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Color etching with carborundum by Antoni Clavé "No Title", 1975 75,5 x 55,5 cm Copy 32/60 Edition of 60 (approx.). Antoni Clavé (Barcelona 1913 - 2005 ...

The color lithograph "Metamorphosis" by Paul Jenkins (1979) is an abstract artwork that embodies Jenkins’ signature style of fluid, vibrant color and expressionist movement. In excel...

A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...

'Brutalist Symphony', photographed on London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of the famous Brutalist l...

Color lithograph, Edition 30. Jacquette creates compelling images of the landscape and the sea from the air or atop hills or mountains.

KIMBER SMITH Untitled Abstract Expressionist Geometric Abstraction, 1967 Lithograph on Rives paper 25 × 19 3/5 inches Signed in silver...

Prairie Winter, Cerrillos Flats by John Hogan serigraph New Mexico Landscape brown, white, blue, pink limited edition framed serigraph 2/20 © 1979 John Hogan A graduate of Northeast...

The Liberty Bond You Buy The Liberty Bond You Buy. Archival linen backed in very good condition; ready to frame. Printer: Liberty Loan Committee Second Federal Reserve District. O...

Color woodcut, Edition 30 The left panel of High Tide captures the reflections of the edge of a pond and surrounding trees and hills. The right panel depi...

Celebrating the one and only Marilyn Monroe in this unique series by Mauro Oliveira. Limited edition of 30 museum quality Giclee prints on CANVAS, signed and numbered by the artist...

Swim-in-Pool Supply Co. This fun original artwork really shows Richard's unique eye as a photographer. Captured in Las Vegas in 2003 it is part of a series he took over a few years. ...

'Dot's Diner' part of Richard Heeps 'Dream in Colour' Series, featuring a classic American Diner has gorgeous colours of the glowing neon lights in the twilight and a cool vibe remin...

'Beach Ball', part of Richard Heeps 'Dream in Colour' Series, it captures Palm Springs mid-century modern architecture. The stillness and the c...

HK$1, from the Heidler & Heeps Stamp Collection Hong Kong Series. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking...

Jean-Antoine Watteau Winter – Spring 1841 Hand colored lithograph 14 x 19.5 inches Framed: 25 x 31 inches

Limited edition print titled "At your Service" by artist Scott Jacobs. This print was 10 out of 20 created in a limited production, there is a COA (certif...

Artist: Salvador Dali Title: The sun Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 102/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20" Image Size: 15...

Salvador Dali (1904-1989) - Le chavelier Moyenâgeux Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 7...

Cyclops, Natasha Heidler brings childhood favorite toys to life in her conceptual photography. This artwork is a limited edition of 25, gloss photogra...

Original vintage poster: The Three Musketeers. A British theater antique original poster. Museum linen backed. Grade A Condition: fine. ...

Marc Chagall (1887-1985) - De Mauvais Sujets - Planche V Etching and aquatint from 1958. An unnumbered and unsigned copy from a limited edition of 153. Dimensions of sheet: 43.5 x 32.5 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Les Bibliophiles de l’Union Française, Paris. Printer: Atelier Lacourière et Frélaut, Paris. Reference: Cramer 35 -- This original color etching comes from De Mauvais Sujets ("The Bad Subjects"), a 1958 illustrated portfolio that paired Marc Chagall’s artwork...

Woman is a wonderful colored lithograph on paper, realized in 1971 by the Italian artist Marcello Ercole. Hand-signed and numbered in pencil on the lower margin. Edition of 100 prin...

Anonymous, UK 1939 Keep Calm and Carry On Ministry of Information Lithographic poster 75 x 50 cm Very rare - we have traced copies in the Imperial War Museum collection but no other...

Touched by the influence of Andy Warhol, champion of a young Jean-Michel Basquiat, Rene Ricard served as enfant terrible of the 1980s New York art scene. Here, Ricard traverses visual art, text, and the pleasure of sculptural trompe-l’œil with this printed drawing of melancholy hand-written and typed love poetry, composed with natural earthen shades of antique white and brown. Monet Portrait of Jeanne Duval...

Titled and numbered from the edition of 200 on the front in pencil, additionally dated and numbered on the reverse and signed by Julia Gruen, the executor of the Keith Haring Foundation and Anthony Shriver Best Buddies...

