18th Century and Earlier Landscape Prints
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Period: 18th Century and Earlier
Ancient Roman Architecture: Framed Original 18th C. Etching by G. Piranesi
Located in Alamo, CA
"A sua Eccellenza il Signor Henry Hope Cav. Scozzese Amatore delle Belle Arti from "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones, sarcophagi, tripods, lamps, and ancient ornaments) is an etching by Giovanni Battista Piranesi, published in 1778. It depicts stone caryatids...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Chiesa e Monastero delle Vergini - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero delle Vergini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good condition...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Winslow Homer Framed Original 19th Century Wood Engraving "On the Beach"
Located in Alamo, CA
This Winslow Homer wood engraving entitled "On the Beach at Long Branch, The Children's Hour", was published in Harper's Weekly in the August 15, 1874 ed...
Category
American Impressionist 18th Century and Earlier Landscape Prints
Materials
Engraving
Landscape - Etching by Pierre-François Laurent - 1755
Located in Roma, IT
Landscape is an etching realized by Pierre-François Laurent in 1755.
Good condition.
Signed on Plate.
The artwork is depicted through confident strokes.
The etching was realized ...
Category
Modern 18th Century and Earlier Landscape Prints
Materials
Etching
Spain and Portugal: A Hand-colored 17th/18th Century Map by Visscher
Located in Alamo, CA
This is an early 18th century map of Spain and Portugal, with attractive original hand-coloring, entitled "Hispaniae et Portugalliae Regna per Nicolaum Visscher cum Privilegio Ordinum Hollandiae et Westfrisiae" first published by Nicolaes Visscher II (1649-1702) in 1688, and later re-published from Visscher's original copper plate by Peter Schenk, Junior in Amsterdam in 1725. The cartouche in the right lower corner depicts a coat of arms representing one combined kingdom of Spain and Portugal before their break-up. Putti hold up the coat-of-arms of Phillip II on the right and a queen reaches for it on the left. There is a scale cartouche in the lower left corner surmounted by two putti and a wheel. This is an outstanding depiction of the Iberian peninsula, showing Spain and Portugal and Balearic Islands. The map includes portions of North Africa and the Strait of Gibralter.
This copperplate engraved map is presented in a cream-colored mat. It is printed on fine chain-linked, laid paper. The mat measures 26.5" high by 30" wide and the sheet measures 21.75" high by 26.375" wide. There is a central fold, as issued. The lower portion of the fold is reinforced on the verso. There is a small paper defect at the lower edge of the fold and another at the edge of the right corner, as well as a few small tears along the lower edge; none affecting the map and all covered by the mat. There are a few small faint spots in the upper margin and on the left. The map is otherwise in very good condition.
The Visscher family were one of the great art and cartographic printing families of the 17th century. Begun by Claes Jansz Visscher...
Category
Other Art Style 18th Century and Earlier Landscape Prints
Materials
Engraving
Butterflies & Moths in a Landscape: 18th C. Hand-colored Engraving by M. Harris
By Moses Harris
Located in Alamo, CA
This is a rare, original first edition hand-colored engraving depicting the natural history of butterflies and moths, which is plate 10 from Moses Harris' publication "The Aurelian: ...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
Durham. Paul Sandby C18th English landscape engraving
By Paul Sandby
Located in Melbourne, Victoria
'Durham'
Engraving by F Chesham after Paul Sandby (1731-1809).
From Paul Sandby's 'The Virtuosi's Museum, Containing Select Views in England, Scotland, and Ireland', published by G...
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Engraving
"Africa Vetus": A 17th Century Hand-colored Map By Sanson
Located in Alamo, CA
This original hand-colored copperplate engraved map of Africa entitled "Africa Vetus, Nicolai Sanson Christianiss Galliar Regis Geographi" was originally created by Nicholas Sanson d...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
Fountain - Etching - 16th Century
Located in Roma, IT
Fountain is an original etching realized in the late 16th century.
The State of preservation is very good.
Hand-watercolored.
