Bride Figurative Prints

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

Otras Leyes por el Pueblo is a  modern artwork realized by Francisco Goya. Etching and Aquatint, from the Series "Los Proverbios", realized in 1815. This copy belongs to the editio...

Le Petit Maitre (The Small Master) is an engraving made by the Parisian artist Louis-Marin Bonnet and realized in the second half of 1700 in Paris. Inside the matrix, the title is engraved on the lower center, whilst “A Paris, chez Bonnet rue St. Jacques” appears on the lower right. The state of preservation is somewhat good, except for fungal foxing spread on the left margin and some stains, of which one is more visible on the higher left of the image. The higher, lower, and left margins are fringed and present tiny tears. Louis-Marin Bonnet lived from 1736 to 1793 in Paris. He was a painter and engraver, and as such he invented one of the first color-printing methods with many matrices, with a pastel-like effect. In 1769, he published a treatise titled Le Pastel en gravure inventé, et execute par Louis Bonnet...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

The Holy Family after Leonardo da Vinci is a print realized by Pierre-Auguste Lamy in the late 19th Century. Etching on paper. Stamped on the plate on the lower. Good condition wi...

The Bacchico Thiason is an artwork realized by Filippo De Pisis (1896, Ferrara - 1956, Milano) in 1968. Black and white lithograph. Good condition. Not signed. The image inside h...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Idol is a print realized by Massimo Campigli in the 1970/1971. Etching on paper. Signed and numbered, edition of 300 prints. This artwork it is part of a series of works created i...

This exquisite collotype after Max Ernst (1891–1976), titled Les Diamants conjugaux (The Conjugal Diamonds), from the album Max Ernst, Histoire Naturelle (Natural History), originate...

Castle in Night is a print realized by an Anonymous artist in the 20th century. Woodcut on paper. Good conditions. Beautiful mysterious work depicted through delicate strokes.

Assassinat is an original etching on the Japanese paper, realized by James Ensor in 1888, signed on the plate and dated, with the second signature on the reverse. In good conditions...

Cassatt, Mary. BEFORE THE FIREPLACE. NO. 1. Breeskin 64. Soft-grpund etching and aquatint, c. 1882. State 2 (of 3) with the light tone added, and the profile still indistinct. Si...

Hand Signed and numbered. Edition of 125 prints. Published in the artwork series: "Giacomo Manzù: Fifteen original etchings and aquatints", by Touchstone Suite, New York, 1970. Giaco...

Lithograph on Magnani-Pescia paper. Paper size 80cm x 59cm, work size 61cm x 38cm. Excellent condition, no defects. Hand colored by the artist. The master Romano Parmeggiani was born...

The Forgiveness is an artwork realized by Philippe Triere (after Jean-Baptiste Mallet) in 1882. Etching. Stamp signed. Good condition.

Tenderness is a print realized by  Achille Devéria (1800-1857) in the Early 19th century. Lithograph on paper. Signed on the lower Good conditions and aged. The artwork realized ...

Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized by P. Campana in the 18th century. Signed on the plate, on the lower rig...

Study of Figures is anartwork realized by Charles Paul Renouard (1845-1924) in the early 20th century. Pencil drawing. Good condition. Not signed. The drawing is glued on a cardb...

Héliogravure on brown-toned paper, so signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade, Paris. ...

Vol. In-Folio 45,2x34,2 cm., 205 pp. Edition of 220 copies including a xylographic vignette, 14 xylographic illustrations (on heads and footers of chapters) and 22 original lithograp...

The Souls from the Series "The Divine Comedy" - Song 5 - Paradise is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Ali...

Woman With Cornucopia is a Lithograph realized by a French artist in 1830. Good condition on a brown paper. No signature, numbered,373 on the upper margin.

Black Devil is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy" by Dante Alighieri. Not signed, as issued. Plate n.17 (as repor...

Le Christ portè au Tombeau is an original print in etching technique, realized by Amèdéè Greux (French Engraver; 1836-1979) and by A.Salmon (Imp, Paris) . ...

