Skip to main content

Early 19th Century Prints and Multiples

to
202
1,163
159
79
8
3
Overall Width
to
Overall Height
to
521
195
63
2
2
2
1
1
309
26
24
19
15
4,815
10,478
57,176
25,120
716
1,027
2,259
2,343
2,440
4,868
7,638
13,481
7,898
4,149
3,978
738
662
12
958
450
359
303
269
236
197
131
112
95
83
61
56
55
43
39
35
33
32
30
906
267
181
167
104
106
787
483
312
Period: Early 19th Century
Ancient View of Amstel - Original Lithograph on Paper - Early 19th Century
Located in Roma, IT
View on the Amstel is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower margin: View...
Category

Modern Early 19th Century Prints and Multiples

Materials

Lithograph

Ancient View of Chateau de Frederiksborg - Lithograph on Paper - Early 1800
Located in Roma, IT
Ancient of Chateau de Frederiksborg is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the l...
Category

Modern Early 19th Century Prints and Multiples

Materials

Lithograph

Ancient View of Canal Grande, Venice - Original Lithograph - Early 19th Century
Located in Roma, IT
Grosse Canal is an original modern artwork realized in the first half of the 19th Century. Original Lithograph on paper. Inscripted on the lower margin in German. Fair conditions...
Category

Modern Early 19th Century Prints and Multiples

Materials

Lithograph

L'Ancien - Lithograph by Ferdinand Piloty - 1806
Located in Roma, IT
L'Ancien is an original litograph realized by Ferdinand Piloty (d'après M. Shongauer 1806). Test before the Senefelder addresse. Good conditions, on a yellowed paper. Ferdinand Pi...
Category

Modern Early 19th Century Prints and Multiples

Materials

Lithograph

Young Agrippina - Original Etching by Agostino Tofanelli - 1821
Located in Roma, IT
“Agrippina Giovane” (The young Agrippina) is an original etching realized by A. Tofanelli and A. Mochetti. Image Dim: cm 48x33, Dim: cm 59x44; Passepartout Dim: cm 69 x 49. Precious Etching on copper: Hand-colored subject on black ink bottom. Designed by Agostino Tofanelli and engraved by Alessandro...
Category

Early 19th Century Prints and Multiples

Materials

Etching

Map of Africa - Original Etching by C. Brue - 1820
Located in Roma, IT
Map of Africa is an original etching realized by C.Brue in 1820. The print comes from the Series "Atlas Universal" PL. 31. The state of preservation of the artwork is good except f...
Category

Modern Early 19th Century Prints and Multiples

Materials

Etching

My Cousin in the Army - Rare Book Engraved by G. Cruikshank - 1822
Located in Roma, IT
My Cousin in the Army (original title "My cousin in the Army, or Johnny Newcome on the Peace Establishment") is an original modern rare book illustrated by George Cruikshank (London, 1792 - London, 1878) in 1822. Published by Johnston, London. Original First Edition. Format: in 8°. The book includes 316 pages with 16 full page hand colored aquatints. Mint conditions. George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...
Category

Modern Early 19th Century Prints and Multiples

Materials

Paper, Etching

Mons Pietatis - Etching after Franzetti - 1820
Located in Roma, IT
Roman Views is an original etching realized by Franzetti in 1820. Signed on the plate. Good conditions. The artwork represents Monte Della pieta of Rome...
Category

Modern Early 19th Century Prints and Multiples

Materials

Etching

No Woman Neither Canvas - Original Etching - Late 19th Century
Located in Roma, IT
No Woman neither Canvas is an original modern artwork realized in the first decades of the 19th Century. Original colored Etching on paper. A long inscription is present on the low...
Category

Modern Early 19th Century Prints and Multiples

Materials

Etching

I Moccoletti - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The artwork is unsigned, but it is part of the 20 plates engraved in...
Category

Early 19th Century Prints and Multiples

Materials

Gouache, Etching

Rome, Piazza del Popolo - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
Piazza del Popolo is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which presents a remarkable quality of strokes and b...
Category

Early 19th Century Prints and Multiples

Materials

Gouache, Etching

Dancing in the Street - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
Dancing in the street (original Title: "Ballo nella Strada") is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which pre...
Category

Early 19th Century Prints and Multiples

Materials

Gouache, Etching

Horse Race - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
Horse Race (original title: "La Corsa dei Cavalli") is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which presents a r...
Category

Early 19th Century Prints and Multiples

Materials

Gouache, Etching

The Weeping Woman - Original Etching - Early 19th Century
Located in Roma, IT
The Weeping Woman is an original modern artwork realized in the first decades of the 19th Century. Original colored Etching on paper. A long inscriptio...
Category

