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ICES Blue, Pink and Yellow A set of three pop art prints by Richard Heeps from his Great British Staycation series 'On-Sea'. Taken between lockdowns in September 2020, it has proved ...

This lithographic poster was designed after Henri de Toulouse-Lautrec for an exhibition at the Galerie R.G Michel, Paris in 1954. This poster, which is based on the original lithogra...

This colorful lithographic was printed at the Atelier Mourlot in 1984 after Miro's 'Personnage et Oiseua', 1969, depicting the abstract form of a head with birds. This print has been blind embossed with the Galerie Mourlot...

Darth Bot, Natasha Heidler brings childhood favourite toys to life in her conceptual photography. This artwork is a limited edition of 25, gloss photo...

Rare Limited Edition Lithograph hand signed by John Lennon's in 1970, this is from the Bag One Portfolio first shown in 1970. The Bag One lithographs were ha...

Pencil signed and numbered 32/200 in pencil on lower edge. Published by Original Editions, New York. From 11 Pop Artists, Volume II. A spectacular, colorful image, and a Pop Art ma...

A superb impression of this color screenprint on white wove paper. Signed and numbered XC/CCC in pencil by Soulages. Published by the Olympic Games Committee, Lausanne. From the "Off...

FEATHER DANCER is a limited edition color lithograph by the American painter Lamar Briggs printed using traditional lithography techniques on archival Arches paper. Lamar Briggs (193...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you ca...

Offset Lithograph 50 × 50 cm - paper size 66 x 66 cm - framed size Frame included Edition of 300 Hand-signed and numbered

I am very happy to reveal my poster to raise awareness for the Equal Rights Amendment. This issue means so much to me. Equality is the central issue of our day. “Equality is the flower of democracy. Passing the Equal Rights Amendment — at long last — will be the path to gender equality for our American democracy. I am grateful to be called upon to include my voice in the collective call to bring about gender equality by amending the Constitution with passage of the ERA, and I was quick to reach out to fellow artists to join the call to action.” — Chuck Sperry, artist statement for Artists 4 ERA VoteEqualityUS is a nonpartisan grassroots effort promoting equal rights for all Americans, working to ensure the addition of the fully-ratified 28th Amendment (Equal Rights) to the United States Constitution...

This is a framed hand-colored woodcut engraving entitled "Sicilian and Italian Fisherman's Dock - San Francisco", created by Henry François Farny ...

ARTIST: Salvador Dali TITLE:Hommage aux Petites Lits Blancs MEDIUM: Lithograph done for Wally Findlay Gallery SIGNED: Hand Signed PRINTER: Mourlot Printers EDITION NUMBER: 87/2...

This abstract black and white Roth print is full of movement, wildly diverse mark making, visceral, three-dimensional shapes and dynamic sketched lines. It is a single print from the...

Cleve Gray Untitled, 1970 Silkscreen Boldly signed and numbered 32/100 in graphite pencil by Cleve Gray on the front 30 × 22 1/2 inches Signed and numbered 32/100 by artist on the fr...

Prizma VI Color silkscreen Signed and titled by hand Size: 20.3 × 20.3 on 28.9 × 25.0 inches COA provided Marko Spalatin was born in Zagreb, Croatia. He immigrated to the US in his ...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analo...

Artist: Donald Sultan Title: Wallflower 26 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 29 3/8" x 26 3/4" Sheet Size: 24 1/4" x 21 1/2"...

Colour screenprint on white wove paper Edition of 150 61 x 46 cm (24 x 18.1 in) Signed, numbered and dated on the front. Ink stamped initial “K” on the verso Condition upon request ...

Color lithograph. Printed by Ancourt, Paris. The Divan Japonais was a small café-concert at 75 rue des Martyrs, Paris, where Yvette Guilbert began her career. This is Toulouse-Lautr...

Pink Panther [2022] limited_edition Cymk screen print Edition number 100 Image size: H:70 cm x W:50 cm Complete Size of Unframed Work: H:70 cm x W:50 ...

Frank Stella at Leo Castelli (Hand Signed and Dated), 1969 Offset Lithograph Invitation Boldly signed and dated 2014 in black marker; Stella signed this f...

This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border. This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition. There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...

Set of 6 drawings 2022 From the series Terms and conditions Gliceé printed on Hahnemule Fiber Matt paper, intervened by the artist. Overall size: F...

Ed Ruscha Actual Size (Spam), 2024 UV pigment print with yellow silkscreen details and a matte varnish seal, printed on 410gsm Somerset Tub Sized Radiant White paper. Individually nu...

Prairie Winter, Cerrillos Flats by John Hogan serigraph New Mexico Landscape brown, white, blue, pink limited edition framed serigraph 2/20 © 1979 John Hogan A graduate of Northeast...

