Framed Prints and Multiples

Silkscreen and Archival Pigment in Colour on Deckled Edge Somerset Satin 410gsm Paper floated on a frame with 3mm Float Glass 44 3/10 × 30 7/10 in 112.5 × 78 cm Edition of 195 hand-...

Paintings and Drawings, by Agnes Martin 1974-1990 (Stedelijk), 1991 Additional information: Medium: complete set of ten lithographs on transparent vellum paper each, 30 x 30 cm 11 3/4 x 11 3/4 in Agnes Martin was an American painter who was born in Macklin, Saskatchewan, Canada, in 1912, and became a US citizen in 1940. Martin is perhaps most recognised for her evocative paintings marked out in subtle pencil lines and pale colour washes. Although restrained, her style was underpinned by her deep conviction in the emotive and expressive power of art. Martin believed that spiritual inspiration and not intellect created great work. ‘Without awareness of beauty, innocence and happiness’ Martin wrote ‘one cannot make works of art’. In a career spanning five decades, Martin became known for her square canvasses, meticulously rendered grids and repeat stripes, though her lesser-known early works consist of experiments with mixed media and works on paper. Martin thought of her works as studies in the pursuit of perfection. Martin spent many years working in New York, where she was part of a contemporary of artists such as Sol LeWitt, Ann Truitt, Donald Judd and Ad Reinhardt – with whom she was close friends. In 1967, shortly after Reinhardt died and just as Martin’s art was gaining acclaim, she left the city and continued her investigations into Buddhism and meditation. She wished to experience true solitude and used this period of quiet reflection to produce some of her most significant writing, whilst situated in sparsely populated and remote areas of the United States and Canada. In 1968 Martin resettled in New Mexico and began building an adobe and log house in a remote mesa. She lived there alone and without modern conveniences for several years. In 1973 she began creating work again. Agnes Martin’s influence reaches globally and plays a hugely significant role in 20th Century art history. Whilst known as a pioneer of abstract painting, her work as well as her reclusive lifestyle have served as an inspiration to creative practitioners in diverse disciplines. Painters, photographers, writers – and many devotees from the words of fashion, architecture and graphic design revisit and rephrase her perspectival studies and fascination with geometry, the legacy of which can be seen in investigations into brevity of line and muted colour palettes. Artists such as Richard Tuttle, Ellen Gallagher...

Alex Katz (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. Over the succeedi...

Peintre et Modele Etching and aquatint on Rives wove paper, 1966 Signature stamp lower right (see photo) Annotated in pencil lower left: "epreuve avant acierage" (see photo) One of t...

The Ponte and Castel S. Angelo Veduta del Ponte e Castello Sant' Angelo Etching, 1754 Signed in the plate lower right above the caption From: Vedute di Roma A proper Roman printing w...

The vertical Spots 'Gly-Gly-Ala' by Damien Hirst is a multi-color woodcut in his signature palette formed with series unique colors. This exquisite piece is created in a limited edit...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Le Nu à la Guitarre (The Nude on the Guitar) (Serenade)" Portfolio: Nudes *Signed by Dali in pencil lower right Year: 1970 Medium: Original Lithograph on white Rives paper Limited edition: 104/120 Printer: Desjobert, Paris, France Publisher: E.G.I., Beverly Hills, CA Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 70-8-D, page 158 Beautifully framed in handmade real gold-leaf moulding with raw silk matting and gold filet Framed size: 30.25" x 38.25" Image size: 20" x 28.25" Condition: Light toning to sheet in margins and some minor handling creases. Some minor cosmetic wear to framing. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Philadelphia, PA. Numbered by Dali in pencil lower left. Comes from Dali's 1970 "Nudes" portfolio of 8 lithographs from original drawings. Printed in light yellow-brown on pale green panel. Note: We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes...

Damien Hirst, The Currency Poster (Set of 4) (Framed), 2022 High quality digital print on 170gsm paper 4 x 59 x 89 cm (23.23 x 35.04 in) 4 x 63 x 93 cm (24.8 x 36.61 in) Poster de...

Artist: Jean Helion Title: Untitled Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signature: U...

This first release lithograph titled Spirales by Alexander Calder is a captivating piece of art that showcases Calder's signature style of bold, swirling forms. The lithograph is pla...

Etching printed in brownish black on light tan Chine collé, 1861. Image measures 6 x 5 inches, displayed in a 15.5 x 12.5 inch frame. Etched signature and date lower left. A very goo...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Stepping Out" first released on "Milk & Honey," the final album released after his death in 1980. ...

