Early 19th Century Prints and Multiples
to
69
1,116
154
81
9
3
Overall Width
to
Overall Height
to
513
200
3
2
2
1
311
26
24
20
15
4,739
10,307
57,427
25,568
728
996
2,237
2,355
2,556
5,126
8,000
13,399
7,637
3,956
3,920
690
661
12
975
456
373
303
284
236
208
132
114
101
85
57
56
55
43
38
36
32
32
31
913
280
178
168
98
104
788
405
319
Period: Early 19th Century
Architecture Fragments of St Albans Cathedral (1810), engraving by James Basire
Located in London, GB
James Basire & John Carter
Architectural Fragments of St Albans Cathedral
Engraving
44 x 62 cm
This engraving was originally published by the Society of Antiquaries of London, an...
Category
Realist Early 19th Century Prints and Multiples
Materials
Engraving
Sewessissing Chief of the Eowah Indians, Native American portrait engraving
Located in Melbourne, Victoria
Copper-line engraving with original hand-colouring by M Griffith after Charles Hamilton Smith, 1827.
Depicts the Sewessissing, chief of the Iowa Indians.
Charles Hamilton Smith (1...
Category
American Impressionist Early 19th Century Prints and Multiples
Materials
Engraving
La Tauromaquia, Plate #28
Located in San Francisco, CA
This artwork titled "El Esforzado Rendon Picando un Toro, De Cuya Suerte Murio en la Plaza de Madrid" from the suite "La Tauromaquia" engraved between 1815 and 1816, is a photogravur...
Category
Realist Early 19th Century Prints and Multiples
Materials
Photogravure
The Great Fire of London, 1666
By James Stow
Located in Middletown, NY
A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring.
London: Robert Wilkinson, 1811.
Copperplat...
Category
English School Early 19th Century Prints and Multiples
Materials
Engraving, Watercolor, Handmade Paper
Hunting a Zebra, African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
View of the Silla oil Caracas - Etching by Louis Bouquet - 1814
Located in Roma, IT
Etching realized by Louis Bouquet after Hamboldt.
not signed.
Very good condition.
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
'T-Kaa-Onoroh, Femme des iles-Sandwich', Hawaii, antique lithograph print
Located in Melbourne, Victoria
'T-Kaa-Onoroh, Femme des iles-Sandwich', woman from Hawaii.
Lithograph, by Pierre Langlume and L' Abbaye after Jacques Arago (1790-1855).
From Jacques Arago's 'Promenade autour du ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Lithograph
Silhouettes - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Silhouettes is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Portrait - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Portrait is an original artwork realized by Thomas Holloway (1748 - 1827).
Original Etching from J.C. Lavater's "Essays on Physiognomy, Designed to promote the Knowledge and the Lov...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Representation of Norman Pavers, engraving by William Fowler , 1802
By William Fowler
Located in Melbourne, Victoria
'Representation of Norman Pavers in the Possession of H Rooke Esq. FAS'
Aquatint with original hand-colouring, 1802, by William Fowler (artist, engraver and publisher) (1761–1832).
...
Category
Medieval Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Egyptians, Crocodile Catching, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Egyptians, Crocodile Catching'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt w...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Temple of Fortuna Virilis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive residue from a former mount at each edge on the recto. Light ghost impression in the area of the sky. Scattered minor areas of light brown discoloration, with a 3 3/4 inch horizontal edge loss along the lower left sheet edge, outside of the platemark. Colors remain fresh. Plate No. 3 from Wonders: Images of the Ancient World. Likely printed 1828.
A view of the Temple of Hercules Victor...
Category
English School Early 19th Century Prints and Multiples
Materials
Engraving, Handmade Paper, Etching, Aquatint
Temple of the Dea Tussis
Located in Middletown, NY
London: J. Taylor, 1820. Etching and aquatint with engraving on cream wove paper with a gilded edge, 11 1/2 x 14 3/4 inches (290 x 374 mm), full margins. Small spots of adhesive resi...
Category
English School Early 19th Century Prints and Multiples
Materials
Engraving, Handmade Paper, Etching, Aquatint
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Mr. B. Promoted to Lieutenant and first putting on his uniform.
