Early 19th Century Prints and Multiples
to
70
1,099
156
80
10
3
Overall Width
to
Overall Height
to
495
200
2
2
2
1
311
26
24
20
17
4,758
10,259
57,767
25,935
718
1,050
2,173
2,316
2,513
5,098
8,497
13,427
7,542
3,852
3,934
673
663
12
961
450
362
296
280
237
203
131
115
98
85
57
56
55
43
37
36
34
32
28
894
285
179
168
96
102
771
385
317
Period: Early 19th Century
The Deluge - JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
Located in Santa Monica, CA
(after) JOSEPH MALLORD WILLIAM TURNER (1775 - 1851)
THE DELUGE, 1828. Mezzotint, Engraved by I. P. Quilly after a painting by J. M.W. Turner R.A.. Image ...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Mezzotint
$3,200 Sale Price
20% Off
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Lithograph
Ancient Egyptian tomb paintings, Thebes. Early 19th century engraving, 1820
Located in Melbourne, Victoria
Egyptian tomb paintings, Thebes.
Elephant folio engraving, by Allais after Andre Dutertre, from 'Description de l'Egypte', published after Napoleon's e...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting a warrior, seated young man, and young woman.
Technique : Copper-line engraving with original hand-colouring
Background informatio...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting dionysiac groups.
Technique : Copper-line engraving with original hand-colouring
Background information : From the scarce Florence...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
'Mazeppa' — 19th-Century French Romanticism
Located in Myrtle Beach, SC
Théodore Géricault and Eugène Lami, 'Mazeppa' from the series 'Oeuvres de Lord Byron', lithograph, 1823, 2nd state of 3, Delteil 94. Rendered by Thé...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Lithograph
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting from depicting a woman and a bust of Athena from a white glazed lekythos, now in the British Museum.
Technique : Copper-line engraving with ori...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
A Peep at a Peer _ or the Guildford High Mettled Racer
Located in Middletown, NY
Etching with extensive hand coloring in watercolor on cream wove paper laid down to archival cardstock, 9 1/4 x 13 1/2 inches ( 235 x 342 mm), margins trimmed inside the platemark. C...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Watercolor, Etching
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting two women and two youths from an unidentified vase.
Technique : Copper-line engraving with original hand-colouring
Background inf...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Brother Water, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Brother Water descending from Kirkstone'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etch...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Near Stoneleigh, Warwickshire /// British Victorian Landscape Etching Black Art
Located in Saint Augustine, FL
Artist: Jacob George Strutt (English, 1784-1867)
Title: "Near Stoneleigh, Warwickshire"
Portfolio: Deliciae Sylvarum or Grand and Romantic Forest Scenery in England and Scotland
*Monogram signed by Strutt in the plate (printed signature) lower right
Year: 1828
Medium: Original Etching on chine appliqué on heavy wove paper
Limited edition: Unknown
Printer: Unknown
Publisher: Jacob George Strutt, London, UK
Sheet size: 14.25" x 21.13"
Image size: 10.38" x 13.94"
Condition: Minor soiling and discoloration in margins. A few light areas of waterstaining at right and bottom edges in margins. It is otherwise a strong impression in very good condition
Very rare
Notes:
There is an example of this work within the permanent collection of the British Museum, London, UK and the National Gallery of Ireland, Dublin, Ireland.
Biography:
Jacob George Strutt (4 August 1784 – 1867) was a British portrait and landscape painter and engraver in the manner of John Constable. He was the husband of the writer Elizabeth Strutt, and father of the painter, traveller and archaeologist Arthur John Strutt...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Etching, Intaglio
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Located in Soquel, CA
Kabuki Actor with Pine-Patterned Robe - Japanese Woodblock Print
Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor is standing on a wooden deck, wearing a robe with a pine-needle pattern. He is holding a sword and a staff. In the background, tree branches hang down from out of frame.
Presented in a gold colored frame with a silk mat.
Frame size: 20"H x 14.25"W
Image size: 14"H x 8.5"W
Utagawa Toyokuni (Japanese, 1769-1825) was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets...
