Late 20th Century Prints and Multiples

Ochre Composition is an original artwork realized by Luigi Montanarini in the 1970s. Original colored serigraph on paper. Hand signed by the artist on the lower left. Numbered on lo...

BLUE BOY is a limited edition lithograph by the Dutch artist Karel Appel, printed using hand lithography techniques on archival Arches paper, 100% acid free. BLUE BOY presents a fant...

This is an original offset lithograph poster created for the 1985 Francis Bacon exhibition at Marlborough Gallery, featuring the haunting and visceral work Figure in Movement. Kno...

This 1974 poster, printed by Mourlot and published by The First National Bank of Chicago, was created to commemorate the unveiling of Marc Chagall’s large mosaic at the Four Seasons...

Artist: Salvador Dali (1904-1989) Title: Le Girafe en Feu Year: 1976 Medium: Lithograph on Arches paper Edition: CXLII/CCL; 250 Roman Numerals, plus proofs...

This piece is part of my private collection of 20th Century artists that were part of the School of Paris era. This piece is original and signed by Pelayo and numbered.

Abstract Composition is a lithograph realized by Antonio Sanfilippo in 1973.. Hand-signed and dated in pencil on the lower right. Numbered, edition of 100 prints. Good conditions....

Lithograph, 1995 Handsigned by the artist in pencil and numbered 27/250 Publisher : GKM (Suède) 96.00 cm. x 76.00 cm. 37.8 in. x 29.92 in. (paper) Arches Paper Lying under an inc...

This reproduction of Andy Warhol's iconic Campbell's Soup Can exemplifies his pioneering exploration of consumer culture and pop art. Originally created by Warhol in the 1960s, this ...

Artist: Alex Katz, American (1927 - ) Title: Night: William Dunas Dance 1 (Pamela) Year: 1983 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 100, 42 AP Size: 25...

This poster, titled Festival d'Avignon, was produced in 1970 and features the image Le Corsaire, engraved by Henri Deschamps and printed by Mourlot on BFK Rives paper. Although the p...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Keith Haring Coloring Book 1982: The rare, sought-after 1982 Keith Haring illustrated coloring book - featuring 16 (double-sided) lithographic prints. This book is seldom available i...

David Gilhooly (1943-2013) How To Make Jackson Pollock's Dog, 1988 Lithograph on BFK Rives Paper Edition 47/60 Signed and dated in pencil lower right Published by Magnolia Edition (M...

Bicentennial Indian by Fritz Scholder, Native American (1937–2005) Portfolio: Kent Bicentennial Date: 1975 Offset Lithograph (unsigned as issued) Image Size: 9.5 x 13 inches Frame Si...

Roy Lichtenstein 1970-1980 (Hand Signed and dated by Roy Lichtenstein), 1981 Offset lithograph. Hand signed and dated in ink Hand-signed by artist, H...

'J' From 'Hockney's Alphabet' By David Hockney David Hockney is a renowned British artist known for his vibrant paintings and innovative use of technology in art. His work often e...

Silkscreen on vélin papier Ingres de chez Arjomari-Prioux paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Nous croyons en l'...

Lithograph on vélin d’Arches paper. Inscription: hand signed and numbered, 116/175, as issued. Good condition. Notes: From the Jazz Series, 1979. Published by London Arts Group, Detr...

Kandinsky's Exhibition Poster is a a vintage offset print realized in the late 20th Century. An offset poster depicting one of the masterpiece of the artist. Includes frame Very g...

