULAE blindstamp lo...
Category
1970s American Modern Figurative Prints
Materials
Lithograph
Alice Harold Murphy, The Wave
Located in New York, NY
The title, The Wave, lends itself to suggesting that the woman (with her long, flowing hair) is personifying the wave. Or is she one with the wave? Is she push...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Lithograph
Joseph Hirsch, Beard
Located in New York, NY
Joseph Hirsch had such empathy for his subjects! But he was also an amazingly skilled lithographer who could get extremely delicate details out of the stone. Signed and numbered in p...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Lithograph
Eyes Open : Wide Awake (Justice) - Original Screenprint, Handsigned
Located in Paris, FR
Shepard Fairey (Obey Giant)
Wide Awake, 2020
Screenprint
Handsigned in pencil by the artist
Dated 2020
Numbered /450
Size 61 x 46 cm (c. 24 x 18 in)
Ex...
Category
2010s American Modern Figurative Prints
Materials
Screen
Crown of Roses — Mid-century Modern
Located in Myrtle Beach, SC
Mary Van Blarcom, 'Crown of Roses', color serigraph, c. 1945, edition not stated but small. Signed in pencil beneath the image, lower left. Titled in pencil, bottom left sheet corner. A rich painterly impression, with fresh colors, on cream laid paper, with full margins (3/8 to 7/8 inch), in excellent condition. Image size 8 13/16 x 12 11/16 inches; sheet size 9 1/2 x 8 5/16 inches. Matted to museum standards, unframed.
ABOUT THE ARTIST
Painter, printmaker, and craftsperson, Mary Van Blarcom was born in Newark, New Jersey, and studied at Wellesley College. She was a member of the National Serigraph Society, where she served on the board of trustees from 1945 through 1952 and was 1st vice-president from 1949-51. She was also a member of the National Association of Women Artists, the Artists Equity Association, the American Color Print Society, the New Jersey Artists Association (Director), and Artists of Today.
Van Blarcom exhibited actively throughout the 1940s at many prominent art organizations, including Montclair Art Museum, 1941-45 and 1947-51 (prize, 1948); Society of Independent Artists, 1942-44; Artists of Today, 1942-46; Elisabeth Ney Museum, 1943; Northwest Printmakers, 1944, 1946-49; Laguna Beach Art Association, 1945-47, 1949; National Association of Women Artists, 1945-50, (prize, 1946); Library of Congress, 1946-47; Museum of Modern Art Traveling Exhibition, 1945-47; Carnegie Institute, 1947; Serigraph Gallery, 1946, 1951 (solo); American Color Print Society, 1947-52; Newark Museum, 1947-48, 1951; California State Library, 1947, 1949; National Serigraph Society, 1949 (prize), 1950 (prize); University of Chile, 1950; New Jersey State Museum, 1950; Philadelphia Art Alliance, 1951; and the Main Gallery, NY, 1952.
Van Blarcom’s work is in the collections of the Newark Public Library, U.S. Library of Congress; the American Association of University Women; New York Public Library; Tel-Aviv Museum, Alabama Polytechnic Institute, Princeton Print Club...
Category
1940s American Modern Figurative Prints
Materials
Screen
William Sharp, Lincoln Park Marabous (probably Chicago)
Located in New York, NY
William Sharp, largely known as a court reporter, was based in New York City. Probably this scene of Lincoln Park Marabous is Chicago. There are several ...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Etching
'The Rabbit' original woodcut engraving by Clarice George Logan
Located in Milwaukee, WI
In 'The Rabbit,' Wisconsin artist Clarice George Logan presents the viewer with a multi-figural scene: under a wood-frame structure, four children crouch on the ground, gathered around a young woman who presents a rabbit. Under normal circumstances, such an image of children with a bunny would recall childhood storybooks. In this case, however, the image is more ambiguous and suggests the unfortunate economic circumstances many children suffered during the interwar years. Nonetheless, the group could also be interpreted as a nativity play, with the rabbit taking the place of the Christ child, shining light on the children like in a painting by the Italian Renaissance artist Correggio. The careful line-work of the woodblock engraving adds a sense of expressionism to the scene, leaving the figures looking distraught and dirty, though the image nonetheless falls into the Social Realist category that dominated American artists during the Great Depression.
This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints - one for each week of the year.