Category
Edo Early 19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Purslane-leaved Aizoon. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Aizoon Canariense - Purslane-leaved Aizoon'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
'The Protestants Champion!!' (... Duke of Sussex, Son of King George III)
Located in Middletown, NY
This portrait of King George the III's son was published in the same year that Beethoven's Ninth Symphony premiered in London.
'The Protestants Champion!!' (Prince Augustus Frederick, Duke of Sussex...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Watercolor, Engraving, Etching
Peaches, Nectarines: George Brookshaw's 19th C. Framed Hand-colored Aquatint
Located in Alamo, CA
George Brookshaw's (1751-1823) beautiful "Peaches, Nectarines" hand colored aquatint engraving, plate 38 from his "Pomona Brittanica", considered to be the finest British botanical large format treatise of the 19th-century. His engravings were unique for their rich tones and colors, elegant compositions with the fruit seeming to float on a mottled sumptuous background. The pale green and peach-colored peaches and the pink and green flowers lie on a rich dark brown-colored background.
The print is presented in an ornate bronze-colored wood frame with gold-colored inner and outer trims and a triple mat. The outer mat is a marbled light...
Category
Academic Early 19th Century Prints and Multiples
Materials
Aquatint
The Basilica of St. Paul in Rome, Early 19th Century Etching by Luigi Rossini
Located in Alamo, CA
"Rovina della gran Basilica di S. Paolo fueri le mura accaduta" (View of the Ruins of the Great Triumphal Arch of S. Paolo Fuori le Mura) from "Le Antichita Romane" (Ancient Rome), published in Rome in 1823. It depicts the destruction of the Basilica of St. Paul after the fire of 1823. People stand in the road and on the right observing the damage amid debris, which includes many fragments of columns.
The etching is presented in a silver-color wood frame with an off-white double mat with a black inner mat. There are a few small spots, but it is otherwise in very good condition. See item # LU117324669722 for another Rossini etching...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
Ben Lawers /// George Fennell Robson Antique Scottish Landscape Engraving Scene
Located in Saint Augustine, FL
Artist: (after) George Fennell Robson (English, 1788-1833)
Title: "Ben Lawers" (Plate 18)
Portfolio: Scenery of the Grampian Mountains
Year: 1819 (Second edition)
Medium: Original Ha...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Aquatint
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
By Keisai Eisen
Located in Soquel, CA
Mitate of a Daimyo's Procession Crossing Ryogoku Bridge - Woodblock Print
Woodblock print of a procession by Keisai Eisen (Japanese, 1790–1848). Terrific triptych of a procession of...
Category
Edo Early 19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Glutinosum" (Clammy Houseleek), plate 1963, published in London in 1818 in William C...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Kabuki Actor in Water Lily Robe with Samurai Sword - Japanese Woodblock Print
Located in Soquel, CA
Kabuki Actor in Water Lily Robe with Samurai Sword- Japanese Woodblock Print
Finely detailed woodblock by Utagawa Toyokuni (Japanese, 1769-1825). A kabuki actor ("Master Haranyuki Sawamura") is standing on stage with mountainous backdrop, wearing a robe in a water lily pattern. He is wearing a samurai sword.
Presented in a gold colored frame with a silk mat.
Frame size: 20"H x 14.25"W
Image size: 14"H x 9"W
Utagawa Toyokuni (Japanese, 1769-1825) was born in Edo, the son of Kurahashi Gorobei, a carver of dolls and puppets...
Category
Edo Early 19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Valeriane (Valerian), French botanical medicinal herbal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
The Great Fire of London, 1666
By James Stow
Located in Middletown, NY
A rare early 19th century view of the Great Fire of London over Ludgate, enhanced with hand coloring.
London: Robert Wilkinson, 1811.
Copperplat...
Category
English School Early 19th Century Prints and Multiples
Materials
Handmade Paper, Engraving, Watercolor
Falcon Crag, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Falcon Crag'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etcher and aquatint engraver of ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Fish, engraving with original hand-colouring, circa 1815
Located in Melbourne, Victoria
Fish and seahorse, engraving with original hand-colouring, circa 1815.