Agam, Yaacov, (Jacob Gipstein) (Israeli, b. 1928). UNTITLED. Screenprint in colors, not dated. Edition of 165, signed with marker, and numbered 164/165. 18 1/2 x 47 3/4 inches, 470 x...

Pierre Soulages Lithographie sur papier Papier: 12.25 x 9.5in Cat Bnf n° 76 Signée au dos a droite, datée 70. Provenance : Collection privée Épreuve parue dans le n. 34 de la revue XXe Siècle. Mourlot, Paris, imprimeur ; XXe Siècle, Paris, éditeur. About Pierre Soulages : Pierre Soulages est né le 24 décembre 1919 à Rodez et décédé le mardi 25 octobre 2022 à l’âge de 102 ans. Il a été inhumé le vendredi 4 novembre au cimetière Montparnasse. Très jeune il est attiré par l’art roman et la préhistoire. Il commence à peindre dans cette province isolée que n’ont pas pénétré les courants artistiques contemporains. À 18 ans, il se rend à Paris pour préparer le professorat de dessin et le concours d’entrée à l’École Nationale supérieure des Beaux-Arts. Il y est admis mais convaincu de la médiocrité de l’enseignement qu’on y reçoit refuse d’y entrer et repart aussitôt pour Rodez. Pendant ce bref séjour à Paris il fréquente le musée du Louvre, il voit des expositions de Cézanne et Picasso qui sont pour lui des révélations. Mobilisé en 1940,il sera démobilisé en 1941. Paris occupé, il se rend à Montpellier et fréquente assidûment le musée Fabre. Montpellier à son tour occupé, commence pour lui une période de clandestinité pour échapper au STO pendant laquelle il ne peint plus. Ce n’est qu’en 1946 qu’il peut consacrer tout son temps à la peinture. Il s’installe alors dans la banlieue parisienne. Ses toiles où le noir domine sont abstraites et sombres. Elles sont aussitôt remarquées tant elles diffèrent de la peinture demi-figurative et très colorée de l’après-guerre. Il trouve un atelier à Paris, rue Schoelcher, près de Montparnasse. En 1948, il participe à des expositions à Paris et en Europe, notamment à « Französische abstrakte malerei » dans plusieurs musées allemands. Il est de beaucoup le plus jeune de ce petit groupe de peintres où se trouvent les premiers maîtres de l’art abstrait, Kupka, Domela, Herbin, etc. L’affiche est faite avec une de ses peintures en noir et blanc. 1949, exposition personnelle à Paris, galerie Lydia...

This artwork "Untitled" is a color lithograph by acclaimed Iranian artist Mahmoud Farshchian, born 1930. It is hand signed and numbered 217/250 in p...

Hollywood Stars 20th Century Litho - K. Hepburn, J. Wayne, S. Davis. J. Garland Al Hirschfeld (1903-2003) "Hollywood" Hand-signed Limited Edition Etching, 79/175 Plate Size: 18 3/4...

William Henry Simmons (1811-1882) after Frank Stone (1800-1859). Engraving on paper. Published by E. Gambart & Co, 1851. Presented in a large 19th century birdseye maple frame with g...

Zhang Xiaogang/ 張曉剛 (Chinese, b. 1958 Kunming) Two Sisters, 2003 Medium: Lithograph on wove paper Sheet dimensions: 63.5 x 74.5 cm Frame dimensions: 70 x 80.5 x 3 cm Edition of 199: ...

Helen Frankenthaler Air Frame, from the New York Ten portfolio (Harrison 6), 1965 Color silkscreen on Arches double-weight watercolor paper Signed and annotated AP in graphite on the front; this is an Artist's Proof, aside from the regular edition of 200 “What concerns me when I work is not whether a picture is a landscape… or whether somebody will see a sunset in it. What concerns me is, did I make a beautiful picture?” - - Helen Frankenthaler Pencil signed AP, one of 25 proofs aside from the regular edition of 200 Catalogue Raisonne: Harrison 6, Berggruen 7, Clark 6 Printed by Chiron Press, New York. Published by Tanglewood Press, New York. This work has been newly framed in a museum quality wood frame under UV plexiglass. The original label from the famed John Berggruen Gallery in California has been affixed to the back to preserve provenance. Other examples of this coveted 1965 work can be found in major institutional and museum collections worldwide. Measurements: Framed 29 inches vertical by 24 inches (horizontal) by 1.5 inches Artwork: 22 inches vertical x 17 inches horizontal This is Frankenthaler's first silkscreen, produced for the portfolio New York Ten, which includes works by other New York-based artists at the time such as Roy Lichtenstein, Jim Dine, Tom Wesselmann and Claes Oldenburg. (She created her first lithograph in 1961) Other examples of this edition are found in the permanent collections of the Museum of Modern Art, MOCA Chicago, the Metropolitan Museum, the Philadelphia Museum, the Art Institute of Chicago, and numerous regional museums and institutions in the United States and worldwide. Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann. Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

This strikingly large poster was produced for a 1979 exhibition at the iconic Leo Castelli Gallery on West Broadway, New York. It captures the vibrant art scene of the late 1970s, sh...

