Early 19th Century Prints and Multiples
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Period: Early 19th Century
Cairo with Murad Bey's Palace: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Principal Square in Grand Cairo, with Murad Bey's Palace", published in London by R. Bowyer in 1801. The print was created by ...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
The Four Seasons: Spring Japanese Woodblock Triptych ink on Paper Tales of Genji
Located in Soquel, CA
The Four Seasons: Spring - Japanese Woodblock Triptych in Ink on Paper
Colorful kabuki scene by Utagawa Kuniteru (Japanese, active 1818-18...
Category
Edo Early 19th Century Prints and Multiples
Materials
Paper, Ink, Woodcut
John Duke of Somerset /// Medieval Knight Soldier Warrior Sword Spear Pike Art
Located in Saint Augustine, FL
Artist: Samuel Rush Meyrick (English, 1783-1848)
Title: "John Duke of Somerset" (Vol. 2, Plate XLIX)
Portfolio: A Critical Inquiry into Antient Armour
Year: 1824 (First edition)
Medi...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Watercolor, Engraving, Aquatint, Intaglio, Etching
"Plymouth" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
College of Physicians, from Ackermann's "Microcosm of London."
Located in Middletown, NY
Pugin, Augustus Charles & Rowlandson, Thomas (after).
College of Physicians, from Ackermann's "Microcosm of London."
London: Rudolph Ackermann, 1808. Hand-colored lithograph, 9 1/4 ...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Watercolor, Lithograph
The Wrath of Elihu: 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid.'
Located in Storrs, CT
The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Engraving
Walking Sticks and Round-A-Bouts. For the Year 1801
Located in Middletown, NY
An excellent example of Rowlandson's visual commentary on the challenges of changing fashion for those with a less than ideal physique.
Rowlandson, Thomas (after George Murgatroyd W...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Etching, Engraving, Watercolor
Beauties of Claude Lorrain mezzotint - Plate 10
Located in Henderson, NV
Medium: etching, engraving and mezzotint (after Claude Lorrain). This lovely impression on wove paper was engraved by G.H. Every for the "Beauties of Claude Lorraine" portfolio. The ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving, Mezzotint, Etching
"Mount Edgcumbe" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Bird Catching from Below, Scotland, aquatint engraving field sport print, 1813
Located in Melbourne, Victoria
'Bird Catching from Below'
Colour aquatint by Mathew Dubourg (1786-1838) after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Don-Key – English School, 19th century
Located in Middletown, NY
A rare, extensively hand-colored impression of this charming British satirical image.
London: 1830.
Lithograph with hand coloring in watercolor on cream wove paper, 12 1/4 x 9 5/1...
Category
English School Early 19th Century Prints and Multiples
Materials
Watercolor, Handmade Paper, Lithograph
Actor Iwai Shigaku as Somenoi in "Denka chaya adauchi"
By Kuniyoshi
Located in Middletown, NY
Actor Iwai Shigaku as Somenoi in "Denka chaya adauchi" (Revenge at the Denka Teahouse), by Shigeharu, Ryusai (also called Kuniyoshi)
Tokyo: Horie Ichiba Wataki, 1835.
Woodcut on la...
Category
Edo Early 19th Century Prints and Multiples
Materials
Laid Paper, Handmade Paper, Woodcut
Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
To Calais – after an illustration by Captain Frederick Marryat
Located in Middletown, NY
London: Thomas McLean, 1835.
Etching with hand coloring in watercolor on cream wove paper. 6 1/4 x 8 3/8 inches (157 x 210 mm), full margins. Initialed in the plate by Cruikshank, a...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Etching, Watercolor
The Cat's Paw
By John Doyle
Located in Middletown, NY
An iconic image satirizing the Prime Minister at the 1832 London Conference.
The Cat's Paw (Charles Maurice de Talleyrand-Périgord, Prince de Benevento & Henry John Temple...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Lithograph
A Peep at a Peer _ or the Guildford High Mettled Racer
Located in Middletown, NY
Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Watercolor, Etching
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Located in Soquel, CA
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor is standing on a wooden deck, wearing a robe with a pine-needle pattern. He is holding a sword and a staff. In the background, tree branches hang down from out of frame.
Presented in a gold colored frame with a silk mat.
Frame size: 20"H x 14.25"W
Image size: 14"H x 8.5"W
Utagawa Toyokuni (Japanese, 1769-1825) was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets...
Category
Impressionist Early 19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Tigre couché à l'entrée de son antre (Tiger Lying at the Entrance to its Lair)
Located in Middletown, NY
Etching, drypoint, and roulette on watermarked Hallines cream laid paper, 3 3/4 x 5 7/8 inches (95 x 148 mm), full margins. A very good impression of this charming image, with all of...
Category
Realist Early 19th Century Prints and Multiples
Materials
Laid Paper, Drypoint, Etching
THE SUCCESSFUL FORTUNE HUNTER - Leading Miss Morrowfat to the Temple of Hyman
Located in Santa Monica, CA
THOMAS ROWLANDSON (1757 - 1827)
THE SUCCESSFUL FORTUNE HUNTER - Our Captain Shelalee Leading Miss Morrowfat to the Temple of Hyman, 1802 issued in 18...