Signed by Picasso in pencil lower left. Numbered 32/50 in pencil lower right. Catalogue raisonne references: Bloch 739; Mourlot 239; Reuße 625. Framed print. Framed dimensions ...

Evolution of the Cowboy, 1933 Original Lithograph Excellent condition, came directly from Jo Mora Jr. Unframed!! Original version was called Evolution of the Cowboy, 1933 or referred today as "Sweetheart of the Rodeo", Images from the poster were used for "Sweetheart of the Rodeo", the sixth album by American rock band the Byrds and was released on August 30, 1968. It was hated when released, today it is considered one of the great classics. This is an original lithograph from the Jo Mora Estate from Jo Mora Jr. Joseph Jacinto Mora (October 22, 1876 – October 10, 1947) was a Uruguayan-born American cowboy, photographer, artist, cartoonist, illustrator, painter, muralist, sculptor, and historian who wrote about his experiences in California. He has been called the "Renaissance Man of the West". Early life Mora was born on October 22, 1876, in Montevideo, Uruguay. His father was the Catalan sculptor, Domingo Mora, and his mother was Laura Gaillard Mora, an intellectual born in the Bordeaux region of France. His elder brother was F. Luis Mora, who would become an artist and the first Hispanic member of the National Academy of Design. The family entered the United States in 1880 and first settled in New York City, and then Perth Amboy, New Jersey. Jo Mora 1931 Yosemite map Jo Mora studied art at the Art Students League of New York and the Cowles Art School in Boston. He also studied with William Merritt Chase. He worked as a cartoonist for the Boston Evening Traveller, and later, the Boston Herald. In the spring of 1903, Mora arrived in Solvang, California. He stayed at the Donohue Ranch. He made plans to travel to the Southwest to paint and photograph the Hopi. He spent time at the Mission Santa Inés; those photographs are now maintained by the Smithsonian Institution. Mora visited many Spanish missions in California that summer by horseback. He followed the "Mission Trail", also called the "Kings Highway". In 1904, Mora visited Yosemite. Later, in 1904, to 1906, visited Arizona where he took photographs, painted and otherwise recorded the daily life of these Native Americans. Because the Hopi and other tribes have voiced their concerns more recently about photographs depicting religious ceremonies, the tribal nation should be contacted before they are used. He learned the Native languages and made detailed drawings of what he observed. Career In 1907, Mora wrote and illustrated the comic strip Animaldom. In 1907, Mora returned to California and married Grace Needham. Their son, Joseph Needham Mora, was born on March 8, 1908. The Moras moved to San Jose, California, where Mora continued his work. On 22 February 1911, the Native Sons of the Golden West Building, in San Francisco, with six terra cotta panels, by Domingo Mora and his son, Jo Mora, was dedicated. In 1915, he served on the International Jury of Awards at the Panama–Pacific International Exposition and displayed six sculptures.[9] In 1915-16 two of his sculptural commissions were revealed: the bronze memorial tablet with the profile of the late Archbishop Patrick W. Riordan for the Knights of Columbus and the Cervantes Monument in San Francisco's Golden Gate Park.[10][11] By 1919, he was sculpting for the Bohemian Club, including the Bret Harte Memorial plaque, completed in August 1919 and mounted on the outside of the private men's club building in San Francisco. Carmel-by-the-Sea In 1921, the Mora family relocated to Carmel-by-the-Sea, California, the largest art colony on the West Coast, making it their primary residence. He constructed a Craftsman-style home, which is located on the west side of San Carlos Street, the third house south of 1st Avenue. Mora received a commission for the bronze and travertine Cenotaph, for Father Junípero Serra in the Memorial Chapel at the west end of Mission Carmel. Mora was a director of the Carmel Art Association as early as 1934. His sculptures were exhibited between 1927 and 1934 in various galleries in Carmel. Jo Mora is a serious sculptor, a responsible amateur actor; when mixed up with pen and ink, a humorist! Comic strips was once his trade. He was famous at it. That was years ago but his art of cartooning bloomed again when in recent years he produced the well known Mora Map of the Monterey Peninsula. Most successful with bronze statue creations which decorate many gardens in East and West. If he has a specialty in figures it is cowboys. He knows his West. Jo Mora will ever be famed for his portrayal of Pancho Lopez, The Bad Man, at Carmel Playhouse. He does everything well and is handsome while doing it. He is happily married-alas! — Carmel Pine Cone During the Great Depression, Mora created the "Carmel Dollar" as part of Carmel's program, offering unemployed residents scrip for public service, exchangeable for groceries and essentials; a three-cent stamp on the certificate's back acknowledged their efforts. When full, merchants accepted the certified scrip for goods or a dollar. Architect Robert Stanton...

Artist: Ralph Steadman Title: City of Refuge Medium: One color silkscreen on White Rising Stonehenge Deckle Edge Paper Size: 22 x 30 Inches Edition: of 250 Year: 2006 Notes: Custom ...

