Framed Prints and Multiples

Avant-garde female nude lithograph on paper by Danish artist Wilhelm Freddie. Number 80 from an edition of 170. Signed, dated and titled in pencil bottom left, numbered in pencil bot...

Watercolor on paper 32 x 25 inches framed

Adolphe Leon Willette (French, 1857-1926) "Le Courrier Français Illustré / Dans Tous Les Kiosques" English translation: "The Illustrated French Courier / In All Newsstands" Le Cou...

Artist: Marc Chagall Title: Homage to Marc Chagall Portfolio: XXe Siecle Medium: Lithograph Year: 1969 Edition: Unnumbered Framed Size: 20 1/2" x 17 1/4" Sheet Size: 12" x 9 1/2" Im...

Oiseau et Lotus is a color lithograph on paper, realized by the French Cubist artist, Georges Braque (1882-1963). Printed by ARTE in 1963 by order of Galerie Maeght in Paris in a ci...

Palazzo dell'Angelo 1931 Etching and drypoint on cream-colored, handmade laid paper with deckle edges, 7 1/4 x 6 3/4 inches (185 x 171 mm), edition of 100, full margins. Signed, dated and numbered "Ed. 100" in pencil, lower margin, second state (of three). Printed by Henry Carling, New York. Extremely minor mat tone and some inky residue in the top right corner, all unobtrusive and well outside of image area. An exquisite impression of this intricate image, with astonishing detail, and all the fine lines printing clearly. The image represents the first print which Arms printed on his own handmade paper. Framed handsomely with archival materials and museum grade glass in a wood gilt frame with a flower and garland motif. Illustrated: Dorothy Noyes Arms, Hill Towns and Cities of Northern Italy, p. 180; Anderson, American Etchers Abroad 1880-1930; Eric Denker, Reflections & Undercurrents: Ernest Roth and Printmaking in Venice, 1900-1940, p. 116. [Fletcher 233] Born in 1887 in Washington DC, John Taylor Arms studied at Princeton University, and ultimately earned a degree in architecture at the Massachusetts Institute of Technology in 1912. With the outbreak of W.W.I, Arms served as an officer in the United States Navy, and it was during this time that he turned his focus to printmaking, having published his first etching in 1919. His first subjects were the Brooklyn Bridge, near the Navy Yard, and it was during his wartime travel that Arms created a series of extraordinarily detailed etchings based on Gothic cathedrals and churches he visited in France and Italy. He used what was available to him, namely sewing needles and a magnifying glass, to create the incredibly rich and fine detail that his etchings are known for. Upon his return to New York after the war, Arms enjoyed a successful career as a graphic artist, created a series of etchings of American cities, and published Handbook of Print Making and Print Makers (Macmillan, 1934). He served as President of the Society of American Graphic Artists, and in 1933, was made a full member of the National Academy of Design. In its most modern incarnation, Palazzo dell'Angelo was constructed in or around 1570. The building, which has a rich and storied history, was erected upon the ruins of an earlier structure which predates the Gothic period. Some remnants of the earliest features of the residence were most certainly still visible when Arms visited, as they are today. Having a background in architecture, there's no question that Arms was moved by the beauty, history and ingenuity represented in the physical structure. One thing specifically gives away Arms's passion for the architecture, and that is the fact that he focused on the building's Moorish entranceway, balustrade, and two mullioned windows, and not on the curious Gothic era bas-relief of an angel nestled into the facade of the building, after which the structure is named. The sculpture itself doesn't appear in Arms's composition at all, despite the fact that it is the feature of the building that is most famous in its folklore. Arms instead focuses on the oldest portion of the architecture, even documenting some of the remnants of a fresco, and a funerary stele for the freedman Tito Mestrio Logismo, and his wife Mestria Sperata (visible above the water level, to the left of the door, behind the gondola), which was first described in 1436. Among the many notable bits of history regarding the Palazzo, it has been documented that Tintoretto painted frescos of battle scenes on the facade of the building. The paintings have been lost to time and the elements, but not entirely to history. The empty frame...

Harper's March (Plate 20) is an 1886 lithograph of Edward Penfield's poster, printed at Imprimerie Chaix by Jules Chéret and included in the famed collection of Belle Époque posters...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el Jardin de Miro (Number 4) Year: 1975 Medium: Lithograph, signed in the plate Edition: 1500...

'Bandstand', captured on a visit to his grandparents at the British seaside in Eastbourne, this collection by Samuel Field is a beautiful reminder of days gone by. This artwork is a...