Clarice George Logan was born in Mayville, New York in 1909 but moved to Wisconsin in 1921. She attended the Milwaukee State Teachers College from 1927 to 1931 where she studied with Robert von...
Category
1930s American Modern Figurative Prints
Materials
Engraving, Woodcut
John Muench, The Road to Stow
Located in New York, NY
John Muench was a master at drawing on a lithographic stone. He was a New Englander and this is a classic subject both for him and for the area. The...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Lithograph
John E. Billmyer, Flower Piece
Located in New York, NY
'Flower Piece' shows the artist, John Billmyer, to be a highly accomplished wood engraver. There are endless patterns and created details -- all executed flawlessly. Mostly made up o...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Woodcut
Portrait
Located in San Francisco, CA
This artwork "Portrait" c.1970 is an original etching on Arches paper by noted American artist Leonard Baskin, 1922-2000. It is signed and numbered 92/100 in pencil by the artist. The plate mark size is 17.75 x 17.65 inches, sheet size is 29.75 x 22 inches. It is in very good condition, the edge of the sheet is slightly toned, see picture #5 for detail.
About the artist.
A highly respected draftsman, print maker, teacher, and sculptor, Leonard Baskin had the ability to depict in an abstract style man and his relation to the world. Whether working with bronze or wood or two-dimensional mediums, his focus remained on large heroic, but flawed human beings who at times recall photographic images of concentration-camp victims or birds with human bodies that suggest mythological forms.
Born in 1922 in New Brunswick, New Jersey, Baskin studied sculpture with Maurice Glickman...
Category
Late 20th Century American Modern Figurative Prints
Materials
Etching
(Four Women at Hat Store)
Located in New York, NY
This is such an interesting image. Are there 'Four women'? Is the head on the upper right from a hat store or is she another person in the scene. And what a...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Etching
Ben Shahn Original Lithograph From Portfolio - Levana & Our Ladies Of Sorrow
By Ben Shahn
Located in Surfside, FL
SCARCE EARLY WORK. BEN SHAHN
Levana and our Lady's Sorrows.
lithograph printed in sepia on Papier Ancien, 1931. 13 1/8x9 7/8 inches (sheets), full margins, loose as issued.
One of o...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Lithograph
Domjulien, Haute Vosges, France
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Domjulien, Haute Vosges, France', chiaroscuro wood engraving, 1971, edition 140. Signed, dated, titled and numbered '15/140' in pencil. Signed in the block, lower right....
Category
1970s American Modern Figurative Prints
Materials
Woodcut
Endless Day
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Endless Day', chiaroscuro wood engraving, 1979, edition 160 in 1983. Signed, dated, and titled in pencil. Signed in the block, lower right. A superb impression, on off-w...
Category
1970s American Modern Figurative Prints
Materials
Woodcut
North River Front (Hudson River)
By John DePol
Located in Myrtle Beach, SC
John DePol, 'North River Front', chiaroscuro wood engraving, 1953, edition not stated. Signed, dated, and titled in pencil. Signed in the block, lower left...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Woodcut
Strong Girl
By Walt Kuhn
Located in New York, NY
Walt Kuhn (1877-1949), Strong Girl, drypoint, 1916 [signed in pencil by Kenneth Hays Miller and inscribed “Zinc sheet E printed by Howard Moore Park 1928”). In very good condition, printed on a cream wove paper, 7 1/2 x 5 1/4, the sheet 11 1/8 x 8 1/2 inches.
Provenance: ex Collection: The Metropolitan Museum of New York, with their stamp verso.
ex Coll: Jonathan Greenberg, New York City
A very good impression of this rare early Kuhn print.
This is listed as number 48 in the Kennedy Galleries Walt Kuhn Checklist, made for an exhibit of his prints in 1967; it is cited as a print where no more than 6 impressions are known to exist.
Kuhn was of course intimately familiar with circuses and carnivals...
Category
1910s American Modern Figurative Prints
Materials
Drypoint
Ben Shahn Original Lithograph From Portfolio - Levana & Our Ladies Of Sorrow
By Ben Shahn
Located in Surfside, FL
SCARCE EARLY WORK. BEN SHAHN
Levana and our Lady's Sorrows.
lithograph printed in sepia on Papier Ancien, 1931. 13 1/8x9 7/8 inches (sheets), full margins, loose as issued.