Located in Middletown, NY
From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 7)
Etching with handcoloring in watercolor on cream wove paper, 8 3/8 x 11 1/2 inches (2...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Etching
Crepin-Cordonnier by Charles Hullmandell Boys
Located in Middletown, NY
Lithograph on chine-collé mounted to wove paper, 14 1/8 x 8 3/4 inches (355 x 220 mm), full margins. Scattered light foxing throughout, toning, surface soiling and scattered creasing...
Category
French School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Lithograph
Guillaume le Conquérant rapporté après sa mort à l'église de Boscherville
Located in Fairlawn, OH
Guillaume le Conquérant rapporté après sa mort à l'église de Boscherville (William the Conqueror brought back after his death to the church at Boscherville)
Lithograph, 1823
As publi...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Lithograph
Waiting room at the Admiralty (*no Misnomer)
Located in Middletown, NY
London: Thomas McLean, 1820. Second Edition. Etching with handcoloring in watercolor on cream wove paper (published 1835), 8 3/8 x 11 1/2 inches (210 x 29 0mm), full margins. Second...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Etching, Watercolor
Shone Roosen - Etching by Christoph Suhr - 1808
Located in Roma, IT
Shone Roosen is an artwork, realized by Christoph Suhr in 1808.
Etching hand colored. Titled on the lower margin.
The artwork belongs to the Series "Der Ausruf in Hamburg vorgestel...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
POITEAU/ TURPIN. Traité des arbres fruitiers: A Set of Four Cherries.
Located in London, GB
A set of four stipple-engraved plates printed in colours and finished by hand.
Four plates from 'One of the finest and rarest books on fruit' (Dunthorne p.192). This series takes it...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Color, Engraving, Handmade Paper
Quicksilver Royal Mail and The Blenheim
Located in Douglas, Isle of Man
James Pollard 1792-1867, was an English painter and watercolourist. Pollard was born in North London he was the son of a painter and publisher. He exhibited at the Royal Academy, Suf...
Category
Early 19th Century Prints and Multiples
Materials
Paper, Printer's Ink, Watercolor
Grashupp- hupp koop - Etching by Christoph Suhr - 1808
Located in Roma, IT
Grashupp- hupp koop is an artwork, realized by Christoph Suhr in 1808.
Etching hand colored. Titled on the lower margin.
The artwork belongs to the Series "Der Ausruf in Hamburg vo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Ceiling plan of Crosby Hall, Bishopsgate Street
Located in Middletown, NY
Robert Wilkinson, 1816.
Copperplate engraving on buff wove paper with hand coloring in watercolor, 10 7/8 x 13 /4 inches (275 x 336 mm), full margins. In good condition with some sc...
Category
English School Early 19th Century Prints and Multiples
Materials
Engraving, Watercolor, Handmade Paper
A Scene in the New Farce —as performed at the Royalty Theater
Located in Middletown, NY
A Scene in the New Farce —as performed at the Royalty Theater
London: George Humphrey, 1821.
Etching and engraving on cream wove paper with extensive hand coloring in watercolor. 9 5/8 x 13 3/4 inches (244 x 348 mm), trimmed at the platemark. A beautiful impression of this large, intricate print...
Category
Early 19th Century Prints and Multiples
Materials
Watercolor, Engraving, Etching
Feine Brillen Koof - Etching by Christoph Suhr - 1808
Located in Roma, IT
Feine Brillen Koof is an artwork, realized by Christoph Suhr in 1808.
Etching hand colored. Titled on the lower margin.
The artwork belongs to the Series "Der Ausruf in Hamburg vor...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
A Peep at a Peer _ or the Guildford High Mettled Racer
Located in Middletown, NY
Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Watercolor, Etching
Crinium Giganteum
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Crinium Giganteum
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Handmade Paper, Engraving
Hunting the Camelopard (Giraffe), antique African hunting engraving print, 1813
Located in Melbourne, Victoria
Colour aquatint after Samuel Howitt (1756/7-1822).