Bernard Buffet, French (1928 - 1999) - La Place des Vosges. Year: 1962, Medium: Lithograph, signed and numbered in pencil, Edition: 141/150, Size: 21 x 27 in. (53.34 x 68.58 cm), Fr...

Onésime (M.1075) from 1975 is a stunningly colored lithograph by Joan Miró, limited to a small edition of 65 (50 Arabic and 15 Romans). The image size is 35.5 x 27.87 inches and the ...

Meditation and Minou Color lithograph and serigraph, 1980 Signed and numbered in pencil (see photo) Printer Styria Studio, Inc. New York Publisher: Harry Abrams...

Carol Channing LORELEI Broadway Legend Tony Awards 20th Century Lithograph Al Hirschfeld (1903-2003) Carol Channing in LORELEI Hand-signed Limited Edition Etching Signed lower rig...

Joan Miró produced this original color lithograph especially for Rafael Alberti's text 'Maravillas con Variaciones Acrósticas en el Jardín de Miró' (Wonders with Acrostic Variations ...

Listing includes framing with UV Plexi, free shipping to the continental US, and a 14-day return policy. This is also available for local pick up at our New York City location. Kr...

Etching on wove paper. Stamped Pablo Picasso signature lower right. Hand numbered 15/50 lower left (there were also 15 artist's proofs in Rom...

Color Lithograph on wove paper, 1896. Artist's orange-red and black signature stamps, numbered in pencil (#12), from edition of 100 published by A. Vollard in the 2nd "Album des esta...

You really need to bring home this wonderful serigraph for your collection! A fabulous Mid-Century, ca. 1959 serigraph of Chicago's Wrigley Building in its original (and kitchy!) fr...

This artwork titled "Montagne Ocre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 28 x 38.5 inches, framed size is 48 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist. About the artist: Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer. Johnny Gotthard...

Large Marine Scene Dutch or Flemish, 20th century color print on canvas, framed framed: 27 x 34 inches canvas: 20 x 27.5 inches provenance: private collection, UK condition: very goo...

Tom Wesselmann (1931-2004) Monica with Tulips (1989) Signed and numbered AP 4/12 (aside the edition of 100) signed in the lower right Screenprint in colours on Museum Board. Publ...

This monochromatic artwork depicts a lively hunting scene, with a large group of riders on horseback accompanied by numerous hounds in the foreground of a vast rural landscape. Insc...

Yayoi Kusama Dots Infinity (1986). Edition 58/100 Screenprint [2 screens, 2 colors] Signed, titled, dated and numbered 58/100 in pencil by the artist 28 x 32 cm [11 ¹/₃₂ x 12 ¹⁹/₃₂ ...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x22 cm . Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in th...

This Pablo Picasso print portrays a nude woman who has fallen asleep. The figure reclines backward toward the viewer, resting on her back. The artist's use of flowing line and the br...

Auguste Rodin, French (1840 -1917) - Buste de Bellone, Year: 1883, Medium: Etching, signed in pencil, Image Size: 5.25 x 3.5 inches, Size: 13 x 9 in. (33.02 x 22.86 cm), Frame Si...

This artwork titled "Cityscape" c.1930 is an original color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the artist. The image (plate mark) size is 12.75 x 9.15 inches, framed size is 19.35 x 15.25 inches. Custom framed in a silver with brown patina frame, with light grey matting and green and red filet. It is in excellent condition, About the artist: Tanna Kasimir...

Alex Katz (born 1927) Reflection 2 2021 Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper 47 x 39.5 inches (119 x 100.3 cm) Edition of 81/100 With flat plane...

"Elizabeth" limited edition print of a woman by artist Alex Katz framed in a white, wooden frame. Archival pigment ink print on Innova Etching cotton rag 315 gsm fine art paper. Sign...

Niki de Saint Phalle Last Night I Had a Dream, 1968 Silkscreen on colored paper Signed and numbered 67/75 in graphite pencil on the front Frame included It is elegantly floated and f...

