18th Century and Earlier Landscape Prints
to
24
606
261
71
28
3
Overall Width
to
Overall Height
to
358
86
1
1
121
76
46
41
24
971
2,029
10,233
4,205
111
171
652
508
628
1,262
1,867
1,745
1,039
562
627
714
209
40
551
287
243
120
111
90
72
72
71
69
64
53
53
50
49
47
47
44
43
39
559
423
98
57
38
130
424
423
375
Period: 18th Century and Earlier
The Forest - Original Etching - 18th Century
Located in Roma, IT
"The Forest" is an original drawing in etching, realized by Jean Philippe Serrazin (1736-1793).
The state of preservation of the artwork is very good.
Sheet dimension: 21.9 x 27.6 ...
Category
Modern 18th Century and Earlier Landscape Prints
Materials
Etching
Lindaw - Etching by George Braun - Late 16th Century
Located in Roma, IT
Parnes is an original etching realized by George Braun (1541 – 1622)
The state of preservation of the artwork is good with some fold on the left.
Inter...
Category
18th Century and Earlier Landscape Prints
Materials
Etching
Sontina - Original Etching by George Braun - Late 16th Century
Located in Roma, IT
Sontina is an original etching realized by George Braun (1541 – 1622)
The state of preservation of the artwork is good except in the middle of the map rip is fixed.
Interesting B/...
Category
18th Century and Earlier Landscape Prints
Materials
Etching
Sala, Map from "Civitates Orbis Terrarum" - by F.Hogenberg - 1575
Located in Roma, IT
"Sala", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575.
The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printed a...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Li Governi di Borgogna - Ancient Map - 1777
Located in Roma, IT
Li Governi di Borgogna is an original black and white etching on paper, printed by Antonio Zatta in Venice, 1777.
Original Title: Li Governi di Borgogna della Franca Contea e del Ly...
Category
Modern 18th Century and Earlier Landscape Prints
Materials
Etching
View Of Tongling - Hand Watercolored Etching by A. Leide
Located in Roma, IT
View Of Tongling is an original print realized in the beginning of the XVIII century by Pieter van der Aa.
Hand-watercolored etching. Includes frame 42 x 52.5 cm. On the back label ...
Category
18th Century and Earlier Landscape Prints
Materials
Etching
18th century landscape etching pastoral house nature scene detailed ink trees
Located in Milwaukee, WI
"Near Mill Hill, Gravesend" is an original etching by John Thomas Smith. It depicts a cottage and farmstead with a few small figures. The piece is titled on ...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Zweytes Konigliches Lust Haufs - Original Etching After Paul Decker - Early 1700
By Georg Schmidt
Located in Roma, IT
Zweytes Konigliches Lust Haufs is a splendid engraving realized in the early XVIII century by the German engraver Georg Schmidt (1712-1775) after an original artwork by the architect Paul Decker. The state of preservation is good. On the left margin of the paper, there are three tears of which a deeper one in the center. Other damages were restored. On the higher right, there is a small hole and brown edge owing to a burn.
On the lower center, there is the title and the inscription “P. Decker inv. et fec. / Cum Priv. S. C. Maj”. On the lower right, “Inch. Georg Schmidt Sculps. 31 / Ieremias Wolff excud. Aug. Vind”.
The architect Paul Decker, author of the original artwork, was also an important painter, whose artworks embellished many important palaces in Berlin. He wrote an interesting treatise on architecture, published in 1711, and the book Architectura theoricopractica, published in 1720. The engraver Georg Friedrich Schmidt was one of the main representatives of German burin engraving of the XVIII century. He was well-known for making portraits and for illustrating literary works by Federico II...
Category
18th Century and Earlier Landscape Prints
Materials
Etching
Bonn, Map from "Civitates Orbis Terrarum" - by F. Hogenberg - 1575
Located in Roma, IT
Braun G., Hogenberg F., Vienna or Bonn, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617.
Very fine B/W aquatint showing a wonderful view of the German city Bonn, named after its antique name...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Kolkata (Calecut), Map from "Civitates Orbis Terrarum" - by F. Hogenberg - 1575
Located in Roma, IT
Braun G., Hogenberg F., "Calecut", (Kolkata) from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 18.5 x 48 Dim: cm 21.5 x 53 .
Very Fine...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Toledo, Map from "Civitates Orbis Terrarum" - by F. Hogenberg - 1575
Located in Roma, IT
Braun G., Hogenberg F., "Toledo", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 19 x 48 , Dim: cm 22. 5 x 52.5 .
