Bride Portrait Prints

Katie Eleanor, "Cleansing a Shrike (Blackbird’s Birdbath)", 2018 Handcoloured portrait of a bird-like spirit, immobilised in marble, cleansing in a sprin...

Salvador Dali - Cleopatra Original Etching Dimensions: 28x 18.7cm 1969 Edition: /165 Plate signed References : Field 68-7-I page 48

Abraham Rattner (after) Title: Unknown Year: Unknown Lithograph Size: 26.25x20 inches Esther Gentle, Reproduction, 1952 Signed in the stone Annotated verso COA provided Ref.: 924802-...

This is a 17th century engraving entitled "Messire Nicolas Lambert Seigneur de Thorigny, Conseiller du Roy" by Pierre Drevet after a painting by Noicolas de Largillière, published in Paris in 1698. This portrait depicts a three-quarter length view of Nicolas Lambert de Thorigny, who is dressed in elaborate robes and collar of a wealthy Parisian nobleman of the time. He is seated directed to the left and looking directly at the viewer. He is holding an inscribed note in his right hand. A magnificent billowing curtain is in the background. Lambert's coat of arms is shown in the center of the lower inscription area. In the inscription area is lettered with title, production detail: "Nic. Largilliere pinxit" and "Petr. Drevet sculpsit", and publication detail: "Se vend a Paris chez Drevet rüe du Foin au coin du College de Maître Gervais". Nicolas Lambert, Seigneur de Thorigny (1600-1664), was a French nobleman and military commander who lived in the 17th century. He served in the French army during the Thirty Years' War, a conflict that took place from 1618 to 1648 and involved many European powers. Lambert fought in several battles during the war and rose to the rank of colonel. After the war, Lambert returned to France and became involved in politics. He served as a member of the Estates General, a legislative body that advised the king, and as a governor of several provinces. He was a counsellor and confidant of King Louis XIV. He had the title of Président de la Chambre des Comptes. He also became a member of the French Academy of Sciences, a prestigious institution that promotes scientific research and scholarship. Lambert was known for his military expertise, his intelligence, and his commitment to public service. He iInherited the Hôtel Lambert in Paris from his brother Jean Baptiste in 1644 and hired some of the most prominent artists of the time, including Charles Le Brun to decorate and furnish the building. This beautiful old master engraving was created with impressive detailed technique. It is printed on laid, chain-linked paper. The sheet measures 18.5" high and 13.38" wide. The sheet is adhered to an archival backing paper at the top. There is a faint horizontal center fold and mild discoloration in the inscription area and in the upper margin on the right, with mild wrinkling here. The print is otherwise in very good condition, considering its age. This engraving is so rare, that no comparable prints could be identified for sale online. It is currently only listed in museum collections, including: The Metropolitan Museum of Art, The British Museum, The Louvre, The Riksmuseum, The Victoria & Albert Museum, The Fitzwilliam Museum at the U. of Cambridge, The Boston Museum of Fine Arts, Harvard Art Museums, The Finnish National Museum, The Philadelphia Museum. It is shown in the Metropolitan Museum's Cataloque of French paintings entitled: "French Paintings in The Metropolitan Museum of Art, published in 2018, page 36. The page is included in the photos. Nicolas de Largillière (1656-1746) was a French portrait painter who achieved great success and acclaim during the late Baroque and Rococo periods. He was born in Paris and trained under the painter Antoine Goubeau. He studied in Antwerp and London before returning to France. While in England he was a favorite painter of King Charles II and King James II of England...

Original poster: Save Freedom of Worship (S) Artist: Normal Rockwell. Archival linen backed. Original fold marks touched up at the time of b...

Photolith on arches paper from the series Time. Hand signed and numbered by the artist. From the EA edition of 30. There is also a main edition of 300. Sheet size 29.5 x 21 inche...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible...

Medium: lithograph, collage and stencil poster. This work consists of a lithograph mounted onto brown wove paper, with a collage of hand-cut newsprint letters and stenciled text in r...

Jean Jansem (1920-2013) Pélerin au cierge, 1986 Lithographie sur papier Japon, justifiée XIV / XXX Signée en bas à droite 67 x 51 cm / 76 x 54 cm Bibliographie: CR Jansem, 1993, n...

Interview is a Lithograph on wove paper BFK Rives realized in the 1970s by Christian Ricker. Edition of 65 prints, numbered and hand signed in pencil. Published by Wolfgang Ketter...

Alistair Grant Girl III - 1968 Print - Lithograph 23½″ x 31'' inches Edition: Signed in white pencil, titled and marked Artist Proof Alistair Grant was a great and justly-rever...