Category
English School Early 19th Century Prints and Multiples
Materials
Etching
Charles Louis Balzac ca. 1809-1829 Engraving Koum Omboû (Ombos)
Located in Chicago, IL
An engraving on paper by Charles Louis Balzac, "DESCRIPTION DE L'EGYPTE. Koum Omboû (Ombos) Vue du Grand Temple". (ANTIQUITES, volume I, planche 40). Artwork size: 21" x 28". Arch...
Category
French School Early 19th Century Prints and Multiples
Materials
Paper, Engraving
Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Silver Rock Melon: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "Silver Rock Melon", drawn and engraved by George Brookshaw and published in London in 1812 as plate 67 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a Silver Rock Melon still on the vine, but the melon lies on a heater green mat. A wedge of the melon has been dissected to reveal its inner anatomy, including the seeds. The melon skin is a heather and light green color, while the inner portions are a light peach color. The vine and leaves are shown attractive shades of light green and there are soft yellow flowers. The plant is displayed on a light brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There are wide white margins. The title and inscription lies within the lower border.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick heather green mat. The frame measures 25.75" high, 21.5" wide and 1.13" deep. It is glazed with UV conservation glass. There is a short thin vertical line of discoloration in the lower margin through the word "melon" and a tiny spot in the upper margin on the left. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. t depicts a cluster of grapes. The two prints would make a striking display pairing...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Jobs for Fighters original post World War 1 vintage American poster
By Gordon Grant
Located in Spokane, WA
Jobs for Fighters. Original post World War 1 vintage poster, linen backed. Artist: Gordon Grant. Printer: United States Department of Labor - United States Employment Service...
Category
American Realist Early 19th Century Prints and Multiples
Materials
Lithograph
$398 Sale Price
20% Off
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting three draped young men and cortege of banqueters from an Attic column krater now in the British Museum.
Technique : Copper-line engra...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Faust, Méphistophélès et le Barbet / Faust, Méphistophélès and the Water Spaniel
Located in Middletown, NY
Lithograph on Chine appliqué, 9 1/4 x 8 1/8 inches (235 x 206 mm), full margins. First state (of 4). Extremely minor uniform age tone, otherwise in good condition. A superb, richly-inked impression.
[Delteil 61.1]
______
At an early age Delacroix became a lover of music and literature and had been drawing from the time he entered school. He expected painting would be a hobby, but on the death of his father he found he had to make his own way in life. In 1817 he entered the studio of Pierre-Narcisse Guerin; amongst his fellow pupils was Gericault. His first exhibited work was Dante and Virgil...
Category
Barbizon School Early 19th Century Prints and Multiples
Materials
Lithograph, Handmade Paper
Samuel Clarke DD, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Gibson.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historical f...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
Feve de St Ignace (Strychnos ignatii), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
Iris des Marais (Yellow Iris), French botanical herbal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
"Deal" engraving
Located in Henderson, NV
Medium: engraving (after the painting). Printed on Holland-style wove paper, from the rare large size deluxe portfolio entitled "Picturesque Views on the Southern Coast of England", ...
Category
Early 19th Century Prints and Multiples
Materials
Engraving
Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Swan - Original Etching on Paper - 19th Century
Located in Roma, IT
Swan is an original etching on paper realized by an unknown artist of the XIX century.
The State of preservation is very good.
Sheet dimension: 29 x 22.5 cm.
The artwork represen...
Category
Modern Early 19th Century Prints and Multiples
Materials
Paper, Etching
Roman - Oskar Schlemmer
Located in Winterswijk, NL
Art print on heavy paper
After the original from 1925
In great condition
Category
Early 19th Century Prints and Multiples
Materials
Color
$139 Sale Price
20% Off
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
The Great Fire of London, 1666
By James Stow
Located in Middletown, NY
A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring.
London: Robert Wilkinson, 1811.
Copperplat...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Engraving, Watercolor
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
Edo Early 19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Whales, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Whales, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic collection of Interesting Animals, Plants, Flowers, Fruits, Minerals, Costumes, Antiquities and other Interesting Objects...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, ...
Located in Fairlawn, OH
Plate LXXVIII Pears (Valley, Petit Russelet, Doyenne, or Saint Michael, and the Russselet de Rheims, or Gross Russelet varities).
Aquatint, engraving with some st...
Category
English School Early 19th Century Prints and Multiples
Materials
Aquatint
Representation Generale de la Voute de La Galerie du President, French engraving
Located in Melbourne, Victoria
Copper-line engraving by Mathys Pool (1676-1732) after Picart and Charles Le Brun (1619-1690). 1718.
