Late 20th Century Prints and Multiples

signed and numbered lower image edition 7/40 Catalogue raisonné 00269 Internationally recognized painter and printmaker Alex Katz was born in 1927 in Brooklyn, New York. Over a thir...

Original 1982 Pink Floyd, The Wall vintage movie poster. Archival linen backed International edition in the size of 27” x 41” ready to frame. Excellent condition. No restoration...

Artist: Salvador Dali Title: "THE VOICE OF MY BELOVED! BEHOLD!" from the Portfolio Song of Songs of Solomon Year: 1972 Medium: Color Etching with Gold Dust on Arches Paper, signed in...

Richard Haas The Hugh O'Neill Building, 655-671 Sixth Avenue, New York City, 1974 Lithograph on Arches paper Signed, titled and annotated "TP" in graphite pencil on the front Edition...

Silkscreen in colours on wallpaper. Inscription: printed, “Andy Warhol” and “© Copyright Factory Additions 1971” in margins, as issued. Excellent condition. Notes: Published by Facto...

In 1982, the Musée d'Art Moderne in Céret, France, hosted the exhibition "Picasso et la Tauromachie" (Picasso and Bullfighting), celebrating Pablo Picasso's profound connection to bu...

Silkscreen in eleven colors on vélin paper. Paper Size: 12.81 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Hiroshima, 1983. Published by Th...

Jean Dubuffet painted his New Orleans Jazz Band series in 1944, but there is no specific record of him having visited New Orleans. Instead, Dubuffet was inspired by American jazz mus...

Photolithograph on heavy cream wove paper. Overall sheet size is 12"x18". Signed by the artist, ink right margin, and numbered 35/200 in pencil, lower left margin.

Medium: original lithograph. This original Henry Moore lithograph was printed in 1972 for XXe Siecle and published in Paris by San Lazzaro. Size 12 1/4 x 9 3/8 inches (310 x 238 mm)....

Lithograph and silkscreen with grease crayon, lithographic tusche, lead pencil, charcoal on vélin d'Arches paper. Paper size: 12.8 x 9.84 inches. Inscription: Unsigned and unnumbered...

Poster created by Roy Lichtenstein for the 24th Olympics held in 1988 in Seoul, South Korea. Published by Lloyd Shin Gallery, Inc. Edition size unspecfied, some printed, none distrib...

Medium: original lithograph. Printed in 1981 for the art revue Derriere le Miroir (issue number 247) and published in Paris by Maeght. Size: 15 x 22 inches (380 x 560 mm). There is a...

Silkscreen in eleven colors on vélin paper. Paper Size: 12.81 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Hiroshima, 1983. Published by Th...

Keith Haring Swing Guy (Yellow), 1983 Screenprint Printed signature in the plate On heavy paper 100 x 70 cm (c. 40 x 28 in) Created by Haring for the Montreux Jazz Festival Excelle...

This piece, titled "Groovin' High", is a printer's proof created by the renowned artist and civil rights activist Faith Ringgold. The print is signed and numbered, printed on heavy p...

Serge LASSUS (1933-) Horses : Riders in Autumn, 1983 Original Lithograph Handsigned in pencil Numbered / 600 (the number you can see can be different) On Coated paper 56 x 76 cm (c....

Medium: Lithograph on vélin d'Arches paper Year: 1972 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Fauves, VII, Collec...

Colorful dots, lines and squares in bright blue, pink, green, lilac and yellow in wood grain form a totem against a lavender purple background. This jubilant take on Cubism features ...

Artist: Keith Haring Title: Chocolate Buddha 1 Medium: Lithograph on Arches Infinity paper Date: 1989 Edition: 44/90 Sheet Size: 22" x 27 3/4" Frame S...

Artist: Salvador Dali Title: "King Solomon" from the Portfolio Song of Songs of Solomon Year: 1972 Medium: Color Etching with Gold Dust on Arches Paper, signed in pencil Edition: 250...

