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Period: 18th Century and Earlier
Palazzo Altieri - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Palazzo Altieri is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Quite Good conditions and aged ...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Monastero dei Canonici Lateranensi - Chiesa di S.Maria della Pace - 18th century
Located in Roma, IT
Monastero dei Canonici Lateranensi - Chiesa di S.Maria della Pace is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin....
Category

Modern 18th Century and Earlier Landscape Prints

Materials

Etching

Roman Theater - Etching after Michelangelo Specchi - Mid-18th Century
Located in Roma, IT
Roman Theater is an original etching on paper realized after Michelangelo Specchi, the engraver is anonymous. Signed on the plate, lower left. With the description on the lower. T...
Category

18th Century and Earlier Landscape Prints

Materials

Etching

Sedale e Chiesa di S. Spirito - Etching by Giuseppe Vasi - Late 18th Century
Located in Roma, IT
Sedale e Chiesa di S. Spirito is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

David Loggan: All Souls College, Oxford 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) All Souls College...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

Sadeler Engraving after Maarten de Vos – Saint Michael and the Dragon, 16th C.
Located in Firenze, IT
Saint Michael the Archangel defeating the dragon Design by Maarten de Vos (Antwerp, 1532 – 1603) Engraving by Johannes (Iulius) Sadeler I (Brussels, 1550 – Venice?, ca. 1600) Copper engraving, late 16th century. The work depicts Saint Michael the Archangel in antique armour...
Category

Northern Renaissance 18th Century and Earlier Landscape Prints

Materials

Paper, Engraving

View of Gorlitz - Etching by G. Braun and F. Hogenberg - Late 16th Century
Located in Roma, IT
This View of Gorlitz is an original etching realized by George Braun and Franz Hogenberg as part of the Series "Civitates Orbis Terrarum". The “Civitates Orbis Terrarum” (Atlas of C...
Category

18th Century and Earlier Landscape Prints

Materials

Etching

Salzburg, Map from "Civitates Orbis Terrarum"-by F. Hogenberg - 1575
Located in Roma, IT
Aquatint black and white showing the antique map of "Saltzburg", Salzburg. One of the first views of the famous Austrian city of Wolfgang Amadeus Mozart. Good conditions, some disco...
Category

18th Century and Earlier Landscape Prints

Materials

Etching, Aquatint

The West Prospect of the Cathedral of York /// "Britannia Illustrata" Engraving
Located in Saint Augustine, FL
Artist: Johannes "Jan" Kip (Dutch, 1652/3-1722) Title: "The West Prospect of the Cathedral of York" (Vol. 3, Plate 31) Portfolio: Britannia Illustrata / Le Nouveau Théâtre de la Grande Bretagne Year: 1715-1724 (Third edition) Medium: Original Engraving and Etching on cream laid paper Limited edition: Unknown Printer: Joseph Smith, London, UK Publisher: Joseph Smith, London, UK Reference: "London Illustrated 1604-1850" - Adams No. 22; Crace No. 201; Brunet IV No. 114; Lowndes No. 1277; Lewine page 263-264 Sheet size: 19.25" x 24.19" Image size: 16.75" x 22.5" Condition: With centerfold as issued. Some light toning and foxing mainly in margins, and some light edgewear. Has been professionally stored away for decades. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Ross-on-Wye, UK. Engraved by Dutch artist Johannes "Jan" Kip (1652/3-1722) after a drawing by Dutch artist Leonard Knyff or Leendert Knijff (1650-1722). Comes from Kip's six volume (including Supplement and 'Atlas Anglois') "Britannia Illustrata" / Le Nouveau Théâtre de la Grande Bretagne", (1724-1728) (Third edition), which consists of 394 engravings and etchings. Printed in one color from one copper plate: black. Biography: Johannes "Jan" Kip (1652/53 in Amsterdam - 1722 in Westminster) was a Dutch draftsman, engraver and print dealer. Together with Leonard Knyff, he made a speciality of engraved views of English country houses. Kip was a pupil of Bastiaen Stopendaal (1636–1707), from 1668 to 1670, before setting up on his own; his earliest dated engravings are from 1672. In April 1680, at the age of 27, he married Elisabeth Breda in Amsterdam. After producing works for the court of William of Orange in Amsterdam, Kip followed William and Mary to London and settled in St. John Street in Farringdon, where he conducted a thriving printselling business. He also worked for various London publishers producing engravings after such artists as Francis Barlow (c. 1626–1704) and Caius Gabriel Cibber (1630–1700), largely for book illustrations. He made several engraved plates for Awnsham & John Churchill's "A Collection of Voyages & Travels" (first published 1704). He signed the African scenes in volume V of the 1732 edition as "J. Kip". His most important works were the large fold-out folio illustrations for "Britannia Illustrata", 1708; for the 65 folio plates he engraved for the antiquary Sir Robert Atkyns, "The Ancient and Present State of Glostershire", 1712 (1st edition); and for "Le Nouveau Théâtre de la Grande Bretagne ou description exacte des palais de la Reine, et des Maisons les plus considerables des des Seigneurs & des Gentilshommes de la Grande Bretagne", 1715, an extended reprint in collaboration with other artists. The linked careers of Jan Kip and Leonard Knyff made a specialty of engraved views of English country houses, represented in detail from the bird's-eye view, a pictorial convention for topography. Their major work was "Britannia Illustrata: Or Views of Several of the Queens Palaces, as Also of the Principal seats of the Nobility and Gentry of Great Britain, Curiously Engraven on 80 Copper Plates", London (1707, published in the winter of 1708–9). The volume is among the most important English topographical publications of the 18th century. Architecture is rendered with care, and the settings of parterres and radiating avenues driven through woods or planted across fields, garden paths, gates and toolsheds are illustrated in detail. The images are staffed with figures and horses, coaches pulling into forecourts, water...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Landscape
By Cornelis Ploos van Amstel
Located in New York, NY
Original engraving by old master print-maker Ploos Van Amstel after Jan van Goyen. Holland, 1767. Unframed. Trimmed to size.
Category

