1930s Prints and Multiples

Boxing subject original stone lithograph by Robert Riggs (1896-1970) Pencil titled lower left “Trial Horse” Pencil signed lower right “Robert Riggs” Image measures 13 1/2" H x 17 1/2...

Montparnasse Street– 1931, Etching Duffy 128. Edition 50, only 25 printed. Signed, dated, and annotated imp and 50 in pencil. Image size 4 7/8 x 9 7/8 inches (124 x 251 mm); sh...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Graham Sutherland (1903 - 1980) Away by Green Line Original vintage poster 103 x 63 cm A copy of this poster is held by the London Transport Museum (1983/4/4500). A poster produced for London Transport illustrating the pleasurable destinations to be reached via Green Line Coaches. Sutherland's design depicts a pitchfork and a corn dolly - two promises of country life which the city-dweller might now easily access, thanks to the advent of British coach...

Gerald Leslie Brockhurst (1890-1978), James McBey, etching, 1931, signed in pencil lower right [also signed in the plate, in reverse, lower right just under the borderline, and title...

Hand signed, dated and titled. Edition of 100 prints.

John Tandy, painter and stage designer, studied at the Architectural Association before becoming a student at Leon Underwood's Brook Green school and later studying at the Grosvenor ...

Colourful chinoiserie portrait Fig. No. 122. entitled, Chang Fei from the folio Le Theatre Chinois published 1935 in Peking by Henri Vetch editeur Art Sz: 9"H x 7"W Frame Sz: 13 7/...

This very striking poster evokes the spirit of the 1930’s as open road driving in Europe was growing in popularity and women were encouraged to drive. The attractive and stylish woma...

Cincinnati Union Terminal, Perspective From East Drypoint, 1930-1931 Signed in pencil lower right (see photo) Initialed and dated the the plate above the pencil signature From: Cincinnati Series (8 Plates), this No. 2 Edition: 155, completed May 4, 1931 Delivered to Fellheimer & Wagner, 1931 Louis Conrad Rosenberg 1890-1983 An American architectural etcher and engraver of the 1920's and 1930's era, Louis Conrad Rosenberg first studied at the Massachusetts Institute of Technology...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Clifford and Rosemary Ellis...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - ...

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, who is represented in the collections of the Metropolitan Museum, the Philips M...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1880 in Chatou, an artist colony outside Paris. In 1898, he enrolled in the Academie Carriere in Paris where he met Matisse. He attended art school and in 1900, set up a studio with Maurice deVlaminck. After his military service from 1900-1904, Derain exhibited his work at the Salon des Independants and then at the Salon d'Automne with Matisse, Vlaminck and others, thus creating the movement of Fauvism.He worked with Henri Matisse in 1905 at Collioure, and participated in the 1905 Salon d’Automne with Matisse, Vlaminck, and Braque, the exhibition in which this group was labeled as Fauves, or Wild Beasts. Along with Vlaminck, Derain was one of the first artists to collect the tribal art of Africa which was influential to many of the artists of the early 20th century. In 1906, Derain met Picasso and his dealer, who purchased Derain's entire studio, creating newfound financial success. During this time, he was hired for the illustrations for works by Guillaume Apollinaire and Andre Breton. After World War I, his friend's Cubism movement affected his art, along with influence from Classicism and African Art. Derain stayed in Paris during most of the Occupation, where he was esteemed by the Nazis because of his artistic integrity. Hitler's Foreign Minister commissioned him to paint a family portrait, but he politely refused. His popularity began to decline after the war because of disagreement over new artistic movements. He later lost most of his eyesight due to illness, which may have been the reason he was hit by a truck in 1954, dying from shock at the age of 74. Derain’s Fauve paintings are typically bright with intense color. Influenced by the work of Cézanne as well as the early Cubist paintings of Picasso and Braque’s, Derain’s style changed and by 1912, the paintings became more traditional and structured. For the remainder of his career, he continued to investigate different compositional methods including the perspective of Cézanne and the pointillism of Seurat. He also designed ballet sets and made a number of sculptures. At the turn of the century, Andre Derain exhibited at the radical Fauve Salon d’Automne (1905) and was one of the founding members of the Fauvist movement together with his life-long friends Matisse and Vlaminck. The works he produced in this period, often under the guidance of Matisse, have been counted among the masterpieces of Fauvism. From around 1918, Derain turned his back on the avant-garde and had begun to explore some of the more traditional genres of Western art, including landscapes. His main source of inspiration once the Fauves group had dispersed was found in the Louvre, where he admired the early Renaissance works in particular. Talking of his frequent visits there, he once said, ‘That seemed to me then, the true, pure absolute painting.’ His work evolved through many styles and, most significantly, turned back to the past, particularly after 1922 when Lenin had publicly pronounced his disdain for abstract art. Derain built up an immense and fascinating collection of paintings, sculpture and objets d’art throughout his life which aided his experimentation and was reflected in his work between 1930 and 1945. During these years, his painting technique displayed the most avenues of invention, using a repertoire of primitivist motifs. His eclectic collection was constantly changing. In 1930 he sold his African collection in exchange for bronzes of antiquity and the Renaissance which indicated a real change of interest in the objects, as did his later pursuit of Greek ceramic painting and his enthusiasm for grand cycles of literary and antique themes...