Keith Haring's art vibrantly portrays themes of love, unity, and movement. This reproduction features three iconic images that encapsulate these themes: Two Men in Love: Depicts two...

Peter Max, German/American (1937 -) - Statue of Liberty, Year: circa 1986, Medium: Poster, Image Size: 30.5 x 15 inches, Frame Size: 44.25 x 28.25 inches

This framed and matted card, titled Nichols Canyon, is a reproduction of David Hockney's original painting from 1985. Published and sold by The Metropol...

Olympia - Poster is a vintage poster realized by the italian artist Francesco Clemente (Naples, 1952) in occasion of the XIV Winter Olympics games in Sarajevo, in 1984. Very good co...

Silkscreen in eleven colors on vélin paper. Paper Size: 12.81 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Hiroshima, 1983. Published by Th...

This large reproduction is a first edition printing published by Te Neues Publishing in Germany in 1989, featuring Andy Warhol’s artwork titled "Formula 1 Car W 196 R 1954" rendered ...

I Castelli Romani  is a splendid poster realized by Neal Slavin, in 1983, for the exhibition held in Rondanini Gallery in Rome. Offset print, in very good conditions.

The lithograph titled "Gay Sexuality" by Kees Ruyter, measuring 33 x 23.25 inches, explicitly addresses themes related to gay sexuality, as indicated by its title. While specific det...

Silkscreen in eleven colors on vélin paper. Paper Size: 12.81 x 9.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Hiroshima, 1983. Published by Th...

Cy Twombly Allusions, Bay of Naples (from the collection of Donald Baechler), 1975 Color offset lithograph and photo lithograph on wove paper Signed and numbered 56/80 in ink on the ...

This piece is from my private collection of 20th Century -21st Century artists, many of which are from the School of Paris era. Pelayo produced this lithograph in colors. The Latin American spirit...

Marc Chagall (1887-1985) Circus: Lovers with a Rooster and a Donkey (Pirouette), 1961 Original lithograph (Mourlot workshop) Signed and numbered ‘III/XX’ in pencil. There was an edition of 50 in Arabic numerals On Arches vellum, 76 x 58 cm REFERENCE: Mourlot Catalogue Raisonné...

This simple still life is a lithograph by Russian Modern artist Marc Chagall. It employs several of Chagall's recurring motifs, such as a bird (in this case a rooster), a bouquet of ...

Elizabeth Catlett Blues, 1983 Color offset lithograph and lithograph on cream wove paper Signed, titled, dated and numbered (126/130) in graphite pencil on the front Printed and publ...

The work was conceived as a poster for the exhibition "Miró el tapís de Tarragona". Technical details of the work Category: Engravings and Prints Graphic Work Date: 1970 Technique: ...

Richard Bernstein Diamond Ring - 1977 Print - Silkscreen on Heavy Paper Paper : 30'' x 26'' inches image size : 28" x 23 ½" inches Edition: Signed in pencil, titled, dated and marked...

This exquisite reproduction of Mark Rothko's Untitled, originally painted in 1969 using oil on cardboard, showcases the artist's masterful use of pastel colors. Distributed by New Yo...

Rufino Tamayo, Mexican (1899 - 1991) - Sandias, Year: 1977, Medium: Mixographia, signed and numbered in crayon, Edition: 31/100, Size: 29 x 20.75 in. (73.66 x 52.71 cm), Publishe...

This first release lithograph titled Spirales by Alexander Calder is a captivating piece of art that showcases Calder's signature style of bold, swirling forms. The lithograph is pla...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Presence is a beautiful offset realized by Franco Fontana . Limited edition of 1.000. good conditions except for some foldimgs. Colored poster from a photograph by Franco Fontana ...

THE FAMILY is an original hand drawn, limited edition lithograph by the African American artist James Denmark, printed using hand lithography on Arches paper 100% acid free. Rich, vi...