The artwork represents t...
Category
18th Century and Earlier Landscape Prints
Materials
Etching
View of Venice, including Gondolas, 18th Century Hand Colored Engraving
Located in Alamo, CA
An early 18th century hand colored engraving of a scene of the city of Venice, Italy entitled "Palazzo Lin, a. S. Samuele sopra il Canal Grande". It depicts Venetian architecture, wa...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Engraving
Casino della Villa Patrizi Fuori - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Casino della Villa Patrizi Fuori di Via Pia is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Goo...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Rugen Island, Germany: An Early 17th Century Map by Mercator and Hondius
Located in Alamo, CA
This is an early 17th century map entitled "Nova Famigerabilis Insulae Ac Ducatus Rugiae Desciptio" (Map of Rugen Island, Germany) by Gerard Mercator and Henricus and Joducus Hondiu...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Engraving
A Falkland Island Quail: An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of a Falkland Island Quail ("Caille des Isles Malouines") by Francois Nicolas Martinet, plate 222 from 'Histoire Naturelle des Oiseaux' in associatio...
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Engraving
Cambridgeshire map 17th century engraving by John Speed
By John Speed
Located in London, GB
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John Speed (1551 or 1552 - 1629)
Map of Cambridgeshire
Engraving with later hand colouring
39 x 53 cm
A beautifully coloured map of Cambridgeshire, with an antique description...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
Palazzi di Campidoglio - Etching by Giuseppe Vasi - 18th century
Located in Roma, IT
Palazzi di Campidoglio is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged margins with so...
Category
Modern 18th Century and Earlier Landscape Prints
Materials
Etching
Piranesi Etching of Hadrian's Ancient Roman Aqueduct and Baths, "Aquae Virginis"
Located in Alamo, CA
This is a framed Giovanni Battista Piranesi (1720-1778) etching entitled "Orthographia utriusque lateris arcuum ductus Aquae Virginis a specu principe ad Hadriani thermas, effossorum...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
The Flight into Egypt 17th century engraving after Rubens by Lucas Vorsterman
By Peter Paul Rubens
Located in London, GB
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Lucas Vorsterman (1595 - 1675) after Peter Paul Rubens (1577 - 1640)
The Fligh...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Flowering Dragonmouth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Engraving, Mezzotint
Veduta della Basilica di San Giovanni in Laterano by G.B.Piranesi - 1749
Located in Roma, IT
Veduta della Basilica di San Giovanni in Laterano, is an original etching realized by Giovanni Battista Piranesi in 1749.
S. Giovanni in Laterano with palace and Scala Santa on t...
Category
Modern 18th Century and Earlier Landscape Prints
Materials
Etching
Hungary & Eastern Europe: A Large 17th C. Hand-colored Map by Sanson & Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume De Hongrie et les Estats qui en ont este sujets et qui font presentement La Partie Septentrionale de la Turquie en Europe" was origin...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
Naples and S. Italy: A Large 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large hand-colored map entitled "Le Royaume de Naples Divisé en Douze Provinces. sur les Memoires les plus Nouveaux. Par le Sr. Sanson Presenté" was originally created by Nicholas Sanson d'Abbeville and published by Hubert Jaillot in "Atlas Nouveau" in Paris in 1692. It depicts central and southern Italy, as well as Corfu, Albania, Mediterranean Sea and the Adriatic Sea. Naples, Sorrento, the Isle of Capri, Rome in the upper left corner of the map, as well as many other landmarks.
This striking original hand-colored map of Italy is printed on antique hand-made laid, chain-linked paper with wide margins. The sheet measures 20" high and 24.88" wide. There is one spot on the left, it is otherwise in very good to excellent condition.
