Medium More Prints

Two layer screen print First layer is a naively hand painted cow on true grain using indian ink. Second layer is using a translucent pink Creating a fun and quirky piece of pop art ...

Anne Storno Everybody Wants to be a Cat Limited Edition Print Edition of 15 Image Size: H 30 cm x W 40cm Paper Size: H 50cm x W 70cm x D 0.1cm Sold Unframed Please note that in situ ...

Untitled - Earthworm Abstract II Tighe O’Donoghue, American (1942–2023) Date: 1979 Etching with Aquatint, signed in pencil Image Size: 14 x 11 inches Size: 29.5 in. x 22 in. (74.93 c...

Marc Chagall (1887–1985) Daphnes and Chloé, Planche XXVI Lithograph in colours, 1961, A unique trial proof printed, notably without the central fold and visible printing marks, with variant colouration differing from the standard edition of 150. Unsigned, as issued. Sheet: 55 x 76 cm Frame: 93.6 x 73cm Published by Mourlot, Paris Referenced in Cramer, Chagall: The Illustrated Books, no. 46; Sorlier 329 In excellent condition, the sheet fresh and vibrant, with no evidence of light exposure or discolouration. The work has been framed for the first time by the present gallery, using high quality materials. -- Marc Chagall's Daphnis and Chloé...

Limited edition etching on Arches paper by artist Harold Altman. Although title on the piece is unknown, there is a hand signature from Altman. The framed piece is in stunning condit...

No Parking, urban architecture photograph from Richard Heeps' series, A Short History of London. The stark Brutalist architecture has sense of beauty as the hypnotic symmetry draws y...

Ballads Galerie Alexandre Iolas Poster by William N. Copley (CPLY) New-York, Geneve, Milan, Paris 196, Boulevard Saint-Germain William Nelson Copley (January 24, 1919 – May 7, 1996) also known as CPLY, was an American painter, writer, gallerist, collector, patron, publisher and art entrepreneur. His works as an artist have been classified as late Surrealist and precursory to Pop Art. William N. Copley was born in New York City in 1919 to parents John and Flora Lodwell; they died shortly after in the 1919 Spanish Flu epidemic. Copley was adopted in 1921 by Ira C. Copley, the owner of sixteen newspaper companies in Chicago and San Diego. Copley was ten years old whereby the family moved to Coronado Island, California. Copley was sent to Phillips Andover and then Yale University by his adopted parents. He was drafted in the Second World War in the middle of his education at Yale, a decision negotiated by the school and the army. Copley experimented with politics upon returning home from the war, working as a reporter for his father's newspaper. By 1946, Copley met and married Marjorie Doris Wead, the daughter of a test pilot for the Navy. Doris's sister was married to John Ployardt, a Canadian-born animator and narrator at Walt Disney Studios. Copley and Ployardt soon became friends and Ployardt began introducing Copley to painting and Surrealism. The two traveled to Mexico and New York, discovering art, meeting the artists behind the works, and grasping Surrealist ideas. It was during this time that Copley and Ployardt decided to open a gallery in Los Angeles to exhibit Surrealist works. Copley and Ployardt tracked down Man Ray while living in Los Angeles. Ray then introduced them to Marcel Duchamp in New York City. There, Duchamp opened many doors for them, introducing the two to New York dealers in Surrealism. In 1948, Copley and Ployardt opened The Copley Galleries in Beverly Hills, displaying works by artists including René Magritte, Max Ernst, Yves Tanguy, Roberto Matta, Joseph Cornell, and Man Ray. Copley moved to Paris in 1949–50, leaving behind his wife and two children to continue to paint. During his time in Paris, he remained in Surrealist circles and continued to paint with a uniquely American style. Copley's first exhibition took place in Los Angeles in 1951 at Royer's Book Shop. From there Copley participated in numerous solo and group exhibitions worldwide. In 1961, Copley was given an exhibition in Amsterdam by the Stedelijk Museum. The museum became the first public institution to add a Copley to their collection. Copley's paintings throughout the 1950s and 60s dealt with ironic and humorous images of stereotypical American symbols like the Western saloon, cowboys, and pin-up girls combined with flags. His works during this period were often considered a combination of American and Mexican folk art and melded in well with the new young POP movement occurring in America when he returned to New York in the 1960s. Artists like Andy Warhol, Christo, Roy Lichtenstein and many others were frequent visitors at Copley's studio on Lower Broadway. Copley believed that pop art had always interested him, claiming American pop art had much to do with "self-disgust" and "satire." In 1967, after a divorce with his second wife, Noma, Copley and new friend Dmitri Petrov decided to publish portfolios of 20th-century artist collaborations with the abbreviation SMS (for "Shit Must Stop"). Copley's Upper West Side loft became a meeting place for performers, artists, curators, and composers to work together on the open-ended collective. The SMS portfolio...