From Bilderbuch Zum Nutzen und Vergnugen Der Jugend by Friedrich Justin Bertuch (1747-1822), an encyclopaedic ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Located in Soquel, CA
"Various Himochi" Wagashi Festival Japanese Woodblock Print by Utagawa Toyokuni
Rare oversized early 19th century 5-tiered woodblock by Utagawa Ichiyosai Toyokuni, (Japan, 1769-1825), a Japanese lord and wife oversee a sekku festival of food, music, and dolls or toys. '"oshi" is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. Many kinds of hishi-mochi appear in this picture of hina ningyo (dolls associated with Hinamatsuri, or the Girl’s Day) from Omochae.
The custom of eating special dishes at events throughout the year and at milestones in people's lives has existed since ancient times. This paragraph specifically focuses on the annual event called sekku, and life events that involve eating sweets. Joshi is the first day of “Mi (Snake)” in the third month of the lunar calendar. This day, known in modern Japan as the Girls' Festival, originated in China as a form of purification ceremony in which water and drinking peach blossom wine were used to drive away evil. According to the Keiso saijiki, in ancient China, on the third day of the third lunar month, people ate “ryuzetsuhan,” which is the juice of gogyo (Jersey cudweed) mixed with rice flour and nectar. In Japan, there is a record in the Heian period history book Nihon Montoku tenno jitsuroku [839-5] that it was an annual event to make kusamochi using gogyo on the third day of the third month of the lunar calendar, which may have been influenced by Chinese customs.
The tradition of eating kusamochi on the third day of the third month of the lunar calendar continued after that. By the Edo period, however, hishimochi had come to be used as a sweet to serve on the third day of the third month. A picture of a hishimochi is included in the Morisada manko , which we mentioned in Part 1. According to it, hishimochi in the Edo period were often three layers of green-white-green instead of the now common red-white-green. However, it is possible to see from our collection that not all hishimochi were made in this way. Omochae published in 1857, is a good example. Omochae is a type of ukiyoe print...
Category
Edo Early 19th Century Prints and Multiples
Materials
Ink, Rice Paper, Woodcut
Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'.
Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape.
Published by Rudo...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
Thomas Sydenham MD, portrait engraving, c1820
Located in Melbourne, Victoria
Copper-line engraving by Jacobus Houbraken (1698-1780) after the painting by Peter Lely.
Houbraken was a Dutch engraver famous for his series of portraits of famous English historic...
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Engraving
Spear-leaved Helonias, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Helonias bullata - Spear-leaved Helonias'
Native of Carolina, North America.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repos...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Feve de St Ignace (Strychnos ignatii), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
A 19th Century Curtis Hand-colored Engraving of a Flowering Clerodendrum Plant
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Clerodendrum Macrophyllum" (Broad-Leaved Clerodendrum), plate 2356, published in London in 1824 ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting satyrs and maenads.
Technique : Copper-line engraving with original hand-colouring
Background information : From the scarce Floren...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Flowering Houseleek Plant: A 19th C. Hand-colored Botanical Engraving by Curtis
Located in Alamo, CA
This early 19th century hand-colored double fold-out botanical engraving is entitled "Sempervivum Smithii" (Hispid-Stemmed Tree Houseleek), plate 1980, published in London in 1818 in...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Derwent Water and Lowdore Fall, Lake District scenery, C19th English aquatint
Located in Melbourne, Victoria
'Derwent Water with Lowdore Waterfall'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground etcher ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting Paris seated, turns toward Helen, who leans on a pillar. Left : Pan and hind. Right : satyr. Above : Aphrodite and Eros.
Technique : ...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
Group of Carnations from Temple of Flora
Located in New York, NY
"Group of Carnations" by Dr. Robert Thornton from the quarto edition of "Temple of Flora." London, 1812. Mixed media engraving (aquatint, mezzotint, co...
Category
Early 19th Century Prints and Multiples
Materials
Paper
Column of Trajan in Rome: A Framed Original 19th C. Etching by Luigi Rossini
Located in Alamo, CA
This early 19th century etching entitled "Veduta dello scavo del Foro Trajano" was created by Luigi Rossini and included in his publication "Le Antichita Romane" (The Rome of Antiquity), published in Rome in 1823. It depicts the historical victory column of Trajan standing amidst the rubble of broken columns that remain around it.