One of o...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Lithograph
Tribute to Nelligan : The Leafs - Original lithograph, Handsigned
Located in Paris, FR
Jean-Paul RIOPELLE
Tribute to Nelligan : The Leafs
Original lithograph
Handsigned in pencil
On Arches vellum 56 x 76 cm (c. 22 x 30 in)
REFERENCE : Catalog raisonne Y. Riopelle #19...
Category
1970s American Modern Figurative Prints
Materials
Lithograph
[Le Pont de Gand, Bruges.]
Located in Storrs, CT
{Le Pont de Gand, Bruges.} 1884. Etching, sandpaper, foul biting, and drypoint. 10 1/4 x 12 3/8 (sheet 14 3/8 x 17 1/8). As published in Selected Etchings by American Artists. A rich...
Category
Late 19th Century American Modern Figurative Prints
Materials
Etching
Sunday Morning, San Angel, Mexico.
By Helen Hyde
Located in Storrs, CT
Sunday Morning, San Angel, Mexico. 1912. Woodcut printed in colors. Mason and Mason 104. 10 5/8 x 16 5/8 (sheet 13 1/8 x 20 3/8). A colorful tonal impression printed on fine Japanese paper. A delightful large, impressive processional image. Monogrammed and signed in pencil in the image. Housed in a 20 x 24-inch archival mat, suitable for framing.
"On Sunday mornings,processions of old-fashioned figures, voluminous and rosily bespotted as to skirts, snugly wrapped in rebosos, carried votive candles on the way to Mass." Helen Hyde, "The Color Lure of Mexico", The International Studio, November 1913.
Helen Hyde (1868-1919), printmaker and illustrator, was born in Lima, New York, but spent a cultured childhood in Oakland, California. At twelve she began art instruction under Ferdinand Richardt, but it ended abruptly two years later when her father died and her family resettled in San Francisco. Helen and her mother moved to Philadelphia and, after her graduation from Wellesley School, she returned to San Francisco and studied at the School of Design. Hyde studied briefly at the Art Students League in New York between 1888 and 1889. The following year she departed on a four year sojourn in Europe, which included studying with Franz Skarbina in Berlin, Rafael Collins and Albert Sterner...
Category
Early 20th Century American Modern Figurative Prints
Materials
Color, Etching
Roadside, Collonges-La Rouge
By John DePol
Located in Myrtle Beach, SC
John DePol, 'Roadside, Collonges-La Rouge', chiaroscuro wood engraving, 1980, edition 160 in 1983. Signed, dated, and titled in pencil. Signed in the block, lower right. A superb imp...
Category
1980s American Modern Figurative Prints
Materials
Woodcut
Bernard Sanders, Man at Piano
Located in New York, NY
For a print that's nearly one hundred years old it feels very contemporary.
Signed and titled in pencil. Besides the etching I think there is some false biting that adds tone here.
Category
Early 20th Century American Modern Figurative Prints
Materials
Etching
Werner Drewes, 125th Street at Broadway, NYC
Located in New York, NY
Werner Drewes brought his modernist vision to this subject but created, in my opinion, a great work of the Etching Revival.
The reference is Rose 183. It...
Category
1930s American Modern Figurative Prints
Materials
Drypoint
"Rest, " Farmer leaning on Work Tool Linoleum Cut signed by Schomer Lichtner
Located in Milwaukee, WI
"Rest" is an original linoleum print by Schomer Lichtner, signed in the lower right hand corner. It features a man in the act of resting on a stick in the middle of work.
Image: 5.6...
Category
1930s American Modern Figurative Prints
Materials
Linocut
Morning
Located in New Orleans, LA
Caroline Durieux created the technique (electron print) used in the depiction of "Morning".e. This is only one of 5 impressions. Some have theorized that the image is close to that of the artist's brother, Professor Charles Durieux.
In the electron print technique, radioactive isotopes are mixed with printing ink. A drawing is made and exposed face-to-face to paper coated with a radio-sensitized substance. The paper is then developed and produces an exact image of the original drawing.
“The image is transferred from the radioactive drawing to the sensitized paper by invisible beta rays,” says Dr. Wheeler. “Since beta rays are electrons, we named the process Electron Printing.”
Caroline Durieux (American, 1896 – 1989)
Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920).
Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...
