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Period: 18th Century and Earlier
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Wadham College Oxford
Engraving
1675
34x42cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Turtledove: An 18th Century Hand-colored Bird Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a turtledove entitled "Tourterelle du Senegal (Turtledove of Senegal)" by Francois Nicolas Martinet, plate 160 from 'Histoire Naturelle des Oiseau...
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Engraving
Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374
Located in Columbia, MO
Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Etching
Ahorn auf Kos (Vue de la Place Publique de Cos) /// Plane Tree of Hippocrates
Located in Saint Augustine, FL
Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828)
Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3)
*Issued unsigned, though signed by Richter in the plate (...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Laid Paper, Etching, Aquatint
Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.25" x 16.63"
Image size (each): approx. 7" x 12"
Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition
Notes:
Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV".
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42)
Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Laid Paper, Engraving, Etching, Intaglio
Trinity College, Oxford David Loggan 1705 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Oxford (1705)
Engraving
32 x 41 cm
Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
John Speede Map The Countye of Monmouth
By John Speed
Located in London, GB
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Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Great St Mary's, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
The Church of St Mary the Virgin, Cambridge (1690)
Engraving
38 x 47 cm
Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Set of Two Engravings from Campbell's "Vitruvius Britannicus" /// Architecture
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Titles: "Plan of the Principal Floor of Wilberry House" (Vol. 1, Plate 51) and "Wilberry House in the County of Wilt" (Vol. 1, Plate 52)
...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Laid Paper, Engraving, Etching, Intaglio
Toad-flax Clammy, Antirrhinum viscosum Plate 368
Located in Columbia, MO
Toad-flax Clammy, Antirrhinum viscosum Plate 368
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Etching
Roella Prickly, Roella ciliata Plate 378
Located in Columbia, MO
Roella Prickly, Roella ciliata Plate 378
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Etching
Fig-marigold Showy, Mesembryanthem spectabile Plate 396
Located in Columbia, MO
Fig-marigold Showy, Mesembryanthem spectabile Plate 396
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Etching
The Founder and Benefactors of Trinity College, Oxford, 18th Century engraving
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...
Category
Other Art Style 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century engraving Christ Cleansing the Temple
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan Brasenose College Oxford Collegium Aenei Nasi Print 1675 engraving
By David Loggan
Located in London, GB
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Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert early engraving Martin de Vos Pastores venerunt festinantes
Located in London, GB
We have the full series of 52 prints from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all fro...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan: Great St Mary's Church Cambridge University engraving 1690
By David Loggan
Located in London, GB
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Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century Engraving Miraculous Draught of Fish
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan Hertford College Oxford Hart Hall engraving 1675 Aula Cervina
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Hart Hall - now Hertford College - Oxford - Aula Cervina
Engraving
28x39cm
Loggan was born to English and Scottish parents, a...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Three Varieties of Leucoium , Hortus Eystettensis, ( after ) Besler
By (After) Basilius Besler
Located in Paonia, CO
Three Varieties of Leucoium (I. Leucoium purpureum variegatum flore pleno. II Leucoium pleno flor album purpureis maculis signatum. III. Leucoium pleno flor album sanguine maculis signatum), from B. Besler, Hortus Eystettensis possibly (after) Basil Besler...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan: New College, Oxford 1690 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
New College...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Exeter College Oxford University William Williams c. 1732 Engraving print
Located in London, GB
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William Williams...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Johannes Kip, The North Prospect of Gloster Cathedral (c.1716) Copper Engraving
By Johannes Kip
Located in London, GB
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Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Theodoor Galle Martin de Vos 17th Century Engraving Drinking from Jesus' Cup
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century engraving Triumphal Entry Jerusalem
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert 17th C. de vos engraving Christ in the Temple with the Doctors
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Theodoor Galle Martin de Vos Engraving The Suffering Servant
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century engraving Healing Touch of Jesus
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
The Mote, One of the Seats of Ye Right Honorable the Lord Romney Etching c.1719
Located in San Francisco, CA
18th C. Etching "The Mote, One of the Seats of Ye Right Honorable the Lord Romney" C.1717
Plate dimensions 19.75" wide x 13.25" high
Paper dimensions 24" wide x 20.75" high
Frame dimensions 29.25" wide x 25.5" high
A fine detailed bird's eye view of 'The Mote', showing the house, gardens and the avenues of trees stretching out into the surrounding park. Title along top edge, coat of arms at center.
Published in Dr. Harris's History of Kent. Engraved by Kip.
This is 1 of 6. We have 5 others not currently listed. If interested, send us a message.
Johannes Kip (1652–1722) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he specialized in engraved views of English country houses.
They created some of the most important English topographical prints...
Category
18th Century and Earlier Landscape Prints
Materials
Etching
Theodoor Galle Martin de Vos 17th Century Engraving Jesus Before Pilate
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century Engraving Mary Visits Elizabeth
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert 17th Century The Baptism of Christ Engraving Martin de Vos
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Charles Louis Balzac Engraving ca. 1809-1829 Thèbes. Karnak.
Located in Chicago, IL
An ca. 1809-1829 engraving on paper by Charles Louis Balzac, DESCRIPTION DE L'EGYPTE. Thèbes. Karnak. Vue des propylées prise du sud. (ANTIQUITES, volume III, planche 44). Artwork s...