The etching is presented in a black wood frame with a light brown outer mat and a dark brown inner mat. There are several frame abrasions. The print and mats are in very good condition. The frame measures 27" high, 29.07" wide and 0.5" deep. The print is framed and matted in the identical style as the another etching of an ancient Roman landmark, the Piazza Navona, which is also listed on 1stdibs, see item # LU117326144172. The pair would make an attractive display grouping of Roman architecture. A discount is available for purchase of the pair of prints.
Luigi Rossini (1790-1857) like his predecessors, Giovanni Piranesi (1720–1778) and Giuseppi Vasi (1710-1782), was an architect and artist. Like Piranesi and Vasi, he wanted to glorify the architecture of ancient Rome, which he felt was deteriorating and needed to be documented. Several of the ruins he illustrated have, in fact, since disappeared leaving only his images as a record of their appearance. His images of the grand edifices of the city dramatically depict the power and glory...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
"A Great Man on The Turf": A 19th Century James Gillray Hand-colored Etching
Located in Alamo, CA
This framed hand-colored etching and aquatint entitled "A Great Man on The Turf or Sir Solomon in all his Glory" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on July 7th 1803. The print is signed in the plate in the lower right. It depicts a man, possibly a caricature of the racehorse breeder Sir Solomon. However, there has been some controversy about the identity of the central figure on the mound. Traditionally the man has been thought to represent John Russell, 6th Duke of Bedford...
Category
Early 19th Century Prints and Multiples
Materials
Etching
Charles Louis Balzac ca. 1809-1829 Engraving Koum Omboû (Ombos)
Located in Chicago, IL
An engraving on paper by Charles Louis Balzac, "DESCRIPTION DE L'EGYPTE. Koum Omboû (Ombos) Vue du Grand Temple". (ANTIQUITES, volume I, planche 40). Artwork size: 21" x 28". Arch...
Category
French School Early 19th Century Prints and Multiples
Materials
Paper, Engraving
Waterfall on Fordingdale beck, Lake District scenery C19th English aquatint
Located in Melbourne, Victoria
'Waterfall on Fordingdale beck, at the foot of Hawes Water'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Fritillaria Imperialis
Located in London, GB
REDOUTÉ, Pierre-Joseph.
Fritillaria Imperialis
Paris, Chez L’Auteur, 1802-16
The highest peak of Redoute's artistic and botanical achievement... Among the most important monument...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Handmade Paper, Engraving
Bassenthwaite Water, from the Western Side, Lake District C19th English aquatint
Located in Melbourne, Victoria
'Bassenthwaite Water, from the Western Side'
Aquatint by William Green, 1804
William Green of Ambleside was a Lake District draughtsman, soft ground e...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Aquatint
Renoncule des marais (Buttercup), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving
Echium Glaucophyllum, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Echium Glaucophyllum - Sea-green-leaved Viper's Bugloss'
Native of Cape of Good Hope, South Africa.
Original copper-line engraving with original hand-colouring from Henry Andrews...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
The Swiss Lieutenant - Etching by Giuseppe Capparoni - 1828
Located in Roma, IT
The Swiss Lieutenant is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879).
Etching hand colored on ivory paper. Signed on plate and dated on the rig...
Category
Modern Early 19th Century Prints and Multiples
Materials
Etching
Coursing Scene, etching by Samuel Alken
Located in London, GB
Samuel Alken
Coursing Scene
Lithograph with hand colouring
25 x 42 cm
Samuel Alken Jr. (1784–1825) was a British artist and engraver, part of the prominent Alken family of painter...
Category
Realist Early 19th Century Prints and Multiples
Materials
Etching
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting Dionysiac Group with satyrs and maenad from an Attic Attic bell-krater.
Technique : Copper-line engraving with original hand-colourin...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
French architecture house design lithograph, late 19th century, c1870
Located in Melbourne, Victoria
Chromolithograph from 'Constructions Modernes & Economiques', a French folio of architectural designs, published by Monrocq in Paris.