Moon Shell Jill O’Connell Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 500, AP Image Size: 24.5 x 19 inches Size: 29.5 in. x 23 in....

This piece was created in 1969 by Salvador Dali, it is a photolithograph of a original gouache painted on printed illustrations with original engraving. This piece is hand signed and...

Original 1995 Absolut “Mardi Gras, West Hollywood” Linen-Backed Poster — 19 x 28" An iconic piece of 1990s design culture, this original Absolut Vodka poster—“Mardi Gras, West Holly...

Genre: Modern, Modernist Subject: Abstract Medium: Print, Aquatint Hand signed dated 1988, limited edition Surface: Paper Country: Italy Dimensions: 26" x 20" approximately Eugenio ...

Complete deluxe set of 13 screen prints and accompanying 12 poems. Published by American Image Editions, New York. Includes original brown paper-covered portfolio and publisher insert. Each screen print measures 26 x 21 inches. Each screen print is hand signed, dated, numbered by Robert Indiana. Roman numeral edition XLII/L (there were also a main edition of 200 and 50 artist's proofs), Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Robert Indiana (1928–2018) was an American Pop artist whose work drew inspiration from signs, billboards, and commercial logos. He is best known for his series of LOVE paintings, which employed bold and colorful letterforms to spell out the word “love.” “Oddly enough, I wasn't thinking at all about anticipating the love generation and hippies,” he once explained. “It was a spiritual concept. It isn't a sculpture of love...

Color lithograph, Edition 30. Jacquette creates compelling images of the landscape and the sea from the air or atop hills or mountains.

Salvador Dali (1904-1989) - Lady Godiva Lithograph from 1970. Edition of 187/256. Dimensions of work: 68 x 50 cm Publisher: Simeon Wajntraub. On B.F.K Rives paper as stated in t...

A very good impression of this scarce and early lithograph on Arches. Edition of 50. Printed at Hollander's Workshop, Inc., New York, with the blind stamp lower right. Provenance: ...

Emilio Sanchez (1921-1999) created this color lithograph entitled “LA BANDERA DE CUBA” in 1980. This impression is signed, titled, and inscribed “Seis” [six] in pencil. The printed ...

This Fortunato Depero wonderful serigraphy is a multiple of 250 printed with the authorization of Museum of Depero in Rovereto (Italy). This is the number XI (eleven) The title is: L...

Original Vintage Poster depicting Le Corbusier's Convent of La Tourette, published 1962 by the Architectural Forum to promote Modern Architecture –...

Artist: Alexander Calder Title: Couleurs au Choix Size: 24 x 30 Inches Medium: Lithograph Edition: of 75 Year: 1970 Notes: Hand signed and numbered by the Artist in pencil. Artw...

Artist: Chiam Gross Title: New England Street Scene Medium: Lithograph Signed: Hand Signed Edition: From the edition of 250 Measurements: ...

A very good impression of this color aquatint, etching and carborundum. Signed and numbered 27/75 in pencil by Miro. Printed and published by Maeght, Paris. Catalogue reference: Du...

Artist - Laurent Marcel Salinas (born 1913 Alexandria, Egypt, died 2010 in America) Title - BRITTANY LANDSCAPE BRITTANY LANDSCAPE is an original hand drawn limited edition lithograp...

