Framed Nude Prints

Henri Matisse's Planche 51 from the 1920 portfolio Cinquante Dessins features a tender scene of two female figures: an older woman standing to the left and a young girl with long hai...

Mury (Mury Rabin) Man Receiving Himself, c. 1960s Softground monoprint Sight: 16 1/2 x 18 1/4 in. Framed: 23 1/8 x 25 1/8 x 7/8 in. Titled lower right, signed lower left Graphic ar...

Artist: Renoir, Auguste Title: Femme Nue Couchee Date: 1906 Medium: Softground Etching Unframed Dimensions: 5.5" x 7.8" Framed Dimensions: 18.25" x 20.75" Signature: Unsigned ...

Andre Lambert (French. 1884-1967), Two Prints from "Les Septs Peches Captitaux", Colored Etchings and Aquatints, one "La Paresse" [Sloth], signed in pencil lower right and numbered e...

Standing Female Nude Drypoint, c. 1910 Unsigned Estate authentication on verso (see photo) Estate authentication verso by Frances Frieseke Kilmer (Mrs. Kenton Kilmer, 1914-1998) (see photo) Probably depicts the artist's wife, the artist's favorite model Extremely rare original drypoint by Frieseke Printed with selective inking to highlight the figure Condition: excellent Image/Plate size: 10 x 6 5/8 inches Frame size: 19 1/4 x 15 3/4 inches Provenance: Estate of the Artist By descent to his daughter Frances Hirschl & Adler Gallery, Stock No. APG 1106.3D-B (see photo) Biography Frederick Carl Frieseke was born on April 7, 1874, in Owosso, Michigan. After studying for a short while at the Art Institute of Chicago and the Art Students League in New York, Frieseke left for France in 1898, and almost all of his career was spent as an expatriate, with ties to the United States maintained through his New York dealer, William MacBeth, and by occasional visits to America. Following the pattern of innumerable young Americans, he enrolled at the Academie Julian where he studied with Benjamin Constant (1845-1902) and Jean-Paul Laurens (1838-1921). He appears to have had at least brief contact with and to have been influenced by James McNeill Whistler, who had recently opened his Academie Carmen in Paris. By 1900 Frieseke was spending summers in the town of Giverny, made famous by the residence of Monet and subsequently by other artists, among them many Americans. In 1906, the year after his marriage to Sarah O'Bryan, he leased a house once occupied by the American Impressionist Theodore Robinson. Although the property was adjacent to Monet's, Frieseke had only limited contact with the French master. Instead he apparently found Pierre Auguste Renoir the most influential of all the Impressionists. Frieseke's Giverny house and garden, as settings for a series of female models, provided nearly all of his subject matter for the next thirty years, although in 1930 he made a series of watercolors of Florida scenes remembered from his childhood and painted some Swiss landscapes. After World War I, the artist and his family settled in Normandy. Frieseke's career falls roughly into three stages. In the first, figures most clearly show his academic training and draughtsmanship. Gradually these evolve into the most common images of the next decade, comprised of loosely-applied blotches of bright color. The vast majority of these show their subjects in the garden, standing among the flowers, taking tea, or just basking in the sun. Others include models in colorful, light-filled interiors. In Frieseke's latest paintings, the figures very often appear indoors, their forms are given greater solidity, and the brushwork is less broken. At the height of his career, in the 1910s and early 1920s, Frieseke was perhaps the most popular of all living American artists. He received numerous awards and medals and saw his work purchased by private collectors and major museums. Decades after the initial introduction of Impressionism by Monet and his contemporaries, Frieseke assumed this style for his work, choosing to ignore the newer artistic movements of the early twentieth century. Nevertheless, his paintings were acclaimed in both the United States and in Europe. In 1904 he won a silver medal at the St. Louis Universal Exposition and a gold medal at Munich. He was elected a member of the Société National des Beaux Arts in 1908 and the National Academy of Design in 1912. Seventeen of his canvases were featured at the Venice Biennale in 1909 and he won the Grand Prize at the Panama-Pacific International Exposition in 1915. He was commissioned to execute several murals, including one for the New York store of John Wanamaker, one of his most loyal patrons. He died on August 28, 1939, at his home in Normandy, in the town of Le Mesnil sur Blangy. In the decades following his death, however, after artistic tastes had changed considerably, his work was nearly forgotten until it received renewed attention as interest in American Impressionism grew in the 1960s Courtesy National Gallery of Art, Washington Etchings by Frederick Carl Frieseke include The Balcony and Standing Female Nude. Frieseke was an American Impressionist painter who was popular in the 1910s and 1920s. Etchings by Frederick Carl Frieseke: The Balcony: An etching by Frieseke from 1904 Standing Female Nude Other paintings by Frederick Carl Frieseke: The Garden Parasol...