THis artwork "Pink Lady" 1989, is an acrylograph on hand made paper by noted Mexican artist Byron Galves, 1941-2009. It is hand signed, dated and numbered 64/150 in white pencil by the artist.The artwork size is 28.5 x 15.5 inches, paper sheet size is 32 x 23.85 inches, framed size is 44 x 36 inches. Beautifully custom framed in a wooden silver frame, with dark purple backing and bevel. It is in excellent condition, the frame have some small minor restorations, barely visible. About the artist: Byron Gálvez (October 28, 1941 – October 27, 2009) was a Mexican artist who was primarily known for his painting but also created sculpture, including monumental works. He was born in rural Hidalgo state, to a father who played jazz music and read literature, a rarity in 1930s rural Mexico. However, it exposed Gálvez to culture, even though this led to an interest in visual art rather than musing or writing. He went to Mexico City to study art at both the undergraduate and graduate level, but never completed his degrees, opting instead to begin career after his coursework. Before his first individual exhibition, his work was criticized by Justino Fernández, but all of the paintings were sold in advance to foreign buyers including American actor Vincent Price, who called Gálvez a “Mexican Picasso.” Gálvez then managed to replace the forty five paintings for the exhibition in a week. Since then he had individual and collective exhibitions in Mexico, the United States and other parts of the world. He concentrated on painting, which he is better known for, in the 1970s and 1980s, but moved on to sculpture, including monumental works later in his career. Recognitions for Gálvez's work include membership in the Salón de la Plástica Mexicana, a retrospective at the Palacio de Bellas Artes and two books published about his life. Gálvez was born in Mixquiahuala, Hidalgo and described his childhood as happy, and would not have changed it. His father, Roberto Gálvez, was a farmer and merchant, who was a music and literature enthusiast, a rarity is 1930s rural Mexico. His father played the violin in the town's jazz band, which had almost all classical instruments, making it similar to bands in New Orleans. They even composed new pieces. The artist was named after Lord Byron, and his brothers, Eliot, Aníbal and Dante, after his father's reading preferences This meant that Gálvez grew up in an environment that encouraged the enjoyment of the arts. However, instead of music or literature, Gálvez stated that his earliest memories related to his attraction to art and that he always wanted to be a painter. The difficulties of farm life convinced him that he needed an education and would have to move to Mexico City in order to go to school. At age sixteen he left home for the capital to study painting at the Escuela Nacional de Artes Plásticas, not knowing what the study would entail. It was far more rigorous than he expected, with thirteen-hour school days leaving only weekends to earn money to live on.[3] He did his undergraduate studies from 1958 to 1962, then continued with the graduate courses from 1962 to 1964, specializing in painting. He did much of his studies under teachers such as Luis Nishizawa, Fernando Castro Pacheco, Francisco Moreno Capdevila, Santos Balmori, Antonio Rodríguez Luna and Antonio Ramírez. The last teacher taught him to love his studies above all else and he submitted himself to the academic rigor. This led him to become attracted to the Cubism of Picasso, and felt that the artist has opened roads which could be taken and widened. Although he specialized in painting, his interest in sculpture was also evident at this time as he was a founding member of a metal sculpture workshop at the institution along with Armando Ortega and Baltazar Martinez.[2][5] Although he completed his coursework, he did not finish the other requirements needed for the degree, instead opting to start his career. Gálvez married once to art dealer Eva Beloglovsky.The couple first met in 1973, but did not meet again until two years later, when Beloglovsky bought one of his paintings and sold two more through her art gallery. At first it was a working relationship, and then evolved into a romantic one. During their marriage, they worked on a number of projects together such as multi-media presentations and charity benefits. The couple remained together until Galvez's death. Although he began and developed much of his career in Mexico City, in his later life, the artist moved back to his rural hometown. Gálvez constructed a house and studio on the edge of a ravine in which flows the Moctezuma River. The structure has glass walls positioned for maximum light and a privileged view of a local landmark, a hill called El Elefante. Gálvez's work included painting, sculpture, etching, lithography, and drawing.