Copper-plate engraving, hand-colored, 1608 - c.1630 and published by Joannes Jansonius, Amsterdam. Image size 15.75 x 21.19 inches (40 x 53.9 cm). A classic example of a world ma...

Untitled (New York City Landmarks) Lithograph, Published by Marmont Hill Sight: 20 1/2 x 13 in. Framed: 24 3/4 x 16 x 1 3/8 in. Initialed lower right: MH Marmont Hill is a collectiv...

David Shrigley Untitled (Cat), 2019 Screenprint on 300gsm BFK Rives paper 76 x 56 cm Edition 30 of 125 Hand-signed and numbered by the artist David Shrigley is a British artist know...

Artist: Salvador Dali Title: The sun Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 102/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20" Image Size: 15...

Artist: Keith Haring Title: Double Man Size: 22 x 30 in. (55.9 x 76.2 cm) Medium: Lithograph in colors on wove paper Edition: 34 of 85 Year: 1986 Notes: S...

Feria del Libro (Book Fair), 1966 Rafael Tufino Silkscreen on paper, measuring 20 x 29 1/2 inches ~ (50 x 73 cm) Some creasing and wear around edges. Ships rolled in tube with...

SHARE Paco Pomet (b. 1970, Granada, Spain) lives and works in Granada, Spain. He uses his precise observation to reflect the humour and realism, emphasizing the aggressiveness, assa...

Abstract yellow and black Rene Ricard print with hand painted poetry on handmade paper. Printed in black ink at the top of the sheet and framed with a thin line, the artist's loose h...

Deadpan Pink - Monoprint EV on Paper Original transfer monotype painting by California artist Heather Speck (American, 20th C). Heavily textured in hues...

Heidler & Heeps Vinyl Collection 'Twist and Shout'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising co...

TAPESTRY OF SPRING by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 1...

Salvador Dali (1904-1989) - Bucéphale Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G The work...

ARTIST: Salvador Dali TITLE: Moses & Monotheism Moses & Akhenaton MEDIUM: Etching on soft glove sheepskin SIGNED: Hand Signed PUBLISHER: Art et Valeur, Paris EDITION NUMBER: 2...

"Bord de Fleuve" Impressionist Landscape of Riverside Paris, Lithograph on Paper (#86/90) A stone arch bridge spans the Seine in this Paris landscape by French artist, Jacques Voyet...

Color lithograph with metallic leaf, Edition 30 Kushner's use of rich color harmonies and bold, fluid drawing, mark his belief in the importance of beauty in our lives. Kushner ha...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The future Cybernetic Lobster Telephone MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Merrill Chase, Chicago/Alan Rich, ...

Salvador Dali (1904-1989) - Le cheval de course Lithograph from 1970. Dimensions of work: 68 x 50 cm On B.F.K Rives paper as stated in the Field catalogue. Reference: Field 72-6G...

Artist: Salvador Dali Title: The old hippie Portfolio: The Hippies Medium: Color etching on Arches wove paper Date: 1969 Edition: 67/145 Frame Size: 31"...

This colorful abstract original lithograph was printed in 1967 at the Atelier Mourlot in NYC. When The Mourlot Studio decided to open a branch in New York City, after a successful ex...

Interchangeable Names is an Original Screen Print realized in 1976 by Paolo Pasotto. Good conditions. Hand-signed. Numbered. Edition, 93/100 The artw...

Original vintage poster: The Three Musketeers. A British theater antique original poster. Museum linen backed. Grade A Condition: fine. ...

Color lithograph, Ed. 30 Hardy states: “A follow-up to a painting done in 1992 after the L.A. riots which was titled “Bad News (Tweeter is Sick)”. The tattoo bird skirts over the wa...

Artist: Russell Young Title: Marilyn Portrait (Red) Portfolio: Marilyn Portrait Medium: Hand-pulled acrylic and enamel silkscreen on paper Date: 2014 Edition: 25/25 Sheet Size: 27" x...

A 17th century engraving entitled "The Card Game" by old master artist Alexander de Voet after a painting by Cornelis de Vos, created in 1632. The pain...

James Rosenquist was commissioned by the Paris Review to create this playful and colorful print. It is signed, dated and numbered from the edition of 150. Paris Review James Rosenq...

This colorful and detailed 17th century copperplate map by Frederick De Wit was published in Amsterdam between 1666 and 1690. It depicts the Caspian Se...

Pierre Soulages Lithographie sur papier Papier: 12.25 x 9.5in Cat Bnf n° 76 Signée au dos a droite, datée 70. Provenance : Collection privée Épreuve parue dans le n. 34 de la rev...

'Ile de Philae : Vue de l'edifice de l'est et de plusieurs monuments' (Island of Philae : View of the east building and other monuments) Elephant folio engraving, by Baltard after...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edi...