Late 20th Century Prints and Multiples

Cat is an artwork realized  by Suzanne Tourte in the Mid 20th Century. Etching and Drypoint on paper. In good conditions. Hand-Signed. Numbered. Edition 63/100. The artwork is r...

Ex Libris Ruskova is an original Contemporary Artwork realized in the Late 20th Century. Original Colored Water-colored Lithograph on ivory-colored paper. The work is glued on c...

The Spring is a very brightly colored serigraph realized by the contemporary Italian artist Maddalena Striglio. Hand-signed in pencil on the lower right. Numbered on the lower le...

Paper Size: 7.5 x 7 x 5.5 inches ( 17.78 x 13.97 cm ) Image Size: 7 x 5.5 inches ( 17.78 x 13.97 cm ) Framed: No Condition: A: Mint Additional Details: Vintage Box set...

Jacob Lawrence The Relay Race: Passing the Baton Lithograph poster Signature printed in the plate On heavy paper 101 x 64 cm (c. 40 x 26 inch) Made for the Olympic Games in Munich, ...

The Offs (first pressing), 1984 Vinyl Record and Offset Lithograph Album Cover 12 1/4 × 12 3/25 inches Unframed CD Presents, Ltd. – CD 025 Provenance Plastic Fantastic Records, Bryn ...

Frame: 10 x 10 x 1 Picture: 4 x 3 Signed and numbered Picture in excellent condition Frame has very minor wear

Sku: AW1177 Artist: Willem de Kooning Title: Spoleto-14 Giugno Year: 1974 Signed: No Medium: Offset Lithograph Paper Size: 41.25 x 29.5 inches ( 104.775 x 74.93 cm ) Image Size: 41.2...

Milo MANARA Venus on the Beach Original Screen Print Printed signature in the plate On heavy paper 50 x 70 cm (c. 20 x 28 in) Excellent condition

Artist: (after) Andy Warhol (American, 1928-1987) Title: "John Gotti (Time Magazine Cover)" Series: Time Magazine *Signed by Warhol in the plate (printed signature) lower center Year: 1986 Medium: Offset-Lithography; The complete September 29, 1986, Vol. 128, No. 13 issue of "Time" magazine Reference: "Andy Warhol Prints: Catalogue Raisonné 1962-1987" - Feldman/Schellmann No. IIIB.50, page 278 Framing: Recently framed in a black contemporary moulding with black 100% cotton rag matting and 99% UV protective Museum Glass Framed size: 18.94" x 16.25" Sheet size: 8.25" x 11" Image size: 10.38" x 8" Condition: A complete pristine copy. In excellent condition with strong colors Notes: Provenance: private collection - Gulfport, MS. Warhol was commissioned by Time magazine to design this image for their September 29, 1986 issue. The image featured on this cover is a variation of Warhol's 1986 screenprint edition "John Gotti", (Feldman/Schellmann No. IIIB.50). Based on a publicity photograph. Retains its original mailing address label on verso. "Time magazine, for instance, approached Warhol to produce a number of covers, which furthered his interest in the world of commerce and art, or what he called 'business art'. These include 'New Coke...

Artist: Sunol Alvar Title: Women with dove and Flowers Year: c.1980 Medium: Colors lithograph with embossing Edition: Numbered 28/195 in pencil Paper: Arches Image size: 16.75 x 21...

BUCK RUN BRIDGE is an original, hand drawn, limited edition lithograph(not a photo reproduction or digital print) by Peter Sculthorpe(b.1948 Ontario, Canada) printed in 1990 at JK Fine Art Editions Co. NYC, using hand lithography techniques on archival Arches paper, 100% acid free. Buck Run Bridge depicts a finely detailed drawing of a historic covered bridge in Chester County, Pennsylvania. BUCK RUN BRIDGE is an elongated horizontal composition, image measures 11.5 in. H x 36.75 in. W; a very appealing scenic Pennsylvania winter landscape with subtle details exhibiting fine line drawing and watercolor-like washes blending to form a wintry blue sky. The landscape captivating the viewer's eye with its delicate branches on bare trees, stone walls, split rail...