[4] For Galvez, art was spiritual and disconnected with physical logic, when only aesthetics mattered. Female figures are common, and often are sensual. He work has been influenced by the Cubism of Picasso and Georges Braque, by African and Oceanic folk art and by pre-Columbian sculpture. He preferred large scale works often bigger than seven by seven feet. He painted while listening to classical, jazz and occasionally, rock music. Galvez's work experienced periods in which different artistic currents dominated including expressionism, abstract art and mixtures of the two. In his work, he tried to achieve a balance between figurative and abstract expression. The first stage of his painting was figurative expressionism, then abstract expressionism, under strong influence of Carlos Mérida, Rufino Tamaho, Santos Balmori, Kandinsky, Wifredo Lam and Picasso, along with some from classical painters such as Rembrandt and Caravaggio. Then for some time, he practiced abstract art, but then felt the need to draw human bodies again, especially female ones because he felt it allowed him better expression. Around 1980, he moved on to geometric figurativism, marked by the “Woman” exhibit at the Museum of Modern Art. This has also been describes as “pure chromatic constructivism. He considered himself primarily a sculptor and painted in that fashion. The work of Byron Galves is held in numerous corporate and private collections Galvez died at age 67 at Inglés Observatorio Hospital from a heart attack. His ashes were deposited a year after his death to the side of one of the sculptures at his home in Mixquiahuala. During his career, he exhibited individually and collectively in over sixty venues in Mexico, various cities in the United States, Europe and Latin America. In 1964, he had his first individual exhibition at the ENAP Gallery, after showing in collective exhibitions at the Palacio de Bellas Artes and private galleries along with more prominent painters such as José Chávez Morado, Alfredo Zalce, José Clemente Orozco, Diego Rivera, Carlos Orozco Romero and David Alfaro Siqueiros. Before the opening of this exhibit, his work was severely criticized by art historian Justino Fernández. Despite this, the paintings for the exhibit were bought in advance, most by American actor Vincent Price, who called Gálvez a “Mexican Picasso.” The paintings were taken out of the country one week before the exhibit, but Gálvez was not concerned about not having paintings for the show, rather he was satisfied about his work being recognized and supported.He managed to create forty five more paintings in the remaining time in order to have the exhibit. After this individual exhibit, Gálvez had over 55 more over he career, along with participated in other 75 collective exhibits. Important exhibits include the Solar 68 collective exhibition at the Palacio de Bellas Artes (1968), the Sterenberg Galleries, Chicago (1972), Eye Corporation in various US cities (1973), Polyforum Cultural Siqueiros (1978), Museo de Arte Moderno in Mexico City (1982), Harcourts Contemporary Gallery in San Francisco (1983, 1990), Art-Forum Gallery in Mexico City (1984), Bishop Gallery in Phoenix (1989), Merryl Chase Gallery in Washington, DC (1991, 1992), Suhan Galleries in San Diego (1992), Misrachi Gallery (1994) and San Francisco Theater in Pachuca (1995) .[4][2] After his death, the Secretaría de Relaciones Exteriores sponsored an exhibition of his work in Tainan, Taiwan in 2011. His works can be found in major collections in both Mexico and the United States. The strongest demand has been for his figurative work especially that produced later in his life. Gálvez also created murals and sculptures, both small and monumental. His first mural was sculpted done in 1968 in Los Angeles. However, most of his monumental work was produced later in his career as he concentrated on painting in the 1970s and 1980s. These include a mural at the National Conservatory of Music in Mexico City (1970), a thirty-foot high sculpture in Unidad Morelos in Mexico City (1971), a hand hammered copper triptych for a private residence in Mexico City (1984), a sculpted door for a private residence (1985), a sculpture for a private home in New York (1986), Reclined Torso at the Hotel Nikko Mexico (1998), Torso I a five-foot high sculpture for the city of Pachuca (1999), Torso II a nineteen foot high sculpture at the Altiva Building, Mexico City (1999), Millenium, a bronze sculpture/fountain at the highway entrance to Pachuca (2000), a sculpture garden for Mixquiahuala, Hidalgo (2005) and the master plan and central mosaic for the David Ben Gurion Cultural Park in Pachuca (2007). The park project, the last before his death, included not only the creation of the central mosaic, the largest pedestrian mural in the world at 345,000f, but also the design of the 65-acre park itself. His other activities included the teaching of drawing at his alma mater, the creation of a program for the radio ministry of Mexico in 1973, participation in a documentary about lithography in Mexico in 1980 and the creation of several special programs for the office Radio...

