Lilya Vorobey Art

Etching on cream wove paper. 6 5/16 x 3 3/4 inches (159 x 94 mm), full margin. Signed in pencil lower center margin, from the edition of 111. A well inked impression with a minor cre...

Muse is #43 of 45. It depicts a young woman in a colorful swimsuit doing her best to swim through the blue waters of the pool. Her mouth is pursed and the bubbles flow out. I sold an impression of this image to an olympic swimming...

A rare early lithograph by Jean‑Gabriel Domergue (1889–1962), titled Nuit blanche (Sleepless Night) and dated 21 March 1915. This atmospheric nighttime scene shows two elegant figure...

Lower Manhattan and the Seaport as the artist imagined it would have appeared before 1835. New York: 1907. Etching with drypoint on Japon paper, 13 7/8 x 9 3/4 inches (353 x 248 mm...

Original Contratto Canelli Vermouth vintage Italian liquor poster. Archival linen backed and ready to frame. Very good condition. This is the later c.1950 lithograph printing of the poster. Beautiful advertising vintage affiche printed in offset lithography (second edition). There is no second printing date besides the original date inside the poster by Cappiello's signature. (Note that the earlier printing sells for about $9500.) Most standard size original Italian posters are 39" x 55" in size; or 27.5" x 39 half sheets. This is currently the lowest and best price for this Cappiello Contratto poster...

Original 1940 Saturday Evening Post Newsstand Poster, "Singing Happy Birthday on the Telephone" by Emery Clarke, archival linen-backed in excellent condition with NO restoration. Rea...

James McBey. 1931. Drypoint. 8 7/8 x 5 7/8 (sheet 11 1/2 x 9 ). An extremely rich impression with drypoint burr, printed by the artist on cream wove paper. Signed in the plate lower ...

Etching on watermarked handmade F J Head & Co cream laid paper with a deckle edge, 14 1/8 x 9 1/8 inches (358 x 232 mm); sheet 18 1/8 x 11 inches (461 x 280 mm), full margins. Signed...

Rosie Emerson, born in 1981, is a contemporary artist working almost exclusively on representing the female form. Emerson’s figures draw reference from archetypes old and new, from Artemis to the modern day super model, each solitary figure, an allegory of her own fantasy. Interested in surface, the interplay between photography and painting. Emerson’s works are playful constructs; Photography is used, not as a device for capturing reality but for creating romanticised optical illusions. Inspired by her love of theatre, performance, shrines and rituals, she uses lighting, costume, set and prop making, alongside printmaking and painting to create other worldly one off pieces. Her photography is inspired by both the drama of the baroque, and ethereal qualities of Pre Raphaelite works. Other important influences include late medieval and renaissance paintings, Japanese prints, and magical realist literature. Emerson’s screen...

Interiors I: Family Reunion 1984 Resist ground etching and engraving on BFK Rives wove paper, 20 x 36 inches (501 x 913 mm), full margins. Signed, titled, dated and numbered 49/175 in pencil, lower margin. In excellent condition with minor mat tone. A luminous, rich, and well-inked impression of this haunting image, with astonishing detail and depth. Framed handsomely under museum grade glass with archival materials in a solid wood frame with silver finish. [Milton 107] Intended to be a stand alone image in its inception, Family Reunion ended up spawning seven additional images, and became a sort of Primo Pensiero in the sprawling, masterpiece suite now known as Interiors. The suite took eight years to complete, and consists of works of varying format, psychological intensity, and subject matter. The thematic darkness in the eight images waxes and wanes, and Milton intentionally included several interlude works to lighten the tension he felt while composing several of the darker images. The first two in the series, Family Reunion, and Hotel Paradise Café, were meant to be companion pieces. The equilibrium of each composition is anchored on a central brooding figure; a man (perhaps based on a Thomas Eakins portrait of the American anthropologist Frank Hamilton...

This is a collage of proofs of etchings that I had saved for years then one day I decided to construct new images from them. They are dry point, aqua tint with the addition of paint ...

A spirited and humorous lithograph by Jean‑Gabriel Domergue (1889–1962), titled Zeppelinade and dated 29 May 1915. Created during the early years of WWI, the work captures the era's ...