Modern Early 19th Century Prints and Multiples

Materials

Etching

The Library - Original Etching - Early 19th Century
Located in Roma, IT
The Library is an original modern artwork realized in the first decades of the XIX Century. Original colored Etching on paper. A long inscription is present on the lower margin. On...
Category

Modern Early 19th Century Prints and Multiples

Materials

Etching

54: Petromyzon fluviatilis, Lampern, or Lesser Lamprey
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Color, Etching

Scena d'Armi In Vaticano - Etching by Bartolomeo Pinelli - 1825
Located in Roma, IT
Scena D'Armi In Vaticano is a precious hand-colored etching by Bartolomeo Pinelli. The inscriptions appears at the bottom, inside the matrix, and just below the image. Not signed. T...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Processione a San Pietro - Etching by Bartolomeo Pinelli - 1825
Located in Roma, IT
Processione a San Pietro is a precious hand-colored etching by Bartolomeo Pinelli. The inscriptions appear at the bottom, inside the matrix, and just below the image. Not signed. Th...
Category

Early 19th Century Prints and Multiples

Materials

Etching

40: Cyprinus erythropthalmus, Red Eye Abdominales
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category

Early 19th Century Prints and Multiples

Materials

Color, Etching

Landscape - Etching and Aquatint on Paper by L. Caracciolo After C. Lorrain
Located in Roma, IT
Landscape is an original etching and aquatint on paper realized by Claudio di Lorena. Signed on the plate, on the lower left. plate no. 183, lower on the right, edition "L. Caraccio...
Category

Early 19th Century Prints and Multiples

Materials

Etching, Aquatint

Knight - Original Woodcut Print by Amadore Porcella - Early 20th Century
Located in Roma, IT
Knight is an original woodcut print realized by Amadore Porcella . The state of preservation of the artwork is very good. Passepartout dimension: ...
Category

Modern Early 19th Century Prints and Multiples

Materials

Woodcut

59: A Brig of Wars
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

58: Schooner & Smack
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

52: Oyster Boats at Billingsgate
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

46: Folkstone Harbour
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

43: Prawn boats, Brighton Beach
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

41: Rope houses on the beach at Brighton
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

39: Thames Wherries
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

32: Sheer Hulk
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

30: Collier
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

26: Billy-Boy unloading, Shoreham Harbour
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

14: Anchors
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

12: Lobster-boat at Rottingdean
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

Ara con Tripode - Etching by V. Feoli After B. Nocchi - 1821
Located in Roma, IT
Image dimensions: 33.7 x 48.6 cm. “Ara con tripode” (Ara with tripod) is a beautiful black and white burin and etching on paper, realized by the artist Vincenzo Feoli, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Vincenzo Feoli incise in Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXVIII" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. Original Title: Ara con Tripode di quindecemviri, e la corona...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching

La Liberté - Colored Etching - Early 19th Century
Located in Roma, IT
La Liberté is an original colored etching realized by an anonymous artist. Titled on the lower center "La Liberté". The State of preservation is excellent. Sheet dimension: 29x20.5 ...
Category

Early 19th Century Prints and Multiples

Materials

Etching

08: Dutch Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Early 19th Century Prints and Multiples

Materials

Etching

04: A Frigate
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Early 19th Century Prints and Multiples

Materials

Etching

01: Prussian Snow
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Early 19th Century Prints and Multiples

Materials

Etching

Egyptian Idol - Origina Etching After Agostino Tofanelli - 1821
Located in Roma, IT
Simulacro Di Diana is an original print realized by Giovanni Folo After Agostino Tofanelli. Original etching on copper. Hand-colored on black ink backgr...
Category

Early 19th Century Prints and Multiples

Materials

Etching

Adieu! - From Modes et Manières du jour à Paris...
Located in Roma, IT
Image dimensions: 16 x 10.5 cm. Adieu! is an original watercolored print realized in the first quarter of the 19th century by the French artist Philibert-Louis Debucourt (1755 – 18...
Category

Modern Early 19th Century Prints and Multiples

Materials

Etching

Elle le boude - From Modes et Manières du jour à Paris...
Located in Roma, IT
Elle le boude is a hand-watercolored etching on paper realized in 1801 by the French artist Louis-Philibert Debucourt (1755-1832). This is an original illustration (plate n. 46) pu...
Category

Modern Early 19th Century Prints and Multiples

Materials

Etching

The Torn Dress - From Modes et Manières du jour à Paris à la fin du 18e siècle..
Located in Roma, IT
The Torn Dress is an original watercolored print realized in the first quarter of the 19th century. The artwork is the plate n. 18 from a suite of 52 plate...
Category

