Early 19th Century Prints and Multiples
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Period: Early 19th Century
BROOKSHAW. A Pair of Melons: White Seed'd Rock and Silver Rock Mellon
Located in London, GB
Pair of aquatints with stipple-engraving, printed in colours and finished by hand, made for Brookshaw's most famous work "Pomona Britannica" or a "Collection of the Most Esteemed Fru...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Handmade Paper, Aquatint
Capture of the La Vengeance, 1800. English Regency naval colour aquatint, 1816
By Thomas Whitcombe
Located in Melbourne, Victoria
Thomas Sutherland (1785-1838) after Thomas Whitcombe (1760-1824)
'Capture of the La Vengeance, Aug 21st, 1800'
Colour aquatint engraving from 'The N...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Aquatint
St John's College, Cambridge Library engraving by the Havells for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
D Havell (1785 - 1822) after William Westall (1781 - 1850)
The Library of St John's College, Cambridge (1815)
Hand-coloured aquatint
24 x 29.5 cm
Published by Rudolph Ackermann...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Alfieri - Original Lithograph by H. Grevedon - 1826
Located in Roma, IT
Alfieri is an original modern artwork realized by Henri Grevedon in 1826.
Original Black and White Lithograph on paper.
Signed and dated on the lower margin: C. Motte 1826. Titled on the central margin in capital letters: Alfieri.
Fair conditions: some foxings on the surface.
Alfieri is an original modern artwork realized by Henri Grevedon in 1826.
Original Black and White Lithograph on paper.
Signed and dated on the lower margin: C. Motte 1826. Titled on the central margin in capital letters: Alfieri.
Quite good conditions: some foxings on the surface.
Magnificent lithograph depicting the portrait of the great Italian author and playwright Vittorio Alfieri. The figure is in pose and express a great magniloquence and monumentality.
This work has been realized by the French artist and engraver Henri Grévedon (Paris, 1776 - Paris, 1860). Grévedon studied painting in the Parisian workshop of Jean-Baptiste Regnault, professor of painting at the École des Beaux-Arts in Paris. Henri Grévedon exhibited from 1798 to 1806 and received a second medal in 1790. He was a first class gold medal in 1805 and won the first prize of the torso in 1806. He competed without success for the Prix de Rome in 1805 and 1806. According to Henri Beraldi, he "traveled the world, going to seek success in Russia in 1806 where he became an associate of the Academy of Saint Petersburg. He stayed in Stockholm in 1812, then in London, finally retured to Paris in 1816. Soon he devoted himself completely to lithography, and found there a reputation which would not have come to him with painting". He executed many painted portraits, paintings and miniatures, then he drew directly on the lithographic stone, working in particular for the workshop of Charles Motte during the 1820s. At the Salon of 1824, he won for the second time a gold medal for first class. Among the personalities he represented between 1825 and 1845, there were many actresses and dancers of his time such as the Taglioni, Fanny Elssler...
Category
Early 19th Century Prints and Multiples
Materials
Lithograph
John Duke of Somerset /// Medieval Knight Soldier Warrior Sword Spear Pike Art
Located in Saint Augustine, FL
Artist: Samuel Rush Meyrick (English, 1783-1848)
Title: "John Duke of Somerset" (Vol. 2, Plate XLIX)
Portfolio: A Critical Inquiry into Antient Armour
Year: 1824 (First edition)
Medi...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Watercolor, Engraving, Aquatint, Intaglio, Etching
Veduta di un Tempio Antico... - Etching by Luigi Rossini - 1826
Located in Roma, IT
Veduta di un Tempio Antico, o Ninfeo, alle sponde del Lago di Castel Gandolfo (...)
Image Dimensions: 45.5 x 57.5 cm
From the collection “Le antichità de’ contorni di Roma”(..), Rome, 1826 by L. Rossini, an artist's proof with sharp details, representing some an Antique Temple, near the lake in Castel Gandolfo.
Signed on plate “Rossini dis. e inc.” lower-left corner, with indication of date and place “Roma, 1826”.
In very good conditions with some light marks.