Artist: Louis Icart, French (1888 - 1950) Title: Conchita Year: 1929 Medium: Etching, signed in pencil Image Size: 20 x 13 inches Frame Size: 32.5 x 25 inches Reference: Figure 361 ...

Wilhem van Gloeden ( 1856-1931 ) " la beauté de l'innocence " Le célèbre Baron Wilhem van Gloeden nous a laissé des beautés intemporelles sur ces papiers à l'albumine , sépia du XI...

Larry Rivers Republique De Guinee, for Andy Warhol, Inscribed in ink to Andy Warhol, 1977 Color Pochoir, Acrylic Airbrush and Pencil on paper with deckled edges Hand signed and inscr...

Fine art gicle print on canvas of a painting by Marcello Cassinari Vettor, framed measuring 46x36 cm

Etude Du Corps Humain D'après Ingres is a precious colored lithograph realized by Francis Bacon in 1984. Colored lithograph on Arches paper. Hand-signed by the artist on the lower r...

Artist: Salvador Dali (Spanish, 1904-1989) Title: "Le Nu à la Guitarre (The Nude on the Guitar) (Serenade)" Portfolio: Nudes *Signed by Dali in pencil lower right Year: 1970 Medium: Original Lithograph on white Rives paper Limited edition: 104/120 Printer: Desjobert, Paris, France Publisher: E.G.I., Beverly Hills, CA Reference: "The Official Catalog of the Graphic Works of Salvador Dali" - Field No. 70-8-D, page 158 Beautifully framed in handmade real gold-leaf moulding with raw silk matting and gold filet Framed size: 30.25" x 38.25" Image size: 20" x 28.25" Condition: Light toning to sheet in margins and some minor handling creases. Some minor cosmetic wear to framing. It is otherwise a strong impression in very good condition Rare Notes: Provenance: private collection - Philadelphia, PA. Numbered by Dali in pencil lower left. Comes from Dali's 1970 "Nudes" portfolio of 8 lithographs from original drawings. Printed in light yellow-brown on pale green panel. Note: We are specialists in Salvador Dali's printmaking oeuvre, having personally worked with his cataloger Albert Field in the 1980's, we unconditionally guarantee all of our examples to be authentic. Biography: Salvador Dalí (May 11, 1904 – January 23, 1989), was a prominent Spanish Catalan surrealist painter born in Figueres, Spain. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes...

Pablo Picasso may be best known for pioneering Cubism and fracturing the two-dimensional picture plane in order to convey three-dimensional space. Inspired by African and Iberian art...

Archival digital print on 200g Munken Lynx paper 70 x 50 cm (paper size) 89.6 x 69.5 cm (Framed) Unsigned Edition of 250 Published by Shrig Shop. David Shrigley is an artist known...

Grosse Prostituée, Sorcière à la Chouette et Voyageur en Sabots ( Ref: Bloch 1760) etching on wove paper, Edited in 1968 Limited edition of 50 copies Current copy numbered: 37/50 on...

This portrait depicts Rivera's second wife, the artist Frida Kahlo (1907-54), sitting on a bed wearing stockings and shoes and fastening rows of beads around her neck. An accident wh...