Rare Limited Edition Lithograph hand signed by John Lennon's in 1970, this is from the Bag One Portfolio first shown in 1970. The Bag One lithographs were ha...

Anne Storno Everybody Wants to be a Cat Limited Edition Print Edition of 15 Image Size: H 30 cm x W 40cm Paper Size: H 50cm x W 70cm x D 0.1cm Sold Unframed Please note that in situ ...

Original: "Save waste fats for explosives. Take them to your meat dealer" vintage poster—original World War II Acid-free, archival linen-backed, ready-to-frame. The Original "Save...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 365 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...

Original Las Vegas, Always Elvis 1978 vintage poster. Linen backed in very good condition, ready to frame. Photography: R. McGregor. This poster was created to promote Elvis ba...

R7, a blue artwork in the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmeri...

Exhibition Poster Galerie Gerald Cramer is a contemporary artwork realized by Joan Mirò. Mixed colored lithograph. The poster was realized in occasion of the exhibition of the arti...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Melting Space Time MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Merrill Chase, Chicago/Alan Rich, New York E...

Deadpan Pink - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Heavily textured in hues...

TABACCHI Sign, from Richard Heeps series, 'A Short History of Milan'. A Short History of Milan began in November 2018 for a special project featuring at the Affordable Art Fair Mila...

Linen backed original post-World War II military poster "First Class Soldier and Citizen, U.S.A." Original fold marks have been restored during linen backing. The poster features a smiling Army soldier in his khaki uniform. A rare original military poster to find today. (The poster was documented as being printed in a larger size.). R-224-RPB-2-1-47 A military recruitment poster for young men to join the military post World War 2. The poster features a clean-cut, handsome man in his military uniform with crossed arms smiling at you. Artist: Glass. No known biography of this artist. This is an original 1947 vintage American poster...

Henri Matisse (1869-1954) - La Perruche et la Sirène Lithograph from 1958. Dimensions of work: 78 x 35.5 cm. Publisher: Tériade, Paris. Each copy of this...

North Shore Motel, photography by Richard Heeps captured in the Salton Sea, California. A classic American faded roadside Motel, the mid-century architecture stands against with blue...

Two independently successful fine art photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl r...

'Brutalist Symphony', photographed on London's Barbican Estate. There is a subtle beauty in the light and colour of this conceptual architectural photograph of the famous Brutalist l...

Artist: Salvador Dali Title: Santiago of Compostela Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 102/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20"...