Early 19th Century Prints and Multiples

Materials

Etching

Il Gran Diavolo Distributore dell'Oro - Etching 1815-1850
Located in Roma, IT
Image dimensions: 26.2 x 34 cm. Il Gran Diavolo Distributore dell'Oro (The Great Devil Distributor of Gold) is a beautiful hand-watercolored etching, realized by an anonymous Italia...
Category

Early 19th Century Prints and Multiples

Materials

Watercolor, Etching

Simulacro di Diana - Origina Etching After Agostino Tofanelli - 1821
Located in Roma, IT
Simulacro Di Diana is an original print realized by Giovanni Folo After Agostino Tofanelli. Original etching on copper. Hand-colored on black ink background. Designed by Agostino Tofanelli and engraved by Giovanni Foto (as printed on plate on lower right). Original title: Simulacro Di Diana detto volgarmente la ZIngarella Included frame: 60 x 50 cm From "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli.", by Ennio Quirino Visconti, published in Rome, 1821. It deals with two volumes of engravings showing the main antique monuments or statues collected by the Prince Borghese in his Villa in Pincio Hill. Remarkable contemporary artists like Luigi Cunego, Gio. Batta Leonetti, Pietro Bettelini, Gio. Brunetti, Giovanni Ottaviani, Angelo Campanella, Pietro Fontana contributed. Drawings are, above all, by Agostino Tofanelli, Bernardino Nocchi, Domenico de Angelis, Teodoro Matteini. Giovanni Folo Veneto (Bassano, 1764 – Rome 1836) Giovanni Folo Veneto was an Italian engraver of the Neoclassic period, active in Italy. He studied with Giulio Golini and G.B. Mengardi in Venice. In 1781 he moved to Rome to study with Giovanni Volpato, but later he followed the style of the Volpato's pupil, Raffaello Morghen...
Category

Early 19th Century Prints and Multiples

Materials

Etching

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 145 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching, Aquatint

Ciociare Near Subiaco - Etching by Bartolomeo Pinelli - 1820
Located in Roma, IT
Ciociare, vicino a Subiaco; passato Tivoli is a precious hand-colored etching by Bartolomeo Pinelli. The inscriptions appear at the bottom of the artwork, inside the matrix, and just...
Category

Realist Early 19th Century Prints and Multiples

Materials

Etching

Customs of Civitacastellana - Etching by Bartolomeo Pinelli - 1819
Located in Roma, IT
Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 28x39. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...
Category

Realist Early 19th Century Prints and Multiples

Materials

Etching

Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Plate 23 – From Liber Veritatis Aquatint on Copper, Imag. Dim: cm 33x47.5, Dim: cm 21x27, Beautiful Artist’s Proof, representing a shepherd with his herd pastouring at the shore o...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching, Aquatint

The Courtesan - Original Woodblock Print by Eisen Keisai - First Half of 1800
Located in Roma, IT
The Courtesan is an original print realized between in the beginning of XIX century by Keisai Eisen This is a mixed colored xylograph. Include passeparto...
Category

Early 19th Century Prints and Multiples

Materials

Woodcut

Il Corso - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
Il Corso is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which presents a remarkable quality of strokes and brilliant ...
Category