Groupe avec vieillard à la torche sur un âne amoureux, femme et arlequin (Ref: Bloch 1484 ) etching on Rives wove paper, Edited in 1968 Limited edition of 50 copies Current copy num...

Pablo Picasso, Spanish (1881 -1973) - Amours de Jupiter et de Semele, Year: 1930, Medium: Etching, dated in the plate, Image Size: 9 x 6.75 inches, Frame Size: 17.75 x 13.75 inch...

Charles Bragg, American (1931 - 2017) - Artist and Model, Medium: Lithograph on Japon paper, signed and numbered in pencil, Edition: AP XXV, Image Size: 8 x 13.75 inches, Frame Siz...

Susan Kiefer Rex Woodcut on paper Year: 2000 Size: 27x22in COA provided Ref.: 924802-1663 Framed woodcut print. A nude male figure in an armchair with striped and patterned backgrou...

Large, attractive color linocut by Pablo Picasso from a limited edition of 50. Signed by Picasso and numbered in pencil. Printed by Arnéra, Vallaur...

Artist: Mel Ramos Title: Velazquez Vision Year: 1974 Medium: Lithograph, signed and numbered in pencil Edition: 245/250 Image Size: 16 x 23 inches Paper Size: 19.25 x 27 inches Fr...

Marc Chagall "Le Nu" Lithograph in colors on Arches paper 21.25 x 14 in. (image size) 25.5 x 18.38 in (sheet size) ​​​​​​​Edition of 50 + Épreuve d'artiste Signed in pencil lower rig...

Color lithograph with photolithography. Hand signed lower right by Rafael Canogar. Hand numbered 62/75 lower left corner. Artwork size 22 x 29 inches. Frame size 30 x 37 inches. ...

Original lithograph on paper Bears the AWAAB and Estate of Andy Warhol stamps, on verso Annotated with initials 'LC' and a unique authenticity number in pencil, on verso Accompanied ...

Artist: Pablo Picasso (Spanish, 1881-1973) Title: "Modèle Contemplant un Groupe Sculpté (Model Contemplating a Sculpted Group)" (Plate 66) Portfolio: La Suite Vollard *Signed by Pica...

Artist: Robert Indiana, American (1928 - ) Title: Marilyn from the American Dream Portfolio Year: 1997 Medium: Serigraph, signed and numbered in pencil Edition: 395 Image Size: 14 x ...

Artist: Tom Wesselmann (American, 1931-2004) Title: "Helen Nude" *Signed, dated, and numbered by Wesselmann in pencil lower right Year: 1981 Medium: Original Screenprint on heavy unb...

Wonderful figurative lithograph of a group of four nude figures in sable brown and gray palette by Hans Erni (Swiss, 1909-2015) circa 1970s. Signed in pencil by artist lower right corner. #22/150 on lower left. Presented in platinum toned wood frame under glass. Image size: 31"H x 22.25"W. Framed size: 32"H x 23W x 1"D Hans Erni was born in 1909. Erni attended the Kunstgewerbeschule in Lucerne in 1927-28, which was followed by further stays in Paris and Berlin. In 1933-34 he joined the artist's group Abstraction-Création in Paris, where he also met artists like Hans Arp, Alexander Calder and Wassily Kandinsky. In the 1930-40s, he was very successful with fresco painting, a medium the artist deeply preferred because of its impact on society. In 1950 Erni created his first ceramic works and discovered lithography as another central technique of his future artistic output. In 1972 he set up his studio in Saint-Paul-de-Vence, but he continued to be active in Lucerne, where he was born and obtained personal museum spaces. Erni was awarded with numerous prizes, including the UN Peace Medal...

Artist: Mel Ramos, American (1935 - ) Title: Tea at 5pm (Mondrian and Wesselmann) Year: 2008 Medium: Enamel on Steel, signed and numbered in marker Edition: 125, 25 AP Size: 23.5 x...

