American Realist Figurative Prints

Louis Conrad Rosenberg, 'Bowling Green, New York', etching, 1940. Signed in pencil. A superb, richly-inked impression, with all the fine lines printing c...

John Sloan (American 1871 – 1954), Fashions of the Past, etching and aquatint, 1926, signed and titled by the artist in pencil (Morse 224 IV/IV), also signed by the printer. From the...

Reginald Marsh (1898-1954), Merry-Go-Round, etching, 1930, signed in pencil lower right and numbered "24" lower left. In very good condition, with margins (cut irregularly,...

"Coupe Gordon Bennett 1909 — Curtiss le Gagnant" is an original Lithograph with Pochoir created by Marguerite Montaut (GAMY). Gamy presents the viewer w...

Clement Haupers (1900-1982), Metro 2nd Class, aquatint and etching, 1928, signed, titled, numbered (6/20), dated and inscribed “Paris.” In very good condition, slight toning and rema...

New York: Sylvan Cole, 1929. Etching on white wove Rives paper with an infinity watermark, 5 15/16 x 3 15/16 inches (151 x 100 mm); sheet 15 7/16 x 11 15/16 inches (392 x 303 mm), f...

Jerome Myers (1867-1940), Children in Mulberry Street, c. 1910, soft ground etching and plate tone, signed in pencil lower right. In good condition (apart from weakening at platemark...

Artist: Norman Rockwell (1894-1978) Title: Four Ages of Love: Spring Year: circa 1985 Medium: Offset lithograph on wove paper Edition: A.P. aside from the edition of 350, plus proofs...

History Of The Indian Tribes Of North America, With Biographical Sketches And Anecdotes Of The Principal Chiefs. Embellished With One Hundred And Twenty Portraits, From The Indian Ga...

John Sloan (1871-1951), Subway Stairs, etching, 1926, signed, titled and inscribed “working proof 1;” also with the notation “JS imp” in pencil bottom margin [with the name and date ...

Reginald Marsh (1898-1934), Tattoo-Shave-Haircut, etching, 1932. Signed, titled (“Tattoo-Haircut-Shave”), dedicated (“for Arnold Newman”), and annotated (“Fourth State. First of Two Prints”). Reference: Sasowsky 140. On cream wove paper. In very good condition, with small margins (as trimmed, slightly irregularly, by the artist) (slight foxing in margins), remains of prior hinging verso; 9 7/8 x 9 3/4, the sheet 10 15/16 x 10 5/8 inches; archival matting. A very fine rich black impression; we have not seen impressions of comparable quality on the market. Provenance: Estate of Arnold Newman. Arnold Newman (1918-2006) was one of the great 20th Century masters of photography, and a friend of many leading artists; it is appears that Marsh took special care in printing this impression for Newman. Sasowsky calls for 10 states of Tattoo-Shave, based largely on Marsh’s notes. But the states are not clearly delineated (e.g., his States 3 and 4, one proof each, are characterized by Marsh as “Engraving added”; no information is given for State 5). The design for the print was complete in the first state, and subsequent state changes were not, apparently, major. This impression does not appear to differ in etching lines from the final state impression shown in Sasowsky. Its inscription (as a Fourth State, by Marsh), as well as its rich inking and quality, attest to its being a proof before the edition (of about 34 impressions), but the state of this print (and, presumably of many of the other several proof impressions) cannot at this time be stated with confidence. Marsh printed this impression personally (we recall his famous answer to a question about the size of his editions: “Since I do practically all my own printing, I do not limit the edition. The buyer limits the edition – he rarely buys, I rarely print”). Tattoo-Shave-Haircut depicts a scene in the Bowery, a section of New York’s Lower East Side, during the Great Depression. The building and train structures in the top half of the print recall Piranesi’s Carceri...

Jerome Myers (1867-1940), At the Show, etching and drypoint, c. 1920, signed in pencil lower right. In good condition, with margins (paper losses upper corners), faint ink marks and ...

John Sloan (1871-1951), Romany Marye in Christopher Street, 1922, etching, signed in pencil lower right, titled, dated and inscribed 100 proofs bott...