Category
1950s American Modern Figurative Prints
Materials
Lithograph, Photographic Paper
The Doorway
By Will Barnet
Located in Long Island City, NY
Artist: Will Barnet, American (1911 - 2012)
Title: The Doorway
Year: 1998
Medium: Lithograph on Arches, signed and numbered in pencil
Edition: AP
Image Size: 33 x 18 inches
Size: 39 x 23 inches
Printer: TK Fine Art Editions, NY
Publisher: Smithsonian, Wash DC
Fig 198, pg 78 from Will Barnet: Prints 1931-2005, published by John Szoke...
Category
1990s American Modern Figurative Prints
Materials
Lithograph
On the Beach (Coney Island, New York) — 1930s Graphic Modernism, WPA
By Lou Barlow
Located in Myrtle Beach, SC
Lou Barlow (Louis Breslow), 'On the Beach' (Coney Island) wood engraving, c. 1937, edition c. 25. Signed and titled in pencil. Stamped 'FEDERAL ART PROJECT NYC WPA' in the bottom left margin. A fine, richly-inked impression, with all the fine lines printing clearly, on cream wove paper, with full margins (1 1/2 to 3 inches), in excellent condition. Matted to museum standards, unframed. Scarce.
Image size 11 x 8 1/8 inches; sheet size 16 x 11 3/8 inches.
Created during the Great Depression for the Works Progress Administration (WPA), Federal Art Project, New York City.
Impressions of this work are in the permanent collections of the Illinois State Museum and the New York Public Library.
ABOUT THE IMAGE
Due to Coney Island's proximity to Manhattan, Brooklyn, and other New York boroughs, it began attracting vacationers in the 1830s and 1840s. Most of the vacationers were wealthy and went by carriage roads and steamship services that reduced travel time from a formerly half-day journey to two hours. By the late 1870s, the development of Coney Island's amusement park attractions and hotels drew people from all social classes. When the Brooklyn Rapid Transit Company electrified the steam railroads and connected Brooklyn to Manhattan via the Brooklyn Bridge at the beginning of the 20th century, Coney Island turned rapidly from a resort to an accessible location for day-trippers seeking to escape the summer heat in New York City's tenements. In 1915, the Sea Beach Line was upgraded to a subway line, and the opening of the Stillwell Avenue station in 1919 ushered in Coney Island's busiest era. On the peak summer days, over a million people would travel to Coney Island. In 1937, New York City purchased a 400-foot-wide strip of land along the shoreline to allow the boardwalk to be moved 300 feet inland. At this point, Coney Island was so crowded on summer weekends that parks commissioner Robert Moses...
Category
1930s American Modern Figurative Prints
Materials
Woodcut
Orchid
By Jack Brusca
Located in San Francisco, CA
This artwork titled 'Orchid" 1979 is an original color silkscreen on paper by American artist Jack Brusca, 1939-1993. it is hand signed, dated and numbered 6/200 in pencil by the art...
Category
Late 20th Century American Modern Figurative Prints
Materials
Screen
Bertram Goodman, New York State Supreme Court Building, New York City
Located in New York, NY
An amazingly precise lithographic view of the New York State Supreme Court Building at 60 Centre Street, Foley Square, New York City. Goodman shows us eight of the ten columns of thi...
Category
1930s American Modern Figurative Prints
Materials
Lithograph
After the Painting of Secrets (Sister's Diary)
Located in Missouri, MO
*This color lithograph was done as a lithographic reproduction of Rockwell's original painting that was used for the cover of a 1942 Saturday Evening Post.
After Norman Rockwell...
Category
Late 20th Century American Modern Figurative Prints
Materials
Lithograph
Frank Kleinholz, World Premier
Located in New York, NY
Frank Kleinholz was a lawyer-turned-modernist-artist. This work may have been printed in France in the late 1940s when he went there to learn lithography. He returned to the states i...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Lithograph
Tribute to Nelligan : Prince of Leafs - Original lithograph, Handsigned
Located in Paris, FR
Jean-Paul RIOPELLE
Tribute to Nelligan : Prince of Leafs
Original lithograph
Handsigned in pencil
On Arches vellum 56 x 76 cm (c. 22 x 30 in)
REFERENCE : Catalog raisonne Y. Riopel...