Luigi Rossini (1790 – 1857)
Like Giovanni Battista Piranesi, Luigi Rossini was an architect and his etchings have the same tendency to emphasize the massive constructions of the Ancient Rome. He became famous thanks to his etchings representing Roman landscapes and antique monuments...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting a woman sitting on a rock from a Campanian bail-amphora.
Technique : Copper-line engraving with original hand-colouring
Backgroun...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
La Tauromaquia, Plate #10
Located in San Francisco, CA
This artwork from the suite "La Tauromaquia, Plate #10" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...
Category
Realist Early 19th Century Prints and Multiples
Materials
Photogravure
43: Perca labrax, Basse
Located in Columbia, MO
Edward Donovan (1768–1837) was an Anglo Irish writer, natural history illustrator and amateur zoologist. Born in Cork, Ireland, Donovan was an avid collector of natural history speci...
Category
Early 19th Century Prints and Multiples
Materials
Color, Etching
The Bull & The Cow and Calf, English animal cow cattle engraving, 1807
Located in Melbourne, Victoria
Early 19th century cattle engraving from Rees' Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Quadrangle of Balliol College, Oxford engraving by John Bluck for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
Hunting, early 19th century sepia soft ground etching, 1805
Located in Melbourne, Victoria
'Hunting Pl II'
Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufactur...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Etching
Three 19th C. Hand Colored Engravings of London Architecture by T. Shepherd
By Thomas Hosmer Shepherd
Located in Alamo, CA
A set of three hand-colored engravings from "Metropolitan Improvements; or London in the Nineteenth Century", published in London, England in 1828. The scenes were drawn by Thomas Ho...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Tamarin (Tamarind), French botanical herbal medicinal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
Design fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
62 x 46 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Costume Parisien - Journal des Dam - Etching by Philibert-Louis Debucourt - 1824
Located in Roma, IT
Costume Parisien -Journal des Dames et des Modes is a print realized by Louis-Philibert Debucourt in 1824.
Etching on paper.
The print is part of the fashion magazine Journal des ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Avanzi delle grandi Mura ciclopee... - Etching by L. Rossini - 1825
Located in Roma, IT
Avanzi delle grandi Mura Ciclopee da Vitruvio Opus Incertum, nella città di Cora
Image dimensions: 47x67 cm.
From the collection “Le antichità de’ contorni di Roma (...)” an artist's...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Classical Greek Vase-Painting Engraving by Passeri
Located in Melbourne, Victoria
Copper-line engraving with later hand-colouring from Passeri's 'Picturae Etruscorum In Vasculis Nunc Primum .....', published in Rome in 1767.
Sizes : 270mm by 160mm (platemark)
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Portraits of Children - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portraits of childrem is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankin...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
$287 Sale Price
30% Off
Alexander Emperor - Original Lithograph - 1816 ca.
Located in Roma, IT
Alexander Emperor is an original print realized in 1816 ca.
Original mixed colored hand watercolor lithograph .
Title printed on plate on the lower margin.
Published by Richard Ev...
Category
Modern Early 19th Century Prints and Multiples
Materials
Watercolor, Lithograph
A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Bear
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Color
Maniere de faire du feu des Naturels de Rawack et de Wacgiou, lithograph
Located in Melbourne, Victoria
'Maniere de faire du feu des Naturels de Rawack et de Wacgiou'
Natives of Rawack and Wacgiou making fire. West Papua, Indonesia.
Lithograph, by Pierre Lan...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Lithograph
Portrait of Man While Writing - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Man while writing is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Crinium Giganteum
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Crinium Giganteum
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Handmade Paper, Engraving
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
The Prince Regent of Great Britain - Original Water-Colored Lithograph - 1816
Located in Roma, IT
The Prince Regent of Great Britain is an original print realized in 1816 ca.
Original mixed colored hand water-colored lithograph.
Title printed on pla...
Category
Modern Early 19th Century Prints and Multiples
Materials
Watercolor, Lithograph
$572 Sale Price
24% Off
Cavalcade of Seiks - Original Lithograph - 1850s
Located in Roma, IT
Cavalcade of Seiks is an original modern artwork realized in the first half of the 19th Century.
Original Black and White Lithograph on Ivory Paper.