The Hamburg-Amerika Linie [Line] was a transatlantic shipping enterprise established in Hamburg, Germany in 1847 and it operated through 1970. This c1935 poster promotes choosing the...

Cyril Power (1872-1951) color linoleum cut, Monseignor St. Thomas, circa 1931, signed and titled in pencil at the lower right, apart from the edition of 60. Reference: Redfern 24. In very good condition, on buff oriental laid tissue, conservation matted, with margins, 13 7/8 x 11 1/8, the sheet 15 x 12 5/8 inches. A fine impression, with the colors fresh and vivid. Printed in four colors (yellow, red, blue and dark blue). The prints of the Grosvenor School artists were created by applying colors with successive blocks. The margins show the colors of each of these blocks (see illustration of the margin). The subject matter of this print relates to TS Eliot...

Martin Lewis (1881-1962), Tree, Manhattan, drypoint, 1930, signed in pencil lower right [also signed in the plate lower left]. Reference: McCarron 87, only state; 91 recorded impress...

This vibrant 1934 vintage color serigraph (silkscreen print) by acclaimed artist Hilaire Hiler (1898–1966) depicts a stylized Native American figure dressed in a fox costume holding a bow, featuring a bold feather headdress and striking contrasts of black, red, and white. Created during the influential WPA era, this modernist print reflects Hiler’s semi-abstract approach to Native American themes, blending cultural symbolism with avant-garde color theory. Signed in pencil by Hiler in the lower right margin and titled on the verso, this serigraph is a rare and evocative example of early 20th-century American modernism. About Hilaire Hiler: Born in St. Paul, Minnesota, Hiler studied at the University of Paris and the Pennsylvania Academy of the Fine Arts before immersing himself in the European avant-garde scene. He supported his art career by performing as a jazz musician in Paris. Returning to the U.S. in 1934, Hiler contributed murals to the WPA Aquatic Park...

"29th Salon de la Société des Artistes Décorateurs et Salon de la Lumière" depicts a Parisian city scene. Created by Raoul Dufy as the poster for the combination exhibition of works ...

André Masson (1896 - 1987) - The Sun Lithograph from 1939. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

"Chanson d'Amour" is an original lithograph poster by Georges Dola. The artist signed the image on the left of Franz Schubert. This poster, published by Club of America, was used to ...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Eric Gill (1882-1940) Border for The Canterbury Tales...

"Jeune Fille" is an original sepia etching by Marie Laurencin. The artist's stamped signature is in the lower right. This piece features a delicate portrait of a young girl. 13" x 9 7/8' paper 9" x 5 1/2" image 20 7/8" x 17 3/8" frame Marie Laurencin (October 31, 1883 - June 8, 1956) was a French painter and printmaker. Laurencin was born in Paris, where she was raised by her mother and lived much of her life. At 18, she studied porcelain painting in Sèvres. She then returned to Paris and continued her art education at the Académie Humbert, where she changed her focus to oil painting. During the early years of the 20th century, Laurencin was an important figure in the Parisian avant-garde. A member of both the circle of Pablo Picasso, and Cubists associated with the Section d'Or, such as Jean Metzinger, Albert Gleizes, Robert Delaunay, Henri le Fauconnier and Francis Picabia, exhibiting with them at the Salon des Indépendants (1910-1911) and the Salon d'Automne (1911-1912). Laurencin's works include paintings, watercolors, drawings, and prints. She is known as one of the few female Cubist painters, with Sonia Delaunay, Marie Vorobieff, and Franciska Clausen...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938 Andre Derain was born in 1...

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Frank H Mason RBA RI RSMA (1875-1965) Holland via Harwich...

This original, limited edition etching, was realized by the esteemed American artist John E. Costigan, circa 1930. He is represented in the collections of the Metropolitan Museum, th...

Wengenroth, Stow. BLACK WEATHER. Stucky 25. Lithograph, 1932. Edition of 25. Signed in pencil, lower right. 6 1/2 x 14 inches (image), 11 1/2 x 16 inches...

"Rayon des Soieries, Opera Bouffe en un Acte" is an original color lithograph poster by Maurice Dufrene. It advertises an opera called "Rays of Silk" and depicts a woman with a long ...

To see our other original vintage travel posters including more pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Clifford and Rosemary Ellis West End Map of London Lithographic poster for London Transport, 1935 Printed by Waterlow & Sons Ltd 40×25″ Provenance: the studio of the artist. London Transport was the fore-runner of London Underground. During the 1930s London Transport commissioned over forty posters a year from well-known artists such as Laura Knight, CRW Nevinson...

Anon. Coronation Arrangements - Map of London 1937 45x60cm (unfolded) Lithograph Published for the Coronation of George VI, by London Transport, this shows all the key locations! A...