Artist: Risaburo Kimura, Japanese (1924 - ) Title: City 85 Year: 1969 Medium: Serigraph, signed and numbered in pencil Edition: AP Image Size: 25 x 20 inches Size: 25 in. x 19 in. (6...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

Complete set of seven lithographs with embossment, 1978, on Richard de Bas mould-made paper, initialed and numbered in pencil from the edition of 40 verso, printed by Matthieu Studio...

ARTIST: Salvador Dali TITLE: Moses & Monotheism Moses & Akhenaton MEDIUM: Etching on soft glove sheepskin SIGNED: Hand Signed PUBLISHER: Art et Valeur, Paris EDITION NUMBER: 2...

Vintage gallery exhibition poster. The Galerie Maeght is a gallery of modern art in Paris, France, and Barcelona, Catalonia, Spain. The gallery was founded in 1936 in Cannes. The Paris gallery was started in 1946 by Aimé Maeght. The artists exhibited are mainly from France and Spain. Since 1945, the gallery has presented the greatest modern artists such as Matisse, Bonnard, Braque, Miró, and Calder. In 1956, Adrien Maeght opened a new parisian venue. The second generation of “Maeght” artists was born: Bazaine, Andre Derain, Giacometti, Kelly, Raoul Ubac, then Riopelle, Antoni Tapies, Pol Bury and Adami, among others. Jean-Paul Riopelle, CC GOQ (7 October 1923 – 12 March 2002) was a painter and sculptor from Quebec, Canada. He became the first Canadian painter (since James Wilson Morrice) to attain widespread international recognition. Born in Montreal, Riopelle began drawing lessons in 1933 and continued through 1938. He studied engineering, architecture and photography at the école polytechnique in 1941. In 1942 he enrolled at the École des beaux-arts de Montréal but shifted his studies to the less academic école du Meuble, graduating in 1945. He studied under Paul-Émile Borduas in the 1940s and was a member of Les Automatistes movement. Breaking with traditional conventions in 1945 after reading André Breton's Le Surréalisme et la Peinture, he began experimenting with non-objective (or non-representational) painting. He was one of the signers of the Refus global manifesto. In 1947 Riopelle moved to Paris and continued his career as an artist, where, after a brief association with the surrealists (he was the only Canadian to exhibit with them) he capitalized on his image as a "wild Canadian". His first solo exhibition took place in 1949 at the Surrealist meeting place, Galerie La Dragonne in Paris. Riopelle married Françoise Lespérance in 1946; the couple had two daughters but separated in 1953. In 1959 he began a relationship with the American painter Joan Mitchell, Living together throughout the 1960s, they kept separate homes and studios near Giverny, where Monet had lived. They influenced one another greatly, as much intellectually as artistically, but their relationship was a stormy one, fueled by alcohol. The relationship ended in 1979. His 1992 painting Hommage à Rosa Luxemburg is Riopelle's tribute to Mitchell, who died that year, and is regarded as a high point of his later work. Riopelle's style in the 1940s changed quickly from Surrealism to Lyrical Abstraction (related to abstract expressionism), in which he used myriad tumultuous cubes and triangles of multicolored elements, facetted with a palette knife, spatula, or trowel, on often large canvases to create powerful atmospheres. The presence of long filaments of paint in his painting from 1948 through the early 1950s[8] has often been seen as resulting from a dripping technique like that of Jackson Pollock. Rather, the creation of such effects came from the act of throwing, with a palette knife or brush, large quantities of paint onto the stretched canvas. Riopelle's voluminous impasto became just as important as color. His oil painting technique allowed him to paint thick layers, producing peaks and troughs as copious amounts of paint were applied to the surface of the canvas. Riopelle, though, claimed that the heavy impasto was unintentional: "When I begin a painting," he said, "I always hope to complete it in a few strokes, starting with the first colours I daub down anywhere and anyhow. But it never works, so I add more, without realizing it. I have never wanted to paint thickly, paint tubes are much too expensive. But one way or another, the painting has to be done. When I learn how to paint better, I will paint less thickly." When Riopelle started painting, he would attempt to finish the work in one session, preparing all the color he needed before hand: "I would even go as far to say—obviously I don't use a palette, but the idea of a palette or a selection of colors that is not mine makes me uncomfortable, because when I work, I can't waste my time searching for them. It has to work right away." A third element, range of gloss, in addition to color and volume, plays a crucial role in Riopelle's oil paintings. Paints are juxtaposed so that light is reflected off the surface not just in different directions but with varying intensity, depending on the naturally occurring gloss finish (he did not varnish his paintings). These three elements; color, volume, and range of gloss, would form the basis of his oil painting technique throughout his long and prolific career. Riopelle received an Honorable Mention at the 1952 São Paulo Art Biennial. In 1953 he showed at the Younger European Painters exhibition at the Solomon R. Guggenheim Museum in New York City. The following year Riopelle began exhibiting at the Pierre Matisse Gallery in New York. In 1954, works by Riopelle, along with those of B. C. Binning and Paul-Émile Borduas represented Canada at the Venice Biennale. He was the sole artist representing Canada at the 1962 Venice Biennale in an exhibit curated by Charles Comfort...