Paper Size: 59.75 x 30.5 inches ( 151.765 x 77.47 cm ) Image Size: 59.75 x 30.5 inches ( 151.765 x 77.47 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling ...

An original fine art print by Jacob Lawrence from the Kent Spirit of Independence Poster Portfolio, published in 1975 by Lorillard. The offset prints from this portfolio are unsigned...

Jean-Michel Basquiat Hanover 1986: Rare hand-signed 1986 Basquiat catalog published on the occasion of Jean-Michel Basquiat Kestner-Gesellschaft Hannover: 28 November 1986 to 25 January 1987. Featuring 60 works by a then 25 year old Basquiat, Kestner is widely remembered as Basquiat’s last major exhibition during his lifetime. Signed boldly & inscribed to ‘Hans’ (Meyer?) on the interior title page. Medium: signed exhibition catalogue Bound in stiff wraps. Text in German. Approximately 100 pages. Features full-page images of over 30 Basquiat paintings, in addition to several in collaboration with Andy Warhol. Well preserved bold, marker signature & inscription. Book: very good overall vintage condition. From a scarce edition of unknown. Distinctly rarer when signed. Provenance: Private collection New York. We are a 1stDibs seller since 2016 specializing in Basquiat, Keith Haring, Andy Warhol, KAWS & more. _ Jean-Michel Basquiat was an influential African-American artist who rose to success during the 1980s. Basquiat’s paintings are largely responsible for elevating graffiti artists into the realm of the New York gallery scene. His spray-painted crowns and scribbled words referenced everything from his Haitian and Puerto Rican heritage, to political issues, pop-culture icons, and Biblical verse. The gestural marks and expressive nature of his work not only aligned him with the street art of Keith Haring and Kenny Scharf, but also the Neo-Expressionists Julian Schnabel and David Salle. “If you wanna talk about influence, man, then you've got to realize that influence is not influence,” he said of his process. “It's simply someone's idea going through my new mind.” Born on December 22, 1960 in Brooklyn, NY, Basquiat never finished high school but developed an appreciation for art as a youth, from his many visits to the Brooklyn Museum of Art with his mother. His early work consisted of spray painting buildings and trains in downtown New York alongside his friend Al Diaz. The artist’s tag was the now infamous pseudonym SAMO. After quickly rising to fame in the early 1980s, Basquiat was befriended by many celebrities and artists, including Andy Warhol, with whom he made several collaborative works. At only 27, his troubles with fame and drug addiction led to his tragic death from a heroin overdose on August 12, 1988 in New York, NY. The Whitney Museum of American Art held the artist’s first retrospective from October 1992 to February 1993. In 2017, after having set Basquiat’s auction record the previous year with a $57.3 million purchase, the Japanese billionaire Yusaku Maezawa surpassed it, buying the artist’s Untitled (1982) at Sotheby's for $110.5 million. This set a new record for the highest price ever paid at auction for an American artist's work. Today, Basquiat's works are held in the collections of The Museum of Modern Art in New York, the Rubell Family Collection in Miami, and the Museum of Contemporary Art in Los Angeles, among others. Related Categories: Jean-Michel Basquiat Bischofberger...

Figure is an original lithograph artwork on canvas realized by the artist of the 20th Century. Hand-signed in pencil on the lower right. Numbered, edition 1/49. The state of prese...

Hand signed and numbered. Edition of 150 prints. Excellent condition.

Landscape is an original lithograph on paper realized by Claude Nicaud (b.1936). Good conditions. Hand-signed. Numbered, Edition of 250. The artwork represents the picturesque sc...

CLÉMENT CYCLES is a fine art lithograph re-creation after the original French advertising poster created by PAL(Jean de Paleologue) for Fernand Clément Bicycle Co., France. Hand craf...

