Items Similar to Vienna, Antique Map from "Civitates Orbis Terrarum" - Etching - Old Master
Want more images or videos?
Request additional images or videos from the seller
1 of 2
Franz HogenbergVienna, Antique Map from "Civitates Orbis Terrarum" - Etching - Old Master1572-1617
1572-1617
About the Item
Braun G., Hogenberg F., "Vienna", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1572-1617. Image Dim: cm 15 x 47, Dim: cm 20 x 53.
Wonderful B/W Aquatint representing a remarkable view of Vienna that highlights the main monuments of the city. Well recognizable the crests of the city and region, top right and left. Good conditions, Minor stains on top left ad right margins, usual medial fold with some little holes.
The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printed atlas in the history of world cartography and the first atlas totally dedicated to topographical views. The first volume of this collection was published in Cologne in 1572; the others following in 1575, 1581, 1588 and 1598. The sixth and final volume appeared in 1617, just before the extensive devastation wreaked by the Thirty Years’War.
“The most original and magnificent of all city-atlases, which drew on the work of accomplished topographical artists; and…reproduced it in pictorial compositions of great charm and individuality”. R.A.Skelton
Image Dimensions: 15 x 47 cm
- Creator:Franz Hogenberg (1540 - 1590, Flemish)
- Creation Year:1572-1617
- Dimensions:Height: 7.88 in (20 cm)Width: 20.87 in (53 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:Early 17th Century
- Condition:Insurance may be requested by customers as additional service, contact us for more information.
- Gallery Location:Roma, IT
- Reference Number:
Franz Hogenberg
Braun and Hogenberg's 'The Civitates Orbis Terrarum' was the second atlas of maps ever published and the first atlas of cities and towns of the world. It is one of the most important books published in the 16th century. Most of the maps in the atlas were engraved by Franz Hogenberg and the text, with its descriptions of the history and additional factual information of the cities, was written by a team of writers and edited by Georg Braun. The work contained 546 bird-eye views and map views of cities and towns from all over the world. It gave graphic representation of the main features of the illustrated cities and towns, including the buildings and streets. Although the ordinary buildings are stylized, the principal buildings are reproduced from actual drawings created on location. The principal landmarks and streets can still be recognized today. In addition, the maps often include the heraldic arms of the city, the nature of the surrounding countryside, the important rivers, streams and harbors, even depicting stone bridges, wooden pontoons, flat-bottomed ferries, ships and working boats, wharves and jetties, as well as land-based activities, including horsemen, pedestrians, wagons, coaches, and palanquins. Small vignettes are often included which illustrate the trade, occupations and habits of the local inhabitants, such as agriculture, paper-making and textiles, as well as local forms of punishment, such as gibbets, wheels, floggings etc. Large figures dressed in their local costume are often presented out of proportion in the foreground. The aim of the authors was to give as much information as possible in a pleasing visual form. They succeeded in creating maps that were both informative and decorative works of art. The atlas is a wonderful glimpse of life in medieval Europe. Georg Braun (1541-1622) was German Catholic cleric who was born and who died in Cologne, Germany. He was the principal editor of 'The Civitates Orbis Terrarum', acquiring the tables, hiring the artists, and composing the texts. Abraham Ortelius, whose Theatrum Orbis Terrarum of 1570 was the first atlas of maps ever published, assisted Braun in his compilation of the details and maps for the atlas. The Civitates was intended as a companion for the Ortellius' Theatrum, as suggested by the similarity in the titles. Braun was the only survivor of the original team to live to see the publication of last volume (VI) in 1617. Franz Hogenberg (1535-1590) was a Flemish and German painter, engraver, and mapmaker. He was born in Mechelen (also known as Malines) in Flanders, the son of an engraver. After being expelled from Antwerp by the Duke of Alva, he moved to London and then eventually to Cologne, Germany, where he met Georg Braun and Abraham Ortellius. He engraved most of the plates for Ortelius's Theatrum and the majority of those in the Civitates. Many believe that he was responsible for originating the Civitates project.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
1stDibs seller since 2017
6,753 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: Rome, Italy
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Narciso and Echo - B/W Etching after Claude Lorrain - 1815By Ludovico CaraccioloLocated in Roma, ITBeautiful Artist’s Proof, representing the myth of Narcissius and the nymph Eco, draw by "the Metamorphosis" by Publio Ovidio Nasone. This aquatint, by Ludovico Caracciolo (engraver...Category
