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Period: Early 19th Century
Whales, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Whales, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of Interesting Animals, Plants, Flowers, Fruits, Minerals, Costumes, Antiquities and other Interesting Objects...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

Ape and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving, Etching

38: Lugger on the Beach
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Etching

The Root of King’s Evil, NB To cure the Constitution of this evil, the axe ...
Located in Middletown, NY
A beautiful image of fellowship and esprit de corp with bright handcoloring in watercolor. London: Thomas Mclean, August 1st, 1835. Second Edition. Etching with handcoloring in water...
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Victorian Early 19th Century Prints and Multiples

Materials

Watercolor, Etching

Classical Roman vase, early 19th century Italian Grand Tour engraving, c1820
By Carlos Antonini
Located in Melbourne, Victoria
Italian Neoclassical engraving depicting the Roman bronze and marble vases in collections of antiquities in Rome. Circa 1820. 175mm by 130mm (platemark) 330mm by 215mm (sheet size)
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Renaissance Early 19th Century Prints and Multiples

Materials

Engraving

The Mother's Hope, Regency stipple portrait engraving, 1815
Located in Melbourne, Victoria
Adam Buck (1759–1833) was an Irish neo-classical portraitist and miniature painter and engraver principally active in London. 300mm by 208mm (sheet).
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English School Early 19th Century Prints and Multiples

Materials

Engraving

"Fowey" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
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Early 19th Century Prints and Multiples

Materials

Engraving

"Dunster from Minehead" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
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Early 19th Century Prints and Multiples

Materials

Engraving

German Deer Shooting, Winter, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Deer Shooting, Winter' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Fiel...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Aquatint

Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
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Old Masters Early 19th Century Prints and Multiples

Materials

Etching, Aquatint

All Souls College, Oxford engraving by Bluck after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Bluck (early 19th century) after Augustus Charles Pugin (1762 - 1832) All Souls...
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Early 19th Century Prints and Multiples

Materials

Aquatint

Classical Greek Vase-Painting Engraving by Passeri
Located in Melbourne, Victoria
Copper-line engraving with later hand-colouring from Passeri's 'Picturae Etruscorum In Vasculis Nunc Primum .....', published in Rome in 1767. Sizes : 290mm by 200mm (platemark)
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Other Art Style Early 19th Century Prints and Multiples

Materials

Engraving

A Trap to Shoot the Bear, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'A Trap to Shoot the Bear' Colour aquatint by Mathew Dubourg (1786-1838) and Samuel Howitt (1756/7-1822) after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Spor...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Aquatint

The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
Located in Alamo, CA
A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819. The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...
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Victorian Early 19th Century Prints and Multiples

Materials

Aquatint

Committee on Agriculture - Etching by Jean-Luis Forain - Late 19th century
Located in Roma, IT
Map of the War between Hungary and Prussia is an etching realized during the 19th century. Good condition.
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Map of the World - Original Etching - 1820
Located in Roma, IT
Map of the World is an Original Etching realized by an unknown artist of 19th century in 1820. Very good condition on two sheets of white paper joine...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting young nude man with thyrsus and flowers, opposite two young women with fillet, situla, phiale and thyrsus. Above left, Hercules in Nem...
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Other Art Style Early 19th Century Prints and Multiples

Materials

Engraving

The Kirekin in Shropshire, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Aquatint

Mastiff, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Mastiff' Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803. Philip Reinagle was one of the best of the sporting a...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting a woman sitting on a rock from a Campanian bail-amphora. Technique : Copper-line engraving with original hand-colouring Backgroun...
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Other Art Style Early 19th Century Prints and Multiples

Materials

Engraving

Hunting the Camelopard (Giraffe), antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822). From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Aquatint

Portrait of Gabriel Cortois de Pressigny
Located in Roma, IT
Signed on plate. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an artist who has died requires a licence for expor...
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Early 19th Century Prints and Multiples

Materials

Etching

Green Flesh or Candia Melon Aquatint by George Brookshaw
Located in New York, NY
Plate LXIX [Green flesh or Candia melon] from Pomona Britannica; or, A collection of the most esteemed fruits.. with the blossoms and leaves.. by George Brookshaw. London, T. Bensle...
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Early 19th Century Prints and Multiples

