Early 19th Century Prints and Multiples
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Period: Early 19th Century
Lily-leaved Ophrys. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Ophrys lilifolia - Lily-leaved Ophrys'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by the o...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
East Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
'East Side of the Chapel of St Paul'
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854).
Architectural interior with superb original colour. Fro...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
Pastoral Scene After Rembrandt - Original Etching by Francesco Novelli - 19th
Located in Roma, IT
Pastoral Scene After Rembrandt is an original Etching realized in the Early 18th Century by Francesco Novelli (1767-1836).
Signed on the plate.
In good condition.
The artwork is ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Gran Cratere marmoreo, con baccanale - Etching by Agostino Tofanelli - 1821
Located in Roma, IT
A. Tofanelli, P. Fontana, “Gran Cratere marmoreo, con baccanale” (Big marble Crater, with Bacchanal).
Image Dim: cm 48x33, Dim: cm 59x44; Passepartout Dim: cm 69 x 49.
Precious Etching on copper: Hand-Watercolored subject on black ink bottom.
Designed by Agostino Tofanelli...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 98 is a beautiful black and white etching and aquatint on paper realized by the Italian artist L...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Killerton, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'.
Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
La Tauromaquia, Plate #31
Located in San Francisco, CA
This artwork titled "Banderillas de Fuego" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravure on creme wove paper after renown Spanish artist Francisco Jose De Goya...
Category
Realist Early 19th Century Prints and Multiples
Materials
Photogravure
25: Crab-boat at Rottingdean
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Calothamnus Villosa, 19th century Australian native botanical engraving print
Located in Melbourne, Victoria
'Calothamnus Villosa - Villous Calothamnus'
Original engraving with original hand-colouring by S Watts After M Hart, 1827.
Native plant of Australia.
...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Coupang : Ile Timor. Divers Travaux Mécaniques. Early 19th century engraving.
Located in Melbourne, Victoria
'Coupang : Ile Timor. Divers Travaux Mécaniques'
Steel-engraving by Friedrich Schroeder (1768-1839) after F Garnier after Alphonse Pellion. Alphonse Pellion, artist and naval draughtsman, was a midshipman aboard l'Uranie on Louis de Freycinet's three-year scientific and ethnographic expedition around the world in 1817-1820.
From Louis Freycinet's 'Voyage Autour du Monde, Entrepris par Ordre du Roi ... Execue sur les Corvettes de S. M. l'Uranie et la Physicienne Pendant les Annees 1817, 1818, 1819 et 1820', published in Paris in 1825.
Louis Claude de Saulces de Freycinet (1779-1842) joined the French Navy in 1793 and was a veteran of the Baudin's voyage of discovery (1801-1803). He also completed the narrative of the expedition which appeared under the title of 'Voyage de Decouvertes aux Terres Australes'. In 1817 de Freycinet successfully lobbied the Government and King Louis XVIII agreed to support a new global campaign. Its mission was to finally determine the shape of the earth and return with detailed reports on geography, people, government, commerce and art of this new world. The 350-ton corvette Uranie had a complement of 120 men and 23 officers including the artist Jacques Arago and a priest. Over the next three years Uranie visited Australia, East Timor...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
Ancient View of Rotterdam Original Lithograph on Paper - Early 19th Century
Located in Roma, IT
Ancient View of Rotterdam is an original modern artwork realized in Italy in the first half of the 19th Century.
Original Lithograph on Ivory Paper.
Inscripted on the lower margi...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph
The Cardinal Wearing the Cape - Etching by Giuseppe Capparoni - 1827
Located in Roma, IT
The Cardinal wearing the cape is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated on...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
20: Hatch Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Ape and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme.
An early 19th century etching by Howitt from a series depicting ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Etching
The Feast - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
Il Festino is a beautiful etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work, which presents a remarkable quality of strokes and brillian...
Category
Early 19th Century Prints and Multiples
Materials
Gouache, Etching
'Vue prise a Ombay et entervue avec les naturels', Freycinet lithograph
Located in Melbourne, Victoria
'Vue prise a Ombay et entervue avec les naturels'
View near Ombay (Indonesia) and meeting of natives.
Lithograph, by Pierre Langlume and L' Abbaye after Jacques Arago (1790-1855).
...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Lithograph
Renoncule des marais (Buttercup), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
Valeriane (Valerian), French botanical medicinal herbal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
Sting Rays, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Sting Rays, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collect...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
320mm by 250mm (sheet)
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Lithograph
“Innocent Captivation Amusement Pastorale”
By Anthony Cardon
Located in Southampton, NY
Original stipple engraving on a verge type of hand laid paper. The overall size of the engraving is 15.75 inches by 12.75 inches The image size of the engraving is 14 inches by 12 i...