Inscripted on the lower margin: Runjeet singh...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Lithograph
"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston
Located in Soquel, CA
"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston
Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...
Category
American Realist Early 19th Century Prints and Multiples
Materials
Paper, Printer's Ink, Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater' "Essays on Physiognomy, Designed to promote the Knowledge and the Love...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
New Year From the Series Precious Children's Games of the Five Festivals
Located in Houston, TX
Torii Kiyonaga woodblock print from the series "Prescious Children's Games of the Five Festivals." It shows five children playing with a ball and kites flying in the background. This...
Category
Edo Early 19th Century Prints and Multiples
Materials
Woodcut
The Sacrifice - Original Etching by F. Cecchini After A. Tofanelli - 1821
Located in Roma, IT
“Sagrifizio Trionfale” is a beautiful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Agostino Tofanelli (Lucca 177...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Portrait of Gabriel Cortois de Pressigny
Located in Roma, IT
Signed on plate.
This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for expor...
Category
Early 19th Century Prints and Multiples
Materials
Etching
44: At Brighton, Prawn-boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Kitchen of Trinity College, Cambridge engraving by Stadler after WH Pyne
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Voltaire after Hubert - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Voltaire after Hubert is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
New College, Oxford chapel window engraving after Joshua Reynolds' design
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Richard Reynolds, Society of Friends: 19th C. Engraved Portrait by Wm. Sharp
Located in Alamo, CA
This is an early 19th century engraved portrait of the industrialist and philanthropist Richard Reynolds by William Sharp after William Hobday. It was published in London by Rudolph Ackerman in 1817. The print is entitled "Richard Reynolds of the Society of Friends, Late of Bristol". This three-quarter length portrait of Reynolds depicts him seated, directed to right, looking towards the viewer. He is holding an open book, wearing a plain suit. A curtain in the background is pulled to the left, revealing bookshelves. Some of the books are labelled 'Addison & Watts' 'Kempis & Fenelon' 'Milton & Cowley' etc. The inscription above the portrait reads: "When the eye saw him it blessed him". The lettering below the image reads: "Richard Reynolds of the Society of Friends, Late of Bristol; Whose Life and Fortune were devoted to the Glory of God by relieving the humble in Distress.', This plate is dedicated by Permission to his Royal Highness, the Prince Regent by his most devoted very humble servant William Hobday."
This engraving is printed on thick paper. The sheet measures 16" high and 12" wide. It is adhered to an archival backing in the upper left corner. There is mild discoloration and toning in the margins, but it does not involve the image.
Richard Reynolds (1735-1816) was a prominent member of the Society of Friends, also known as Quakers, in the 18th and 19th centuries. He was born into a wealthy family in Bristol, England, and inherited a successful copper smelting, iron manufacturing business from his father. Despite his privileged upbringing, Reynolds was known for his deep concern for the poor and his commitment to social justice. He used his wealth and influence to support a range of philanthropic causes, including the abolition of slavery, the improvement of working conditions for miners and factory workers, and the provision of education for the poor. Reynolds was also a prominent supporter of the Quaker...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Allocation - Original Lithograph by Denis Auguste Marie Raffet - Early 19th cent
Located in Roma, IT
Nicolas Toussaint Charlet (1792-1845).
Good condition on a brown paper, included a cream colored cardboard passpartout (31.5x45 cm) with some spots on the margins.
No signature.
Nicolas Toussaint Charlet (20 December 1792 – 30 October 1845) was a French painter and printmaker, more especially of military subjects. It was only towards 1822, however, that he began to be successful in a professional sense. Lithographs (about 2000 altogether), watercolours, sepia drawings, numerous oil sketches, and a few etchings followed one another rapidly. Later in his life there were also three exhibited oil pictures...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
30: Collier
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Veduta di Tivoli mista d'Antico, e moderno (...) - Etching by L. Rossini - 1824
Located in Roma, IT
Veduta di Tivoli mista d'Antico, e moderno (...)
From the collection: “Le antichità de' contorni di Roma ossia le più famose città del Lazio. Tivoli, Albano...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Delineations of British Field Sports, lithograph series by Samuel Alken
Located in London, GB
Samuel Alken
Delineations of British Field Sports
Lithograph series
25 x 42 cm
Samuel Alken Jr. (1784–1825) was a British artist and engraver, part of the prominent Alken family ...