Materials

Paper

Radcliffe Library, Oxford engraving by Hill after Mackenzie for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...
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Realist Early 19th Century Prints and Multiples

Materials

Aquatint

Thomas Lord Coventry Lord Keeper, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...
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Renaissance Early 19th Century Prints and Multiples

Materials

Engraving

"Pillory, Charing Cross" by Rowlandson from "The Microcosm of London"
Located in Alamo, CA
"Pillory, Charing Cross" is an illustration (Plate 62) from "The Microcosm of London", published in London in 1809 by R Ackermann's Repository of Arts. The scene was created by one of the most famous British satirists and caricaturists of the late 18th and early 19th centuries' Georgian Period, Thomas Rowlandson, who drew the figures, while Augustus Charles Pugin drew the architecture. The plate was then created by Hill, Stadler and Bluck using a combination of aquatint and etching and was then hand colored with watercolor. Scenes illustrated in "The Microcosm of London" gives an accurate and often comical view of everyday life in London during the Regency Period of the early 19th century. While Pugin’s excellent architectural drawings capture the size and shape of the exterior as well as the interior of London’s principal buildings, Thomas Rowlandson’s insightful and often whimsical and satirical view of the city's inhabitants depicts the color and vitality of the late Georgian society, both rich and poor alike. This print depicts the "Pillory, Charing Cross", where criminals were brought and placed on display while secure in the stocks, as are seen in this print. A crowd is present in the square jeering at the prisoners. A statue of Charles I on horseback stands atop a very large pillar to the right. Shops with apartments are seen on the left. Young wealthy people frolic around and on a carriage on the right in front of the statue of King...
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Other Art Style Early 19th Century Prints and Multiples

Materials

Etching, Aquatint

George Brookshaw's Black Frontiniac Wine Grape Aquatint from "Pomona Brittanica"
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful Black Frontiniac Wine Grape hand-colored aquatint engraving, plate XVII from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a rich mottled background. The print is presented in a gold and burgundy-colored wood frame and a light gray mat. The print is in very good condition. Another Brookshaw engraving from his series of fruit illustrations is available on 1stdibs. It is framed and matted identically to this one. It can be viewed on our 1stdibs storefront by typing Timeless Intaglio...
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Realist Early 19th Century Prints and Multiples

Materials

Aquatint

Frances Sargent Osgood, American poet, antique portrait engraving print, 1872
By Alonzo Chappel
Located in Melbourne, Victoria
'Frances Sargent Osgood' Steel-engraving after the painting by Chappel. 1872. Facsimile signature below the image. Frances Sargent Osgood (1811-1850) was an American poet and one of the most popular women writers during her time and was also famous for her exchange of romantic poems with Edgar Allan Poe. Alonzo Chappel...
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Victorian Early 19th Century Prints and Multiples

Materials

Engraving

Plums: George Brookshaw's Framed Hand-colored 19th C. Aquatint
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful "Plums" hand colored aquatint engraving from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. There are purple, mustard-colored plums on brown branches with green leaves over a two-tone dark brown and light tan background. The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...
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Academic Early 19th Century Prints and Multiples

Materials

Aquatint

West Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. From 'Westminster Abbey', published by Ru...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving, Etching, Aquatint

Bird Catching from Below, Scotland, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Bird Catching from Below' Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Aquatint

Catching the Badger, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Catching the Badger' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Aquatint

Russian Winter Fishery, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Russian Winter Fishery' Colour aquatint by Mathew Dubourg (1786-1838) after John Augustus Atkinson (1775 – after 1830). From Samuel Howitt's 'Foreign ...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Aquatint

The Bull & The Cow and Calf, English animal cow cattle engraving, 1807
Located in Melbourne, Victoria
Early 19th century cattle engraving from Rees' Cyclopaedia. Sydenham Teast Edwards (1768-1819), was a natural history illustrator. He produced watercolours for engraving for Curtis's Botanical Magazine, New Botanic...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

Northian Moraea. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Morea Northiana - Northian Moraea' 'Native of the Brazils'. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

Red Doyenne Pear: Original 19th C. Hand-colored Engraving by Sir William Hooker
Located in Alamo, CA
This is an original 19th century hand-colored stipple engraving by William Hooker entitled "The Red Doyenne Pear", published in London as plate 14 in the 'Transactions of the Horticu...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