Category
Academic Early 19th Century Prints and Multiples
Materials
Engraving, Laid Paper
$950 Sale Price
36% Off
Richard Reynolds, Society of Friends: 19th C. Engraved Portrait by Wm. Sharp
Located in Alamo, CA
This is an early 19th century engraved portrait of the industrialist and philanthropist Richard Reynolds by William Sharp after William Hobday. It was published in London by Rudolph Ackerman in 1817. The print is entitled "Richard Reynolds of the Society of Friends, Late of Bristol". This three-quarter length portrait of Reynolds depicts him seated, directed to right, looking towards the viewer. He is holding an open book, wearing a plain suit. A curtain in the background is pulled to the left, revealing bookshelves. Some of the books are labelled 'Addison & Watts' 'Kempis & Fenelon' 'Milton & Cowley' etc. The inscription above the portrait reads: "When the eye saw him it blessed him". The lettering below the image reads: "Richard Reynolds of the Society of Friends, Late of Bristol; Whose Life and Fortune were devoted to the Glory of God by relieving the humble in Distress.', This plate is dedicated by Permission to his Royal Highness, the Prince Regent by his most devoted very humble servant William Hobday."
This engraving is printed on thick paper. The sheet measures 16" high and 12" wide. It is adhered to an archival backing in the upper left corner. There is mild discoloration and toning in the margins, but it does not involve the image.
Richard Reynolds (1735-1816) was a prominent member of the Society of Friends, also known as Quakers, in the 18th and 19th centuries. He was born into a wealthy family in Bristol, England, and inherited a successful copper smelting, iron manufacturing business from his father. Despite his privileged upbringing, Reynolds was known for his deep concern for the poor and his commitment to social justice. He used his wealth and influence to support a range of philanthropic causes, including the abolition of slavery, the improvement of working conditions for miners and factory workers, and the provision of education for the poor. Reynolds was also a prominent supporter of the Quaker...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
The Cardinal in Civil Dress - Etching by Giuseppe Capparoni - 1829
Located in Roma, IT
The Cardinal in civil dress is an Artwork realized in 1829 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated on t...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
63: Fishing Boat
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Portrait After Rembrandt - Original Etching by Francesco Novelli - 19th
Located in Roma, IT
Portrait is an original Etching realized in the Early 19th Century after Rembrandt by Francesco Novelli (1767-1836).
Signed on the plate, On the left plate signed" Rembrandt"
Inclu...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike.
This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
55: Hay Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Physiognomy - Profiles of Men - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The physiognomy - Profiles of Men is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
51: Peter Boats
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 177 is a beautiful black and white etching and aquatint on paper realized by the Italian artist ...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Sepulcher of Carlo di Angiò - Rome - Early 19th Century
Located in Roma, IT
Sepulcher of Carlo di Angiò is an original etching, realized by Piroli written below the image down in the XIX century, the table is XII is written at the top of the image on the rig...
Category
Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
$159 Sale Price
25% Off
Birs Nimrud la dite Tour Babilonique - Original Lithograph - Early 19th Century
Located in Roma, IT
Birs Nimrud la dite Tour Babilonique is an original modern artwork realized in Germany in the Early 19th Century.
Original B/W Lithograph on Ivory Paper.
Inscripted on the upper c...
Category
Early 19th Century Prints and Multiples
Materials
Lithograph
New Collection of 50 Picturesque Costumes Etched and Watercolored by B. Pinelli
Located in Roma, IT
Original edition of 1815/16 including 50 etchings hand watercolored by Bartolomeo Pinelli.
Oblong Album including 1 frontispiece and 50 richly watercolored etchings showing romans' c...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Landscape from Liber Veritatis - B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 19 x 25 cm.
Landscape is an original etching on paper realized by Claudio di Lorena.
Signed on the plate, on the lower left. plate no. 23, written lower on the ri...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Peter Schlemihl’s Wundersame G - Rare Book Illustrated by G. Cruikshank - 1827
Located in Roma, IT
Peter Schlemihl’s Wundersame Geschichte is an original modern rare book written by Adelbert von Chamisso (Châlons-en-Champagne,1781 – Berlin, 1838) and illustrated by George Cruikshank (London, 1792 - London, 1878) in 1827.
Published by Leonhard Schrag, Nürnberg.
Original First Edition.
Format: in 12°.
The book includes 213 pages with Six full page Etchings and one Frontispiece.
Mint conditions.
George Cruikshank (London, 1792 - London, 1878) was a British caricaturist and book illustrator, praised as the "modern Hogarth" during his life. His book illustrations for his friend di lui Charles Dickens, and many other authors, reached an international audience. For Charles Dickens, Cruikshank illustrated Sketches by Boz...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Paper, Etching
Trop-Tôt - Original Lithograph and Pochoir by F. Bouchot - First Half of 1800
Located in Roma, IT
Amusing original colored lithograph with pouchoir details.
Satiric illustration by the French draftsman Frédéric Bouchot (1798- 1865). Plate 2, from the suite of 10 lithographs, Tr...
Category
Modern Early 19th Century Prints and Multiples
Materials
Lithograph, Stencil
29: The Discovery, Convict Ship
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Etching
"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
By George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time.