18th Century and Earlier Landscape Prints

Materials

Paper

View of Rialto Bridge in Venice
Located in New York, NY
Engraving of Veduta della Piazza, verso la Chiesa di S Marco by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 13.5"L x 10.5"H. Has the original center crease an...
Category

18th Century and Earlier Landscape Prints

Materials

Paper

Kameya - Tea House
Located in Chesterfield, MI
Kameya - Tea House Lithography by Utagawa Hiroshige (Ando Hiroshige) Print in Good Condition Measures 12.5 in x 19 in
Category

18th Century and Earlier Landscape Prints

Materials

Lithograph

"Paulownias and Chrysanthemums " By Sakai Hōitsu
Located in Chesterfield, MI
Lithograph Measures 31.5 x 29 inches. Good condition, slight crease (pictured on third image).
Category

18th Century and Earlier Landscape Prints

Materials

Lithograph

St John's College, Oxford 1675 engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

Corpus Christi College, Oxford 1675 engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

Betel Nut Palm: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of a flowering Betel Nut Palm plants, which is finished with hand-coloring. It is entitled "Fagus Fau Buch,...
Category

Naturalistic 18th Century and Earlier Landscape Prints

Materials

Engraving, Mezzotint

17th century etching black and white seascape scene boat waves ocean clouds sky
Located in Milwaukee, WI
"La Tempete" is an original etching by Claude Lorrain (Claude Gellee). This is Claude's earliest dated etching (1630). The work depicts a storm-tossed sea with ships on the verge of ...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

"Pavillon with Distant Mountain" by Wang Yuan-chi, Printed in Italy.
Located in Chesterfield, MI
Published By New York Graphic Society, 1979. Printed In Italy In Good Condition Measures 19 in x 21 in.
Category

18th Century and Earlier Landscape Prints

Materials

Lithograph

St Peters Church at Rome /// "Vitruvius Britannicus" Architecture Engraving Art
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "St Peters Church at Rome" (Vol. 1, Plate 6) Portfolio: Vitruvius Britannicus; or The British Architect, Containing the Plans, Ele...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

The Place Dauphine in Paris - Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

Modern 18th Century and Earlier Landscape Prints

Materials

Etching

Thorsby House in the County of Nottingham /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91) Portfolio: Vitruvius Britannicus; or The British Architect, Contain...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Laid Paper, Engraving, Etching, Intaglio

Trinity College, Oxford David Loggan 1705 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Trinity College, Oxford (1705) Engraving 32 x 41 cm Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

Buitenzijde Van Het Colosseum (Exterior of the Colosseum)
Located in Middletown, NY
The Hague: circa 1799. Engraving with burin on cream laid paper, 7 7/8 x 13 inches (198 x 330 mm) full margins. Octavo fold with additional hard creases with an associated loss in t...
Category

Dutch School 18th Century and Earlier Landscape Prints

Materials

Laid Paper, Engraving

Oxford 1675 engraving by David Loggan Prospectus Oxoniae Orientalis
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