Sylvia Mayzer Rantz, 'Ninth Inning', lithograph, 1949, edition 24. Signed, dated, titled, and numbered '9/24' in pencil. A fine, richly-inked impression, on cream wove paper. The ful...

Original Windsor See Britain by Train vintage railroad poster. Linen backed in very fine condition, ready to frame. No restoration to t...

sheet vintage movie poster for the film Escape from Fort Bravo. Directed by John Sturges. With William Holden, Eleanor Parker, John Forsythe, and William Demarest. Very good condition. A western film set during the American Civil War. Original theater-issued fold marks touched up and restored during linen backing. Very fine condition with no tears, no fading, and no damage to this 70-year plus vintage poster. This is an original One Sheet Poster. It was distributed by the film studio for marketing purposes and was not available for sale. The archival linen backed protects the old movie posters...

"En Salada" Salad Fixings Etching on Paper by Joseph C. MaCarthy This Intaglio print, titled "En Salada," by San Francisco Bay area artist Joseph C. McCarthy (American, 20th C), cre...

Original linen-backed World War 1 YMCA poster. "Workers Lend Your Strength the Red Triangle, YMCA, Help the "Y" help the fighters fight, United War Work C...

Artist: Emmett Kelly Work: Limited Edition, Print on Satin Paper, Medium: Satin Paper Year: (1898-1979) Style: Classic Art Title: Tis the Season, Size: 9" x 7" x 0.1'' inch, (23 x1 8 x 0.2 cm) Framed: 17'' x1 3.5'' x 1'' inch, (43 x 34x5 cm) Ready to Hang. Biography Artist Emmett Kelly is best known as the creator of Weary Willie, a character who reinvented the typical clown. Kelly left Houston, Missouri, and moved to Kansas City in 1919, carrying little with him except his portfolio of drawings. Emmett Kelly's artwork of Weary Willie features a man with a scruffy beard, torn denim overalls, regular hat, and somber face. In 1937, Kelly joined the Bertram Mills Circus where Weary Willie made his debut and was well received. The success of artist Emmett Kelly's Weary Willie portrayal garnered him movie roles, figurines based on his likeness, and a spot with Ringling Brothers' Barnum and Bailey...

Moses Soyer (December 25, 1899 – September 3, 1974) was an American social realist painter. Soyer was born in Borisoglebsk, Russian Empire, in 1899. His father was a Hebrew scholar, ...

Original Groceries and Fruits vintage chromolithograph poster. Antique Cromo lithograph of your early fruit and grocery store. What service! Printed in Germany. This printing st...

This artwork titled "TheLong Trail West" c.1980 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and n...

This artwork titled "Yelding the Right of Way" c.1975 is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed...

What did Broadway look like at the turn of the 20th Century? Here is a scarce and important block-by-block view published in 1899 by The Mail and Express New York: The Mail and Expr...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Published and printed by Art in America, New York in an edition of D. From the f...

Etching with drypoint in brownish black ink on cream wove paper, 6 1/8 x 10 inches (155 x 255 mm), full margins with a deckle edge. Signed in pencil, lower right margin, and titled (...

This artwork titled "Sea Garden" is a color offset lithograph on thick glossy paper by American artist Leonard Bencken, 1933-2010. It is hand signed and num...

This artwork titled "Winners Loosers" is a color offset lithograph by renown western artist Arnold Friberg, 1913-2010. It is hand signed and inscribed/n...

Nicholas Panesis, 'Negro', 1934, color lithograph, edition 18. Signed, dated, titled, and numbered 8/28 in pencil. Initialed in the stone, lower right. A fine impression, with fresh colors, on buff wove paper, with margins (1 1/8 to 2 3/8 inches). Minor glue staining at the extreme sheet edges verso, where previously taped (not visible recto), otherwise in excellent condition. Matted to museum standards, unframed. Image size 10 5/8 x 8 1/2 inches; (270 x 216 mm); sheet size 14 13/16 x 10 15/16 inches (376 x 278 mm). Created for the California Works Progress Administration, Federal Art Project (WPA). Scarce. Impressions of this work are held in the public collections of La Salle University Art Museum (Philadelphia), U.S. General Services Administration, and Weisman Art Museum (University of Minnesota). ABOUT THE ARTIST Born in Massachusetts, Nicholas Panesis (1913-1967) studied art at Syracuse University, NY, and went on to teach ceramics at Alfred University, NY. Panesis moved to San Francisco in the early 1930s shortly before settling in Los Angeles, where he worked for different animation studios...