This reproduction of Canto XV by Barnett Newman is a high-quality poster that captures the essence of the original artwork. This poster features printed signature and numbering, givi...

A lithograph and etching on Arches paper after Salvador Dali The Cycles of Life portfolio, made in 1977. This was printed by Forte and published by Duall Graphics for DALART. It is r...

Shock and awe! Original Counselor at Crime vintage movie poster. 'Good with the Law, Better with a Gun! Paper, original theater fold. Very good condition without any paper loss or tears. 1973 When the godson of San Francisco's crime lord asks permission to leave "the business," Don Antonio (Martin Balsam) agrees, but reluctantly. Such behavior by either one is a violation of the code, and a bloody mob war breaks out. It is only through the strong support of his family connections in Sicily that Don Antonio is able to survive the melee and come out on top. Aghast at the situation he has caused, the godson (Tomas Milian) becomes his leader's "consigliere," or Counselor at Crime. This Italian movie was filmed in English in San Francisco, California, and Palermo, Sicily. This is a man-cave vintage poster, one that you very seldom see or have the chance to purchase. Printed in black and white with red to grab your attention. Italian movie in English. The poster was originally folded, like all early movie posters, so that it could be sent to the movie theater. Original fold marks. Some small scuff marks at the fold marks. No tears. The original fold marks are not classified as flaws in old movie posters...

This reproduction of Andy Warhol's iconic Campbell's Soup Can exemplifies his pioneering exploration of consumer culture and pop art. Originally created by Warhol in the 1960s, this ...

Pablo Picasso, After, Spanish (1881 - 1973) - L'Arlesienne, Portfolio: Marina Picasso Estate Lithograph Collection, Year: of Original: 1937 Year Printed: 1979-1982, Medium: Lit...

Samella Sanders Lewis, 'The House of Shango', lithograph, 1992, edition 60. Signed, dated, titled, and numbered '31/60' in pencil. A superb, richly-inked impression, on Arches cream wove paper; the full sheet with margins (1 1/4 to 3 1/2 inches), in excellent condition. Image size 24 x 18 inches (610 x 457 mm); sheet size 30 inches x 22 1/4 inches (762 x 565 mm). Archivally matted to museum standards, unframed. ABOUT THIS WORK “The title of this piece is an unmistakable harkening to African roots. Shango is a religious practice with origins in Yoruba (Nigerian) belief, deifying a god of thunder by the same name. Shango has been adopted in the Caribbean, most notably in Trinidad and Tobago, a fact that underscores the importance of transnationalism to Samella Lewis’s piece. Her work often grapples with issues of race in the U.S., and The House of Shango is no exception. Through a reliance on the gradual transformation of Shango—one that took place across continents and time—Lewis’s piece forms a powerful link between black Americans and their African and Caribbean counterparts. The figure depicted in the piece appears to emerge, quite literally, from the house of Shango. Given the roots and transformative process of the religion, The House of Shango can draw attention to the historical intersections to which black American culture is indebted.” —Laura Woods, Scripps College, Ruth Chander Williamson Gallery, Collection Highlights, 2018 ABOUT THE ARTIST Samella Lewis’ lifelong career as an artist, art historian, critic, curator, collector, and advocate of African American art has helped empower generations of artists in the United States and worldwide, earning her the designation “the Godmother of African American art.” Born and raised in Jim Crow era New Orleans, Lewis began her art education at Dillard University in 1941, transferring to Hampton University in Virginia, where she earned her B. A. and master's degrees. She completed her master's and a doctorate in art history and cultural anthropology at Ohio State University in 1951, becoming the first female African American to earn a doctorate in fine art and art history. Lewis taught art at Morgan State University while completing her doctorate. She became the first Chair of the Fine Arts Department at Florida A&M University in 1953. That same year Lewis also became the first African American to convene the National Conference of African American artists held at Florida A&M University. She was a professor at the State University of New York, California State University, Long Beach, and at Scripps College in Claremont, California. Lewis co-founded, with Bernie Casey, the Contemporary Crafts Gallery in Los Angeles in 1970. In 1973, she served on the selection committee for the exhibition BLACKS: USA: 1973 held at the New York Cultural Center. Samella Lewis's 1969 catalog 'Black Artists on Art', featured accomplished black artists typically overlooked in mainstream art galleries. She said of the book, "I wanted to make a chronology of African American artists, and artists of African descent, to document our history. The historians weren't doing it. It was really about the movement." From the 1960s through the 1970s, her work, which included lithographs, linocuts, and serigraphs, reflected her concerns with the values of human dignity, democracy, and freedom of expression. Between 1969 and 70, Lewis and E.J. Montgomery were consultants for a groundbreaking exhibition at the Oakland Public L designed to create greater awareness of African American history and art. Lewis was the founder of the International Review of African American Art in 1975. In 1976, she founded the Museum of African-American Art with a group of artistic, academic, business, and community leaders in Los Angeles, California. Lewis, the museum’s senior curator, organized exhibitions and developed new ways of educating the public about African American art. She celebrated African American art as an 'art of experience’ inspired by the artists’ lives. And she espoused the concept of African American art as an 'art of tradition', urging museums to explore the African roots of African American art. In 1984, Lewis produced an extensive monograph on Elizabeth Catlett, her beloved mentor at Dillard University. Lewis has been collecting art since 1942, focusing primarily on the WPA era and work created during the Harlem Renaissance. Pieces from her collection were acquired by the Hampton University Museum in Virginia, the world’s earliest collection of African American fine art...