Lithograph numbered and signed by hand 19/60 edition From Israel collection

Artist: Marc Chagall Medium: Lithograph Title: Mother and Child before Notre Dame Portfolio: Verve Vol VII No. 27-28 Year: 1952 Edition: 6000 Signed: Unsigned Framed Size: 22" x 18 1...

Signed Limited Edition Etching 32 of 75 the artist more known for his Gouache and Oil paintings has here put his hand to an etching. Image 16" x 11"

Pablo Picasso's "Trois Femmes nues et une Coupe d'Anémones" (1933) is a powerful and evocative work that captures the artist's fascination with the female form and his ongoing explor...

Etude pour une baigneuse (Study for a Bather) Drypoint, 1901-1911 Signed with the signature stamp, Lugt 2137a Printed: Louis Fort, Paris Publisher: Ambrose Vollard, Paris "The fame o...

Reclining Nude Holding a Necklace Lithograph, c. 1908 Signed in pencil lower right (see photo) Edition: c. 15 Reference: Belleroche No. 525 Condition: Excellent Image: 16 3/4 x 20" ...

A unique, unpublished print by Claes Oldenburg. This playful, erotic print is printed in shimmering gold. A nude woman in outsized cowboy boots stands with hands on hips, an X scribb...

Etching on paper. Hand signed and numbered by Peter Max. From the edition of 99. Frame size approx 27 x 24 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: Peter Max (American, born 1937) is known for his unique brand of rainbow-hued prints and paintings, which he has created since the early 1960s. Employing painterly strokes, his illustrations incorporate a wide spectrum of colors and patterns as seen in his Umbrella Man series. “I'm just wowed by the universe. I'm just glad to do something I love to do. I love color, I love painting, I love shapes...

PABLO PICASSO Le Viol Etching on Montval laid paper, 1939 From Suite Vollard Image size: 8 3/4 x 12 1/4 inches, full margins. Edition of 260. Signed in pencil, lower right. Picas...

Andy Warhol Studies for a Boy Book 1956: A rare sought-after, 1950s Andy Warhol designed poster invitation published on the occasion of: Warhol's 'Studies for a Boy Book', held at the Bodley Gallery and Bookshop Feb. 14 - March 3, 1956. A rare early Warhol collectible that seldom comes to market. Not to be passed upon. Medium: Offset lithograph on wove paper. Framed in glass. Dimensions: 15.75 x 13.5 inches (40 x 34.3 cm). Framed dimensions: 24h x 26w inches. Good overall vintage condition; fold-lines as originally issued; Unsigned from an edition of unknown. Rare. With the Estate of Andy Warhol and the Andy Warhol Foundation for the Visual Arts Authorization ink-stamps on the reverse; initialed 'T.J.H.' by Timothy J. Hunt of the Andy Warhol Foundation and annotated 'XX-07.16' and 'PM19.0242' in pencil on the reverse. Provenance: The Andy Warhol Foundation for the Visual Arts, New York Susan Sheehan Gallery, New York Private Collection, New York Further Background: "In the 1950's Warhol self-published a large series of artist’s books & hold parties at Serendipity 3, a restaurant and ice cream parlor on Manhattan’s Upper East Side, where his friends would help him hand color his books. In 1956, he presented a solo exhibition at the Bodley Gallery called Studies for a Boy Book. These sketchbook drawings of portraits of young men and erotic portrayals of male nudes contrasted with the work of other contemporary gay artists, such as Robert Rauschenberg and Jasper Johns, who considered Warhol 'too swish.' (source: The Andy Warhol Museum) Collections: The Art Institute of Chicago Further background: Warhol’s career began as a commercial illustrator on New York’s Madison Avenue in 1949, during the massive post-war economic boom. His arrival additionally coincided with an extensive change in the motivations and strategies behind advertising, utilizing applied psychology to influence American consumers to purchase products. This stint as an ad man would further his Pop interest in cultural commercialization and start his artistic career; thus began the first chapter of Warhol’s oeuvre, dominated by charming and light-handed ink drawings. As a master of line and contour, Warhol’s consistent and unique drawings and designs piqued the interest of his clients, earning him commissions and collaborations with some of the biggest brands of the day: Tiffany & Co., Columbia Records, and Vogue, to name a few. Though stylistically different from the Pop, these early drawings offer a glimpse at an artist well on his way to establishing an art movement that would change the way the world conceived of contemporary art and its connection to pop culture, morphing from his early successes in the commercial art scene. The simple yet sophisticated line drawings contain... his favorite things: cherubs, shoes, cats, and often young men. Across these drawings and hand-colored prints, we see Warhol as a compulsive creator, documenting life and fantasy with the stark clarity of ink on paper." (source: Phillips) _ Obsessed with celebrity, consumer culture, and mechanical reproduction, Pop Art king, Andy Warhol created some of the 20th century’s most iconic images. Warhol was widely influenced by popular & consumer culture, with this being evident in some of his most famous works: 32 Campbell's soup cans, Brillo pad box sculptures, and portraits of Marilyn Monroe & Mick Jagger, for example. Rejecting the standard painting and sculpting modes of his era, Warhol embraced silk-screen printmaking to achieve his characteristic hard edges and flat areas of color. The artist mentored Keith Haring and Jean-Michel Basquiat and continues to influence contemporary art around the world: His most bold successors include Richard Prince, Takashi Murakami, and Jeff Koons. Warhol has been the subject of exhibitions at the Whitney Museum of American Art, Museum of Modern Art, Tate Modern, and Centre Pompidou, among other institutions. Related Categories 1950s Andy Warhol. Vintage Andy Warhol. Mid century modern. Pop Art. Andy Warhol advertising...