Invader (French b. 1969) Rubik Camouflage, 2023 From the series 'Rubikcubism' Diasec mounted Giclée on aluminium composite panel Edition 251 / 812 Numbered and hand-signed by the art...

The Spanish Modern and Surrealist artist Joan Miro was one of the great masters of the 20th century. His bold linework and childlike technique set him apart from his contemporaries a...

Artist: Dali, Salvador Title: The Lovers Condemned Series: Tristan et Iseult Date: 1970 Edition: 587 (numbered on justification page only) Medium:...

“Three Pines” by well-known woodblock artist Gustave Baumann (1881-1971). The medium is color woodblock. It's a beautiful print in excellent condition. Baumann's personal Hand and He...

ARTIST: Salvador Dali TITLE: Conquest of Cosmos Frozen Watches of Space Time MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 105/195 MEASUREMENTS: Paper: 39.5" x 27.25" Fra...

Mountain Village is a 1980 vintage blank greeting card, originally printed for the Guggenheim Museum. The card is framed in a white wood frame with a front profile of 1 inch and a si...

Self-Portrait by Andy Warhol, from a portfolio of five prints published by te Neues, now out of print. This offset lithograph captures Warhol's unmistakable style and iconic presence...

An example in outstanding condition. Henri de Toulouse-Lautrec’s Moulin Rouge: La Goulue, a masterpiece of the art poster medium, was a beacon of the ro...

Artist: Victor Vasarely Title: Profound Works I Year: 1973 Not signed or numbered, as published Dimensions: 12 in. by 12 in. Framed Edition: From the Rare Limited Edition Publisher: Editions du Griffon Neuchatel Suite: Profound Works Medium: 3D, Serigraph on Acitate Over Serigraph on Paper Condition: Excellent Victor Vasarely (French/Hungarian, 1906–1997) is known as the father of the Op Art movement. As a painter, he created intricate abstractions that suggested depth and dimensionality using a variety of optical illusions, with surfaces seeming to bulge out of the canvas. His works present color, form, and pattern as a single interconnected element—a concept that was critical to the foundation of the Op Art movement and the focus of his mature works. Vasarely initially studied medicine at the Budapest University in his early 20s, only to abandon his medical studies to attend to the Muhely Academy, the center of the Bauhaus movement in Budapest. While there, he was profoundly influenced by the work of color theorist and artist Josef Albers, as well as the Constructivist methods promoted by artists such as Wassily Kandinsky. While Vasarely’s earlier work was concerned more with color theory, during the 1950s and 1960s his work became more focused on the optical potential of the two-dimensional surface. He began to use complex and colorful patterns to actively engage the viewer’s eye, and to convey a sense of kinetic energy across the two-dimensional surface. Vasarely’s work was heavily influenced by his time spent at Breton Beach of Belle Isle...

Artist: Richard Bosman, American (1944 - ) Title: Forced Entry Year: 1983 Medium: Sugar Lift Etching, signed, numbered, and titled in pencil Edition: 10/20 Image Size: 10 x 7 inches...

This striking image by Robert Mapplethorpe, titled Antinous, reflects the artist’s deep engagement with classical form and idealized beauty. Featuring a statue of Antinous—beloved of...

Salvador Dali (1904-1989) - The Inferno, Canto 33 - Les Traitres envers leurs hôtes Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Pa...

Salvador Dali (1904-1989) -The Purgatory, Canto 11 - The Proud Ones Original woodcut from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. Reference: ...

Artist: Donald Sultan Title: Yellow Poppies, Aug 17, 2022 Portfolio: 2022 Poppies Portfolio Medium: Silkscreen with overprinted flocking on 4-ply Rising M...

3722 Japanese Woodblock on paper set in a vintage wood frame Image size 9x10.5"

Joan Miró Plate 7 (from the Joan Miró Lithographs I portfolio), 1974 Lithograph in colors on Arches Image size: 30 × 24 cm Frame size: 67.5 x 54.5 x 2 cm Hand-signed lower right Edi...

Artist: Hirst, Damien Title: Big Love Date: 2010 Medium: Silkscreen Unframed Dimensions: 60" x 60" Framed Dimensions: 64.25" x 63" Signature: Signed Edition: 7/50 Publisher: ...

Mesmerizing large scale photographs from the artist's Seascape series, a body of works capturing the tactile surfaces and monochrome nature of oceanic waterscapes SEASCAPE XVIII Di...

Linoleum cut printed in colors, signed in pencil and numbered on Arches wove paper, printed by Arnéra, Vallauris, France, published by Galerie Louise Leiris, Paris. Image Size: 13.7...