Etching on thick, hand made laid paper, 8 1/8 × 5 13/16 inches (206 × 148 mm), full margins. Scattered light age tone surface soiling, dog-eared corners, and minor edge nicks. An imp...

Incredibly detailed and colorful mono print from the American artist Susan Dysinger. She studied art at the university of California at Santa Barbara. Known for these New Orleans jaz...

Allen Rohan Crite: 1910-2007. Extremely well listed and important African-American artist. He lived and worked mostly in Massachusetts Boston area. He has had Auction records for a L...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Published and printed by Art in America, New York in an edition of CDVII/D. From the folio, The Four Se...

The British Evacuate Boston - 1932 Etching on Paper by Allen Lewis. From the portfolio "The Bicentennial Pageant of George Washington." In this piece George Washington is front and ...

Dr. Goldfoot and the Bikini Machine. This is a bikini machine ... Order your '66 model now. US 1 sheet, linen backed with original fold marks restored, ready to frame. Excellent condition. NSS: 65/364 Starring Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart...

New York: Associated American Artists, 1950. Drypoint and aquatint on white wove paper, 5 7/8 x 3 15/16 inches (150 x 100 mm), full margins. Signed in pencil in the lower margin. Pri...

This artwork "chrysanthemum" is an original linocut print on paper by American botanical artist Henry Evans, 1918-1990. It is hand signed, titled, dated and numbered 213/320 in penc...

Original South Africa a Place in the Sun vintage travel poster. Linen-backed and ready to frame. This is now a rare original poster to find for this S...

This artwork titled "The Corner Drugstore" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and num...

Original George Petty pinup, woman sitting with big sunhat and telephone. Archivally linen backed vintage pinup in very fine condition, ready to frame. (Note: this lithograph is NOT removed from a pinup calendar!) Introducing the original George Petty pinup, a captivating piece of art that showcases the iconic style and exquisite talent of George Petty himself. This artwork features a stunning woman adorned with a large red outlined sun hat, donning a classic one-piece bathing suit and high heels. The addition of a telephone in her right hand adds an intriguing element, making this pinup a unique and visually striking piece. The attention to detail and expert craftsmanship are evident in every brushstroke, bringing the woman to life and capturing the essence of Petty's artistic mastery. As an original George Petty pinup, this artwork holds historical and artistic value, making it a collectible and valuable addition to any art enthusiast's repertoire. About Petty: George Petty was an American pin-up artist from the 1920s to the 1970s. His pin-up art appeared primarily in Esquire and True magazine, but was also in calendars marketed by Esquire, True and Ridgid Tool Company. Petty's Esquire gatefolds originated and popularized the magazine device of centerfold spreads. Reproductions of his work were widely rendered by military artists as nose art decorating warplanes during the Second World War, including the Memphis Belle...

Original World War Two, U. S. Military poster: ME TRAVEL? … NOT THIS SUMMER, VACATION AT HOME. Artist Albert Dorne. This is the large format printing (26" x 37") of this poster...

Original vintage poster: GRINDELWALD SUISSE; vintage Swiss winter sporting poster created by Karl Toggweiler. Size 25.5" x 40"; c. 1960. Original lithograph. This Swiss curlin...

William Monk, 'The Elevated, East 42nd Street, New York', etching, 1910. Signed in pencil and titled in the bottom right sheet corner. Signed in the plate, lower right. A superb, ric...

This artwork titled "Key West Beach" 1947 is an original lithograph on paper by noted American artist Adolf Arthur Dehn, 1895-1968. It is hand signed in penci...

This artwork titled "Someday" c.1980 is an original colors offset lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and numbered 10/425 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 21.75 x 29.5 inches. It is in excellent condition, it has as a small brown ink spot in the bottom margin under the title. has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

Mel Hunter, American (1927 - 2004) - US Open Golf Tournament, Year: 1977, Medium: Lithograph, signed and numbered in pencil, Edition: 600, Size: 19 x 22 in. (48.26 x 55.88 cm)

Charles Banks Wilson, 'Old Injun', lithograph, 1948, edition 250, Hunt 39. Signed in pencil. A fine, richly-inked impression, on off-white wove paper, with full margins (1 3/4 to 2 inches), in excellent condition. Published by Associated American Artists. Impressions of this work are in the permanent collections of the following institutions: Ackland Art Museum, Georgetown University...