Guitar Player is a Lithograph realized by Alfredo Romagnoli in 1970s. The artwork is in good condition on a white cardboard. Hand-signed by the artist on the lower right corner. Alfredo Romagnoli (January 5, 1915 in Genzano di Roma - March 21, 2008 in Rome) was an Italian painter. He studied first at the School of Sacred Art...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible...

Artist: Pablo Picasso Title: Claude Medium: Lithograph Date: 1950 Edition: 2000 Frame Size: 20 3/4" x 18" Sheet Size: 12 3/4" x 9 3/4" Reference: Cramer 60

Giclee on canvas. Hand signed and numbered on front by Pino Edition of 500. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All ...

Giclee on canvas. Hand signed and numbered on front by Pino Edition of 500. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All ...

This hand-colored etching and aquatint caricature entitled "Playing in Parts" by James Gillray was published in London by Hanna Humphrey, 27 St. James Street on May 15th 1801. The print is signed in the plate in the lower right. This is a rare musical caricature. It depicts five amateur musicians, a woman and four men, performing their music in a drawing room. A young overweight woman dressed in white is seated in the center, playing a piano...

Medium: lithograph (after the drawing). This Picasso lithograph from the "Le Gout du Bonheur" portfolio was printed in Munich in the studios of Guen...

Medium: original lithograph. Catalogue reference: Mourlot 195. Printed in 1957 at the Mourlot atelier and published in Paris by Maeght. This charming composition is one of the original lithographs...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special edition devoted exclusively to Chagall's original Bible...

This stylish early 20th-century etching by Swedish artist Axel Wallert (1890-1962) depicts a young lady wearing an extraordinary hat. She’s attending a busy function and dressed to impress in the fashion-a-la-mode. It’s tricky to decipher exactly how the hat is constructed but it’s probably feathered. It’s reminiscent of Edwardian bird hats...

De Kooning, Kligman VI, 2020 monotype, unique print from a series of VI 21 x 26 1/2 in. (53.3 x 67.3 cm) framed: 24 1/8 x 29 5/8 in.

Giclee on canvas. Hand signed and numbered on front by Pino Edition of 500. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All ...

An 18th century etching and engraving entitled "Earl Sandwich Refusing to Leave His Ship While on Fire in the Battle of Sole Bay" by William Byrne (1743-1805), after a painting by Robert Smirke (1753-1845). It was published in London in 1798. The print is presented in a cream-colored mat. The mat measures 17.13" in height and 13" in width. The print is in excellent condition. Edward Montagu, the 1st Earl of Sandwich...

Frankenthaler (Graphite) IV, 2020 monotype, unique print from a series of VI 18 1/4 x 22 3/4 in. (46.4 x 57.8 cm)

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art...

Medium: original etching and drypoint. This is an earlier-state proof before letters were added for the final published edition. Printed in 1900 for Gazette des Beaux-Arts. Plate siz...

Jean Jansem (1920-2013) Les acadiens, 1993 Lithographie sur papier Arches, justifiée E/A 16/30 Signée en bas à droite 65,5 x 50 cm / 76 x 56 cm Bibliographie: CR Jansem, 2000, n°9...

Vintage Lithograph, Ed. 59 of 75, Signed. In this print the artist renders portraits of family members in a sketch like, and loose manner.

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible...

Surreal Grail VII (nude with cape, radiating halo) 2019, digital collage, print, framed and matted, figurative, Digital Print / Feminist Art and Contemporary Feminist / Surrealistic ...

Medium: original etching with drypoint. Catalogue reference: Fiorani 23. This impression on laid paper was printed in 1913 and published by Gazette des Beaux Arts. The image size is ...

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Mourlot and published by Philippe Lebaud in a limited edition of 190 for the "Variations sur l'imagina...

My friend friend Digital pigment print Ultrachrome ink on Fabriano Rosaspina paper. Hand signed by the artist, and certificate of authenticity, (Unframed) His work has been shown...

THE DOOR OF JUSTICE is an original, hand drawn, limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. THE DOOR OF JUSTICE was printed using hand lithography techniques on white archival printmaking paper, 100% acid free, pencil signed by Elizabeth Catlett on the lower margin, embossed with printers chop mark on lower corner, print documentation provided. THE DOOR OF JUSTICE was created as a tribute to civil rights lawyers and the people they counsel depicted as a black and white figurative portrait drawing of two black lawyers, male and female opening "The Door of Justice" to a gathering of everyday people awaiting outside the doorway. Print size - 24.25 x 27.5 in., unframed, excellent condition, pencil signed, titled, dated by Elizabeth Catlett Edition size - 100 Year published - 2000 "The measure of a country's greatness is its ability to retain compassion in time of crisis." -Thurgood Marshall About the artist - Elizabeth Catlett (born April 15, 1915, Washington, D.C., U.S.—died April 2, 2012, Cuernavaca, Mexico), American-born Mexican sculptor and printmaker renowned for her intensely political art. Catlett, a granddaughter of enslaved people, was born into a middle-class Washington family; her father was a professor of mathematics at Tuskegee Institute. After being disallowed entrance into the Carnegie Institute of Technology because she was Black, Catlett enrolled at Howard University...

Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano III', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unfra...

Agustin Bejarano (Cuba, 1964) 'Tejedoras de mano II', 2003 engraving on paper Guarro Biblos 250g. 30.6 x 23.3 in. (77.5 x 59 cm.) Edition of 20 Unfram...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for the art revue Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art...

Raul Anguiano (Mexico, 1915-2006) 'Retrato', 2001 aquatint on paper 15.6 x 12.6 in. (39.5 x 32 cm.) Edition of 50 ID: ANG-201 Unframed

Giclee on canvas. Hand signed and numbered on front by Pino Edition of 500. Canvas is not stretched. Artwork is in excellent condition. Certificate of authenticity included. All ...

The Woman On Chariot By Dogs is a drawing in China Ink and pen on paper realized by Adolphe Willette in the Late 19th Century. Very Good conditions. Monogrammed. Including a cardb...

Roxana Hartmann (Bolivia, ) 'Habana', 2018 etching, sugar aquatint on paper Feltmark 300 g 16 x 11.3 in. (40.5 x 28.5 cm.) Edition of 10 ID: HAR-101-008 Unframed

Parisian is aLithograph realized by Gustave Dore in 1854. Good conditions except for some foxings. Hand-singed. The artwork is depicted in a well-balan...

Satyr from the series "Antiquities of Herculaneum" , is an etching on paper realized by Various Authors in the 18th Century. Monogrammed on the plate. Good conditions. The etching...

Artist: Dan May (American, 1955-) Title: "The Scream" *Signed by May in pencil lower left Year: 1992 Medium: Original Monoprint on unbranded white cotton ra...

Miss Taylor Drypoint, c. 1900 Signed in pencil lower left (see photo) Small edition, about 10 Very rich impression, full of burr Condition: Excellent Image size: 21-1/4 x 13-1/4" Sheet size: 25 3/8 x 18 5/8" Reference: Montesquiou XII Paul César Helleu was born in Vannes, Brittany, France. His father, who was a customs inspector, died when Helleu was in his teens. Despite opposition from his mother, he then went to Paris and studied at Lycée Chaptal. In 1876, at age 16, he was admitted to the École des Beaux-Arts, beginning academic training in art with Jean-Léon Gérôme. Helleu attended the Second Impressionist Exhibition in the same year, and made his first acquaintances with John Singer Sargent, James McNeill Whistler, and Claude Monet. He was struck by their modern, bold alla prima technique and outdoor scenes, so far removed from the studio. Following graduation, Helleu took a job with the firm Théodore Deck Ceramique Française hand-painting fine decorative plates. At this same time, he met Giovanni Boldini, a portrait painter with a facile, bravura style, who became a mentor and comrade, and strongly influenced his future artistic style. When he was 18 years old, Helleu established a close friendship with John Singer Sargent, four years his senior, that was to last his lifetime. Already becoming established, Sargent was receiving commissions for his work. Helleu had not sold anything, and was deeply discouraged almost to the point of abandoning his studies. When Sargent heard this, he went to Helleu and picked one of his paintings, praising his technique. Flattered that Sargent would praise his work, he offered to give it to him. Sargent replied, "I shall gladly accept this, Helleu, but not as a gift. I sell my own pictures, and I know what they cost me by the time they are out of my hand. I should never enjoy this pastel if I hadn't paid you a fair and honest price for it." With this he paid him a thousand-franc note. Helleu was commissioned in 1884 to paint a portrait of a young woman named Alice Guérin (1870–1933). They fell in love, and married on 28 July 1886. Throughout their lives together, she was his favourite model. Charming, refined and graceful, she helped introduce them to the aristocratic circles of Paris, where they became popular fixtures. On a trip to London with Jacques-Émile Blanche in 1885, Helleu met Whistler again and visited other prominent artists. His introduction to James Jacques Tissot, an accomplished society painter from France who made his career in England, proved a revelation. In Tissot, Helleu saw, for the first time, the possibilities of drypoint etching with a diamond point stylus directly on a copper plate. Helleu quickly became a virtuoso of the technique, drawing with the same dynamic and sophisticated freedom with his stylus as with his pastels. His prints were very well received, and they had the added advantage that a sitter could have several proofs printed to give to relations or friends. Over the course of his career, Helleu produced more than 2,000 drypoint prints. Soon, Helleu was displaying works to much acclaim at several galleries. Degas encouraged him to submit paintings to the Eighth Impressionist Exhibition in May and June 1886. The show was installed in a Paris apartment at 1 rue Laffitte, which ran concurrently with the official Salon that year to make a statement. Although 17 artists joined the famous exhibit that included the first Neo-Impressionistic works, Helleu, like Monet, refused to participate. Paul Helleu Sketching with His Wife (1889), by John Singer Sargent, The Brooklyn Museum, New York In 1886, Helleu befriended Robert de Montesquiou, the poet and aesthete, who bought six of his drypoints to add to his large print collection. Montesquiou later wrote a book about Helleu that was published in 1913 with reproductions of 100 of his prints and drawings. This volume remains the definitive biography of Helleu. Montesquiou introduced Helleu to Parisian literary salons, where he met Marcel Proust, who also became a friend. Proust created a literary picture of Helleu in his novel Remembrance of Things Past as the painter Elstir. (Later, Helleu engraved a well-known portrait of Proust on his deathbed.) Montesquiou's cousin, the Countess Greffulhe, enabled Helleu to expand his career as a portrait artist to elegant women in the highest ranks of Paris society, portraits that provide the basis for his modern reputation. His subjects included the Duchess of Marlborough, the Marchesa Casati...

