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74.6 x 43.2 cms (29 3/8 x 17 ins) Edition of 30 Plate: 60.3 x 25.1 cm (23 3/4 x 9 7/8 ins), Sheet: 74.6 x 43.2 cm (29 3/8 x 17 ins) Paper: Somerset Textured Edition of 30 Proofs: I BAT, 3 AP, 3 CTP Signed right, under image, numbered left, under image; publisher's chop lower right. Publisher: The Litho Shop, Inc., Santa Monica, California Printed by Jacob Samuel...

Color lithograph with cut outs, Ed. 25 “My work has often been described as belonging to a category of ‘reductive, geometric abstraction’. In the last decade however, I have been intentionally, slowly reshaping what constitutes my working model to incorporate more surprise and imaginative play. While my work remains what some would call ‘abstract’, image and representation have become more apparent. The two lithographs produced with Shark’s Ink...

Edition of 100 46.4 x 67.3 cms (18 1/4 x 26 1/2 ins)

Edition of 40 76 x 75 cms (30 x 29.5 ins)

51 x 64.5 cms (20 1/8 x 25 3/8 ins) Edition of 75 Signed and dated '67 in pencil, lower right Edition of 75, with 14 artist's proofs, 1 trial proof, 1 printer's proof, 1 B.A.T...

46 x 74 cms (18.11 x 29.13 ins) Edition of 50

70.5 x 70 cms (27 3/4 x 27 1/2 ins) Edition of 80

Aquatint and drypoint 75.9 x 60.6 cms (29 7/8 x 23 7/8 ins) paper size 60.3 x 45.4 cms (23 3/4 x 17 7/8 ins) plate size Edition of 5

Edition of 30, Set of 5 74.9 x 59.1 cms (29 1/2 x 23 1/4 ins)

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

55.9 x 76.2 cms (22 x 30 ins) Edition of 20 Signed lower left verso, numbered lower left verso, publisher's chop lower left verso. Publisher: Tamarind Lithography Workshop, Los ...

MARCEL GROMAIRE 1892-1971 Noyelles-sur-Sambre 1892-1971 Paris (French) Title: The Painter / Le Peintre, 1943 Technique: Original Hand Signed and Numbere...

Signed by artist, Artist's Proof Lithograph print and pencil on paper Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depiction...

Signed by artist, Artist's Proof Silkscreen print on paper Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas,...

Signed by artist Photo print on cardboard Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniousl...

Edition 15/80 Signed by artist Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorpor...

Edition 1/20 Signed by artist, Artist's Proof, stamped Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, whi...

Signed and editioned on reverse. This print is a surreal depiction of an aerial view of a planned building development or subdivision. Developed in the imagination of the artist, th...

70 x 76.2 cms (27 1/2 x 30 ins) Edition of 80

Edition of 40 77.5 x 58.5 cms (30 1/2 x 23 ins)

Edition of 30, Set of 5 74.9 x 59.1 cms (29 1/2 x 23 1/4 ins)

Edition of 30, Set of 5 74.9 x 59.1 cms (29 1/2 x 23 1/4 ins)

Edition of 75, Set of 6 33 x 71 cms (13 x 28 ins)

70.5 x 70 cms (27 3/4 x 27 1/2 ins) Edition of 80

70 x 76.2 cms (27 1/2 x 30 ins) Edition of 50

Etching with aquatint on watercolour wash on paper 53 x 71 cms (21 x 28 ins) Edition of 35, Set of 24 Signed, dated, and numbered 3/35 Published by Bernard Jacobson Ltd., London Prin...

Complete Portfolio "Embossed linear constructions (ELC)" of eight embossings by Josef Albers from 1969 on 300g Arches paper. The total edition comprises 116 copies. Sheet size eac...

Screenprint by Josef Albers from 1967 from the Portfolio "SP": portfolio with 12 colour screenprints on Schöllers Hammer Board. The edition comprises a total of 137 copies. Sheet s...

This screenprint from 1967 is taken from the portfolio "SP": portfolio with 12 colour screenprints on Schöllers Hammer Board. The edition comprises a total of 139 copies. Sheet siz...

Natural Order, by Ross Bleckner, was created in 2024 as an archival pigment print with acrylic on fine art paper measuring 30 x 30 in. (76 x 76 cm), unframed. The artwork is hand-sig...

Sandringham by HRH Prince Charles, The Prince of Wales - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with the artworks of HRH The P...

Created by Jim Dine in 1986 as an original color lithograph, Carnegie Hall Heart is iconic, stunningly beautiful and enormously collectible. Hand-...