17th century etching black and white figurative landscape cityscape buildings
Located in Milwaukee, WI
"Figures Outside the Monastery" is an original etching by Jan Frans van Bloemen. It depicts people on the path to a church. 7" x 10 1/4" art 19 1/4" x 22 5/8" frame Jan Frans van Bloemen (baptized 12 May 1662 - buried 13 June 1749) was a Flemish landscape painter mainly active in Rome. Here he was able to establish himself as the leading painter of views (vedute) of the Roman countryside depicted in the aesthetic of the classical landscape tradition. Van Bloemen predominantly painted classical landscapes, taking his inspiration from the Roman Campagna. His landscapes, with their recession through a series of planes, soft, warm lightning and classical and religious subject matter, drew on the examples of artists such as Claude Lorrain and Gaspard Dughet. His paintings are exquisitely imbued with that "difficult-to-define pastoral ambience" which helped to make him such a great painter in the eyes of his contemporaries. The technique and subjects of the work of Jan Frans van Bloemen are also related to painters such as Jan Asselijn, Thomas Wyck...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

18th century landscape etching pastoral nature scene detailed ink trees
Located in Milwaukee, WI
"Near Tottenham Midd." is an original etching by John Thomas Smith at the top right of the image, reading "Drawn & Etch'd by J. T. Smith, Engraver of the Antiquities of London & Envi...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Paper, Ink, Etching

Royal Hospital att Greenwich to the River /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Laid Paper, Engraving, Intaglio, Etching

Christ's College, Cambridge David Loggan 1690 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) Wadham College Oxford Engraving 1675 34x42cm Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

Great St Mary's, University of Cambridge David Loggan 1690 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) The Church of St Mary the Virgin, Cambridge (1690) Engraving 38 x 47 cm Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

Ahorn auf Kos (Vue de la Place Publique de Cos) /// Plane Tree of Hippocrates
Located in Saint Augustine, FL
Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828) Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3) *Issued unsigned, though signed by Richter in the plate (...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Laid Paper, Etching, Aquatint

Jesus College, Cambridge engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
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Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

Southwark Cathedral engraving c. 1753 for Stow's Survey of London
Located in London, GB
To see our other views and maps of England - including London, Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send...
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Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

David Loggan Brasenose College Oxford Collegium Aenei Nasi Print 1675 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
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Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

David Loggan: New College, Oxford 1690 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634-1692) New College...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

Magdalene College, Cambridge engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Magdalene College, Cambridge (1690) Engraving 38 x 43 cm Loggan's view of Magdalene from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

North & South America: A 17th Century Hand-colored Map by Jansson & Goos
Located in Alamo, CA
A 17th century hand-colored map of North & South America entitled "Americae Descriptio" by the cartographer Johannes Jansson, published in Jansson's Atlas Minor in Amsterdam in 1628....
Category

18th Century and Earlier Landscape Prints

Materials

Engraving

St Catharine's College, Cambridge David Loggan 1690 engraving
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) St Catharine's College, Cambridge (1690) Engraving 35 x 46 cm Loggan's view of St Catharine's College, Cambridge from the 'Cantabrigia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

David Loggan: Great St Mary's Church Cambridge University engraving 1690
Located in London, GB
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Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

John Boydell 1751 engraving A South Prospect of the City of Oxford
Located in London, GB
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Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

David Loggan Bodleian Library Oxford Aerial view 1675 engraving Bibliotheca
Located in London, GB
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Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

The Oxford Almanack 1744, engraving by Joseph Skelton after G Vertue
Located in London, GB
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18th Century and Earlier Landscape Prints

Materials

Engraving

18th century landscape etching pastoral house nature scene detailed ink trees
Located in Milwaukee, WI
"Near Mill Hill, Gravesend" is an original etching by John Thomas Smith. It depicts a cottage and farmstead with a few small figures. The piece is titled on ...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Le Tour de Clermont en Dauphine apartenant a Monsieur de Tonnerre
Located in Middletown, NY
Etching and engraving on handmade cream laid paper, 3 7/8 x 6 7/8 inches (97 x 173 mm), full margins. In good condition, consistent with age. Several small notations in pencil in t...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Handmade Paper, Laid Paper, Engraving, Etching

Chiesa e Monastero di S. Maria dei Sette -Etching by G. Vasi - Late 18th Century
Located in Roma, IT
Chiesa e Monastero di S. Maria dei Sette is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good c...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Sidney Sussex College, Cambridge engraving by David Loggan
Located in London, GB
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Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

The City of Brussels in the Duchy...- Etching by Giambattista Albrizzi - 1745 ca
Located in Roma, IT
Etching realized by Giambattista Albrizzi (1698-1777) for Thomas Salmon's Lo Stato presente di tutti i Paesi e Popoli do Mondo. Regno di Spagna. Includes a contemporary wooden frame...
Category

Modern 18th Century and Earlier Landscape Prints

Materials

Etching

Veduta del Ponte e Castello Sant' Angelo
Located in New York, NY
Castello Sant Angelo from "Vedute di Roma" by Giovanni Battista Piranesi. 2nd Roman state, 1754. Etching on laid paper with a watermark of a Fleur-de-Lys in a double circle with CB a...
Category

18th Century and Earlier Landscape Prints

Materials

Laid Paper

Shipping on the Maas, Rotterdam in the background.
Located in Middletown, NY
A beautiful 18th century nautical scene filled with movement and activity. One etching from the series of 10 lively nautical scenes entitled Seascapes. This image depicts four vesse...
Category

18th Century and Earlier Landscape Prints

Materials

Laid Paper, Etching

Christ Crowned with Thorns, from The Passion of Christ
By Hendrick Goltzius
Located in Middletown, NY
Engraving on cream wove paper, 8 x 5 3/8 inches (203 x 137 mm), narrow to thread margins. First state (of 2). A fine impression with archival paper adhered at left top and bottom cor...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Engraving

Prospectus ab Aedibus Flanginorum usque ad Bembos by Antonio Visentini-1742
Located in Roma, IT
Etching and burin. Image dimension: 27.4x432 cm. Sheet dimension: 39x53.7 cm. From Urbis Venetiarum Prospectus Celebriores, ex Antonii Canal Tabulis XXXVIII. Aere expressi ab Anto...
Category

Modern 18th Century and Earlier Landscape Prints

Materials

Etching

Wadham College, Oxford 1675 engraving by David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Wadham College, Oxford (1675) Engraving 32 x 41 cm Loggan's view of Wadham from the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman...
Category

Realist 18th Century and Earlier Landscape Prints

Materials

Engraving

12 images on 6 sheets from Nuova raccolta delle vedute moderne di Roma
Located in Middletown, NY
Rome: 1795. Each an engraving with extensive hand coloring on laid paper, some with a partial heraldic watermark, each 6 5/8 x 4 3/4 inches (165 x 120 mm); (sheet) 10 1/4 x 7 1/8 in...
Category

Italian School 18th Century and Earlier Landscape Prints

Materials

Ink, Handmade Paper

17th century etching black and white figurative landscape trees buildings
Located in Milwaukee, WI
"Conversation Outside Castle" is an original etching by Jan Frans van Bloemen. It depicts a number of figures just outside the majestic walls of a castle. These groups of figures are engaged in their own conversations. 9" x 6 3/4" art 21 5/8" x 19 3/8" frame Jan Frans van Bloemen (baptized 12 May 1662 - buried 13 June 1749) was a Flemish landscape painter mainly active in Rome. Here he was able to establish himself as the leading painter of views (vedute) of the Roman countryside depicted in the aesthetic of the classical landscape tradition. Van Bloemen predominantly painted classical landscapes, taking his inspiration from the Roman Campagna. His landscapes, with their recession through a series of planes, soft, warm lightning and classical and religious subject matter, drew on the examples of artists such as Claude Lorrain and Gaspard Dughet. His paintings are exquisitely imbued with that "difficult-to-define pastoral ambience" which helped to make him such a great painter in the eyes of his contemporaries. The technique and subjects of the work of Jan Frans van Bloemen are also related to painters such as Jan Asselijn...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Wolfdietrich - Original leaflet from Johann Prüss' Das Heldenbuch
Located in Soquel, CA
Original leaflet from Johann Prüss' 1479 printing of "Das Heldenbuch." The Heldenbücher is the title given to a group of late medieval/early renaissance Germanic manuscripts primari...
Category

Medieval 18th Century and Earlier Landscape Prints

Materials

Paint, Laid Paper, Woodcut

Amida, a Deity of Japan – English School, 18th century
Located in Middletown, NY
Amida, a Deity of Japan; One plate from A new and complete collection of voyages and travels containing all that have been remarkable from the earliest period to the present time Vol...
Category

English School 18th Century and Earlier Landscape Prints

Materials

Watercolor, Handmade Paper, Engraving

Vedute di Roma (3rd state) (Frontispiece of series, with Statue of Minerva)
Located in Chicago, IL
Views of Rome (Vedute di Roma): Frontispiece for the whole series, with Statue of Minerva. A fine impression of the rare 3rd state (of seven) of this m...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Etching

Remains of Henry II's Palace, late 18th century English sepia aquatint, 1799
Located in Melbourne, Victoria
'Remains of Henry II's Palace, as it stood in Woodstock Park in 1714' Aquatint published by Samuel Ireland. From his 'Picturesque Views on the River Thames'. Ireland was an author a...
Category

Naturalistic 18th Century and Earlier Landscape Prints

Materials

Engraving, Etching, Aquatint

Welbeck Park Belongs to the Marquis of Newcastle /// Equestrian Horse Old Master
Located in Saint Augustine, FL
Artist: William Cavendish (English, 1593-1676) Title: "Welbeck Park Belongs to the Marquis of Newcastle" (Plate 38, Page 263) Portfolio: Methode et Invention Nouvelle de Dresser Les ...
Category

Old Masters 18th Century and Earlier Landscape Prints

Materials

Watercolor, Laid Paper, Engraving, Etching, Intaglio

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