From Samuel Howitt's 'Foreign Field Sports' Samuel Howitt was an English painter, illustrator and etch...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Thomas Gauguin (1756-1831) - Framed Stipple Engraving, The Bird Catcher
Located in Corsham, GB
A wonderful 19th century stipple engraving by Thomas Gauguin (1756-1831) after Joseph Barney (1753-1832). The print depicts a young boy sat on the ground, baiting a bird trap with gr...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
'Cheval de Mecklembourg' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault 'Cheval de Mecklembourg' (Mecklembourg Horse), lithograph, 1822, 2nd state of 4, Delteil 47. Signed in the matrix 'Gericault', lower left. Published by Godefroy En...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Lithograph
The Grand Coronation Banquet of King George IV at Westminster Hall, 17 July 1821
By Johannes Kip
Located in Middletown, NY
The Grand Coronation Banquet of King George IV at Westminster Hall, the oldest building on the Parliamentary estate.
A Prospect of the Inside of Westminster Hall; The Grand Coronati...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Engraving, Watercolor
The Sacrifice - Original Etching by F. Cecchini After A. Tofanelli - 1821
Located in Roma, IT
“Sagrifizio Trionfale” is a beautiful black and white burin and etching on paper, realized by the Italian artist Francesco Cecchini (1790-1820), after Agostino Tofanelli (Lucca 177...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Brabant Apple: A 19th Century Hand-colored Engraving by Augusta Innes Withers
By Augusta Innes Withers
Located in Alamo, CA
This early 19th century hand-colored stipple engraving by Augusta Innes Withers entitled "The Brabant Bellefleur Apple" was plate 10 published in London in the 'Transactions of the H...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
A Hero Of The Turf & His Agent
Located in Bristol, CT
Drawn and published by Dighton
Art Sz: 10.75"H x 7.75"W
Frame Sz: 15.8"H x 12.75"W
Custom framed in Oyster Bay, N.Y. w/ French hand colour mat
London: 1806. Robert Dighton (1752-1...
Category
Early 19th Century Prints and Multiples
Materials
Lithograph
La Liberté - Original Etching - Early 19th Century
Located in Roma, IT
La Liberté is an original colored etching realized by an anonymous artist. Titled on the lower center
"La Liberté". The State of preservation is excellent.
Sheet dimension: 29x20.5 ...
Category
Early 19th Century Prints and Multiples
Materials
Watercolor, Etching
A brightly colored image of a 13th century French bowman.
Located in Middletown, NY
Mussard, Léopold
Costume design for a 13th century Arbalétrier.
Paris: 1836. Etching with hand coloring in watercolor on cream wove paper, 5 1/2 x 8 9/16 inches (138 x 216 mm), full...
Category
French School Early 19th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Etching
Fette Junge - Etching by Christoph Suhr - 1808
Located in Roma, IT
Fette junge is an artwork, realized by Christoph Suhr in 1808.
Etching hand colored. Titled on the lower margin.
The artwork belongs to the Series "Der Ausruf in Hamburg vorgestell...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
The Captain of the Swiss Guard - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
The Captain of the Swiss Guard is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated o...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
"Watchet" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Bow Street Office: Rowlandson Hand-colored Engraving from Microcosm of London
Located in Alamo, CA
An early 19th century print entitled "Bow Street Office", an illustration (Plate 11) from "The Microcosm of London", published in London in 1808 by R. Acker...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Aquatint, Etching
Monstrosities of 1822; Plate 5
Located in Middletown, NY
London: Thomas McLean, 1835. Third Edition. Etching with hand coloring in watercolor on cream wove paper, 9 1/2 x 13 3/4 inches (240 x 348 mm), full margins. With light, fresh color....
Category
Victorian Early 19th Century Prints and Multiples
Materials
Etching, Watercolor
Threshing, early 19th century sepia soft ground etching, 1805
Located in Melbourne, Victoria
'Threshing'
Etching from William Henry Pyne's (1769-1843) series 'Microcosm: or, a picturesque delineation of the arts, agriculture, manufacturers,...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Etching
A Bear, Hand-Colored Print From The Early 1800s by Johan Wilhelm Palmstruch
Located in Stockholm, SE
Johan Wilhelm Palmstruch (1770-1811) Sweden
Title: A Bear
hand-coloured print
early 1800s
print dimensions approx 4.33 x 7.08 inches (11 x 18 cm)
frame 11.81 x 15.74 inches (30 ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Color
The Mother's Hope, Regency stipple portrait engraving, 1815
Located in Melbourne, Victoria
Adam Buck (1759–1833) was an Irish neo-classical portraitist and miniature painter and engraver principally active in London.