Artist: Tom Wesselmann Title: American Nude Portfolio: 1¢ Life Medium: Lithograph in colors Date: 1964 Edition: 2000 Frame Size: 20 3/4" x 28 1/2" Sheet Size: 16 1/4" x 22 3/4" Image...

This artwork titled "Vanity" 1980 is an original sepia etching by American artist Louis Russomanno, b.1946. It is hand signed, titled and numbered 113/185 in pencil by the artist. Th...

Avant-garde female nude lithograph on paper by Danish artist Wilhelm Freddie. Number 80 from an edition of 170. Signed, dated and titled in pencil bottom left, numbered in pencil bot...

Beautiful figurative giclée and watercolor limited edition print titled "The Aunties", a homage to the classical figurative sculpture The Three Graces, by Anne Ormsby, a Aptos, Calif...

Elegant nude by Suzanne Aubin Ledrew (American, b. 1942). The woman in this piece is seated, with her hand covering her face and head, turned partially away from the viewer. There is a lovely contract between the background and the figure, creating a negative shape out of the woman's body. Titled "WOMAN" in the lower center. Signed and dated "AUBIN LEDREW 74" in the lower right corner. Presented in a new grey mat with a wood frame. Image size: 12"H x 9"W Suzanne Addicott (nee Aubin Ledrew) (American, b. 1942) graduated from California College of the Arts with a BFA in Painting and Drawing. She is an artist and teacher at Studio9...