Peter Halley Peter Halley, Imago Galleries, Palm Desert, CA (Hand Signed), 2006 Offset lithograph poster (hand signed by Peter Halley) 25 1/2 × 18 1/4 inches Provenance; Acquired directly from the artist Unframed Alpha 137 Gallery is honored to offer this offset lithograph, published on the occasion of legendary American artist Peter Halley's 2006 one-man exhibition at Imago Galleries, Palm Desert, California which the artist hand signed in black marker. Scroll images for a photograph of our director Nadine Witkin with the artist. Below is Peter Halley's official biography. What it doesn't mention is that Andy Warhol famously painted his portrait in 1986! Peter Halley is that legendary. According to Halley, he didn't realize until after Warhol's death that the polaroids Warhol took of him with his famous "big shot" camera were made into an original painting. Warhol's painting of Peter Halley was included in the recent Andy Warhol retrospective "Andy Warhol - from A to B and Back Again" at the Whitney. PETER HALLEY BIOGRAPHY Peter Halley, born 1953, New York City, is an American artist who came to prominence as a central figure of the Neo-Conceptualist movement of the 1980s. His paintings redeploy the language of geometric abstraction to explore the organization of social space in the digital era. Since the 1980s, Halley’s lexicon has included three elements: “prisons” and “cells,” connected by “conduits,” which are used in his paintings to explore the technologically determined space and pathways that regulate daily life. Using fluorescent color and Roll-a-Tex, a commercial paint additive that provides readymade texture, Halley embraces materials that are anti-naturalistic and commercially manufactured. In the mid 1990s Halley pioneered the use of wall-sized digital prints in his site-specific installations. He has executed installations at Museo Nivola, Orani, Sardinia (2021); Greene Naftali, New York (2019); Venice Biennale (2019); Lever House, New York (2018); Schirn Kunsthalle, Frankfurt (2016); Disjecta, Portland (2012); the Gallatin School, New York University, (2008, 2017); the Museum of Modern Art, New York (1997); and the Dallas Museum of Art (1995). In 2005, Halley was also commissioned to create a monumental painting for Terminal D at the Dallas/Fort Worth International Airport, Texas. Halley served as professor and director of the MFA painting program at the Yale School of Art from 2002 to 2011. From 1996 to 2005, Halley published INDEX Magazine, which featured interviews with figures working in a variety of creative fields. Halley is also known for his essays on art and culture, written in the 1980s and 1990s, in which he explores themes from French critical theory and the impact of burgeoning digital technology. His Selected Essays, 1981 – 2001, was published by Edgewise Press, New York, in 2013.Halley’s writings have been translated into Spanish, French, and Italian. A catalogue raisonné, PETER HALLEY: Paintings of the 1980s, was published in 2018 by JRP Ringier. Halley’s work can be found in the collections of the Museum of Modern Art, New York; Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; Broad Art Foundation, Los Angeles; Museum of Contemporary Art, Los Angeles; San Francisco Museum of Modern Art; Boston Museum of Fine Arts; Dallas Museum of Art; Albright-Knox Art Gallery, Buffalo; Tate Modern, London; Stedelijk Museum, Amsterdam; Sammlung Marx, Berlin; Museo Nacional Centro de Arte Reina Sofia, Madrid; Museum of Contemporary Art, Tokyo; Seoul Museum of Art, among others. More about Peter Halley Peter Halley was born in 1953 in New York. He began his formal training at Phillips Academy in Andover, Massachusetts, from which he graduated in 1971. During that time, Halley read Josef Albers’s Interaction of Color (1981), which would influence him throughout his career. From 1973 to 1974 Halley lived in New Orleans, where he absorbed the vibrant cultural influences of the city, began using commercial materials in his art, and first became acquainted with the writings of earthwork artist Robert Smithson. In 1975 the artist graduated from Yale University, New Haven, with a degree in art history. After Yale, Halley returned to New Orleans, where he received an MFA in painting from the University of New Orleans in 1978. He had his first solo exhibition at the Contemporary Art Center, New Orleans, that same year. In 1978 Halley spent a semester teaching art at the University of Louisiana, Lafayette. He has continued to teach throughout his career. In 1980, Halley moved back to New York and had his first solo exhibition in the city at PS122 Gallery. At this time, Halley was drawn to the pop themes and social issues addressed in New Wave music. Inspired by New York’s intense urban environment, Halley set out to use the language of geometric abstraction to describe the actual geometricized space around him. He also began his iconic use of fluorescent Day-Glo paint. In 1984, Halley started to exhibit with the International With Monument gallery, becoming closely associated with the organization and its artists, who exhibited conceptually rigorous work in a market-savvy, coolly presented space that stood in stark contrast to the bohemian, Neo-Expressionist flair of the East Village art scene at the time. In 1986, an exhibition of four artists from International With Monument at the Sonnabend Gallery in New York heralded the group’s growing success. By the late 1980s, Halley was exhibiting with prominent galleries in the United States and Europe. In 1989, an exhibition of his paintings traveled to the Museum Haus Esters, Krefeld, Germany; Maison de la culture et de la communication de Saint-Étienne, France; and Institute of Contemporary Arts, London. From 1991 to 1992, a retrospective toured Europe, with presentations at the CAPC Musée d’art contemporain de Bordeaux, France; Musée d’art contemporain, Lausanne, Switzerland; Museo nacional centro de arte Reina Sofía, Madrid; and Stedelijk Museum, Amsterdam. In 1992, the Des Moines Art Center hosted his first solo exhibition at a U.S. museum. While developing his visual language, Halley became interested in French post-structuralist writers, including Jean Baudrillard, Guy Debord, Michel Foucault, and Paul Virillio, all of whom shared his concern with the character of social spaces in a post-industrial society. In 1981, he published his first essay “Beat, Minimalism, New Wave, and Robert Smithson” in Arts, a New York–based magazine that would publish eight of his essays before the decade’s end. Halley’s writings became the basis for Neo-Geometric Conceptualism (also known as Neo-Geo), the offshoot of Neo-Conceptualism associated with the work of Ashley Bickerton, Halley, and Jeff Koons. In 1988, the artist’s writings were anthologized in Collected Essays, 1981–1987, and again in 1997 in a second anthology, Recent Essays, 1990–1996. In the mid-1990s, Halley began to produce site-specific installations for museums, galleries, and public spaces. These characteristically brought together a range of imagery and mediums, including paintings, wall-size flowcharts, and digitally generated wallpaper prints. Halley has executed permanent installations at the Dallas/Fort Worth International Airport, Texas, and the Gallatin School of Individualized Study at New York University. In 2011, his installation of digital prints Judgment Day...