300mm by 208mm (sheet).
Category
English School Early 19th Century Prints and Multiples
Materials
Engraving
The Consistorial Lawyers - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
The Consistorial Lawyers is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated on the ...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Bloodhound, early 19th century English dog engraving
By Philip Reinagle
Located in Melbourne, Victoria
'Blood Hound'
Copper-line engraving by J Scott (1774-1827) after Philip Reinagle (1749-1815), 1803.
Philip Reinagle was one of the best of the sporti...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Fortune Hunting
Located in Middletown, NY
A richly hand-colored image with a counterstrike on the verso.
London: Hannah Humphrey, 1804.
Etching with hand coloring in watercolor on buff wove paper, 10 1/4 x 15 inches (260 x...
Category
English School Early 19th Century Prints and Multiples
Materials
Etching, Watercolor
The Physiognomy - The Bats - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
The Physiognomy - The Bats is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Lo...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Attention - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Attention is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love of Mankind", L...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Flowering Air Plant: A 19th Century Hand-colored Engraving by William Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Pendulous-flowered Bryophyllum", plate 1409, published in London in 1809 in William Curtis’s 'The Botanical Magazine, or Flower-Garden Displayed'. Bryophyllum pinnatum, also known as the air plant...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Country Christening – English School, 19th century
Located in Middletown, NY
London: Thomas McLean, 1825.
Aquatint with engraving and handcoloring in watercolor on wove paper, 8 7/8 x 10 3/4 inches (225 x 272 mm), wide margins. Light handling wear and four s...
Category
English School Early 19th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Engraving, Aquatint
Yucca filamentosa - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Yucca filamentosa' (Adam's Needle)
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps &...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
A 19th Century Curtis Hand-colored Engraving of a Flowering Clerodendrum Plant
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
The Cardinal Wearing the Cape - Etching by Giuseppe Capparoni - 1827
Located in Roma, IT
The Cardinal wearing the cape is an Artwork realized in 1827 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated on...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Base of a Colossal Column Near Syracuse, after Luigi Mayer
Located in Middletown, NY
London: T. Bensley for R. Bowyer, 1810
Hand-colored aquatint on cream wove paper, 9 x 12 3/8 inches (227 x 318 mm), full margins. Scattered light toning and a spray of light spots o...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Aquatint
PRÉVOST. Print from Collection des Fleurs et des Fruits
Located in London, GB
Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand.
[Paris, 1805]
Prevost's "Collection des Fleurs et Fruits...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Color, Engraving, Handmade Paper
Northian Moraea. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Morea Northiana - Northian Moraea'
'Native of the Brazils'.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Anatomical Engraving of a Human Arm
By John Lizars
Located in New York, NY
Original color printed engraving, embellished by hand from "Anatomical Plates of the Human Body." Edinburgh: 1822-27. John Lizars was a professor of surgery at the Royal College of ...
Category
Early 19th Century Prints and Multiples
Materials
Paper
An early 19th C. satirical etching of John Bull kneeling before William Pitt
Located in Alamo, CA
This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background.
A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!"
The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition.
William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...
Category
Early 19th Century Prints and Multiples
Materials
Etching
John Evelyn Esq., English diarist, early 19th century portrait engraving print
Located in Melbourne, Victoria
'John Evelyn Esq'
Copper-line engraving, by WH Worthington after Robert Walker.
John Evelyn FRS was an English writer, landowner, gardener, courtier and minor government official, ...
Category
English School Early 19th Century Prints and Multiples
Materials
Engraving
Read More
Joan Mitchell’s Rare, Late-Career Diptych Buzzes with Life
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
The 1stDibs Guide to Types of Abstract Art
Get to know the key movements and artists who have influenced visual culture for more than a century.
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Andy Warhol and Suzie Frankfurt’s ‘Wild Raspberries’ Cookbook Is an Artful, Fanciful Delight
This set of recipes and original prints might not make you a better chef. But it will make you smile.
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”