Tomb of the Virgin Mary: An Early 19th C. Aquatint after a Luigi Mayer Drawing
Located in Alamo, CA
"Tomb of the Virgin Mary", Pl. 10 in Luigi Mayer's publication 'Views in Egypt, Palestine, and Other Parts of the Ottoman Empire', published by Robert Bowy...
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Early 19th Century Prints and Multiples

Materials

Engraving

Ancient View of Rotterdam Original Lithograph on Paper - Early 19th Century
Located in Roma, IT
Ancient View of Rotterdam is an original modern artwork realized in Italy in the first half of the 19th Century. Original Lithograph on Ivory Paper. Inscripted on the lower margi...
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Modern Early 19th Century Prints and Multiples

Materials

Lithograph

East Side of the Chapel of St Paul, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
'East Side of the Chapel of St Paul' Colour aquatint by John Bluck (active 1791-1819) after Frederick Mackenzie (1788-1854). Architectural interior with superb original colour. Fro...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving, Etching, Aquatint

Circa 1825 original engraving of the map of Syria by Giraldon Bovinet
Located in PARIS, FR
The circa 1825 original engraving of "Syrie" by Giraldon Bovinet, based on the work of L. Vivien, is a historically significant map that reflects early 19th-century cartographic tech...
Category

Early 19th Century Prints and Multiples

Materials

Paper, Engraving

William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting Dionysius with drinking horn and thyrsus, Apollo with lyre and laurel-branch, seated opposite each other with satyrs and maenads. Te...
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Other Art Style Early 19th Century Prints and Multiples

Materials

Engraving

The Courtesan - Original Woodblock Print by Eisen Keisai - First Half of 1800
Located in Roma, IT
The Courtesan is an original print realized between in the beginning of XIX century by Keisai Eisen This is a mixed colored xylograph. Include passeparto...
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Early 19th Century Prints and Multiples

Materials

Woodcut

Flowering Crinum Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Crinum Arenarium" (Water-Island Sand Crinum), plate 2355, published in London in 1822 in William...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

Francis Lord Cottington, portrait engraving print, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Francis Cottington, 1st Baron Cottington was the English lord...
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Renaissance Early 19th Century Prints and Multiples

Materials

Engraving

Bloodhound, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Blood Hound' Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803. Philip Reinagle was one of the best of the sporti...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

Sir William Wyndham, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780). Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouc...
Category

Renaissance Early 19th Century Prints and Multiples

Materials

Engraving

The Revelation - Etching by William Bromley - 1810
Located in Roma, IT
The Revelation is an original etching artwork realized by William Bromley for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankin...
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Modern Early 19th Century Prints and Multiples

Materials

Etching

Albuca Minor - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Albuca Minor' Original copper-line engraving with original hand-colouring. From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude Michel M...
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Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting the contest between Apollo (laurel-crowned) and Marsyas (with flute) witnessed by Artemis and Athena. Technique : Copper-line engrav...
Category

Other Art Style Early 19th Century Prints and Multiples

Materials

Engraving

Fighting Bulls and Frogs, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving, Etching

Representation Generale de la Voute de La Galerie du President, French engraving
Located in Melbourne, Victoria
Copper-line engraving by Mathys Pool (1676-1732) after Picart and Charles Le Brun (1619-1690). 1718. Depicts a ceiling design commissioned for the Hot...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

Sting Rays, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Sting Rays, engraving with original hand-colouring, circa 1815. From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collect...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving

Lioness and Fox, antique animal fable etching by Samuel Howitt
Located in Melbourne, Victoria
Original antique etching by Samuel Howitt (1756-1822) . C1810. Published by Edward Orme. An early 19th century etching by Howitt from a series depicting ...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving, Etching

St Michael’s Mount, Cornwall, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Aquatint

West View of St Nicholas Chapel, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832). Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Engraving, Etching, Aquatint

Feve de St Ignace (Strychnos ignatii), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
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Victorian Early 19th Century Prints and Multiples

Materials

Engraving

Torch Light Fishing in N America, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Torch Light Fishing in N America' Colour aquatint by Merke after John Heavenside Clark (c1770-1863). From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category

Naturalistic Early 19th Century Prints and Multiples

Materials

Aquatint

07: The Victory
Located in Columbia, MO
Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...
Category

Early 19th Century Prints and Multiples

Materials

Etching

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