Ana Cazares (Mexico, ) 'Lengua de lado', 2019 woodcut on paper Guarro Biblos 250g. 44.1 x 30 in. (112 x 76 cm.) Edition of 3 ID: CAZ-103

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Orit Fuchs lives and works in Tel Aviv‭, ‬a storyteller with a deep‭, ‬pure, and unquenchable appetite for artistic self-expression‭. ‬Her medium spans the gamut‭ - ‬sculptures‭, ‬pa...

Susan McGovney Hansen 1933-2011 Lithograph in an edition limited to 500 signed and numbered prints. Signed in the Plate . Freelance pai...

Self-portrait with Imaginary Brother is an offset and lithograph print after Willem De Kooning in 1938. The print suite was realized in 1985 in a limited edition of 2500, and curate...

Etching and drypoint on cream laid paper, 4 x 3 3/8 inches (102 x 86 mm), 1/4 inch margins. Signed in the plate, lower left corner. The 3rd state (of 6), after the rounding of the pl...

The Empire Strikes Back - 40th Anniversary Japanese Variant: The Empire Strikes Back, also known as Star Wars: Episode V – The Empire Strikes Back, is a 1980 American epic space opera film directed by Irvin Kershner and written by Leigh Brackett and Lawrence Kasdan, based on a story by George Lucas. The second installment in the original Star Wars trilogy, as the sequel to Star Wars (1977), it is the second film in the franchise to be produced, and the fifth episode of the "Skywalker saga". The story is set three years after the events of the first film, as the Galactic Empire hunts the scattered Rebel Alliance throughout the galaxy. While Darth Vader relentlessly pursues Luke Skywalker's friends—Han Solo, Princess Leia, and Chewbacca—Luke studies the Force under Jedi Master Yoda to prepare himself for his upcoming confrontation with Vader. Artists: Ferguson, Matt Edition Details Year: 2020 Class: Cinema Status: Official Released: 06/17/20 Run: 475 Technique: Screen Printed with Metallic and Neon Inks Size: 24 X 36 Markings: Numbered .The artwork is released in conjunction with Acme Archives, the official Star Wars licensee. About Artist: "Matt Ferguson...

Charles CAMOIN Blond Hair Girl, 1946 Original lithograph Signed in pencil bottom right Numbered / XX On Lana Vellum 36 x 26 cm (c. 10.2 x 14 inch) Excellent condition

Early modernist Judaica, Rabbi in Prayer with Tefillin

Pierre-Auguste Renoir (French, 1841-1919) "La danse à la campagne" (second plate), Conceived 1883 Soft ground Etching on paper Image: 8-5/8 x 5-1/4 inches (21.9 x 13.3 cm) (plate)...

Antique print after painting by Sir Thomas Lawrence (1769-1830) portraying Lady Elizabeth Anne Burrell, Marchioness of Exeter. Sir Thomas Lawrence was a fashionable portrait painter ...

Ecole de Peinture is a drawing in China Ink on paper realized by Adolphe Willette in the Late 19th Century . Good conditions. Hand-signed. The artwork is depicted through soft st...