Early 19th Century Prints and Multiples

Materials

Gouache, Etching

Testa Quasi Colossale di Marco Aurelio - Etching by P. Fontana
Located in Roma, IT
“Testa quasi colossale di Marco Aurelio” (Almost colossal head of Marco Aurelio) is a beautiful black and white burin on paper, realized by the Italian artist Pietro Fontana (Bassano Romano,1762 – Rome, 1837), after Teodoro Matteini (Pistoia, 1754 - Venice, 1831), as the inscriptions on plates on lower margins report “Teodoro Matteini delineò./ Pietro Fontana incise a bollino Roma”. This original print is numbered on plate in Roman numerals on higher margin: “Tom II. /Tav. XXV" and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints shows a precious piece of the Borghese's collection, the marble bust of the Roman philosopher and writer and one of the "good Roman Emperor" (according to Edward Gibbon) Marco Aurelio, represented in neoclassical style and with the traditional iconography with a thick hair and a long beard. In excellent conditions with a usual yellowing of the paper on the lower margin and some light signs of the time with an imperceptible weaving of the paper on the lower right corner, this wonderful burin preserved his fresh impression. Illustrazioni de' Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior by Agasias (two plates), Greek gods and heroes and Roman famous historical figures; the last two plates represents antique Egyptian deities. There are plates representing ancient bas-reliefs, sarcophagi, of mythological subjects, the Borghese Vase, portrait busts, a vase on an altar, two statues of Amor; and two modern statues, by Bernini (the Apollo and Daphne, and the David). «Très bel ouvrage» writes Brunet, «Grand ouvrage, le seul qui mérite, parmi ceux sur la villa Borgese, de figurer dans le chapitre aux Galeries et Collections» Vinet said, looking at this plate. Pietro Fontana (Bassano Romano,1762 – Rome, 1837) The Italian artist and engraver, Pietro Fontana was active in Rome and specialized in subjects dealing with the Vatican and the Papacy. He started his career as a student of Raffaello Morghen...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Amore Scherza - Original Etching by G. B. da Ravenna after Bernardino Nocchi
Located in Roma, IT
“Amore che scherzo, Statua” (Joking Eros, Statue) is a wonderful black and white etching on paper, realized by the artist Giovanni Brunetti da Ravenna, after Bernardino Nocchi as the inscriptions on plates on lower margins report “Bernardino Nocchi delineò/ Gio Brunetti da Ravenna inc. Roma 1795”. This original print is numbered on plate in Roman numerals on higher right corner “Tav. XXIX” and is a plate from the series "Illustrazioni de'Monumenti scelti Borghesiani già esistenti nella Villa sul Pincio (..)date ora per la prima volta in luce dal cav. Gio. Gherardo De Rossi e da Stefano Piale sotto la guida di Vincenzo Feoli", by Ennio Quirino Visconti, published by Stamperia de Romanis in Rome, 1821. This old master’s original prints representing a precious piece of the Borghese collection, an Eros statue caressing a sparrow, is in excellent conditions with some light signs of the time (some little whormholes on the left margin beyond the marginal line of the matrix) but with fresh impression. Illustrazioni de'Monumenti scelti Borghesiani This collection in two volumes is a beautifully detailed catalog of classical sculptures collected by Prince Borghese (1730-1800) in his Villa on the Pincio. Ennio Quirino Visconti (1751 - 1818) wrote the texts that accompany the large branches depicting. To these writings, which were found and made available by the son of the illustrious archaeologist, the publishers added only a few illustrations relating to some minor monument of which copper had already been engraved. The engraved title-plate are signed by draughtsmen like Agostino Tofanelli, Stefano Tofanelli, Bernardino Nocchi, Domenico de Angelis or Teodoro Matteini, and by engravers Pietro Fontana Veneto, P. Vitali, Pietro Bettelini, Giovanni Folo Veneto, Giovanni Brunetti da Ravenna, Giovanni Ottaviani, Francesco Cecchini, Gio. Batta. Leonetti, Girolamo Carattoni, Domenico Cunego, Luigi Cunego, Alessandro Mochetti, Luigi Pizzi, Angelo Campanella or Giacomo Bossi. The Volume I shows ancient full-length statues, of the Borghese warrior...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Etching

Jean-Jean - Original Lithograph by Horace Vernet - First half of 19th century
Located in Roma, IT
Jean-Jean is a fine black and white lithograph, realized by Horace Vernet (1789-1863). This beautiful original print, representing a soldier playing the flute, is in very good condi...
Category

Early 19th Century Prints and Multiples

Materials

Lithograph

Lithograph d'aprés Domenico Beccafumi - Early 1800
Located in Roma, IT
Lithograph d'aprés Beccafumi is an original artwork realized by the French artist Louise Bouteillier in the first half of the XIX Century. Tirér du Cabinet de Vivant Denon...
Category

Modern Early 19th Century Prints and Multiples

Materials

Lithograph

Souvenir d'Espagne - Mixed Media by August Roedel - 1903
Located in Roma, IT
Souvenir d'Espagne is an original artwork realized by Auguste Roedel in 1903. Original lithoraph with pencil drawing on the lower central margin. Hand-signed in pencil by the artist...
Category

Early 19th Century Prints and Multiples

Materials

Mixed Media

Battaglione Real Navi
Located in Roma, IT
Title at the center of the lower margin. In very good conditions except a lightly damaged in right margins, and normal brown paper in margins. Interesting colored lithograph which de...
Category

Old Masters Early 19th Century Prints and Multiples

Materials

Lithograph

Black Frontiniac Grapes by George Brookshaw
Located in New York, NY
Plate LVII, Black Frontiniac, from "Pomona Britannica..." by George Brookshaw. London, T. Bensley for the author, 1804-1812. Original aquatint with stipple engraving, color printed...
Category

Early 19th Century Prints and Multiples

Materials

Paper

Design Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...
Category

Realist Early 19th Century Prints and Multiples

Materials

Engraving

Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural Fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...
Category

Realist Early 19th Century Prints and Multiples

Materials

Engraving

Architectural Fragment of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter Architectural fragments of St Albans Cathedral Engraving 62 x 46 cm This engraving was originally published by the Society of Antiquaries of London, an...
Category

Realist Early 19th Century Prints and Multiples

Materials

Engraving

Recently Viewed

View All