The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
I Moccoletti - Original Etching by C. G. Hyalmar Morner - 1820
Located in Roma, IT
I Moccoletti is a pleasant etching and hand-colored gouache, finely engraved on copper and printed on laid paper. The work is unsigned, but it is part of the 20 plates engraved in 18...
Category
Modern Early 19th Century Prints and Multiples
Materials
Gouache, Etching
Doctors of Divinity, University of Cambridge 19th century engraving by John Agar
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Samuel Agar (1773 - 1858) after John Uwins (1782 - 1857)
Doctors in Divinity, Esquire Beadle, and Yeoman Beadle (1815)
Hand-coloured aquatint
25 x 30 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of two Doctors in Divinity and two beadles (administrative assistants to the Chancellor and Proctors of the University) from Ackermann's 'A History of the University of Cambridge, Its Colleges, Halls and Public Buildings'. The four figures walk forward with ceremonial accoutrements, likely to a graduation ceremony.
Thomas Uwins RA RWS was a British painter in watercolour and oil, and a book illustrator. He became a full member of the Old Watercolour Society and a Royal Academician, and held a number of high-profile art appointments including the librarian of the Royal Academy, Surveyor of Pictures to Queen Victoria and the Keeper of the National Gallery. In the late 1790s he began producing work for Ackermann's collections.
John Samuel Agar was an English portrait painter and engraver, who exhibited his works at the Royal Academy from 1796 to 1806 and at the British Institution until 1811. He was at one time president of the Society of Engravers. Rudolph Ackermann published many of his engravings.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
View of the Interior of the Colosseum by Francesco Piranesi, 1835
Located in New York, NY
Piranesi, Francesco.
Le Antichita Romane.
This plate: View of the interior of the Colosseum.
Hind 134, 1st Paris edition, 1835.
Original etching.
Plate size: 19 1/2 x 28 1/4 i...
Category
Early 19th Century Prints and Multiples
Materials
Paper
$1,800 Sale Price
28% Off
Portrait of a Lady - Etching by Thomas Cheesman - Early-19th century
Located in Roma, IT
Portrait of a Lady is a beautiful etching on paper, realized by the English artist Thomas Cheesman (1760 - 1834).
Signed on plate on the right corner, the watercolor etching is d'...
Category
Abstract Early 19th Century Prints and Multiples
Materials
Etching
Pear Engraving
Located in New York, NY
Redouté, Pierre Joseph.
Poire Tarquin. Le Choix des Plus Belles Fleurs.
Paris, 1827.
Original engraving hand colored at the time of publication.
Category
Early 19th Century Prints and Multiples
Materials
Paper
POITEAU/ TURPIN. Traité des arbres fruitiers: A Set of Four Cherries.
Located in London, GB
A set of four stipple-engraved plates printed in colours and finished by hand.
Four plates from 'One of the finest and rarest books on fruit' (Dunthorne p.192). This series takes it...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Color, Engraving, Handmade Paper
Napoleon Standing
Located in Fairlawn, OH
Napoleon Standing
Lithograph, 1822
Signed in the stone lower left corner of image (see photo)
From: Arnault, A. V.
Vie Politique et Militaire de Napoleon (120 plates)
Published, Paris, Librairie Historiquem 1822
Printed by C. Motte, Paris
Considered to be the major pictorial treatise on Napoleon and his military conquests.
Image size: 14 x 9 3/4 inches
Sheet size: 23 5/8 x 17 3/4 inches
Condition: Very good
Horizontal prints...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Lithograph
Sepolcro Regio o Consolare (...) - Etching by Luigi Rossini - 1825
Located in Roma, IT
Sepolcro Regio o Consolare inciso nella rupe del Monte Albano, or nel Convento di Fr. Frances. ni di Palazzuolo is an original etching realized by Luigi Rossini.
From the series “Le ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
The Bishop - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
The Bishop is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated on the right margin....
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Red Doyenne Pear: Original 19th C. Hand-colored Engraving by Sir William Hooker
Located in Alamo, CA
This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Portrait of the Duke D'Urbino - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait of Duke D'Urbino is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Know...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
The Captain of the Swiss Guard - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
The Captain of the Swiss Guard is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated o...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Dean Wolstenholme (1798-1882) - 1832 Aquatint, Death of Tom Moody, Gone to Earth
Located in Corsham, GB
A fine early 19th Century strike of the humorous scene of the death of Tom Moody. Moody's friends from his hunting troupe gather round his open grave, wildly shouting "Tally Ho!" muc...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
Trinity College, Cambridge Library engraving by Stadler after Westall
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850)
Trinity Library...
Category
Realist Early 19th Century Prints and Multiples
Materials
Aquatint
The Greek Subdeacon - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
The Greek Subdeacon is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated on the right...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
"Aiutante di Camera con la Mazza" - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
"Aiutante di Camera con la Mazza" is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and date...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Armenian Bishop - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
Armenian Bishop is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated on the right mar...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Bow Street Office: Rowlandson Hand-colored Engraving from Microcosm of London
Located in Alamo, CA
An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Aquatint, Etching
Profiles - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The portrait after Raphael is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
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