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Nude is an original lithograph artwork, realized by Sergio Barletta, hand-signed, edition of 100 prints. In very good conditions. Here the artwork represents a different pose of n...

Artist: Christo Title: The Museum of Modern Art, Wrapped (Front), Project for New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK and Special...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy Trial Proof MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: Tirage 500 This is a Trial Proof MEAS...

This dynamic composition by Tighe O'Donaghue incoroporates a series of musical notes and meteors alongside animal motifs and musical instruments that adorn the stern of a sailed ship...

Agrà Nero su Nero is a colored serigraph on paper realized by the Italian artist Sante Monachesi and published by Euromuseum Editore, Ancona. Signed in pencil on the lower margin, t...

Image dimensions: 46 x 24 cm. Wall and Trowel is a peculiar and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around...

La Prigione (The Prison) is a wonderful colored lithograph on paper, realized in 1973 by the Italian artist, Marcello Ercole, published by La Nuova Foglio, the publishing house of Ma...

_ _ ADA, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become p...

1983 Japanese pearlescent paper 27 × 20 in 68.6 × 50.8 cm Edition of 1000 2 colors printed matter on Japanese Kirabiki Paper

Rhythm 15 is an original colored serigraph realized by Mario Padovan in 1969. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 26/50. Original...

Hand Signed. Edition of 110 pieces plus 30 pieces in Roman Numbers. Pino Reggiani ( Forlì, 1937). Italian painter. Many of his works are present in museums and public collections in...

Hand Signed. Edition of 75 pieces. Very good conditions.

This is an hand signed lithograph by André Masson, with dedication. André Masson was a French artist, well-known as part of the Surrealism. He was a painter but also a sculptor and ...

Hand signed and numbered. Edition of 125 prints. Very good conditions. Fabio Mauri (Rome, 1926 – Rome, 2009) was an italian artist, writer and dramatist. He was one of the main ital...

Hand signed and numbered by artist with pencil. Edition of 100 prints. Very good conditions.

Image dimensions: 31x30 cm. Interesting Colored etching on watermarked paper, representing some characters in a metaphysical theatre. Hand-numbered and hand-signed with pencil on lo...

Blue Woman is an original mixed colored serigraph realized by Oscar Pelosi during the 1980s. The artwork is hand-signed in pencil by the artist on the lower right. Numbered on lower...

Untitled is a beautiful colored lithograph on paper, realized in 1973 by the French artist, Henry Maurice, and published by La Nuova Foglio, a publishing house of Macerata. Hand-signed and numbered in pencil on lower margin. Edition of 100 prints. This contemporary artwork representing a surreal composition in a futuristic world to decipher as a rebus game, is in excellent conditions. Maurice Henry...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Tanks (1939 - 1945) Original vintage poster 74 x 51 cm A copy of this poster is held by the Victoria and Albert Museum (E.2134-1946). Issued by the National Savings...

BThe Diva is an original mixed colored serigraph realized by Oscar Pelosi during the 1980s. The artwork is hand-signed in pencil by the artist on the lower right. Numbered on lower ...

Heavily pigmented with a deep burgundy hue, Tighe O'Donoghue's Surrealistic rendering of a single rose stem is accented by scratchy script above and elegant typeface along the bottom...

Tighe O'Donoghue's Minimalistic rendering focuses on the mathematical measurements and shapes associated with astronomy. E equals MC Squared from the Celestial Meridian Suite Tighe...

Composition is an original Contemporary artwork realized by the Italian artist Leo Guida. Original screen print.. Good conditions, with diffused foxing and soft folding. The work ...

Abstract Composition is an original colored screen print realized by Antonio Sanfilippo in 1971. Hand-signed and dated in pencil on the lower right. Numbered on the lower right. Ed...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 64/99 Signed and Numbered in pencil

Maritime Palio is an original artwork realized by Osvaldo Peruzzi in 1989. Mixed colored lithograph. Hand-signed by the artist on the lower right. Numbered on the lower left margin...

Buick in the Dust, photography sequence by Richard Heeps, featuring an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as...

Peacock is an original colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Artist's proof (p.a. handwritten in pencil on the lower l...

Realized for the Editions "Europaische Grafik". Edition of 130 prints, numbered and hand signed. Dry stamp on bottom right. Publisher: Wolfgang Ketterer, Munich. Very Good conditions.