This work of art is a lithograph on paper featuring abstract geometric shapes in primary colors.

"Ada" from 2011 is a Japanese woodblock in thirty-one colors on New Hosho paper. We are offering the number 18/70. 3 Artist's proofs. Ada is Alex Katz' wife and his most important mu...

Emerging, 1985 By. Yaacov Agam ( Israeli, b. 1928) Color Serigraph Signed Lower Right Edition 1/12 Lower Left Unframed: 25" x 31" Framed: 34" x 43" Yaacov Agam is one of the pioneer creators of the kinetic movement in art as well as its most outstanding contemporary representative. Agam was born in 1928 a son of a Rabbi of Rishon LeZion (Israel), who devoted his life to the study of Jewish religious matters and wrote books. Agam considers himself somehow as a visual continuation of his father's quest for spirituality. He studied at the Bezalel Academy of Art in Jerusalem, and in Switzerland at the Eidgenossische Technische Hochschule and the Zurich University. After arriving to Paris in 1951, Agam held his first one man exhibition with a great success in 1953 This exhibition consisted totally of kinetic, movable and transformable paintings, which actually was the first one-man show in art history exclusively devoted to kinetic art. A passionate experimenter, Agam deals with such problems as the 4th dimension, simultaneity and time in the visual, plastic arts, and has extended his experiments to application in the fields of literature, music and art theory. His works express a concept that breaks away with the established way of expressing reality in limited, static way. In his works, he strives to demonstrate the principle of reality as a continuous "becoming" rather than static "graven image." His paintings Double Metamorphosis 11 in the Museum of Modern Art in New York and Transparent Rhythms 11 in the Hirshhorn Museum and Sculpture Garden of the Smithsonian Institution in Washington, D.C. give the best example of his polymorphic painting. His works are placed in many public places including Communication x 9 on the Michigan Avenue in Chicago (1983), Communication: Night and Day at the AT&T building in New York (1974), Super Lines Volumes at the Pare Floral in Paris (1971), and his murals Peace and Life arc installed at the Parliament of Europe in Strasbourg (1977). Agam has expressed the new concepts in monumental works as in his Jacob's Ladder, which forms the ceiling of the National Convention House in Jerusalem. He created a "floating museum", including all the artworks for public areas and cabins, for the Carnival Cruise Line's luxury cruise ship "Celebration" (1987). His fire-water fountain in Dizengoff Square in Tel Aviv (1986) streams water, fire, and music -elements of flux and life which cannot be static - as its colored elements rotate in this multidimensional monumental work. For the Elysee Palace in Paris, with the request of President Georges Pompidou Agam created in 1972 a whole environmental of the Salon with the walls covered with polymorphic murals of changing images a kinetic ceiling, moving transparent colored doors and a kinetic carpet on which he placed a sculpture. It embraces viewers: they are no longer looking at a framed, fixed scene, but rather arc moving within an artistic space which changes constantly according to their shifting position and point of view. Similar attempt was made for the concert hall, Forum Leverkusen in Germany in 1970. Agam created many environmental sculptures, including Hundred Gates in the garden of the residence of the President of Israel in Jerusalem, 3 x 3 Interplay installed at the Julliard School of Music at the Lincoln Center and Wings of the Heart at J. F. Kennedy airport in New York. In 1984, he made a sculpture Beating Heart for the Hadassah Hospital in Jerusalem. In 1988, he created a transparent torah ark...

TECHNICAL INFORMATION: John Baldessari Hero 2017 Screenprint in colors on archival pigment print 30 x 22 in. Edition of 56/65 Pencil signed and numbered Condition: This work is in ...

TECHNICAL INFORMATION: Robert Indiana American Dream #2 1982 Screenprint on 4 separate sheets 26 3/4 x 26 3/4 in. each sheet (77 1//2 x 77 1/2 in. overall) A.P. of 9/15 (Artist's Pr...

Screenprint by Max Bill. From the portfolio "Kinderstern". No Title, 1989 76 x 58 cm Copy 61/100 Edition of 100 (approx.)

Color etching with carborundum by Antoni Clavé "Ciel", 1971 76,4 x 57,2 cm Copy Artist's Proof Edition 95 copies Antoni Clavé (Barcelona 1913 - 2005 Sai...

Color lithgraph by Antonio Saura "El patito feo", 1997 65 x 50 cm Copy 186/250 Edition of 285 Antonio Saura (Huesca, Spain 1930–1998 Cuenca) found his...

This artwork is made and signed by the artist in a strictly limited edition. High-end framed with black hardwood box and 99% UV-resistant acrylic glass. Smaller size on request. Othe...