Pablo Picasso (1881-1973) - Dans L'Atelier de Picasso Lithograph from 1957. The edition 211/275. With Arches watermark. Dimensions of work: 65 x 44 cm Publisher: Fernand Mourlot...

Alfa Romeo Phyllis Krim, American (1930–2014) Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 200, AP 30 Image Size: 22 x 22 inches Size: 26 in. x 26 in. (66.0...

Secret Writing / Poe Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, signed and numbered in pencil Edition of 99 Image Size: 1...

This photo-lithographic poster was printed at the Atelier Mourlot in Paris in 1982 with the permission of the Matisse estate to promote the works by Henri Matisse at the Galerie Dina...

On the Road, reimagines classic Richard Heeps artworks presented with full film rebate almost like a blown up contact sheet. 'Dot's Diner', photograph from Richard Heeps' 'Dream in ...

Bitchin', part of Richard Heeps 'Man's Ruin' Series. This cool 'Bitchin' decal was shot at 4am at the Hemsby Rock 'n' Roll Weekender. This artwork is a limited edition of 25, gloss ...

Artist: Christo Title: Allied Chemical Tower, Packed, Project for Number 1, Times Square, New York Portfolio: 1971 (Some) Not Realized Projects Medium: Offset lithograph on Rives BFK...

Theo Tobiasse Suite: Shavuot Festival Year: 1984 Medium: Original carborundum embossed etching lithograph in colors on Arches paper (deckle edged paper) Signature: Hand signed by the artist Publisher Nahan Gallery, New Orleans Theo Tobiasse, born Tobias Eidesas, 1927 in Jaffa then in British Mandate Palestine, died 2012 in Cagnes-sur-Mer in France. Well known painter, engraver, draftsman and sculptor. French Jewish artist. The youngest son of Chaim (Charles) Eidesas and Brocha (Berthe) Slonimsky from Kaunas, Lithuania, Théo Tobiasse was born in Mandatory Palestine in 1927, where his Jewish parents lived since 1925, far from the threat of pogroms and upheavals of East European policies. The family encountered material difficulties and decided to return to Lithuania, ultimately leaving for Paris in 1931 where his father typographer finds work in a Russian printing press. Theodore Tobiasse...

Banging the Drum DETAILS 27 x 17 inches (unframed), 2020 Offset lithograph 80# Classic Linen Solar White Cover

The first of a new collection of simple animals. Fresh and fun. A perfect piece of pop art A naive simple screen print, created using an initial hand painted ink on true grain layer ...

Part of Richard Heeps 'Dream in Colour' Series, with some seriously cool colours and pool vibes. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a ...

Colette (aka Colette Justine), Tunisian/American (1952 - ) - In Memory of Ophelia, Year: 1976, Medium: Lithograph, signed and numbered in pencil, Edi...

Colour-printed lithograph by Ernst Wasmuth. Published in Berlin in 1883. From "Griechische Keramik", Genick's superb work on Greek ceramics.

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Luigi Ghirri is an original Poster of 1976. The artwork is the poster for the artist's exhibition in Galleria Rondanini, Roma.

To see our other original vintage World War Two public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the poster you want. 'Zero' Hans Schleger (1898-1976) Grow Your Own Food Lithographic poster c. 1940 Printed by Fosh & Kosh Limited for HMSO 76x51cm A copy of this poster is in the collection of the Imperial War Museum. Provenance: the estate of the artist. In this poster the public are encouraged to Dig For Victory...