New York: New York Etching Club, 1887. Etching with aquatint in brown ink on cream laid paper, 4 x 5 inches (98 x 125 mm), full margins. In excellent condition.

A beautiful and delicate 19th century image of late autumn in New England. Boston: Estes & Lauriat Editons, 1888. Etching on cream laid paper, 6 x 11 inches (150 x 278 mm), full ma...

This artwork titled "The curiosity Shop" c. 1985 is an original sepia etching by American artist Scott Fitzgerald. It is hand signed, titled and numbe...

Original British vintage poster: Historic Carlisle - Gateway to Scotland. Artist: Maurice Greiffenhagen. Horizontal size 39" x 48.75". Archival linen-backed original stone lithograph; ready to frame. In very good to excellent condition. Original, 1925 horizontal travel by train stone lithograph. Historic Carlisle ~ 800 years of Civic Independence. See Britain by train. British Railways. Published by British Railways (London Midland Region) LM 16657. Probably the most famous British railway poster of the 1920s. The LMS commissioned designs from 16 leading Royal Academicians in 1924, of which this was by far the most popular. A British Royal seal...

Etching with drypoint in black ink on antique laid paper with various large watermarks, 6 3/4 x 5 3/8 inches (172 x 132 mm), full margins with deckle edges on two sides. Signed, date...

Limited edition offset print of the original photorealistic painting, a portrait that portrays a historical reenactment of a civil war volunteer by James Bama...

Origiinal WW1 poster: AT THE FRONT! Every fit Briton should join our brave men at the front. Enlist NOW. . Artist: Lionel Edwards. Original, Mint, Linen-backed original World War 1 rare stone lithographic poster. At the front! Every fit Briton should join our brave men at the front. Enlist now / printed by E.S. & A. Robinson Ltd., Bristol. London: Parliamentary Recruiting Committee, [1915]. Poster showing cavalry in battle, with horses reacting to an explosion in the foreground. Until March 2, 1916, when the Military Service Act introduced conscription, Great Britain’s World War I army was comprised entirely of volunteers. Many of the most famous wartime posters...

REYNOLD WEIDENAAR (1915 - 1985) TEN O'CLOCK IN TAXCO 1946 Etching and aquatint on paper Edition: An artist proof (#2) apart from an edition of unknown size Signed and titled in pencil. Image: 17" x 13"; Sheet: 19.75" x 15.75”. One of a pair of large format Mexican etchings...

"Learn to Make and Test the Big Guns" original vintage poster: linen backed. Grade A condition. Ordnance recruiting poster No. 2. Better yourself – Enlist and learn a Trade in the Ordnance Department U.S.A. Linen-backed, horizontal, fine condition. A rare original poster. Aberdeen Proving Ground …. Daily peacetime firing. Publisher: Washington, D.C.: Engineer Reproduction Plant, U.S. Army, 1919. OCLC: 51040606 The recruiting and training of artillery units were crucial to American victory in World War I. For the Saint-Mihiel offensive, General Pershing...

J. F. BUFFORD PUBLISHER and PRINTER LAST MOMENTS OF PRESIDENT LINCOLN, April 15, 1865 Lithograph, very good impression. The 2 lower publishing lines ...

A beautiful and delicate 19th century image of one of New England's most storied ports. Boston: Estes & Lauriat Editions, 1882 Etching on cream laid paper, 2 3/4 x 5 1/4 inches (68 ...

RAPHAEL SOYER (1899 - 1987) THE MODEL 1944 (Cole 64) Lithograph Signed in pencil, edition 250, 11 ¾ x 7 ¾ Full margins, sheet 15 ¾ x 12 with deckle edge. Very slight toning to the ...

Signed Limited Edition Art Etching by Charles Bragg. Women in Golf Suite : #18 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 95 /300 Unframed Step into the ...