Prospectus for publication of I-S k Reduced format prospectus announcement for the publication of I-S k, 1973 Unsigned (as usual) Printer: Sirocco Screenprints, New Haven Publisher: ...

Italian maestro Lucio Fontana, a trailblazer in spatialism and the mastermind behind "Concetto spaziale," pushed artistic boundaries with his innovative use of plexiglass. One such groundbreaking exhibition unfolded at Galleria il Quadro Biella. Fontana, renowned for his Spatialist theories that advocated for a fusion of art and technology, harnessed the transparent allure of plexiglass to redefine the boundaries of artistic expression. The exhibition at Galleria il Quadro Biella became a testament to Fontana's avant-garde spirit and his relentless pursuit of transcending traditional artistic mediums. With plexiglass as his canvas, Fontana delved into a realm where space and art converged. The material's transparency allowed for a unique interplay of light and form, creating an immersive experience for the viewer. Each piece, a testament to Fontana's mastery, unfolded a narrative that extended beyond the physical confines of the gallery. Silvio Zamorani...

Le Lézard aux Plumes d'Or is a beautiful colored lithograph on mother-of-pearl Japan paper from the series realized by Joan Miró in 1971. Signed on the lower right corner. Printed by...

Charles Bragg, American (1931 - 2017) - Don Quixote 2, Year: circa 1970, Medium: Etching, signed, numbered, and titled in pencil, Edition: 300, Image Size: 8.5 x 10 inches, Size: 1...

Artist: Helen Frankenthaler (after), American (1928 - 2011) Title: Live from Lincoln Center, 20th Year (Eve) Year: 1995 Medium: Lithograph Poster, signed in the plate Size: 48 in. x ...

Georges BRAQUE (after) Marseille : L'Estaque Landscape Color lithograph after a painting Printed signature in the plate On Arches Vellum 50 x 65 cm (c. 20 x 26 inch) Excellent con...

This original double-page lithograph by Joan Miró is featured on pages 10-11 of Derrière le Miroir No. 203, published in 1973. The lithograph includes a visible fold line down the ce...

Icarus is an original colored print realized in the 1970s after Henri Matisse. Original colored serigraph. Very good conditions. The artwork is from an original artwork realized b...