Bridget Riley Flashback (Hand Signed), 2009 Offset Lithograph (hand signed by Bridget Riley) 27 × 27 inches Boldly signed in black marker on the front by Bridget Riley Unframed Signe...

Roman Cieślewicz (born 1930 13 January in Lwów Poland now Lviv Ukraine - died 1996 21 January in Paris, France) was a Polish (naturalized French) graphic artist and photographer. From 1943 to 1946 he attended the School of Artistic Industry in Lvov and from 1947 to 1949 attended the Krakow's Fine Arts Lycee. He studied at Kraków Academy of Fine Arts from 1949 to 1955. He was artistic editor of "Ty i Ja" monthly (Warsaw) 1959-1962. In 1963 he moved to France and naturalized in 1971. He worked as art director of Vogue, Elle (1965-1969) and Mafia - advertising agency (1969-1972) and was artistic creator of Opus International (1967-1969), Kitsch (1970-1971) and Cnac-archives (1971-1974). Taught at the Ecole Supérieure d'Arts Graphiques (ESAG) in Paris. In 1976 he produced his "review of panic information" - "Kamikaze"/No. 1/ published by Christian Bourgois. Folon. In 1991 he produced "Kamikaze 2" with Agnes B. He took part in numerous group exhibitions of graphic, poster and photographic art and was a member of AGI (Alliance Graphique Internationale). He designed a famous 1960s Polish Cyrk Circus Dog Poster as well as a Pop art superman cover for Opus magazine and a Charlie Chaplin poster...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find th...

To see our other original vintage World War Two public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want. 'Zero' Hans Schleger (1898-1976) Grow Your Own Food Lithographic poster c. 1940 Printed by Fosh & Kosh Limited for HMSO 76x51cm A copy of this poster is in the collection of the Imperial War Museum. Provenance: the estate of the artist. In this poster the public are encouraged to Dig For Victory...

Anonymous Tours and Excursions Original Coach Poster 75x50cm Cool and crazy mid-century lettering. Poster with area for completion with details ...

Flamingo! 2 is a limited edition giclée print hand finished with screen printed layers of diamond dust and varnish by printmaker Benjamin Thomas Taylor. ...