250mm by 320mm (sheet)
Category
Renaissance Early 19th Century Prints and Multiples
Materials
Lithograph
The Wrath of Elihu: 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid.'
Located in Storrs, CT
The Wrath of Elihu. 'I Am Young, And Ye Are Very Old, Wherefore I Was Afraid'. 1823-25. Engraving. .Binyon catalog 117 state ii, Bindman catalog 632. Image 7 7/8 x 5 15/16; plate 8 ...
Category
Romantic Early 19th Century Prints and Multiples
Materials
Engraving
West View of St Nicholas Chapel, Westminster Abbey, architecture aquatint
Located in Melbourne, Victoria
Colour aquatint by John Bluck (active 1791-1819) after Auguste Pugin (1762-1832).
Architectural interior with superb original colour. From 'Westminster Abbey', published by Rudolf A...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
Albuca Minor - French botanical flower engraving by Bessa, c1830
Located in Melbourne, Victoria
'Albuca Minor'
Original copper-line engraving with original hand-colouring.
From 'Herbier general de l'amateur' by Jean Louis Auguste Loiseleur-Deslongchamps & Jean Claude Michel M...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
William Hamilton Classical Greek Vase-Painting Engraving
Located in Melbourne, Victoria
Subject : Ancient Greek vase-painting depicting a toilet scene with three women from an Attic hydria, now in the British Museum.
Technique : Copper-line engraving with original han...
Category
Other Art Style Early 19th Century Prints and Multiples
Materials
Engraving
St Margarets, Isleworth, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'St Margarets (Entrance Front) Seat of the Earl of Cassillis'.
St Margarets was a Regency house in Isleworth, Middlesex.
Published by Rudolf Ackermann ...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
Liber Veritatis - Original B/W Etching after Claude Lorrain - 1815
Located in Roma, IT
Image dimensions: 21 x 27 cm.
Liber Veritatis - Plate 190 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Clau...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching, Aquatint
Columnar-chived Ixia, Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Ixia Columnaris - Columnar-chived Ixia'
Native of Cape of Good Hope.
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', ...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Sweet-scented Lachenalia. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Lachenalia Fragrant - Sweet-scented Lachenalia'
Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Engraving
Veduta delle rovine di una Conserva... - Etching by L. Rossini - 1826
Located in Roma, IT
Veduta delle Rovine di una Conserva d'acqua per la Villa di Domiziano vicino a Castel Gandolfo negl'Orti Lodovisi
Image dimensions: 42 x 52 cm.
From th...
Category
Old Masters Early 19th Century Prints and Multiples
Materials
Etching
The Kirekin in Shropshire, sepia aquatint, Charles Dibdin, 1801
Located in Melbourne, Victoria
From Dibdin's 'Observations on a tour'. Charles Dibdin the elder was a famed singer, songwriter, and actor who spent a significant amount of time touring the countryside. During this...
Category
Naturalistic Early 19th Century Prints and Multiples
Materials
Aquatint
Killerton, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'.
Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'.
Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Engraving, Etching, Aquatint
Iris /// Antique Natural History Botany Botanical Flower Art Science Garden
By Pierre Corneille Van Geel
Located in Saint Augustine, FL
Artist: Pierre Corneille Van Geel (Flemish, 1796-1838)
Title: "Iris"
Portfolio: Sertum Botanicum
Year: 1828 (first edition)
Medium: Original Hand-Colored Lithograph on wove paper
Lim...
Category
Victorian Early 19th Century Prints and Multiples
Materials
Watercolor, Lithograph
Read More
Joan Mitchell’s Rare, Late-Career Diptych Buzzes with Life
Beneath the inky blackness, the painter’s irrepressible energy electrifies this pair of intaglio prints.
The 1stDibs Guide to Types of Abstract Art
Get to know the key movements and artists who have influenced visual culture for more than a century.
Romare Bearden’s Humanity Infuses His Bright, Bold Art
Through collage, painting and printmaking, the artist foregrounded Black life in America in revolutionary new ways.
Andy Warhol and Suzie Frankfurt’s ‘Wild Raspberries’ Cookbook Is an Artful, Fanciful Delight
This set of recipes and original prints might not make you a better chef. But it will make you smile.
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”