Jean Jansem (1920-2013) Le Clairon, 1993 Lithographie sur papier Arches, justifiée EA12/30 Signée en bas à droite 65 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°85 "Ma...

Medium: Screenprint Year: 1984 Image Size: 35.25 x 23.5 in. Sheet size: 40 x 28 in. Edition size: 78 NOTE: minor crackling of black background ink in bottom central section of image. Museum Collections: University of California, Santa Barbara, Library Los Angeles County Museum of Art Twelve color image. Self portrait on a black background. Atelier information on the back. Emerging from the black background are a face and hand. Squares of different colors break up or add to the face. documentation on back of print: EXPERIMENTAL SCREEN PRINT ATELIER III SELF HELP GRAPHICS AND ART, INC. EAST LOS ANGELES, CA. SPRING 1984 Barbara Carrasco...

Untitled is an original print realized by Antonio Calderara in the 1970s. Colored serigraph. Edited by La Nuova Foglio. Good conditions except for ...

CHINESE VASE is a hand drawn limited edition lithograph by the renowned American jazz and traditional pop singer Tony Bennett. CHINESE VASE, an interior still life scene depicting lilies in a round glass vase and a figurative Chinese porcelain vase, was printed using hand lithography techniques on archival Arches printmaking paper. Eye-appealing colors of orange, yellow, green, brown, blue, dark gray, touches of black and white. Print size - 9.75 x 10.75 in., unframed, pristine condition, dedicated Printers Proof hand signed in pencil "Benedetto" by Tony Bennett on lower margin Image size - 8.5 x 7.5 in. Printer - JK Fine Art Editions Co. Publisher - Eleanor Ettinger Gallery NY Anthony Dominick “Tony” Benedetto (1926-2023), Tony Bennett, a world-renowned singer and performer, was also an accomplished visual artist whose subjects span nearly every topic. Working under his birth name of Anthony Benedetto, he utilized watercolors, oil paints, charcoal, or whatever else was handy to depict his chosen theme. Benedetto's artistic career began at the age of five with sidewalk chalk drawings outside his childhood home in Astoria Queens...

Artist: Keith Haring (1958-1990) Title: Safe Sex! (Gundel 60) Year: 1987-1988 Medium: Offset lithograph on paper mounted on rice paper Size: 29.52 x 27.36 inc...

Artist: Bernard Buffet Medium: Original Lithograph, 1979 Dimensions: 21.5 x 29.75 in, 54.6 x 75.6 cm classic Poster paper - Perfect Condition A+ This original lithograph by Berna...

Amsterdam IX is an intriguing early career aquatint dry-needle etch print by renowned French-Dutch artist Olivier Julia. It depicts a detail of an old Amsterdam house facade is both ...

Artist: Joan Miro Title: Joan Miro Medium: Lithograph in colors Date: 1974 Edition: Unnumbered Frame Size: 15 1/8" x 22 3/4" Sheet Size: 7 7/8" x 15 1/2" Signature: Signed in the pla...

Warhol's 1971 screenprint "Cow" reflects his exploration of popular culture and consumerism. Cows, a common rural sight, symbolize how everyday imagery is commodified in consumer cul...

Silkscreen by Washington Color School artist Howard Mehring (1931-1978). Work is printed on thick wove paper circa 1970. Work was originally acquired from artists estate and is uns...

This Fortunato Depero wionderful serigraphy is a multiple of 250 specimens printed by the authorization of Museum of Depero in Rovereto (Italy). This i...

MORNING OF THE ROOSTER is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, in an edition size of 1...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

GOING TO CHURCH was the very first limited edition print created by the self-taught African American artist William Tolliver (b.1951-2000) in 1987. GOING TO CHURCH is an original han...

Donald Judd (American 1928-1994) Untitled, 1978-79. Aquatint on etching paper Signed and numbered 18/175 in pencil (there were also 15 artist's proofs) Published by the artist, with ...