Lithograph on vélin paper. Paper size: 22 x 31 inches. Inscription: Hand signed and unnumbered A.P., as issued. Notes: Published and printed by Galerie La Vigne, Paris, in an edition...

Robert Cottingham Everybody's Bookshop, Everybody's Books, 1975 Color Lithograph 23 × 18 inches Signed and numbered from the edition of 200 in pencil on the front; Bears Artist's cop...

Fairfield Porter, 'Apple Blossoms III', color lithograph, 1974, edition 50. Signed, numbered '17/50', and annotated 'III' in pencil. A superb, richly-inked impression, with fresh col...

Tiger TATEISHI (1941 - 1998) Moon Landscape, 1973 Original lithograph Handsigned in pencil Numbered /100 On vellum 82.5 x 58.5 cm (c. 33 x 23 in) Exce...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

This vintage postcard, estate authorized and produced in 1998, features an iconic design by Keith Haring, showcasing his signature style and playful themes. Titled Fold 'n Please Car...

David Hockney XVI RIP ARLES (Hand signed, inscribed and dated by David Hockney), 1985 Offset lithograph poster Hand signed and inscribed with dateline London, 1985 by David Hockney o...

ARTIST: Salvador Dali TITLE: Alice in Wonderland MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Transworld Art EDITION NUMBER: A IX/XL PAPER: Japon Paper MEASUREMENTS: 29.75"...

This reproduction of the Magritte painting is the only authorized and approved copy in its current format. It has been sanctioned by the appropriate authorities managing Magritte’s e...

This is an original exhibition poster for the show titled Observatory Earthwork – Project for Sonsbeek 71, Arnhem, held at the Tate Gallery from April 28 to June 6, 1971. The poster ...

Kyohei Inukai Life Forces - 1978 Print - Silkscreen   30'' x 22½'' in Edition: signed in pencil and marked 128/200 Since the 1940s, Kyohei Inukai has created his own brand of illusi...

Artist: Alexander Calder (1898-1976) Title: "Skybird" (from the Braniff International Airways Flying Colors Collection) Year: 1974-75 Medium: Lithographs on Arches paper Size: 20 x 2...

This original museum poster titled Two Candles was created for the Fast Forward exhibition at the Dallas Art Museum in 1995. The artwork featur...

Pablo Picasso (1881-1973) - The Taste of Happiness, Planche XV Lithograph from 1970. An unsigned and unnumbered edition of 666. Dimensions of sheet: 32.5 x 25 cm Dimensions in fr...

Medium: Lithograph on vélin paper Year: 1972 Paper Size: 20.5 X 26.4 inches Catalogue raisonné reference: Cramer, illustration 155 Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Pablo Picasso, La Chute D'Icare, Décoration du Foyer des Délégués Palais de l'UNESCO à Paris, Suite d'études préparatoires en noir et en couleurs réalisées du 6 décembre 1957 au 29 janvier 1958, 1972. Published by Albert Skira, Éditeur, Genève; printed by Roto-Sadag S.A. Genève, December 20, 1972. Excerpted from the folio (translated from French), This album contains the series of preparatory tests in black and VII color studies, reproduced, made by Pablo Picasso for the decoration of the home of the delegates at the Palais de l'UNESCO in Paris, was completed to print on December 20, 1972 on the presses of Imprimeries Roto-Sadag S.A. and Atar S.A. in Genève. The edition of this album is as follows: CXXV examples numbered from I to CXXV, XXV examples, out of commerce, numbered H.C. I to XXV, reserved for the artist and the publisher. Each of these albums contains an etching by Pablo Picasso, signed and numbered...

Paper Size: 10.25 x 39.5 inches ( 26.035 x 100.33 cm ) Image Size: 6 x 35.5 inches ( 15.24 x 90.17 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age...

Vintage poster realized after Piero Dorazio in occasion of the Winter Olympic Games in Sarajevo in 1984. Offset print. Good condition.