Category
1970s American Modern Figurative Prints
Materials
Lithograph
Harmony : The Lotus Flower - Tall original screenprint signed & numbered /89
Located in Paris, FR
Shepard FAIREY (Obey Giant)
Harmony : The Lotus Flower
Original sceen print
Handsigned in pencil
Authenticated with blind stamp on the artist
Numbered / 89
On vellum 41 x 30 inch (c...
Category
2010s American Modern Figurative Prints
Materials
Screen
Bernard Sanders, Head of Girl
Located in New York, NY
For a print that's nearly one hundred years old it feels very contemporary.
Signed in pencil; titled in lower margin in pencil.
Category
Early 20th Century American Modern Figurative Prints
Materials
Drypoint
'Monday in Wick Haven' original linoleum cut print by Howard Thomas
Located in Milwaukee, WI
In this image, Howard Thomas presents the viewer with a domestic interior. The image is dominated by the figure of a black woman, resting her arm on an ironing board. To the right, the tool of her task dangles a chord above a checker tiled floor. Beyond, though a window, neighboring homes fill the landscape. The careful line-work of the linocut adds a sense of expressionism to the scene, but the image nonetheless falls into the Social Realism that captivated most American artists during the Great Depression.
This print was published in 1936 as part of the Wisconsin Artists' Calendar for the year 1937, which included 52 original, hand-made prints – one for each week of the year.
6 x 5 inches, image
10 x 7.13 inches, sheet
12.37 x 12.43 inches, frame
Entitled "Monday in Wick Haven" lower left (covered by matting)
Inscribed "Linoleum Cut" lower center (covered by matting)
Artist name "Howard Thomas" lower right (covered by matting)
Framed to conservation standards using 100 percent rag matting and museum glass, all housed in a silver gilded moulding.
Quaker-born in Ohio, Thomas trained in the Midwest at Ohio State University and the Chicago Art Institute. He taught in the Art Department of the Milwaukee State Teachers College (now University of Wisconsin-Milwaukee) where he became good friends with Carl Holty, Edward Boerner, Robert von Neumann...
Category
1930s American Modern Figurative Prints
Materials
Engraving, Linocut
Joseph Zirker, Playhouse
Located in New York, NY
In the 1950s woodcuts started to get bigger and bigger as they competed with paintings for a space on the wall. This California print by Joseph Zirke...
Category
1950s American Modern Figurative Prints
Materials
Woodcut
Armin Landeck, Tenement Walls
Located in New York, NY
The reference number on this work is Kraeft 88. It's from an edition of 100 and is signed, dated, and numbered, in pencil.
Always an intaglio printmaker, Landeck switched from a mor...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Drypoint
'Eyes for the Night' — Mid-century Modernism
Located in Myrtle Beach, SC
'Eyes for the Night', color lithograph, 1948, edition 35, Fine and Looney 261. Signed, dated, and titled, and annotated 'Ed 35' in pencil. A fine impression with fresh colors, on c...
Category
1940s American Modern Figurative Prints
Materials
Lithograph
William Rose, (Cubist Figure)
By William Rose
Located in New York, NY
William Rose was a hugely successful film and poster artist in the 1930s and 40s. This (Cubist Figure) seems to be an artist at work. Her hands are busy with a project on the surface...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Lithograph
Ben Shahn Original Lithograph From Portfolio - Levana & Our Ladies Of Sorrow
By Ben Shahn
Located in Surfside, FL
SCARCE EARLY WORK. BEN SHAHN
Levana and our Lady's Sorrows.
lithograph printed in sepia on Papier Ancien, 1931. 13 1/8x9 7/8 inches (sheets), full margins, loose as issued.
One of o...
Category
Mid-20th Century American Modern Figurative Prints
Materials
Lithograph
Evelyn G. Schultz, Typhoon
Located in New York, NY
The only mention I can find of Evelyn G. Schultz is that she was a charter member of the San Diego Watercolor Society. But the medium of the linocut (here on tan paper) was frequentl...
Category
1940s American Modern Figurative Prints
Materials
Linocut
American Modern figurative prints for sale on 1stDibs.
Find a wide variety of authentic American Modern figurative prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of orange, blue, yellow, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including John Taylor Arms, Shepard Fairey, Ernest Tino Trova, and Will Barnet. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern figurative prints, so small editions measuring 1.57 inches across are also available. Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $80,000, while the average work sells for $888.
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