THis artwork "Pink Lady" 1989, is an acrylograph on hand made paper by noted Mexican artist Byron Galves, 1941-2009. It is hand signed, dated and numbered 64/150 in white pencil by the artist.The artwork size is 28.5 x 15.5 inches, paper sheet size is 32 x 23.85 inches, framed size is 44 x 36 inches. Beautifully custom framed in a wooden silver frame, with dark purple backing and bevel. It is in excellent condition, the frame have some small minor restorations, barely visible. About the artist: Byron Gálvez (October 28, 1941 – October 27, 2009) was a Mexican artist who was primarily known for his painting but also created sculpture, including monumental works. He was born in rural Hidalgo state, to a father who played jazz music and read literature, a rarity in 1930s rural Mexico. However, it exposed Gálvez to culture, even though this led to an interest in visual art rather than musing or writing. He went to Mexico City to study art at both the undergraduate and graduate level, but never completed his degrees, opting instead to begin career after his coursework. Before his first individual exhibition, his work was criticized by Justino Fernández, but all of the paintings were sold in advance to foreign buyers including American actor Vincent Price, who called Gálvez a “Mexican Picasso.” Gálvez then managed to replace the forty five paintings for the exhibition in a week. Since then he had individual and collective exhibitions in Mexico, the United States and other parts of the world. He concentrated on painting, which he is better known for, in the 1970s and 1980s, but moved on to sculpture, including monumental works later in his career. Recognitions for Gálvez's work include membership in the Salón de la Plástica Mexicana, a retrospective at the Palacio de Bellas Artes and two books published about his life. Gálvez was born in Mixquiahuala, Hidalgo and described his childhood as happy, and would not have changed it. His father, Roberto Gálvez, was a farmer and merchant, who was a music and literature enthusiast, a rarity is 1930s rural Mexico. His father played the violin in the town's jazz band, which had almost all classical instruments, making it similar to bands in New Orleans. They even composed new pieces. The artist was named after Lord Byron, and his brothers, Eliot, Aníbal and Dante, after his father's reading preferences This meant that Gálvez grew up in an environment that encouraged the enjoyment of the arts. However, instead of music or literature, Gálvez stated that his earliest memories related to his attraction to art and that he always wanted to be a painter. The difficulties of farm life convinced him that he needed an education and would have to move to Mexico City in order to go to school. At age sixteen he left home for the capital to study painting at the Escuela Nacional de Artes Plásticas, not knowing what the study would entail. It was far more rigorous than he expected, with thirteen-hour school days leaving only weekends to earn money to live on.[3] He did his undergraduate studies from 1958 to 1962, then continued with the graduate courses from 1962 to 1964, specializing in painting. He did much of his studies under teachers such as Luis Nishizawa, Fernando Castro Pacheco, Francisco Moreno Capdevila, Santos Balmori, Antonio Rodríguez Luna and Antonio Ramírez. The last teacher taught him to love his studies above all else and he submitted himself to the academic rigor. This led him to become attracted to the Cubism of Picasso, and felt that the artist has opened roads which could be taken and widened. Although he specialized in painting, his interest in sculpture was also evident at this time as he was a founding member of a metal sculpture workshop at the institution along with Armando Ortega and Baltazar Martinez.[2][5] Although he completed his coursework, he did not finish the other requirements needed for the degree, instead opting to start his career. Gálvez married once to art dealer Eva Beloglovsky.The couple first met in 1973, but did not meet again until two years later, when Beloglovsky bought one of his paintings and sold two more through her art gallery. At first it was a working relationship, and then evolved into a romantic one. During their marriage, they worked on a number of projects together such as multi-media presentations and charity benefits. The couple remained together until Galvez's death. Although he began and developed much of his career in Mexico City, in his later life, the artist moved back to his rural hometown. Gálvez constructed a house and studio on the edge of a ravine in which flows the Moctezuma River. The structure has glass walls positioned for maximum light and a privileged view of a local landmark, a hill called El Elefante. Gálvez's work included painting, sculpture, etching, lithography, and drawing.[4] For Galvez, art was spiritual and disconnected with physical logic, when only aesthetics mattered. Female figures are common, and often are sensual. He work has been influenced by the Cubism of Picasso and Georges Braque, by African and Oceanic folk art and by pre-Columbian sculpture. He preferred large scale works often bigger than seven by seven feet. He painted while listening to classical, jazz and occasionally, rock music. Galvez's work experienced periods in which different artistic currents dominated including expressionism, abstract art and mixtures of the two. In his work, he tried to achieve a balance between figurative and abstract expression. The first stage of his painting was figurative expressionism, then abstract expressionism, under strong influence of Carlos Mérida, Rufino Tamaho, Santos Balmori, Kandinsky, Wifredo Lam and Picasso, along with some from classical painters such as Rembrandt and Caravaggio. Then for some time, he practiced abstract art, but then felt the need to draw human bodies again, especially female ones because he felt it allowed him better expression. Around 1980, he moved on to geometric figurativism, marked by the “Woman” exhibit at the Museum of Modern Art. This has also been describes as “pure chromatic constructivism. He considered himself primarily a sculptor and painted in that fashion. The work of Byron Galves is held in numerous corporate and private collections Galvez died at age 67 at Inglés Observatorio Hospital from a heart attack. His ashes were deposited a year after his death to the side of one of the sculptures at his home in Mixquiahuala. During his career, he exhibited individually and collectively in over sixty venues in Mexico, various cities in the United States, Europe and Latin America. In 1964, he had his first individual exhibition at the ENAP Gallery, after showing in collective exhibitions at the Palacio de Bellas Artes and private galleries along with more prominent painters such as José Chávez Morado, Alfredo Zalce, José Clemente Orozco, Diego Rivera, Carlos Orozco Romero and David Alfaro Siqueiros. Before the opening of this exhibit, his work was severely criticized by art historian Justino Fernández. Despite this, the paintings for the exhibit were bought in advance, most by American actor Vincent Price, who called Gálvez a “Mexican Picasso.” The paintings were taken out of the country one week before the exhibit, but Gálvez was not concerned about not having paintings for the show, rather he was satisfied about his work being recognized and supported.He managed to create forty five more paintings in the remaining time in order to have the exhibit. After this individual exhibit, Gálvez had over 55 more over he career, along with participated in other 75 collective exhibits. Important exhibits include the Solar 68 collective exhibition at the Palacio de Bellas Artes (1968), the Sterenberg Galleries, Chicago (1972), Eye Corporation in various US cities (1973), Polyforum Cultural Siqueiros (1978), Museo de Arte Moderno in Mexico City (1982), Harcourts Contemporary Gallery in San Francisco (1983, 1990), Art-Forum Gallery in Mexico City (1984), Bishop Gallery in Phoenix (1989), Merryl Chase Gallery in Washington, DC (1991, 1992), Suhan Galleries in San Diego (1992), Misrachi Gallery (1994) and San Francisco Theater in Pachuca (1995) .[4][2] After his death, the Secretaría de Relaciones Exteriores sponsored an exhibition of his work in Tainan, Taiwan in 2011. His works can be found in major collections in both Mexico and the United States. The strongest demand has been for his figurative work especially that produced later in his life. Gálvez also created murals and sculptures, both small and monumental. His first mural was sculpted done in 1968 in Los Angeles. However, most of his monumental work was produced later in his career as he concentrated on painting in the 1970s and 1980s. These include a mural at the National Conservatory of Music in Mexico City (1970), a thirty-foot high sculpture in Unidad Morelos in Mexico City (1971), a hand hammered copper triptych for a private residence in Mexico City (1984), a sculpted door for a private residence (1985), a sculpture for a private home in New York (1986), Reclined Torso at the Hotel Nikko Mexico (1998), Torso I a five-foot high sculpture for the city of Pachuca (1999), Torso II a nineteen foot high sculpture at the Altiva Building, Mexico City (1999), Millenium, a bronze sculpture/fountain at the highway entrance to Pachuca (2000), a sculpture garden for Mixquiahuala, Hidalgo (2005) and the master plan and central mosaic for the David Ben Gurion Cultural Park in Pachuca (2007). The park project, the last before his death, included not only the creation of the central mosaic, the largest pedestrian mural in the world at 345,000f, but also the design of the 65-acre park itself. His other activities included the teaching of drawing at his alma mater, the creation of a program for the radio ministry of Mexico in 1973, participation in a documentary about lithography in Mexico in 1980 and the creation of several special programs for the office Radio...