"LAST ONE IN MINT CONDITION" Evolution of the Cowboy, 1933 Original Lithograph Excellent condition, came directly from Jo Mora Jr. Unframed!! SHIPPING CHARGES INCLUDE SHIPPING, PACKAGING & INSURANCE Original version was called Evolution of the Cowboy, 1933 or referred today as "Sweetheart of the Rodeo", Images from the poster were used for "Sweetheart of the Rodeo", the sixth album by American rock band the Byrds and was released on August 30, 1968. It was hated when released, today it is considered one of the great classics. This is an original lithograph from the Jo Mora Estate from Jo Mora Jr. Joseph Jacinto Mora (October 22, 1876 – October 10, 1947) was a Uruguayan-born American cowboy, photographer, artist, cartoonist, illustrator, painter, muralist, sculptor, and historian who wrote about his experiences in California. He has been called the "Renaissance Man of the West". Early life Mora was born on October 22, 1876, in Montevideo, Uruguay. His father was the Catalan sculptor, Domingo Mora, and his mother was Laura Gaillard Mora, an intellectual born in the Bordeaux region of France. His elder brother was F. Luis Mora, who would become an artist and the first Hispanic member of the National Academy of Design. The family entered the United States in 1880 and first settled in New York City, and then Perth Amboy, New Jersey. Jo Mora 1931 Yosemite map Jo Mora studied art at the Art Students League of New York and the Cowles Art School in Boston. He also studied with William Merritt Chase. He worked as a cartoonist for the Boston Evening Traveller, and later, the Boston Herald. In the spring of 1903, Mora arrived in Solvang, California. He stayed at the Donohue Ranch. He made plans to travel to the Southwest to paint and photograph the Hopi. He spent time at the Mission Santa Inés; those photographs are now maintained by the Smithsonian Institution. Mora visited many Spanish missions in California that summer by horseback. He followed the "Mission Trail", also called the "Kings Highway". In 1904, Mora visited Yosemite. Later, in 1904, to 1906, visited Arizona where he took photographs, painted and otherwise recorded the daily life of these Native Americans. Because the Hopi and other tribes have voiced their concerns more recently about photographs depicting religious ceremonies, the tribal nation should be contacted before they are used. He learned the Native languages and made detailed drawings of what he observed. Career In 1907, Mora wrote and illustrated the comic strip Animaldom. In 1907, Mora returned to California and married Grace Needham. Their son, Joseph Needham Mora, was born on March 8, 1908. The Moras moved to San Jose, California, where Mora continued his work. On 22 February 1911, the Native Sons of the Golden West Building, in San Francisco, with six terra cotta panels, by Domingo Mora and his son, Jo Mora, was dedicated. In 1915, he served on the International Jury of Awards at the Panama–Pacific International Exposition and displayed six sculptures.[9] In 1915-16 two of his sculptural commissions were revealed: the bronze memorial tablet with the profile of the late Archbishop Patrick W. Riordan for the Knights of Columbus and the Cervantes Monument in San Francisco's Golden Gate Park.[10][11] By 1919, he was sculpting for the Bohemian Club, including the Bret Harte Memorial plaque, completed in August 1919 and mounted on the outside of the private men's club building in San Francisco. Carmel-by-the-Sea In 1921, the Mora family relocated to Carmel-by-the-Sea, California, the largest art colony on the West Coast, making it their primary residence. He constructed a Craftsman-style home, which is located on the west side of San Carlos Street, the third house south of 1st Avenue. Mora received a commission for the bronze and travertine Cenotaph, for Father Junípero Serra in the Memorial Chapel at the west end of Mission Carmel. Mora was a director of the Carmel Art Association as early as 1934. His sculptures were exhibited between 1927 and 1934 in various galleries in Carmel. Jo Mora is a serious sculptor, a responsible amateur actor; when mixed up with pen and ink, a humorist! Comic strips was once his trade. He was famous at it. That was years ago but his art of cartooning bloomed again when in recent years he produced the well known Mora Map of the Monterey Peninsula. Most successful with bronze statue creations which decorate many gardens in East and West. If he has a specialty in figures it is cowboys. He knows his West. Jo Mora will ever be famed for his portrayal of Pancho Lopez, The Bad Man, at Carmel Playhouse. He does everything well and is handsome while doing it. He is happily married-alas! — Carmel Pine Cone During the Great Depression, Mora created the "Carmel Dollar" as part of Carmel's program, offering unemployed residents scrip for public service, exchangeable for groceries and essentials; a three-cent stamp on the certificate's back acknowledged their efforts. When full, merchants accepted the certified scrip for goods or a dollar. Architect Robert Stanton...