Henri Matisse Patitcha. Masque 1947 Aquatint on BFK Rives paper, signed in pencil and numbered 3/25 Paper size: 56.2 x 38.1 cms (22.1 x 15 ins) Image size: 34.6 x 27.4 cms (13 5/8 x 10 7/8 ins) HM16063 Duthuit, C.,1983. Henri Matisse: Catalogue raisonné de l'oeuvre gravé, Paris. n. 786 plate 367. Yau, J., 2018. Henri Matisse Prints...

Twin Mirrors (C.102) is a screenprint on paper created for the Guggenheim Museum in 1970, 35 x 21 inches image size, signed and dated 'rf Lichtenstein '70' lower right and numbered 94/250 lower left (from the edition of 250 plus an unknown number of artist proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.118, #102. About Lichtenstein’s Mirror...

Japanese woodblock print (etching) of a landscape by Toshi Yoshida 11" x 15" - Page Size 17 x 21.25 - Frame Size

Palmettos Jon Carsman, American (1944–1987) Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 26/175 Image Size: 30 x 20 inches Size: 34.5 in. x 24 in. (87.63 cm...

Leamington is a serigraph on paper measuring 26 x 41.25 inches, signed 'McKnight' lower right and annotated lower left. Framed in a classic, gold-tone frame. Numbered 122/200 from the edition of 490 (there were also 40 AP, 200 Roman, 6 PP, 40 HC and 4 TP). McKnight wrote of Leamington, “The title of this print is a tribute to Sidney Hamer, the late Washington, D.C., antiquarian bookseller. His reverence for and familiarity with the past created a whole new dimension in the life of a thirteen-year-old boy...

Abstract composition is an original modern artwork realized by Artist of the mid-20th century. Mixed colored drawing on paper. Hand signed on the lower margin. Includes frame.

Pink time, 2009 by Takashi Murakami Offset print, numbered and signed by the artist in gold and silver ink 19 11/16 × 19 11/16 in 50 × 50 cm Edition 139/300 Dokuro (literally starv...

Nishiki-e (woodcut print), in vertical oban format (31x20.5) realized by Mizuno Toshikata in 1893 (Meiji 26). Belongs to the Series "Sanjûroku Kasen" (Thirty-Six Beauties in Compari...

Artist: Dali, Salvador Title: Horace's chimera Series: Dalinean Horses Date: 1972 Medium: Lithograph Unframed Dimensions: 25.5" x 19.75" Framed Dimensions: 35" x 30.5" Signatu...

This artwork titled "Mirror Pass" 1977 is an original color screenprint by noted Native American artist Earl Biss, 1947-1998. It is hand signed, dated and numbered 37/100 in pencil by the artist. The artwork (image) size is 29 x 21 inches, framed size is 38.5 x 30 inches. Custom framed in a wooden silver and blue frame, with fabric matting. It is in excellent condition. About the artist: Born in Washington state, Earl Biss became a well-known Native American artist. He was raised by his grandmother on the Crow reservation in Montana and earned a scholarship to the Institute of American Indian Art in Santa Fe where he studied jewelry design. He attended the San Francisco Art Institute and then traveled widely in Europe where he was heavily influenced by the impressionist style of Monet and other European artists. His paintings have a dream-like, abstract quality with Indian figures merging with the landscape. He worked on numerous paintings, sometimes as many as twenty, simultaneously. On October 18, 1998, he died from a stroke while in his studio painting. • 1965 - 1966 Studied at the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico. Was a member of the inaugural class. The IAIA was founded in 1962. • Studied under Fritz Scholder, Charles Loloma, Alan Houser...

Banksy, Barely Legal Poster, 2006 Offset lithograph 46 x 61 cm (18.11 x 24 in) Unknown edition size On the weekend of 12th September 2006, Banksy held his first major US exhibition...

Roby Dwi Antono, Okta, 2022 24-layer screen-print with curable UV inks, printed on 410gsm Somerset Tub Sized Radiant White paper with black box frame 44 x 50 cm (17.32 x 19.69 in) ...

'Brutalist Symphony', photographed on London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of the famous Brutalist l...

David Gilhooly (1943-2013). Bugs, 2001 Etching on wove paper Artist's Proof XV/X (6/10) numbered in pencil lower left Signed and dated in pencil lower right Dimensions: With Frame ...

Ichimura Uzaemon XIII - actor as Okaji of Gion, 1862 "The Six Poetry Immortals" A Japanese Ukiyo-e woodcut print created circa 1862 by artist Utagawa Kunisada (Japanese, 1786-1864). ...

This limited edition print is an abstract landscape by Elwood Howell. Below a high horizon line, a blend of earth colors are layered together with specks of colorful shapes throughou...

Extremely rare lithograph on mulberry paper. Floated on linen with 23K gilded hand made 1978 H Benevy frame. Purchased from the artist 1980. A signed artist proof from an edition...

Modern abstract figurative lithograph by German artist Horst Antes. The work features a Cubist inspired figure with abstracted facial features set against a teal background. This wor...

Artist: Dali, Salvador Title: The Rider and the Deer Series: Le Bestiaire de la Fontaine Date: 1974 Medium: drypoint with color added by stencil Unframed Dimensions: 22.83" x 29....

"Sukeroku" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's...

Artist: Marco Dente da Ravenna (Italian, 1493-1527) Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)" *Monogram signed by Dente in the plate (printed signature) lower left Circa: 1515-1520 (second state of three) Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown Publisher: Antonio Salamanca, Rome, Italy Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10 Framing: Recently beautifully framed, the sheet is museum mounted, floated over a 100% cotton rag mat in a modern gold moulding and Museum glass Framed size: 16.88" x 13.07" Sheet size: 10.63" x 6.94" Condition: Thread margins. A strong impression in excellent condition Very rare Notes: Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520). "This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London Biography: Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...

A continuation of the 'Horse Ride' series, The Scholar - Green (M.547), also known as The Literate Man, is a lithograph on cloth, backed with chiffon de Mandeure, with an image size ...

The horse "Lampo" is a modern artwork realized by Giorgio De Chirico in 1971. Mixed colored lithograph. Hand signed, titled and numbered on the lower margin. Edition of 30/48 inc...

Colour lithograph depicting a classic still life by Guttuso, one of his most representative subjects limited edition Current copy numbered: IX/LXXV Size with frame: 84 x 71 cm Paper ...

Takesada Matsutani (Japanese, b. 1937) Propagation-L, 1971 Screenprint in colors Edition 51/75 28 x 27 inches 28.25 x 27.25 inches, framed Takesada Matsutani is a Japanese avant-ga...

Nancy Graves Calibrate, 1981 16 color etching, aquatint, engraving and lithograph. Printed from 5 copper plates, 1 zinc plate and 1 stone Hand signed, numbered 12/30 dated on the fro...

Damien Hirst, Civilisation Exploding, 2024 Giclée print on Cotton Smooth Rag 143 x 112 cm ( 56.3 x 44.09 in) Edition 246 of 507 Hand-signed and numbered on the front Civilisatio...

Baby, Baby Etching & aquatint printed in colors, 1991 Signed, dated, titled & numbered in pencil (see photos) Edition: 35 (4/35) plus 10 AP Condition: Excellent, colors fresh Image/...

A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...

After Georges Braque (French, 1882-1963) "L'Oiseau d'Or," embossed cast-paper intaglio with 18K gold paint after Braque's Oiseau brooch design, unsigned, edition number 169/250, Siz...

Artist: Salvador Dali Title: The Arrival of Iseult Portfolio: Tristan and Iseult Medium: Color engraving Year: 1970 Edition: XII/XXV Frame Size: 25 1/4" x 20 3/4" Sheet Size: 17 3/4"...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the reverse. Artwork size 27 x 33 i...

Artist: Kathryn Hadley – American Title: Emerging Pomegranates Year: 1998 Medium: Monoprint Sight size: 15 x 15 inches. Framed size: 33 x 29.75 inches Signature: Signed, dated lower right Condition: Very good Frame: Framed in original frame. Frame in fair to good condition This monoprint is by Kathryn Hadley, a California contemporary artist...

Kabuki Actor is an original Woodcut print realized in mid 19 century and attributed to Utagawa Kunisada. Beautiful colored woodblock print, included a cardboard passpartout. Includ...

This vintage original lithograph by renowned artist Mary Chenoweth features an abstract depiction of birds in flight, showcasing her unique technique of layering various textures of ...

North Shore Motel, photograph from Richard Heeps Salton Sea series. Blue skies over this Californian classic mid-century modern Americana Motel exterior. Captured by Richard Heeps in...

An etching in red by American pop artist Wayne Thiebaud depicting six Italian desserts. This is #16 from the edition of 50. It is signed and dated in pencil lower right, and numbered...

Large scale limited edition woodcut print of an an abstracted scene with landscape elements and rough figural forms including a dog, house and tree that emerge from chaotic linear ab...

This Blue Dog work consists of a large Blue Dog in a chef’s white coat and high-hat, along with 2 smaller blue dogs in chef’s white aprons and high-hats sitting on a red and black ba...