Nicholas Sanson d'Abbeville (1600-1667) was one of the greatest French cartographather of French cartography. Sanson opened his first printing business in Paris in 1638. The king recognized his skill and knowledge and made him the official geographer to the court. He eventually served two kings in this capacity. Sanson was succeeded by his sons and son...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
The Loire Valley of France: A 17th C. Hand-colored Map by Sanson and Jaillot
Located in Alamo, CA
This large 17th century copper plate hand-colored engraved map entitled "Gouvernement D'Orleans et la Generalite divisee en ses Elections Par...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
Woodpeckers "Le Petit Pic" An 18th Century Hand-colored Engraving by Martinet
Located in Alamo, CA
This is a hand-colored engraving of male and female woodpeckers entitled "1. Le Petit Pie varie, 2. Sa Femelle" by Francois Nicolas Martinet, plate 598 from 'Histoire Naturelle des O...
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Engraving
A View at Bolcheretzko (Russia) 1784 Captains Cook Final Voyage by John Webber
By John Webber
Located in Paonia, CO
A View at Bolcheretzko (Russia) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook.John Webber (1752-1793) was ...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Spider Lily: An Original 18th C. Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Ephemerum Virginianu flore Purpureo, B. Ephemer...
Category
Naturalistic 18th Century and Earlier Landscape Prints
Materials
Engraving, Mezzotint
Europa Myth and Centaur - Etching by Luigi Aloja - 18th Century
Located in Roma, IT
Europa Myth and Centaur from "Antiquities of Herculaneum" is an etching on paper realized by Luigi Aloja in the 18th Century.
Signed on the plate.
Good conditions with some folding...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Chiesa e Monastero di S. Chiara - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero di S. Chiara is a black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged ...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Palazzo Pontificio - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Palazzo Pontificio is an original black and white etching of the Late 18th Century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Signed and titled ...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
John Speede, Map of the County of Surrey, described and divided into hundreds
By John Speed
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Speed/Speede (1551/2-1629)
The County of Surrey Described and Divided into Hundreds
Engraving with later hand colouring and text to the reverse.
Dated to c.1650
36 x 49 cm
Probably the most famous early English mapmaker, John Speed's early life is somewhat of an enigma. He is believed to have trained as a rolling-press printer, but he was at heart an historian granted a sinecure in the Customs House by Queen Elizabeth to indulge his passion, later becoming a Fellow of the Society of Antiquaries. His first maps were historical, of the Holy Land 'Canaan as it was Possessed both in Abraham and Israels Dayes' and of England and Ireland recording 'all their Civill Warres since the Conquest'.
In 1611 he published his 'Hostory of Great Britaine' which he regarded as his magnum opus, but it was the companion atlas 'Theatre of the Empire of Great Britaine' that - as the first printed atlas of Great Britain - sealed his reputation. William Rogers engraved the first map, 'the County Palatine of Chester' in about 1600, but following his untimely death the task of engraving was passed to Jodocus Hondius of Amsterdam.
By 1612 the atlas was complete, the maps famed for their decorative elements. Many have town plans - Britain's first series of such plans - and descriptive text was printed to the reverse until the 1676 edition. Later printings (up until 1770) were issued without this text. By 1627 it has become a part of a world atlas 'Prospect of the Most Famous Parts of the World'. During the 17th century the plates passed through the hands of a series of publishers, the 1676 edition of Thomas Bassett and Richard Chiswell being regarded as its high point with the inclusion for the first time of a series of important maps. For the first half of the eighteenth century they were firmly established in the hands of the Overton family.
This particular edition originally featured in The Theatre Of The Empire Of Great Britaine. It features attractive inset views of the long-since destroyed Richmond...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
West Africa: 18th Century Hand-colored Homann Map Entitled "Guinea Propria"
Located in Alamo, CA
This is a scarce richly hand colored copper plate engraved map of Africa entitled "Guinea Propria, nec non Nigritiae vel Terrae Nigrorum Maxima Pars" by Johann Baptist Homann (1664-1...
Category
Other Art Style 18th Century and Earlier Landscape Prints
Materials
Engraving
Letter of the Alphabet S - Original Etching - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century.
Good conditions.