Artist: Salvador Dali Title: Santiago of Compostela Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 102/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20"...

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

Original Vintage Poster depicting Eero Saarinen's TWA Terminal, published 1962 by the magazine Architectural Forum to promote Modern Architecture – one of...

Guy Allen Horse Study Blue Limited Edition Etching with Screen Print Overlay Edition of 45 Image Size: H 53.5cm x W 56.5cm Sheet Size: H 80cm x W 77cm x D 0.1cm Sold Unframed Please ...

This hand printed wild patchwork meadow unfolds in red, orange, and metallic silver ink. The disappearing endless, bloom will look brilliant on a living room wall. Limited edition of...

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

Selection from Living 1980 -1982, 1999 Jenny Holzer Heliogravure, on Zerkall rag paper Signed and numbered from the edition of 99 Plate: 37 × 55.5 cm (14.6 × 21.9 in) Sheet: 44.5 ×...

To see our other original vintage propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot fin...

RENÉ CARCAN (Belgian, 1925-1993) “Gravures”, 18 Mai-14 Juillet 1982, Galerie Pierre Hautot, Paris Poster 29.5 x 19.5 in. Unframed Publishing Information: E...

Gavin Dobson Burlesque – Dirty Gold 70cm x 50cm Print on Fabriano paper 310 gsm with a deckled edge. Edition of 50 Signed and numbered. (Please note that in situ images are purely ...

Jayson Lilley Empire State Limited Edition Architecture Print Screen Print on Archival museum Board Edition of 12 Size: H 80cm x W 60cm Sold Framed (Please note that in situ images a...

Street Pop Art limited edition silkscreen print ‘Virtual Insanity’ by prodigy contemporary street-artist Hijack, was created in 2020 as a part of his environmentally conscious series...

A very good impression of this color lithograph on Arches. Edition of 300. Signed in pencil, lower right by Poliakoff. Printed by Ponds, Paris. Published by Kunstverein du Hambourg.

Artist/Designer; Manufacturer: Mr. Brainwash aka Thierry Guetta (French, b. 1966) Marking(s); notes: signed, thumb print; 2018 Materials: screenprint on paper Dimensions (H, W, D): 2...

I've Left My Love Far Behind. Their Smell, Every Memento…, 2010 by Takashi Murakami Offset print, signed and numbered by the artist 26 ³/₁₆ × 18 ³/₄ in 66.5 x 47.5 cm Edition 105/30...

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

A very good impression of this scarce color lithograph on Rives BFK. Signed and numbered 13/50 in pencil by Francis. Published by Editions Daniel Papierski, Paris. From "Papierski Po...

Artist: Moshe Castel Title: Prophesy Medium: Lithograph Signed: Hand Signed Edition: Edition of 150 Measurements: 21 1/4" x 29 1/4" Frame: This piece is sold UNFRAMED Condition...

To see our other original vintage travel posters, many of which are from Austria, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Anton Tusch (photographer) Eglise des Freres...

A very good impression of this color lithograph on cream wove paper. Signed, dated and numbered 45/300 in pencil by Scott. Published by Galerie Wolfgang Ketterer, Munich. Catalogue ...

Marc Chagall (1887-1985) - La Thora Rouge Etching and aquatint from 1981. An unnumbered and unsigned copy outside from signed edition of 60. Dimensions of sheet: 49.5 x 32.5 cm D...

This print is currently featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has ...

Pink Flowers - Limited Edition Naive Serigraph Colorful serigraph by Croatian naive artist Ivan Rabuzin (b. 27 March 1921, d. 18 December 2008.) Three giant pink flowers stand in a ...

Salvador Dali (1904-1989) - Holed Fruit from Flordali suite Lithograph with drypoint etching from 1969. The E.A. on Rives paper. Dimensions of work: 74.5 x 54.5 cm. Hand signed. ...

Color lithograph with plastic eyes, Edition 30. Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultu...