Giulio Bonasone Art

This exquisite engraving after Marie Laurencin (1883-1956), titled Sans titre (Untitled), from the folio Dialogue sur la Danse (Dialogue on the Dance), originates from the 1949 editi...

"Veduta del Sepolcro della Famiglia Plauzia per la Strada Che Conduce da Roma a Tivoli vicino a Ponte Lugano" from "Le Antichità Romane" (Roman Antiquities), one of the most famous works by Piranesi. "Antichita" illustrates the tombs along the Appian Way...

This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste." Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...

Subject for this artwork comes from Miguel de Cervantes' book. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture faculty of Gdank, before continuing his course a...

Pair of a Period Italian Grand Tour Litographies Beautiful and important pair of architectural studies of the Roman Forum as they appeared in the time of the Empire precisely, as th...

Rome: Scudellari, 1822. Engraving on laid paper, 13 3/8 x 18 1/4 inches (350 x 464 mm), the full sheet, trimmed at the platemark. In very good condition with minor toning and handli...

Ruga, Pietro (after Luigi Magozza). Veduta della Piazza del Popolo. Rome: Giacomo Antonelli, 1825. Engraving with hand coloring in watercolor on cream wove paper with a "PM" watermar...

Samuel Chamberlain was a superb draftsman and his architectural images are often very complex. This image is, by contrast, quiet and understated: serene to the point of lonely. It's ...

This lithograph is part of my private collection. It is original and pencil signed an numbered by the artist. It is one of a kind in black and white.

This exquisite engraving after Marie Laurencin (1883-1956), titled Sans titre (Untitled), from the folio Dialogue sur la Danse (Dialogue on the Dance), originates from the 1949 editi...

Signed in pencil. This scene is a hundred years old but if we have snow this year it can easily be recreated.

Subject for this artwork comes from Miguel de Cervantes' book. The print comes from edition limited to 5. CZESLAW TUMIELEWICZ (b. 1942) In 1968, he studied at the Architecture facul...