Artist: Marco Dente da Ravenna (Italian, 1493-1527) Title: "Venere e Amore sui Delfini (Venus and Cupid on Dolphins)" *Monogram signed by Dente in the plate (printed signature) lower left Circa: 1515-1520 (second state of three) Medium: Original Engraving on laid paper Limited edition: Unknown Printer: Unknown Publisher: Antonio Salamanca, Rome, Italy Reference: Bartsch XIV, page 244, No. 324; Passavant VI, page 69, No. 32; Le Blanc, II, page 111, No. 16; Imolesi Pozzi pages 71-72, 113, No. 10 Framing: Recently beautifully framed, the sheet is museum mounted, floated over a 100% cotton rag mat in a modern gold moulding and Museum glass Framed size: 16.88" x 13.07" Sheet size: 10.63" x 6.94" Condition: Thread margins. A strong impression in excellent condition Very rare Notes: Provenance: private collection - Périgueux, France. This work is also sometimes referred to as "Venus and Cupid riding two sea monsters, Cupid raises an arrow in his right hand, two heads representing wind in the clouds above". The engraver's monogram "SR" lower left. Published by Antonio Salamanca (1478-1562) in Rome, Italy with his address printed lower right: "Ant. Sal. Exc.". No watermark found. This engraving is after a drawing by Italian artist Raphael aka Raffaello Sanzio da Urbino (1483-1520). "This engraving by Marco Dente is after a design by Raphael, now lost, used by Giulio Romano for his fresco on the south wall of the Stufetta of cardinal Bibbiena - a small room in the Apostolic Palace, at the Vatican, that originally served as a washroom for the cardinal. The engraving differs from the fresco in some details, such as the cityscape in the background and the two winds above, which may indicate that these elements were present in Raphael's drawing. " - Christie's, London Biography: Marco Dente da Ravenna (1493–1527), usually just called Marco Dente, was an Italian engraver born in Ravenna in the latter part of the 15th Century. He was a prominent figure within the circle of printmakers around Marcantonio Raimondi...