Xisco Mensua (Spain, 1960) Untitled from Portfolio "Junio - Julio", 1995 engraving on paper 12.6 x 9.5 in. (32 x 24 cm.) Edition of 6 Frame 16x20 in. ID: MEN1253-001-006_9 Hand-signe...

Flower song, a beautiful landscape lithograph in soft tones by Michael Schofield (American, b. 1947). Presented in a wooden frame. Signed "Schofield" lower right and numbered "165/35...

Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...

Capturing the cinematic Glass Pool Motel which is sadly no longer there, and an iconic Chevy Bel Air, it is a perfect example of a Lost Vegas. This is one of Richard Heeps' classic A...

Three woodcut engravings produced in 1885 to commemorate the sailing yacht trials competition to determine the team to represent the United States in the America's Cup races off the New Jersey coast in that same year. These three beautiful woodcut engravings are part of a group of six equally attractive prints, all framed identically in gold scrolled wood frames with pleasing light grey French mats, each with a medium grey band. Each frame measures 16.13" x 17.25" x 0.5". See Item Reference #LU117325094852 to view the other three prints in this series. These prints may be purchased individually for $1,075/each, as a set of three for $2,875/3 or as a set of six for $5,575/6. Three American racing yachts, the Puritan, the Priscilla and the Bedouin, participating in the 1885 America’s Cup trials off the coast of New Jersey are shown in their qualifying races. The Puritan, owned by several members of the Eastern Yacht Club...

Vintage Large Scale Picasso "National Galerie, Berlin" Exhibition Poster c.1989 Fantastic vintage exhibition poster for works by Pablo Picasso at the National Gallery in Berlin. Th...

"de Kus" (The Kiss) Abstract Monotype in Ink on Paper Bright and bold abstract monotype by Dutch-American artist Anouk Johanna (b. 1946). Two abstracted human-like dark grey shapes are mirror images of each other, surrounded in a multicolored background. The background has a textured look, with blended variations in shades of yellow, green, teal, and magenta. Signed and dated "Anouk Johanna '93" in the lower right corner. Numbered "1/1" in the lower left corner. Titled "de Kus" in the lower middle. Presented in a wood frame and an off-white mat. Frame size: 17.5"H x 15.75"W Image size: 9.25"H x 7.75"W Anouk Johanna (Dutch, b. 1946) grew up in Amsterdam Holland and already knew as a young child she was going to be an artist. In Amsterdam she was exposed to world class art and early on she showed signs of a multitude of talents in visual as well as performing arts. Her parents fully supported and encouraged her. She studied drama as well as costume and textile design and was part of a traveling theater group before she started studying sculpture at the prestigious Rietveld Akademie. In 1969 she was offered an opportunity to travel to the USA to study sculpture at the Brooklyn Museum Art School in Brooklyn, New York. There she met and married an American sculptor. They traveled and lived all over the US and in Holland and had two daughters. In Amsterdam they bought an old sailboat where they lived a romantic life as true bohemian artists and made art even when the children were very small. In 1971 they moved back to New York City and Johanna created large fiber art wall hangings for several years. In 1975 her husband and she, now living in L.A., learned to be silversmiths and started selling their jewelry at Arts and Crafts Fairs. This was a more lucrative way to raise a family than as sculptors. It was at the Californian Art Fairs that they were first introduced to the art of "scrimshaw" (engraving and inking of images on ivory or bone) and began to create their own scrimshaw pieces happy to be able to combine sculpture and drawing skills. In 1980, after a divorce, Johanna settled with her daughters in Santa Cruz, CA where she started taking classes at Cabrillo College and studied painting, drawing, jewelry, printmaking and art history while continuing to sell her scrimshaw jewelry...

Limited edition linocut on paper. Hand signed and numbered lower front Angel Botello. From the edition of 60. Frame size approx 29.75 x 26.5 inches (frame molding may have some m...

"Mickey" is of a matching set with "Mickey" and "Minnie." Set against a vivid blue background and encrusted in glitter, Damien Hirst’s “Mickey” is a playful reimagining of the belo...

Serigraph from "Visual Poetics: The Art of Donald Sultan" framed under glass in natural wood frame. Initialed and numbered. Edition 112 of 395. Framed dimensions: 19 1/2 x 19 1/4 inc...

Artist: Judy Pfaff, American (1946 - ) Title: When the Moon is Full Year: 2002 Medium: Photo-etching, signed, titled and numbered in pencil Edition: 26/30 Image Size: 22 x 87 inches ...

"Thirsty: the appearance of a town geisha in the Ansei era" - Woodblock on Paper From the series "Thirty-two Aspects of Customs and Manners" (Fuzoku sanjuniso) Lively woodblock of a...