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograph...

Filix Lochard. Kinalys -Aperatif -Ideal Les Fiils Severac - Bordeaux (monopole). Ca 1930. Color lithograph. On Linen. Advertisement for a Bordeaux Aperatif.

untitled (Fishing Boats, Normandy) Soft Ground Etching, 1930 Signed and dated in pencil by the artist Sealed by the artist Annotated "Paris" Possibly a view of a fishing port in Norm...

An excellent impression of this large color aquatint. Numbered in pencil 99/175. Printed by Lacourière, Paris. Published by Vollard, Paris. Catalogue reference: Chapon/Rouault 141; ...

Jager Esperanto Fair Foirode Reichenberg 1936 Lithograph Open edition 37 x 24 inches

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Border for The Canterbury Tales...

Barnet, Will. GLADYS. Szoke 38. Lithograph, 1936. Edition of 10. Signed, dated and titled in ink, and stamped "Federal Art Project/NYC WPA. 14 1/2 x 10 inches, 370 x 253 mm. Scarce. ...

Soyer, Raphael. FURNISHED ROOM. Etching, 1937 (Cole 48). Edition of 25 or fewer, signed and titled in pencil. Published by the W.P.A. Federal Arts Project, with its ink stamp in the ...

Beautiful original poster, very rare, produced for the SNCF to promote the mountain sites in the 30s. It was realized by Roland Hugon. It shows a little boy, mischievous and full of...

Original 1931 collotype created from Gustav Kilmt’s Portrait of Charlotte Pulitzer, oil on canvas, 1915. Published by Max Eisler and printed by Österreichischer Staatsdruckerei (Austrian State Printing Office), Vienna, in an edition of 500. In 1931, Max Eisler published the most notable posthumous collection of Gustav Klimt works to date. Using a complex gravure process, Klimt’s original...

Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm ) Image Size: 7.5 x 6 inches ( 19.05 x 15.24 cm ) Framed: No Condition: A: Mint Additional Details: Part of AMERICAN BLOCK PRINT...

Paper Size: 9.25 x 9 inches ( 23.495 x 22.86 cm ) Image Size: 6 x 7 inches ( 15.24 x 17.78 cm ) Framed: No Condition: A: Mint Additional Details: Part of AMERICAN BLOCK PRINT C...

From a series of wood engravings by Eric Gill. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. Canterbury Tales...

André Derain - Ovid's Heroides Original Etching Edition of 134 Dimensions: 32 x 25 cm Ovide [Marcel Prevost], Héroïdes, Paris, Société des Cent-une, 1938...

"Portrait of a Girl" is an original wood engraving by Barbara K. Warren Weisman. It features an an overhead view of a girl, with her arms crossed and eyes clothes. A plant sits on a ...

Henri Laurens - Ocean - Original Color Linoleum Cut 1938/1959 Medium : Color Linoleum Cut on Montgolfier Canson vellum Dimensions: 32 x 24 cm XXe siècle Henri Laurens was born in Paris in 1885. Impaired by tuberculosis when he was only 17, he is leg-amputated seven years later. First a stone cutter, he then becomes sculptor. In 1899, he studies drawing. Henry Laurens...

This 1933 lithograph, Central City, Colorado 3/25, by Arnold Rönnebeck, captures the architectural essence of a historic mining town during the Great Depression. Rendered in black an...

Bacon, Peggy. THE CLINIC. Flint 109. Drypoint, 1932. Edition size not known, but likely very small as the print is rare. 4 15/16 x 6 7/8 inches, plus wide margins (the sheet is 11 x ...

Jean-Emile Laboureur (1877-1943), Orage en Briere, etching and drypoint, 1932, signed in pencil lower left, numbered lower right and annotated “imp” (impressit, printed by the artist...

Reginald Marsh (1898-1954), Flying Concellos, etching, 1936, signed in pencil lower right and annotated “40 Proofs” lower left. Reference: Sasowsky 163, fourth state (of 4). In excel...

Abramovitz, Albert (American, born Latvia, 1879-1963). UNTITLED (TWO CONSTRUCTION WORKERS WITH BRICKS). Linoleum cut on wove paper, c. 1930s. Si...

Rodolphe-Théophile Bosshard Cubist Portrait, 1930 Original stone lithograph Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent condition

Mily POSSOZ (1888-1967) Christmas Tree Black & White, c. 1930 Original etching Handsigned in pencil by the artist Artist's proof (épreuve d'artiste) Blind stamp of the editor Marcel...

Bart van der Leck. transfer-print on paper, string shopping bag for Metz & Co .12 h × 5 w in The Netherlands, c. 1935. Framed 1935-1952. Fine vintage cond...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Mariette LYDIS Facinating Eyes, 1930 Original stone lithograph On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent condition

Maurice BARRAUD Woman in a Café, 1930 Original stone lithograph Printed signature in the plate On Arches vellum 28 x 22 cm (c. 11 x 9 inch) Excellent...