Very nice B/W Aquatint representing a View of Toledo...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Aden, Map from "Civitates Orbis Terrarum" - by F. Hogenberg - 1575
Located in Roma, IT
Braun G., Hogenberg F., Aden, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617.
Good conditions except some stains on margins and a central fold.
The ...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Modon, Map from "Civitates Orbis Terrarum" - by F. Hogenberg - 1575
Located in Roma, IT
Modon, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617.
Good conditions.
The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Goricum, Map from "Civitates Orbis Terrarum" - by F.Hogenberg - 1575
Located in Roma, IT
"Goricum", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575.
The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printe...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Broversavia, Map from "Civitates Orbis Terrarum" - by F.Hogenberg - 1575
Located in Roma, IT
"Broversavia", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575.
The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest pr...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Burdigala, Map from "Civitates Orbis Terrarum" - by F.Hogenberg - 1575
Located in Roma, IT
"Burdigala", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575.
The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest prin...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Septa, Map from "Civitates Orbis Terrarum" - by F.Hogenberg - 1575
Located in Roma, IT
"Septa", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575.
The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printed ...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Quiloa, Map from "Civitates Orbis Terrarum" - by F.Hogenberg - 1575
Located in Roma, IT
"Quiloa", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575.
The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printed...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Assassinat de Basseville à Rome - Original Etching by P.G. Berthault - 1793
Located in Roma, IT
Assassinat De Basseville à Rome is an original black and white etching realized by Pierre Gabriel Berthault, after Jacques François Joseph Swebach-Desfontaines in 1793.
Title with caption on plate on the lower center: "Assassinat de Basseville, à Rome/ le 13 Janvier 1793, ou 23 Nivose An Ier de la République".
Below the image on the lower margin, "Swebach Desfontaines onv. et del. / Berthault sculp." is etched on plate. This modern artwork is numbered "N. 76", because it is from the series Les Tableaux historiques de la Révolution française.
As a matter of fact, Pierre-Gabriel Berthault is well-known for having engraved plates from this collection with the collaboration of the engraver Jean Duplessis-Bertaux. A work - hanging in the balance between news and history - with illustrations of salient or minimal events occurred during the French Revolution. As a celebration of the new ideals of brotherhood, justice, and equality, Les Tableaux immediately became a point of reference for journalism at the time. Of traditional cut, namely showing a view with many human figures, the engraving simplified the lines to be immediately readable for the general public.
In our specific case, this original print represents the murder of Hugou de Bassville or Basseville (7 February, 1743 – 13 January, 1793), a French journalist and diplomatist, and protector of the radical Jacobins in Rome.
In excellent conditions, except for a usual yellowing of the paper on the edges and a light trace of oxidations on the lower and right margins, beyond the marginal line of the matrix.
Pierre-Gabriel Berthault (Saint-Maur-des-Fossés, 1737 - Paris, 1831) was a French master who made engravings from drawings by Jean-Claude Richard de Saint-Non (known as the Abbot of Saint-Non) and from paintings by Louis François Cassas. He depicted many views of Italy and created the collections Voyage à Naples and Voyage pittoresque de la Syrie, de la Palestine et de la basse-Egypte. Before the French Revolution, he was famous for being the author of the Vues intérieures de Paris and for tables with architectural elevations.
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Old Church - Original Etching by F.E. Weirotter - Half of 1700
Located in Roma, IT
Old Church is an original artwork realized by Franz Edmund Weirotter in the first half of the XVIII Century.
Original Etching on paper. Passepartout included (cm 37 x 55).
Signed...
Category
Modern 18th Century and Earlier Landscape Prints
Materials
Etching
Pembroke College, Oxford 1705 engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Pembroke College, Oxford (1705)
Engraving
31 x 44 cm
Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
18th century landscape etching pastoral house nature scene detailed ink trees
Located in Milwaukee, WI
"English Country Fisherman by the Cottage" is an original etching by John Thomas Smith. The miniature etching features a country cottage with a thatc...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Paper, Ink, Etching
17th century engraving black and white landscape ancient building scene
Located in Milwaukee, WI
"Veduta Presso di San Stefano Rotondo" is an original engraving by Israel Silvestre, titled along the bottom of the image. This small etching shows an unusual view of the church San ...
Category
Baroque 18th Century and Earlier Landscape Prints
Materials
Engraving
17th century engraving black and white landscape ancient building scene
Located in Milwaukee, WI
In the mid-seventeenth century, views of historic landscapes and classical structures were increasingly popular among print collectors, and artists like the Frenchman Israel Sylvestre were eager to fill that demand. In this example, Sylvestre captures a view of the Arch of Constantine...