Raquel Forner (1902-1988) Argentine woman painter and printmaker born in Buenos Aires in 1902 and died in the same city in 1988, regarded as one of the best Argentine female painters...

BRASS SECTION(Jamming at Minton's) is a limited edition color lithograph by the renowned African American artist Romare Bearden, printed on archival printmaking paper, 100% acid free, in an edition size of 175. Brass Section 1979 from Romare Bearden's colorful JAZZ series of musical imagery, is an abstract portrait that captures the LIVE brassy sounds and energy created by the a jazz horn trio portrayed with expressive fluid brushwork for the musician portrait outlines, complete with brass horns - namely trumpets and trombones thrusting forward toward the viewer. A harmonious complementary color palette consisting of gold ochre yellow, deep navy blue, yellow green, taupe gray, brown beige, hints of burgundy red with the white of the paper creating contrast. Superb and FRESH interpretation of live jazz music...

Yayoi Kusama Pumpkin (YT), Edition 88/120. Screenprint [3 screens, 2 colors, 3 runs]. Edition 88/120 Image: 29.8 x 22.8 cm. Sheet: 40 x 32.5 cm. Framed: 48 x 40 x 2 cm. Published in ...

IN THE GARDEN is a limited edition color lithograph printed using traditional hand lithography methods on archival printmaking paper, 100% acid free, in an edition size of 150 by the renowned African American artist Romare Bearden. Featuring fresh, uplifting shades of lavender, hues of fresh green, pink, warm tomato red, orange yellow, grays, black and white, IN THE GARDEN depicts a charming collage portrait drawing of a young black woman waving as she carries her basket of freshly picked flowers. She is standing in the garden wearing a bright pink gingham...

This artwork "Flying Man" c.1990, is an original colors etching with aquatint on Wove paper by noted Mexican artist Jose Esteban Martinez, b.1951. It is hand signed in pencil by the ...

Medium: lithograph (after the Paul Cezanne painting). Printed in Paris on Arches paper at the Mourlot studio in 1973 in an edition of 1000 for the Collection Pierre Lévy deluxe portf...

Artist: Karel Appel (Dutch, 1921-2006) Title: "L'Âne Trop Paisible Pour Les Enfants Cruels (A Donkey Too Gentle for the Cruel Children)" (Plate 19) Portfolio: Circus (Volume II) *Si...

This artwork "Landscape" c.1980 is an original color lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand signed and numbered 168/200 in pencil by the...

Renzo Vespignani, Italian (1924 - 2001) - Spiaggia di Nettuno, Year: circa 1970, Medium: Etching, signed and numbered in pencil, Edition: AP, Image Size: 4.5 x 10.75 inches, Size: 1...

Berlin 2, 1970 24 x 33.8 in. / 61 x 86 cm Screen print in one color on offset lithograph, black on white card. Edition 100. “for Paul” written in pencil lower middle: this copy an ar...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

Ari Gradus, Israeli (1943 - ) - Parisian Morning, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Size: 30 in. x 22 in. (76...

The Angels is a modern artwork realized by Felice Ludovisi in the 1980s. Mixed colored lithograph. Hand signed and numbered on the lower margin. Edi...

 R like Romeo is an artwork realized by Miguel Berrocal (1933 – 2006) in 1975. Linocut print. Signed in the plate. Good condition.

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Portrait de Femme au Chapeau et a la Robe Vert Jaune". The original painting was completed i...

Untitled (Mirror) 1976 Serigraph Ed. Edition of 175 25.75 x 20.5 inches

Vivid large scale giclee print, 27/95, titled Desert Spring 1996 by Laurie Bender (American, b. 1953). Displayed double linen mat and whitewashed wood frame. Signed lower right and n...

Title: Chanel suite (four artworks) Year: 1997 Medium: Offset lithograph on archival paper mounted on canvas Size: 29 x 22 inches, each Condition: Excellent Inscription: Signed in th...