Salvador DALI The Vitraux : Elephant-stork, 1973 Original lithograph Handsigned in pencil Numbered edition of 250 copies On Arches vellum, 65 x 48 cm (c. 25.6 x 18.9 inch) Refer...

Artist: Peter Max (1937) Title: Sailboat Series III Year: 1998 Edition: 62/300, plus proofs Medium: Lithograph on Coventry Smooth paper Size: 4.75 x 5.75 inches Condition: Excellent ...

Walasse Ting Grasshoppers - 1981 Print - Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked 170/200 Walasse Ting (DING XIONGQUAN) (October 13, 19...

Color Lithograph on Arches paper realized by Sonia Delaunay in 1972. Hand signed in pencil, dated 72 and numbered 43/90. Prov. Private Collection, Milan. Very good condition.

Modern abstract earth toned figurative etching by Mexican artist Rufino Tamayo. The work features a simplified portrait of a face or mask set against a grey and yellow toned backgrou...

Paper Size: 19.75 x 15.75 inches ( 50.165 x 40.005 cm ) Image Size: 14.75 x 10.5 inches ( 37.465 x 26.67 cm ) Framed: No Condition: A: Mint Additional Details: "Watercolors from the...

color lithograph , Edited in 1976 Limited edition , numbered as 20/100 in lower left corner.
 Hand-signed by artist in pencil in the lower right Paper size: 52 x 72 cm Excellent cond...

Wonderfully charming etching of the barre crew at Vermont's White River Train Junction by Michael Louis Jacques (American, b. 1945), circa 1974. This d...

Love By Robert Indiana Robert Indiana (1928–2018) was an American artist known for his bold, typographic pop art, particularly his iconic "LOVE" sculpture and print. His work ofte...

1975 Color Lithograph by Alexander Calder from Our Unfinished Revolution portfolio One of 250 copies, with the printed signature and date on offset paper. This is not pencil signed ...

Charles Bibbs "The Gift, Series II" Lithograph Edition 208 of 1500 1993 21" x 36" unframed 31" x 47.5" framed

Artist: Peter Max (1937) Title: Cosmic Runner (Retro Suite I) Year: 1994 Edition: 137/300, plus proofs Medium: Silkscreen on Arches paper Size: 11 x 11 i...

This print by Pablo Picasso portrays a woman wearing a hat in an abstracted, complex form. With her hands clasped underneath her chin and elbows resting on the table before her, the ...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

WAITING FOR THE BOYS by the woman artist Robin Morris, is an original limited edition lithograph printed using hand lithography techniques on arch...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

Rare Limited Edition Serigraph of John Lennon's handwritten lyrics for the song "Bungalow Bill" first released on the Beatles "White Album" in 1968. This ...

THE CONVERSATION is an original limited edition lithograph printed using traditional hand lithography methods on archival Somerset printmaking paper, 100% acid free. THE CONVERSATION...

Buy now with ShopPay Buy with More payment options Artist: Keith Haring Title: Apocalypse 6 Size: 38 × 38 in 96.5 × 96.5 cm Medium: Screenprint in colors on Lenox Museum Board Ed...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Green Script is an original lithograph realized after Maurice Estève (after) from "La Meme Pierre". The artwork is from A même la pierre, Fernand Mourlot Lithographe, Pierre Bordas ...

John Baldessari The Sprinters, 1982 Limited Edition Offset Lithograph on Parson's Diploma paper Signed in graphite pencil on the front. Accompanied by letter of authenticity from the publisher 36 x 24 inches Unframed Provenance: Acquired as part of the complete SIGNED 1984 Olympic Lithographic Print Portfolio Exhibition History: Olympic Museum in Lausanne, Switzerland, 2017 (different edition) Accompanied by a letter of authenticity from the publisher on Olympic Committee letterhead. This is one of 750 hand signed lithographic posters, published in 1982 to celebrate the 1984 Los Angeles Olympics...