Category
Baroque 18th Century and Earlier Landscape Prints
Materials
Engraving
18th century landscape etching pastoral nature scene detailed ink trees
Located in Milwaukee, WI
"Near Tottenham Midd." is an original etching by John Thomas Smith at the top right of the image, reading "Drawn & Etch'd by J. T. Smith, Engraver of the Antiquities of London & Envi...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Paper, Ink, Etching
18th century landscape etching pastoral house nature scene detailed ink trees
Located in Milwaukee, WI
"Figure by the Cottage in Forest" is an original etching by John Thomas Smith. The miniature landscape shows a pair of cottages in the woods, nestled back into the trees. A river flo...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Paper, Ink, Etching
Oriel College, Oxford 18th century engraving from the Oxford Almanac
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
Botanic Garden, University of Oxford David Loggan 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
The University of Oxford Botanic Garden (1675)
Engraving
40 x 50 cm
An eighteenth-century view of one of Oxford's dreamiest spaces: the Botanic Garden, engraved by David Loggan, the noted engraver, draughtsman, and painter. The University of Oxford Botanic Garden was founded in 1621 and is the oldest botanical garden in Great Britain. Loggan's engraving focuses on its architectural qualities, with four features of the garden highlighted for their beauty, symmetry, and prowess of design.
Of particular interest in this etching are the six trompe l'oeil pieces: four gently curling pieces of paper which frame the gates of the garden, and two heraldic banners borne by cherubs and sporting legends about the garden's foundation. The Danby Gate (bottom left) at the front entrance to the garden is one of the three entrances designed by Nicholas Stone...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Map of Cambridge 18th century engraving by Sutton Nichols
Located in London, GB
To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller."
Sutton Nichols (1668 - 1729)
Map of Cambridgeshire
Engraving
43 x 36 cm
Signed in plate lower left.
A beautifully coloured 18th century map engraving of Cambridgeshire. The map was produced by Robert Morden for publication in Edward Gibson's 1695 translation of William Camden's Britannia, a topographical and historical survey of Great Britain and Ireland produced to "restore antiquity to Britaine, and Britain to his antiquity" - a most noble aim.
William Camden (1551 - 1623) was an English antiquarian, historian, topographer, and herald, best known as the author of Britannia, the first chorographical survey of the islands of Great Britain and Ireland, and the Annales, the first detailed historical account of the Queen...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
Heath Recurved, Erica retorta Plate 362
Located in Columbia, MO
Heath Recurved, Erica retorta Plate 362
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Etching
17th century etching black and white figurative landscape cityscape buildings
Located in Milwaukee, WI
"Figures Outside the Monastery" is an original etching by Jan Frans van Bloemen. It depicts people on the path to a church.
7" x 10 1/4" art
19 1/4" x 22 5/8" frame
Jan Frans van Bloemen (baptized 12 May 1662 - buried 13 June 1749) was a Flemish landscape painter mainly active in Rome. Here he was able to establish himself as the leading painter of views (vedute) of the Roman countryside depicted in the aesthetic of the classical landscape tradition.
Van Bloemen predominantly painted classical landscapes, taking his inspiration from the Roman Campagna. His landscapes, with their recession through a series of planes, soft, warm lightning and classical and religious subject matter, drew on the examples of artists such as Claude Lorrain and Gaspard Dughet. His paintings are exquisitely imbued with that "difficult-to-define pastoral ambience" which helped to make him such a great painter in the eyes of his contemporaries. The technique and subjects of the work of Jan Frans van Bloemen are also related to painters such as Jan Asselijn, Thomas Wyck...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
"Forest Glen, " Etching Landscape initialed in Plate by John Thomas Smith
Located in Milwaukee, WI
"Forest Glen" is an original etching by John Thomas Smith. The piece was initialed in plate. It depicts a small inlet to a lush forest.
3 5/8" x 3 1/2" art
12 7/8" x 12 3/4" frame
...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
"Country Inn by the Pond, " Etching by John Thomas Smith
Located in Milwaukee, WI
"Country Inn by the Pond" is an original etching by John Thomas Smith. It depicts a cozy building surrounded by trees and vegetation and next to a pond.
3" x 5 1/4" art
16" x 18 1/...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Adrian Collaert Martin de Vos 17th Century engraving The Sermon on the Mount
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Adrian Collaert Martin de Vos 17th Century engraving Healing the paralytic
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
1782 View of Windsor Castle by James Fittler RA George Robertson John Boydell
By James Fittler
Located in London, GB
To see our other Architectural Prints and Drawings including other views of Windsor, scroll down to "More from this Seller" and below it click on "See all from this Seller."