Plate 82 from La Suite Vollard. Bloch 219. Baer 424. Etching on Montval paper. Signed in pencil, from the edition of 260 (there was also an edition of 50 with larger margins). Number...

Artist: Henri Matisse (after) Title: Apollon Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Frame Size: 21 1/2" x 26" Sheet Size: 14" x 21" S...

Claes Oldenburg Parade of Women from the Deluxe hand signed edition of 1 Cent Life Portfolio (Acquired from the Estate of Robert Indiana), 1964 Color lithograph on wove paper Published by E.W. Kornfeld, Germany, Written by Walasse Ting, Edited by Sam Francis Hand-signed by Claes Oldenburg on the lower right front; numbered 85/100 on the colophon page a copy of which is affixed to the back of the frame -see photo Frame included: elegantly floated and framed in hand made museum frame with UV plexiglass, and colophon page with unique edition number affixed to the back. (see photos) This hand signed work is from the Deluxe hand signed edition of only 100 - not to be confused from the unsigned edition of 2000. (None of the works from the edition of 2000 were ever signed by Oldenburg.) Hand signed editions are rarely if ever seen on the marketplace. This original lithograph, splayed across two pages, is from the Deluxe edition of the legendary 1 Cent Life Portfolio, one of the most important and celebrated artistic collaborations of the 1960s. Chinese American artist and writer Walasse Ting, in collaboration with Sam Francis, assembled a group of the most significant Pop and Abstract Expressionist artists in America, including Pop Artist Claes Oldenburg, along with the European COBRA artists to create the definitive artistic portfolio, with text by Walasse Ting. The Deluxe edition, which features hand signed prints was published in a limited edition of only 100. This is one of them. Of the 100, editions numbered 60-100, or 40 portfolios, were reserved exclusively for Artists & Collaborators. This hand signed Claes Oldenburg lithograph...

Original lithograph poster for the Matisse exhibition at the Galerie Jacques Benador, Geneva 1980. The center of the composition features an image of a drawing by Henri Matisse of a ...

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