The etching belong...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Galleria grande di Statue
Located in Fairlawn, OH
Galleria grande di Statue
Etching, 1743
Signed lower left corner of the plate
From: Prima Parte, 1743
Second edition: 1750-1778
Watermark: R 37-39
A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s
Condition: Excellent
Image size: 14 5/8 x 9 3/4 inches
Reference: Robison 2 iii/V
Piranesi In Rome: Prima Parte di Architetture e Prospettive
"Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
17th century etching black and white landscape scene forest trees figures sky
Located in Milwaukee, WI
"Le Temps, Apollon, et les Saisons (Time, Apollo, and the Seasons)" is an etching by Claude Gellée (Le Lorrain). This etching is the Fifth state (A). This state is also in collections in Paris (BN, L, PP) and Washington; Mannocci cat. no. 43. The inscription reads: "Apollo in atto di obedire al tempo. La Primavera a cominciare il ballo. Lestate no manca del suo calore. L'aurunno colsuo licore / Seguita. Linvernno tiene la sua staggione, Claudio Gillee inven.Fec.Roma 1662 con licenza de super."
A powerful example of Claude's staging of landscape in the classical manner is the etching "Time,
Apollo, and the Seasons," done in 1662 after Poussin's painting of 1624-1636, "Dance to the Music of Time...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Actor as Samurai - 18th Century Japanese Woodblock Print
Located in Soquel, CA
Actor as Samurai - 18th Century Japanese Woodblock Print
Woodblock print depicting an actor, possibly Nakamura Denkuro II, as a samurai. The actor stands with his sword unsheathed a...
Category
Edo 18th Century and Earlier Landscape Prints
Materials
Woodcut, Rice Paper
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Altra veduta della Chiesa di ... - Etching by G.B. Falda - Late 1600
Located in Roma, IT
Altra veduta della Chiesa di S. Ignatio de Papa della Compa di Giesu nel Rione della Pigna is an etching realized in the Late 17th Century by Giovan Battista Falda.
Good condition e...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma....
Located in Santa Monica, CA
GIOVANNI BATTISTA PIRANESI (Italian 1720-1778)
VEDUTA del SEPOLCRO della Famiglia PLAUZIA per la strada che Conduce da Roma a Tivoli vicino a Ponte Lugan...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Letter of the Alphabet S - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet S, from the series "Antiquities of Herculaneum", is an etching on paper realized by Various Authors in the 18th century.
Good conditions.
The etching belong...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Monastero delle Religiose Filippine-Etching by Giuseppe Vasi - Late 18th century
Located in Roma, IT
Monastero delle Religiose Filippine is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions.
Giuseppe ...
Category
Modern 18th Century and Earlier Landscape Prints
Materials
Etching
Map of Cambridge, c.1572 engraving by Braun & Hogenberg
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Ancient Roman Fresco - Original Etching by Niccolò Vanni - 18th Century
Located in Roma, IT
Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Niccolò Vanni in the 18th century.
Signed on the plate....
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Christ Church, Oxford 1675 hand-coloured engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Realist 18th Century and Earlier Landscape Prints
Materials
Engraving
Chiesa di S.Paolo alle tre Fontane - Etching by G. Vasi - 18th century
Located in Roma, IT
Chiesa di S.Paolo alle tre Fontane is an etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed m...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Chiesa di Paolo Primo Eremita - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa di Paolo Primo Eremita is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower mar...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Nordlingen, Antique Map from"Civitates Orbis Terrarum"
Located in Roma, IT
Braun G. and Hogenberg F., Nordlingen from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image dimensions: 10.5 x 23.5 cm; dimensions: 10.5 x 26.3 cm....
Category
18th Century and Earlier Landscape Prints
Materials
Etching
Wave Of Distress Shepard Fairey Print Obey Giant World Water Day Sephia Gold Pop
Located in Draper, UT
"World Water Day is Monday and is a fitting day to precede the release of these Wave of Distress prints. World Water Day not only focuses attention on the water crisis and drinking w...