ARTIST: Salvador Dali TITLE: After 50 Years of Surrealism Freud with Snail Head MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: F 59/195 MEASUREMENTS: 19.75" x 26" YEAR: 1...

Soiree is an original artwork realized by Erté (Romain de Tirtoff) in 1980. Mixed colored exhibition poster of the artist. Signed on plate ¨Erté; inscribed i...

This original graphic art lithographic poster entitled "Chez Panisse Restaurant and Cafe" was created by David Lance Goines in 1989 in his Berkeley studio...

An authorized printing of Eiffel Tower Serenade After Marc Chagall, Russian (1887 - 1985) - with facsimilie signature. Medium: Lithograph on Arches, numbered in pencil, Edition: 500,...

Andy Warhol's original poster for the 1982 film "Querelle" is a fascinating fusion of two artistic worlds: cinema and pop culture art. Directed by German filmmaker Rainer Werner Fassbinder, the film is based on Jean Genet's novel of the same name, exploring themes of desire, sexuality and mystery. Warhol, a celebrated figure of the Pop Art movement, brought his unique style to this iconic poster. Using vivid colors and striking contrasts, the poster highlights key elements of the film, including the unsettling sensuality of the main character, Querelle, played by Brad Davis. Warhol's association with the film gave a new artistic dimension to film promotion...

This reproduction, titled Canto VIII by Barnett Newman, was published by Art Edition in Düsseldorf, Germany. The print is of high quality and features Newman’s characteristic vertica...

CIGAR - Champion Horse Portrait 1997 by the contemporary woman artist and distinguished realist painter Jenness Cortez, is an original hand drawn limited edition lithograph printed using hand lithography techniques on archival paper 100% acid free. CIGAR is a lifelike, realistic equine portrait depicting the superstar thoroughbred racehorse Cigar, who was two-time Horse of the Year winner, a member of the National Racing Hall of Fame, and arguably the greatest racehorse of the 1990s. CIGAR, a visually impressive handmade lithograph, displays an appealing neutral color palette in shades of warm copper brown, grays, and charcoal black on a light slate blue background. Print size - 29.5" x 25", unframed, excellent condition, pencil signed by Jenness Cortez Image Size - 26" x 21" Edition size - 250, plus proofs Year - 1997 Printer - JK Fine Art Editions Co., NJ High quality hand drawn lithograph, classic equine portrait, sporting art print pencil signed by Ms. Cortez on lower margin, First-rate hand crafted print, not a commercially mass photo reproduced poster or digital reproduction. ABOUT THE ARTIST: Jenness Cortez is a mid-career artist with astonishing talent. Born 1944 in Indiana, Jenness Cortez began her formal art studies at the age of sixteen under the guidance of noted Dutch painter, Antonius Raemaekers...

THREE FACES is an original hand drawn lithograph by the renowned American Pop artist, Peter Max, printed in 1991 in an edition of 100, using tradition...

"Homage to the Square - Portfolio 2,Folder 17,Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original...

This artwork titled "Metropolitan Opera, New York City, Premiere" 1980 is an original colors serigraph by noted American artist LeRoy Neiman, 1921-2012. It is hand signed and numbere...

Island is an original screen print artwork, realized by Maurilio Catalano. Hand-signed, numbered edition of 2/60 prints. The state of preservation is very good. The artwork repres...

Dni Zdrady vintage poster is an original offset print on paper realized by Unknown Czechoslovakian Artist of the 20th Century. Original colored offset. Good condition and aged.

Artist: Christopher Brown (1951- ) Title: Circle, Smoke and Braid Date: 1990 Medium: Color woodcut in 28 colors Image Size: 37 x 30.5 inches Sheet size: 42.5 x 35.5 inches Framed size: 52.5 x 44.5 inches Signature: signed, dated lower right Publisher: Experimental Workshop, San Francisco Edition: 40 This one: 27/40 This large woodcut...