Category
Realist Early 19th Century Prints and Multiples
Materials
Lithograph
Set of Two Hand-Colored Lithographs from Roscoe's "Monandrian Plants" /// Botany
Located in Saint Augustine, FL
Artist: William Roscoe (English, 1753-1831)
Title: "Maranta Arundinacea (Arrowroot)" and "Phrynium Grandiflorum"
Portfolio: Monandrian Plants of the order Scitamineae, Chiefly Drawn ...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Lithograph
An early 19th C. satirical etching of John Bull kneeling before William Pitt
Located in Alamo, CA
This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background.
A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!"
The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition.
William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...
Category
Early 19th Century Prints and Multiples
Materials
Etching
"Amicua Melon" Hand Finished Color Engraving by George Brookshaw
Located in Alamo, CA
This is a colored aquatint and stipple engraving finished by hand entitled "Amicua Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate LXXII in hi...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Portrait After Rembrandt - Original Etching by Francesco Novelli - 19th
Located in Roma, IT
Portrait is an original Etching realized in the Early 19th Century after Rembrandt by Francesco Novelli (1767-1836).
Signed on the plate, On the left plate signed" Rembrandt"
Inclu...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Portrait - Original Etching by William Sharp - 1810
Located in Roma, IT
Portrait is an original artwork realized by William Sharp (1749 - 1824).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promot...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Map of the World - Original Etching - 1820
Located in Roma, IT
Map of the World is an Original Etching realized by an unknown artist of 19th century in 1820.
Very good condition on two sheets of white paper joine...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
All Souls College, Oxford engraving by Bluck after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Bluck (early 19th century) after Augustus Charles Pugin (1762 - 1832)
All Souls...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Men in Room - Original Etching - Early 19th Century
Located in Roma, IT
Image dimensions: 20 x 15 cm.
Men in Room is an original etching on paper, realized by an Anonymous artist in the Early 19th Century, following the so-called "Historic Romanticism"....
Category
Early 19th Century Prints and Multiples
Materials
Woodcut
The Last Supper - Etching by Thomas Holloway - 1810
Located in Roma, IT
The Last Supper is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Manki...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike.
This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
By Charles Wild
Located in Alamo, CA
A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819.
The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Aquatint
Portrait of a Man - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of a man is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Love of Mankind", L...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Jasminum officinale (Common jasmine) /// Pierre-Joseph Redouté Botanical Flower
Located in Saint Augustine, FL
Artist: (after) Pierre-Joseph Redouté (French, 1759-1840)
Title: "Jasminum officinale (Common jasmine)" (No. 27 page 93)
Portfolio: Traité des Arbres et Arbustes que l'on Cultive en ...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Watercolor, Engraving
Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 150 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
“Innocent Captivation Amusement Pastorale”
By Anthony Cardon
Located in Southampton, NY
Original stipple engraving on a verge type of hand laid paper. The overall size of the engraving is 15.75 inches by 12.75 inches The image size of the engraving is 14 inches by 12 i...
Category
Academic Early 19th Century Prints and Multiples
Materials
Engraving, Laid Paper
$950 Sale Price
36% Off
3 Panel Hand Colored Japanese Woodcut Print Lithograph
By Keisai Eisen
Located in Soquel, CA
3 Panel Hand Colored Japanese Woodcut Print Lithograph
Three panel hand colored woodcut lithograph from Nanso Satomi hakkenden, Tale of the Eight Dogs...
Category
Edo Early 19th Century Prints and Multiples
Materials
Paper, Ink, Woodcut
$920 Sale Price
20% Off
57: Mud Dredger
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Bow Street Office: Rowlandson Hand-colored Engraving from Microcosm of London
Located in Alamo, CA
An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Aquatint, Etching
Ancient View of Mexico City - Original Lithograph - Early 19th Century
Located in Roma, IT
Ancient View of Mexico City is an original modern artwork realized in Italy in the Early 19th Century.
Original Lithograph on Ivory Paper.
Inscripted in capital letters on the low...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
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