Lovers Walking in the Snow is a woodcut print realized in the mid-20th Century after a woodcut print by Suzuki Harunobu. Good conditions. The artwork is depicted through soft line...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with foxing and folding. Signed in the plate. The artwork is depicted through confident strokes....

Etching and drypoint realized to illustrate Pierre Ronsard's "Les Amours de Cassandre". Published by Argillet, Paris, in 1968. Edition of 299 pieces. One of 165 specimen on Arches...

Image dimensions: 35.5 x 49.5 cm. Lampshade is an original etching on paper, realized by an Anonymous artist of the XX century. There is The state of preservation of the artwork is very good. hand-signed on the lower right but unreadable. numbered, edition IV/X Sheet dimension : 50.5 x 69 cm The artwork represents the leg of a nude woman on a bed...

Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...

"Dessine par Gallier" is a hand-colored engraving and etching by Pierre Laurent (1739-1809) and Pierre Audouin (1768-1822) after a painting by Eustache Le Sueur...

The Bride is a print realized by an Anonymous artist in the early-20th century. Lithograph on paper. Good conditions.

"Twilights Last Gleaming" - Vintage 1980's Etching Vintage etching depicting the characters from the 1977 movie "Twilights Last Gleaming" by Claudett...

This exquisite lithograph after Pablo Picasso (1881–1973), titled Toros y Toreros (Bulls and Bullfighters), from the folio, Chant funebre pour Ignacio Sanchez Mejias (Funeral Song fo...

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Correccion is an original artwork realized by Francisco Goya and published for the first time in 1799. Etching on wove paper. This artwork belongs to the Third Edition published in...

Salvador Dali The giants (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") References: - Field p...

Raoul Dufy - Plates - Original Etching Dimensions: 13 x 10". Edition of 200 1940 Edition Les Bibliophiles du Palais, Paris Unsigned and unumbered as issued

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Amicalement is a hand-colored etching and drypoint, signed by Chas Laborde on the lower right margin. Hand-titled on the lower left margin. This original print is hand-colored with t...

Jean-Paul RIOPELLE Tribute to Nelligan : Visage of Nature Original lithograph Handsigned in pencil On Arches vellum 56 x 76 cm (c. 22 x 30 in) REFERENCE : Catalog raisonne Y. Riope...

Contemporary figurative nude monotype print by Belarussian artist, Siergiej Timochow. Print depicts a woman playing on a double bass. The composition is monochromatic. The paper/card...

Women is an original artwork realized by the artist Narcisse Diaz de la Peña in the mid-XIX century. Signed on plate on the lower right corne...

Homage to Michelangelo is an original artwork realized in 1975 by Jorge Castillo. Black and white etching. Hand signed on the lower right margin. Numbered on the lower right left....

Fragonard is a print realized by Eugène Chambellier (1848-1901) in the 19th century. Etching on paper Good condition with slight foxing.

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Ancient Roman painting - Attendance Scene from the series "Antiquities of Herculaneum", is an original etching on paper realized by Roccus Pozzi and Nicola Vanni in the 18th century....

This exquisite lithograph after Jean-Edouard Vuillard (1868–1940), titled Intimite (Intimacy), originates from the 1966 folio Derriere le Miroir, No. 158–159, published by Maeght Edi...

Woman is an original etching realized by Leonor Fini, an Argentine-Italian painter who spent her artistic career in France and was associated with the Surrealist movement. Good condition except for some light foxings. Hand signed on the back. Leonor Fini (1907-1966) was an emblematic painter, illustrator, writer, scene painter, and draftswoman; one of her favorite subjects was human bodies painted with hybrid shapes, like animals, plants, or minerals. Her subjects are neither naked nor dressed, their body is crossed by nervous tissues, veins, and blood vessels.

Edgar DEGAS (after) Whorehouse Scene : A Gorgeous Woman Original etching and aquatint On Rives vellum 25 x 32 cm (c. 10 x 13 inch) In the early 1920s, Ambroise Vollard (the great ar...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

Uses and Customs - Egyptian Deities is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Coteaux en Septembre (Hills in September), from the folio Vins, Fleurs et Flammes (Wines, Flowers, and Flames), origina...