Created as a textured color screenprint, Yellow Lanterns is hand-signed, titled, dated and numbered, the artwork measuring 32 x 32 in. (81 x 81 cm.), un...

Created as a textured color screenprint, Red Lanterns is hand-signed, titled, dated and numbered, the artwork measuring 32 x 32 in. (81 x 81 cm.), unframed...

Created as a textured color screenprint by Donald Sultan in 2017, Blue Lanterns is hand-signed, titled, dated and numbered, the artwork measuring 32 x 32 ...

Hand-Signed by the Artist Lower Right Titled Lower Center Inscribed "Epreuve d'Artist" (Artist's Proof) Lower Left Framed: 25.5 x 32.75 inches Site Size: 19 x 26.5 inches Marcel Mou...

"Cali" is a typical motif by Maurice Estève. The lithograph in colours was published in an edition of 100. 49,6 x 65 cm. Signed and numbered.

An aquatint etching out of 1988 in a very good condition and bright colours. 57 x 66 cm. Edition of 90, signed and numbered.

Commissioned in 1989 by The Paris Review, Keith Haring created this original hand-signed, dated and numbered screenprint in an edition of 200, measuring 24 x 32 in. (61 x 81.3 cm), u...

Included in America: The Third Century portfolio, Roy Lichtenstein created Bicentennial as an original color lithograph with screenprint in 1975, conceived to celebrate the 200th ann...

Balmoral by His Majesty King Charles III (formerly known as HRH Prince Charles, The Prince of Wales) - Hand Signed Limited Edition Lithograph. Belgravia Gallery has been honoured to be associated with the artworks of HRH The Prince of Wales for over 25 years. Anna Hunter, gallery owner, wrote a handwritten letter to the Prince asking him if he would consider making signed lithographs from his beautiful watercolours which could be sold in aid of his charities. The gallery subsequently worked with the Prince for over 10 years publishing some 18 different editions and raising over £4million for the Prince’s Charitable Foundation. Lithographs were made from the Prince’s original watercolours under the guidance of Stanley Jones – a celebrated printmaker who had previously worked with Henry Moore for 30 years, and with Elizabeth Frink, David Hockney and others. Each one is hand-signed. “…One thing I have discovered in the course of my painting efforts is that Balmoral Castle...

OY Year: 2020 Medium: Color silkscreen and flocking on Rising 2-ply Museum Board Size: 32 x 30 inches (81 x 76 cm) Edition: 40 Deborah Kass employs the visual motifs of post-war pai...

Exhibition poster for "Andy Warhol: Pasadena Art Museum," edition size unknown, unsigned as issued. The name of American artist Andy Warhol is all but sy...

Split toned and hand-tinted gelatin silver print, printed by artist, with 8-ply over-mat and mounted to archival, 8-ply museum board Signed and numbered, recto 26 x 32 inches, overall mat size 22 x 28 inches, paper size (Edition of 20) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. In 2008, Michael Massaia started to document the amusement piers that skirt the New Jersey coastline during their most vacant moments (usually between the hours of 4:00 and 6:00 a.m.). These images were predominantly shot on the Funtown and Casino Piers in Seaside Park and Seaside Heights...

Split toned and hand-tinted gelatin silver print, printed by artist, with 8-ply over-mat and mounted to archival, 8-ply museum board Signed and numbered, recto 32 x 26 inches, over...

Split toned and hand-tinted gelatin silver print, printed by artist, with 8-ply over-mat and mounted to archival, 8-ply museum board Signed and numbered, recto 26 x 32 inches, over...

Split toned and hand-tinted gelatin silver print, printed by artist, with 8-ply over-mat and mounted to archival, 8-ply museum board Signed and numbered, recto 26 x 32 inches, over...

Split toned and hand-tinted gelatin silver print, printed by artist, with 8-ply over-mat and mounted to archival, 8-ply museum board Signed and numbered, recto 26 x 32 inches, over...

Split toned and hand-tinted gelatin silver print, printed by artist, with 8-ply over-mat and mounted to archival, 8-ply museum board Signed and numbered, recto 26 x 32 inches, overall mat size 22 x 28 inches, paper size (Edition of 20) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. In 2008, Michael Massaia started to document the amusement piers that skirt the New Jersey coastline during their most vacant moments (usually between the hours of 4:00 and 6:00 a.m.). These images were predominantly shot on the Funtown and Casino Piers in Seaside Park and Seaside Heights...

Offset lithograph in four colors on BFK paper (Edition of 300) Signed, titled, dated, and numbered in pencil, recto This artwork is offered by ClampArt, located in New York City.