Category
Pop Art 18th Century and Earlier Landscape Prints
Materials
Screen
A View of London as it was in the Year 1647 pub. by Boydell 1756
Located in Paonia, CO
A View of London as it was in the Year 1647 is a hand colored copper engraving published by the well known British publisher and engraver John Boydell (1720-1804) and engraved by R.Benning sold at Cheapside London 1756. Panoramic view on two sheets conjoined as issued linen mounted. Lettered with title in French and English along the base of the image including a numbered key to the structures. In very good condition except for one 1/8 inch tear in the sky to the left of the middle seam that is barely noticeable. This is a large very detailed panorama of London...
Category
Other Art Style 18th Century and Earlier Landscape Prints
Materials
Etching
Seascapes With Monument and Figures - Etching by Giuseppe Aloja - 18th Century
Located in Roma, IT
Seascapes With Monument and Figures is an Etching realized by Giuseppe Aloja (1783-1837).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original titl...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Letter of the Alphabet P - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet P, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th century.
Good conditions.
The etching belon...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Collegio di Propaganda Fide - Etching by G. Vasi - Late 18th century
Located in Roma, IT
Collegio di Propaganda Fide is an etching on paper of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions except for consumed margins and Foxings.
Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Bremen, Map from "Civitates Orbis Terrarum" - by F.Hogenberg - 1572-1617
Located in Roma, IT
Braun G. and Hogenberg F., Brema, from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image dimensions: 10.5 x 23.5 cm. Dimensions: 15 x 26 cm.
Very f...
Category
18th Century and Earlier Landscape Prints
Materials
Etching, Aquatint
Seminario di S. Pietro in Vaticano - Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Seminario di S. Pietro in Vaticano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditi...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Seminario Romano - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Seminario Romano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged margi...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Monastero e Chiesa di S. Apollonia-Etching by Giuseppe Vasi-Late 18th Century
Located in Roma, IT
Monastero e Chiesa di S. Apollonia is an original black and white etching of the Late 18th century realized by Giuseppe Vasi.
The beautiful etching represents a glimpse of Rome.
Si...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
John Harris After Thomas Badeslade - 18th Century Engraving, Deane House
Located in Corsham, GB
A delightful bird's eye view of Deane House Kent, engraved by John Harris after an original drawing by British illustrator Thomas Badeslade. The engraving shows a detailed view of th...
Category
18th Century and Earlier Landscape Prints
Materials
Engraving
Letter of the Alphabet L - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter of the Alphabet L, from the series "Antiquities of Herculaneum", is an etching on paper realized by Luigi Vanvitelli in the 18th centu...
Category
Old Masters 18th Century and Earlier Landscape Prints
Materials
Etching
Ruins - Original Etching after Giuseppe Contenti - 1790s
Located in Roma, IT
Ruins is a original b/w etching on laid paper, realized around 1790s by an Italian old master, after Giuseppe Contenti.
Image Dimensions: 11.2 x 14 ...
Category
18th Century and Earlier Landscape Prints
Materials
Etching
Antonino Temple - Etching by Giuseppe Vasi - 18th century
Located in Roma, IT
Antonino Temple is an original etching of the Late 18th century realized by Giuseppe Vasi.
Signed and titled on plate lower margin.
Good conditions and aged margins with some foxi...
Category
Modern 18th Century and Earlier Landscape Prints
Materials
Etching
Mexico City & Cusco Antique Map, Civitates Orbis Terrarum by Braun & Hogenberg
Located in Roma, IT
Etching black and white from Civitates Orbis Terrarum. View of the Old Mexico City, built over the ruins of the Aztec city of Tenochtitlán from 1520, and Cusco, ancient capital of th...
Category
18th Century and Earlier Landscape Prints
Materials
Etching
The Forest - Original Etching - 18th Century
Located in Roma, IT
"The Forest" is an original drawing in etching, realized by Jean Philippe Serrazin (1736-1793).
The state of preservation of the artwork is very good.
Sheet dimension: 21.9 x 27.6 ...
Category
Modern 18th Century and Earlier Landscape Prints
Materials
Etching