Tice, CLara (Amrican, 1888-1973). ELEVEN ETCHINGS. Etchings on paper, not dated, but 1930s. Each c. 6 x 4 1/2 inches on a sheet c. 9 1/2 x 6 1/4 inches. Each signed in the plate. Fr...

Artist: Lambrecht Hopfer (German, Active c. 1525-1550) Title: "The Crucifixion (Christ on the Cross)" Portfolio: (after) The Engraved Passion *Issued unsigned, though monogram signed by Hopfer in the plate (printed signature) lower right Circa: 1530 (second state of three, published c. 1690) Medium: Original Etching on laid paper Limited edition: Unknown Printer: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Publisher: The Hopfer family, Augsburg, Germany; (David Funck, Nuremberg, Germany) Reference: Bartsch No. VIII.527.12; Hollstein No. 12.II Framing: Recently framed, the sheet is floated over, and top-matted with a 100% cotton fabric rag mat from Holland in a wood moulding and Museum glass Framed size: 14.88" x 13.88" Sheet size: 5.5" x 3.63" Condition: Trimmed to platemark. A few tiny professional repairs: at elbow of Jesus's right arm and the inside thigh of Jesus. Some light skinning upper right corner and lower right area. It is otherwise a strong impression in good condition Very rare Notes: Provenance: private collection - Green Bay, WI; acquired from Sotheby's, New York, NY in c. 2015. The artist Lambrecht Hopfer's printed monogram signature "LH" lower right. The printer/publisher David Funck's (plate) number "182" lower right. This etching is after Albrecht Dürer’s 1511 engraving "The Crucifixion (Christ on the Cross)", ("Dürer-Katalog" - Meder No. 13, page 73). Printed in black from an iron plate. The image depicts Christ on the cross at center, the Virgin at left, two Maries behind her, St. John standing at right, a Roman solider behind him. It is after the eleventh plate of Dürer's sixteen plates from his 1507-1513 "The Engraved Passion" series, ("Dürer-Katalog" - Meder No. 3-18, page 70-74). "The print was originally designed without the number engraved in the lower margin (First state: Lambrecht Hopfer, c. 1530). The Hopfers' descendant David Funck (Nuremberg, 1642–1705) acquired over two hundred of their original iron plates, engraved numbers into them, and re-printed them around 1686-1700. The "182" indicates that "The Crucifixion" was the 182nd print in Funck’s series (Second state: David Funck, c. 1686-1700). About a century later, 92 of these plates were acquired by Carl Wilhelm Silberberg in Frankfurt and printed for the third and final time in the book "Opera Hopferiana", of which "The Crucifixion" was the 90th print (Third state: Carl Wilhelm Silberberg for "Opera Hopferiana", 1802)". - Elizabeth Upper, Cambridge University Library, University of Cambridge, Cambridge, UK Biography: Lambrecht (Lambert) Hopfer (Active c. 1525-1550) was a German Old Masters printmaker. He was the brother of Hieronymus Hopfer (Active c. 1520-1530) and son of Daniel Hopfer...

Map of Battle of Waterloo is an Etching realized by Pierre François Tardieu in 1837. Good conditions. The artwork is realized in a well-balanced composition. the artwork and belong...

Henri Matisse Arabesque 1924 Lithograph on Chine paper, Edition of 50 Paper size: 62.2 x 46 cms (24 1/2 x 18 1/8 ins) Image size: 48.3 x 32 cms (19 x 12 1/2 ins) HM15834

Albert DECARIS May : Blossom Spring Original etching Signed in pencil Exceptional copy bearing n° 1/100 Titled Janvier (January) On vellum 66 x 50 cm (c. 26 x 20in) Excellent condi...

Colpire is an original woodcut print by Attilio Giuliani in the early 20th Century. Good conditions. The artwork is depicted through strong strokes in a well-balanced composition