Depicts a ceiling design commissioned for the Hot...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Broadway from the Bowling Green, 1828 — early New York City, hand-coloring
Located in Myrtle Beach, SC
J. R. Hutchinson, 'Broadway from the Bowling Green, 1828', hand-colored etching, 1828. Signed and dated in the plate, beneath the image, lower right. Ann...
Category
Realist Early 19th Century Prints and Multiples
Materials
Etching
Alexandria, Egypt & Lighthouse: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Part of the New City of Alexandria, with the Light House", published in London by R. Bowyer from 1802-1805. The print was crea...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Ruins of the Roman Baths of Belisarius: A 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta degl' Avanzi delle Torri di Belisario Dalla parte che guarda l' Interno della Città, vicino a Porta S. Giovanni, A. Mura Aureliane" (...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
St Sepulchre, The Round Church, Cambridge exterior after Pugin for Ackermann
Located in London, GB
To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832)
St Sepulchre's - The Round Church (1814)
Aquatint with original hand colouring
24 x 29 cm
Published by Rudolph Ackermann (1764 - 1834).
An engraving of the Church of the Holy Sepulchre, Cambridge, the round shape of which is inspired by the rotunda in the church of the Holy Sepulchre, Jerusalem.
John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints.
Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury.
Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father.
He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden.
Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts.
Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints.
During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...
Category
Early 19th Century Prints and Multiples
Materials
Aquatint
West View of St Nicholas Chapel, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832).
Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
Attitudes of the Prussian Military - Original Etching by Thomas Holloway - 1810
Located in Roma, IT
Attitudes of the Prussian Military is an original artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Actor Iwai Hanshiro as a Samurai by Utagawa Toyokuni I - Early 19th Century
Located in Roma, IT
Actor Iwai Hanshiro as a Samurai is an artwork realized by Utagawa Toyokuni (1769-1825), in the early 19th Century
Color woodcut, signed or inscribed in the top right and bottom lef...
Category
Modern Early 19th Century Prints and Multiples
Materials
Woodcut
German Manner of Netting Partridges, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'German Manner of Netting Partridges'
Colour aquatint by Merke after Franz Joseph Manskirch (1768-1830).
From Samuel Howitt's 'Foreign Field Sports'. Samuel Howitt was an English p...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
The Nodding Renealmia from Temple of Flora
Located in New York, NY
"The Queen Flower" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, color...
Category
Early 19th Century Prints and Multiples
Materials
Paper
Falcon Crag, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Falcon Crag'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver of ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
The Kirekin in Shropshire, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Drury Lane Theatre, London, colour aquatint, 1808, after Rowlandson and Pugin
Located in Melbourne, Victoria
Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin.
From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Panicum sanguinale, from "Flora Londinensis..."
Located in Houston, TX
Antique hand colored engraving of grass or Panicum Sanguinale by W.Curtis, circa 1820. Artwork was intended to be actual size of specimen.
Original artwork on paper displayed on a w...
Category
Early 19th Century Prints and Multiples
Materials
Engraving, Watercolor, Archival Paper
Peaches, Nectarines: George Brookshaw's 19th C. Framed Hand-colored Aquatint
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background.
The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...
Category
Academic Early 19th Century Prints and Multiples
Materials
Aquatint
Portrait of a Woman
Located in New York, NY
Sadatora, Utagawa (active 1818-1844).
[Portrait of woman].
Japan, ca. 1825.
Original woodblock print.
Category
Early 19th Century Prints and Multiples
Materials
Paper
Direccion de Hidrografia... - Etching by Tomàs Gozàlez - 1802
Located in Roma, IT
Etching on paper realized, among the others, by Tomàs Gozàlez.
From Juan Corradi, Descubrimiento y conquista de la América o Compendio de la historia general del Nuevo Mundo, Madrid...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Pool of Bethesda, Jerusalem: A Hand-colored Aquatint & Engraving by L. Mayer
By Luigi Mayer
Located in Alamo, CA
This is a hand-colored aquatint and engraving entitled "Pool of Bethesda, Jerusalem", published in London by R. Bowyer in 1804. The print was created by Thomas Milton (1743-1827) from drawings by Luigi Mayer.
This beautiful, detailed, original engraving is printed on deluxe J. Whatman paper with very wide left and right margins. There is a watermark "1801" indicating the year the paper was made. The sheet measures 11.25" high and 16" wide. There is a small faint spot in the upper margin on the left and a tiny faint spot in the right upper corner and another in the left lower corner. The engraving is otherwise in excellent condition with vibrant colors throughout the image.
"The Pool of Bethesda...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Spear-leaved Helonias, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Helonias bullata - Spear-leaved Helonias'
Native of Carolina, North America.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repos...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Torch Light Fishing in N America, aquatint engraving hunting print, 1813
Located in Melbourne, Victoria
'Torch Light Fishing in N America'
Colour aquatint by Merke after John Heavenside Clark (c1770-1863).
From Samuel Howitt's 'Foreign Field Sports'. Samuel...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Purslane-leaved Aizoon. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Aizoon Canariense - Purslane-leaved Aizoon'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
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