James Fittler (1758-1835) after George Robertson...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan Cambridge View Frontispiece Cantabrigia engraving 1715
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan St Catharine's College Cambridge engraving 1690
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
Wadham College...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
David Loggan St Peter's College Oxford New Hall Inn - Aula Novi Hospitii 1675
By David Loggan
Located in London, GB
David Loggan (1634-1692)
St Peter's College Oxford - New Inn Hall, Aula Novi Hospitii
Engraving 1675
25x36cm
Baptised in Danzig in 1634 Loggan's parents were English and Scottish. Studying engraving in Danzig with Willem Hondius (1598-1652 or 1658) he moved to London in the late 1650s producing the engraved title-page for the folio 1662 Book of Common Prayer. Marrying in 1663 he moved to Nuffield, Oxfordshire in 1665 to avoid the Plague and was in 1668/9 appointed Public Sculptor to the nearby University of Oxford having been commissioned to produce bird’s-eye views of all the Oxford Colleges. He lived in Holywell Street as he did this. Oxonia illustrata was published in 1675, with the help of Robert White (1645-1704). Following its completion he commenced work on his equivalent work for Cambridge, Cantabrigia Illustrata which was finally published in 1690 when he was made engraver to Cambridge University.
Oxonia illustrata also includes an engraving of Winchester College (sharing its founder – William of Wykeham – with New College) whilst Cantabrigia illustrata includes one of Eton College (which shares its founder – Henry VIII – with King’s College).
Bird’s-eye views required a particular talent as an architectural perspectivist of that era as it was not until 1783 that the first living thing (a sheep, named Montauciel ‘climb to the sky’) was sent aloft by the Mongolfier brothers in a balloon. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition (on thicker paper and with a plate number in the bottom right-hand corner), those of Cambridge were printed in smaller numbers and no second edition was produced.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK Les Delices de la Grande Bretagne c. 1708.
Edmund Hort New (1871-1931) produced a series of pen-and-ink drawings of views of Oxford that paid homage to Loggan showing the development of the city in the following two hundred years. They were turned into photoengravings by Emery...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
"St. Martin's Abbey" and "Lady's Chappel" from "Buck's Antiquities" /// British
Located in Saint Augustine, FL
Artist: Samuel and Nathaniel Buck (English, 1696-1779) and (?-1759/1774)
Title: "St. Martin's Abbey" (Plate 333) and "Lady's Chappel" (Plate 331)
Portfolio: Buck's Antiquities or Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales
Year: 1726-1739
Medium: Set of Two Original Engravings on watermarked laid paper
Limited edition: Unknown
Printer: Unknown
Publisher: Robert Sayer, London, UK
Reference: Lowndes page 303-304; Upcott page 33
Sheet size (each): approx. 11.13" x 18.25"
Image size (platemark) (each): approx. 7.5" x 14.5"
Condition: "St. Martin's Abbey" has a minor crease to upper left corner and repaired edge wear to lower right corner. "Lady's Chappel" has faint toning to sheet and minor soiling in margins. They are both otherwise strong impressions in excellent condition
Notes:
Comes from Samuel and Nathaniel Buck's three volume portfolio "Buck's Antiquities" or "Venerable Remains of Above 400 Castles, Monasteries, Palaces in England and Wales" (1726-1739), which consists of 428 engravings. Both "St. Martin's Abbey" and "Lady's Chappel" have unidentified watermarks in the center of their sheets. They both also have "Liverpool Free Public Library" chop mark/blind stamps at bottom center of their sheets. Old price pencil inscribed in margins.
Saint Martin's Abbey is a community of Roman Catholic Benedictine monks who follow the Rule of St Benedict...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Laid Paper, Engraving, Intaglio
A set of Biblical prints after the Dutch painter and engraver Gerard Hoet
By Gerard Hoet
Located in London, GB
The present collection is a set of 131 prints after Gerard Hoet, the Dutch golden age painter and engraver, depicting various biblical scenes. Hoet was a leading artist in the Classicizing Dutch Academic style, and his work is defined by history paintings, with a particular interest in mythological, classical, historical, and biblical scene, in particular Old testament scenes...
Category
Academic 18th Century and Earlier Landscape Prints
Materials
Paper, Ink, Black and White, Engraving
17th century etching black and white seascape scene boat waves ocean clouds sky
Located in Milwaukee, WI
"La Tempete" is an original etching by Claude Lorrain (Claude Gellee). This is Claude's earliest dated etching (1630). The work depicts a storm-tossed sea with ships on the verge of ...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