Category
French School 18th Century and Earlier Landscape Prints
Materials
Paper, Engraving
17th Century map of Cumberland, UK by Robert Morden
Located in Petworth, West Sussex
Robert Morden (British, circa 1650 – 1703)
A map of Cumberland with hand colouring
An engraving
14.1/4 x 16.5/8 in. (36.5 x 42.5 cm.)
Category
Academic 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert 17th Century engraving Martin de Vos The Visitation of the Magi
Located in London, GB
We have the full series of 52 prints from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all fro...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan Sidney Sussex College Cambridge Dominae Franciscae engraving 1690
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Sidney Sussex...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan St Edmund Hall Oxford - Aula St Edmundi - 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
St Edmund Hall...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Veduta delle Antiche Sostruzioni, Vintage Cityscape Etching by Giovanni Piranesi
Located in Long Island City, NY
Artist: Giovanni Battista Piranesi, Italian (1720 - 1788)
Title: Veduta delle Antiche Sostruzioni
Portfolio: Vedute di Roma
Year: 1776
Medium: Etching
...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Carte Particular Des Costes De Bretagne Depuis le Cap de Frehel, Jusques a Perros
Located in Paonia, CO
Carte Particulaire Des Costes De Bretagne Depuis Le Cap de Frehel, Jusques a Perros, & L’Isle Tome. This large sea scale chart shows part of the northwestern co...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
Came, the Seat of the Hon. Lionel Damer /// Dorsetshire John Hutchins English
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773)
Title: "Came, the Seat of the Hon. Lionel Damer" (Plate 48)
Portfolio: The History and Antiquities of the County of Dorset
Year: 1796-1815 ...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert early engraving Martin de Vos The Circumcision of Christ
Located in London, GB
We have the full series of 52 prints from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all fro...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan Cambridge portrait Charles Duke of Somerset 1690
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
Charles Duke of Somerset...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Mezzotint
William Williams engraving of Jesus College Oxford c.1732 Collegium Jesu
Located in London, GB
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William Williams...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
"Cockersand Abbey" and "Sandal Castle" from "Buck's Antiquities" /// British Art
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "Cockersand Abbey" (Plate 148) and "Sandal Castle" (Plate 340...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
David Loggan Bodleian Library Oxford Aerial view 1675 engraving Bibliotheca
By David Loggan
Located in London, GB
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Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Set of Two Engravings from Nash's "History of Worcestershire" /// Landscapes Art
Located in Saint Augustine, FL
Artist: Treadway Russell Nash (English, 1724-1811)
Title: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." and "Ombersley Court, the Seat of Lord Sandys"
Portfolio: Collections for the History of Worcestershire
Year: 1781-1782 (First edition)
Medium: Set of Two Original Engravings and Etching with Aquatint on watermarked laid paper
Limited edition: Unknown
Printer: John Nichols, London, UK
Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK
Reference: Upcott III, page 1330
Sheet size (each): approx. 10.13" x 16.88"
Image size (each): approx. 8.13" x 12.63"
Condition: "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." has scattered light foxmarks in margins. The top edge is unevenly trimmed and a small taped tear to lower right corner. "Ombersley Court, the Seat of Lord Sandys" has light toning to sheet and some faint discoloration in right margin. A small light water stain to lower left corner. Have been professionally stored away for decades. They are both otherwise strong impressions in good condition
Notes:
Provenance: private collection - Aspen, CO. "Henbury Hall, late the Seat of Thomas Vernon, now of Henry Cecil Esq." was likely engraved by English artist James Ross (1745-1821) after a drawing by himself. "Ombersley Court, the Seat of Lord Sandys" was engraved by English artist Valentine Green (1739-1813) and English artist Francis Jukes (1745-1812) after a drawing by an unknown, likely English artist. The first work is an engraving; the second work is an etching with aquatint. Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from copper plates in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "Ombersley Court, the Seat of Lord Sandys" has an unidentified watermark in the center of its sheet. "Henbury Hall" is actually incorrectly misnamed; its correct name is "Hanbury Hall".
"PLATES, Drawn and engraved by J. Ross, unless otherwise expressed." - "A Bibliographical Account of the Principal Works Relating to English Topography", (1818) - William Upcott.
Biography:
Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London.
Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names.
He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour.
On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Laid Paper, Engraving, Intaglio, Etching, Aquatint
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Realist 18th Century and Earlier Landscape Prints
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18th Century and Earlier Landscape Prints
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Etching
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Located in New York, NY
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18th Century and Earlier Landscape Prints
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Theodoor Galle 17th Century Engraving Suffer the Little Children Martin de Vos
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Theodoor Galle (1571 – 1633), Iacob de Bye (1581-1640) after Maerten de Vos (1532 - 1603)
29. Sinite paruulos, et nolite eos prohibere ad me venire : talium est enim reguum coelorum 19.
Engraving
From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676)
16.5x21.8cm
Hand-finished black wooden frame available
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Realist 18th Century and Earlier Landscape Prints
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Engraving
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Realist 18th Century and Earlier Landscape Prints
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