Hand Signed. Edition of 99 prints. Very good conditions.

Gilardi Exhibition - Galerie Di Meo is an original colored lithograph realized in 1991. Hand-signed and dated 16/5/1991 by the artist on the lower right margin. This artwork was re...

The Hills of the Gods Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, signed and numbered in pencil Edition of 125 Image Size: 18 x 15 inches Size: 30 in. x...

I Drink Therefore I Can By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, often creating works that mix vintage...

A superb, richly-inked impression of this color etching and carborundum with hand-coloring in alizarin red egg tempera on TH Saunders handmade paper. Initialed, dated and numbered 41...

STREET SCENE, NYC Crowd, is an original, hand drawn lithograph by Raphael Soyer, the renowned Russian-born American realist painter, draftsman, and printmaker. Printed using traditio...

The Lion of Gramercy Park Tighe O’Donoghue, American (1942–2023) Date: 1979 Etching with Aquatint, signed in pencil Edition of AP Image Size: 18 x 15 inches Size: 30 in. x 22 in. (76...

Thermopylae Tighe O’Donoghue, American (1942–2023) Date: Circa 1981 Aquatint Etching, Signed and numbered in pencil Edition of AP Image Size: 20 x 16 inches Size: 30 in. x 22 in. (76...

The Shepherd Tighe O’Donoghue, American (1942–2023) Date: circa 1978 Etching with Aquatint, signed and numbered in pencil Edition of m 2/10 Image Size: 14.5 x 18 inches Size: 22 x 30...

Untitled - Earthworm Abstract II Tighe O’Donoghue, American (1942–2023) Date: 1979 Etching with Aquatint, signed in pencil Image Size: 14 x 11 inches Size: 29.5 in. x 22 in. (74.93 c...

A very good impression of this color lithograph on Arches. Signed, dated and numbered 141/200 in pencil by Appel.

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Untitled - Star Tighe O’Donoghue, American (1942–2023) Date: circa 1980 Etching with Aquatint, signed in pencil Image Size: 14 x 11 inches Size: 27 in. x 22 in. (68.58 cm x 55.88 cm)

Untitled - Planetary Abstract Tighe O’Donoghue, American (1942–2023) Date: circa 1985 Etching with Aquatint, signed in pencil Edition of 99 Size: 27 x 22 in. (68.58 x 55.88 cm)

Hand Signed. Edition of 99 pieces.

Tighe O'Donoghue's detailed depiction of a nautilus shell features delicate script and anatomical lines that add a sense of Magical Realism to the overall composition. Prince Tighe...

Image dimensions 47x59 cm. Hand signed and numbered. Edition of 110 prints. Very good conditions. Pino Reggiani ( Forlì, 1937). Italian painter. Many of his works are present in mu...

Architectural Construction is a special and rare lithograph made by the artist Ivo Pannaggi, realized in a circulation of 100 copies around 1975 and taken...

"Twin Towers" is a Limited Edition Lithograph by Marcel Mouly (French, 1918-2008). Two prints are available-EA 21/30 and EA-measuring 24 x 30.75 inches. They are both pencil-signed a...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from...

Ostermalm Serigraph is a wonderful original print, an original serigraph by the Italian artist Lucio Del Pezzo (Neaples, 1933)., from the Ostermalm Suite Signed in pencil and number...

Fluo Composition is an original colored lithograph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 13...

*** Please note: Pictures of print in frame are only a visualization. Artwork is sold unframed DANUTA DĄBROWSKA-SIEMASZKIEWICZ Painter and graphic artist. Her works have been publis...

Hand Signed. Edition of 100 pieces numbered and hand signed. Excellent conditions.

Hand Signed. Edition of 99 pieces plus 20 pieces in Roman Numbers and some Artist's Proofs.

Image dimensions: 54 x 40 cm. Still Life is a beautiful and rare lithograph realized by the artist Ivo Pannaggi in a circulation of 100 copies around 197...

This lithograph by Fernand Leger is from the portfolio entitled "La Ville" (The City) which consists of 29 lithographs featuring scenes of people, life and emotions of Paris. The art...

Image dimensions: 25x24 cm. Interesting Colored etching on watermarked paper, representing some origami-birds with abstract shapes and a very synthetic line. Artist's Proof, hand-si...