1810s Old Masters Figurative Prints
MaterialsEtching, Aquatint
- Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815By Ludovico CaraccioloLocated in Roma, ITImage dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...Category
1810s Old Masters Figurative Prints
MaterialsAquatint, Etching
- Liber Veritatis - B/W Etching after Claude Lorrain - 1815By Ludovico CaraccioloLocated in Roma, ITImage dimensions: 21 x 27 cm. Liber Veritatis - Plate 98 is a beautiful black and white etching and aquatint on paper realized by the Italian artist L...Category
1810s Old Masters Figurative Prints
MaterialsEtching, Aquatint
- Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815By Ludovico CaraccioloLocated in Roma, ITImage dimensions: 21 x 27 cm. Liber Veritatis - Plate 191 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...Category
1810s Old Masters Figurative Prints
MaterialsAquatint, Etching
- Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815By Ludovico CaraccioloLocated in Roma, ITImage dimensions: 21 x 27 cm. Liber Veritatis - Plate 95 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...Category
1810s Old Masters Figurative Prints
MaterialsAquatint, Etching
- Liber Veritatis - B/W Etching after Claude Lorrain - 1815By Ludovico CaraccioloLocated in Roma, ITImage dimensions: 21 x 27 cm. Liber Veritatis - Plate 177 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...Category
1810s Old Masters Figurative Prints
MaterialsEtching, Aquatint
You May Also Like
- Fabricius (Ponte Cestio) Bridge : Framed 18th C. Piranesi Architectural EtchingBy Giovanni Battista PiranesiLocated in Alamo, CAThis framed 18th century etching by Giovanni Battista Piranesi is entitled "Dimostransi nella Tav. presente la Pianta, ed Elevazione del Ponte, oggi detto Quattro Capi egli è antichissimo, e chiamavasi Fabrizio da L. Fabrizio Presid. delle Strade, che lo fabbrico' nel fine della Repubblica. "(The Plan and Elevation of the Bridge, today called Quattro Capi. The architect is very ancient, and was called Fabrizio da L. Fabrizio Presid. delle Strade, who built it at the end of the Republic). This is plate 18 in volume 4 of Piranesi's "Le antichita romane opera di Giambatista Piranesi architetto veneziano" (Roman antiquities by Giambatista Piranesi Venetian architect). It was published in Rome in 1756-1757. This etching depicts the plan and elevation of the bridge now called the Ponte dei Quattoro Capi or Ponte Cestio (Bridge of the Four Heads), which in antiquity was called the Bridge of Fabricius after L. Fabricius, the Superintendant of the Streets who built it at the end of the Republic, around 62 BC. It was also been known in the Middle Ages as ‘Ponte Giudeo’ (Bridge of the Jews). The bridge crossed from the left bank or northeast side of the Tiber River to Tiber Island...Category
1750s Old Masters Landscape Prints
MaterialsEtching
- Christ and the Woman of Samaria Among Ruins by James Bretherton after RembrandtBy Rembrandt van RijnLocated in Middletown, NYBretherton, James (After Rembrandt van Rijn). Christ and the Woman of Samaria Among Ruins. London: c 1775. Etching on light cream laid paper, 4 3/4...Category
18th Century Old Masters Figurative Prints
MaterialsHandmade Paper, Etching, Laid Paper
- Fountains of RomeBy Giovan Battista FaldaLocated in Middletown, NYA charming scene with romping dogs and spectators watching the cascading water play a trick on an unsuspecting man who is sprayed as he descends the steps, as the fountain was design...Category
Early 17th Century Old Masters Landscape Prints
MaterialsEngraving, Etching, Laid Paper
- Jeux de boules - Near the City GateBy Herman van SwaneveltLocated in Middletown, NYEtching on cream laid paper, 6 7/8 x 10 7/8 inches (175 x 275 mm), thin margins. Some minor surface soiling and paper tape residue in four areas along the top sheet edge, verso, othe...Category
Mid-17th Century Old Masters Landscape Prints
MaterialsLaid Paper, Etching
- Two men standing ankle-deep in a body of water, rocky outcrop ... hilltopBy Karel DujardinLocated in Middletown, NYEtching on light, fibrous, laid Japon paper, 5 3/16 x 6 1/4 inches (132 x 158 mm), full margins. Scattered moderate foxing throughout, very minor printing creases (innate), and one s...Category
Mid-17th Century Old Masters Landscape Prints
MaterialsHandmade Paper, Etching
- Fountains of Rome; Fontana e castello dell'AcquaBy Giovan Battista FaldaLocated in Middletown, NYRome: Giovanni Giacomo De Rossi, 1625. Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discol...Category
Early 17th Century Old Masters Landscape Prints
MaterialsLaid Paper, Engraving, Etching
Recently Viewed
View AllMore Ways To Browse
Old Wellers Antique
Old Weller Antique
Italian Old World
Antique Old World
Antique Old Masters
Antique Old World Art
Antique Old Ship
Vienna Antiques
Antique Italian Old Masters
Map Etching
Map Of Days
Pictorial Map
Terrarum Orbis
Crest Prints
Antique War Maps
Original Etchings Map
Antique War Map
17th Century Old Master Etching