Abstract Expressionist Prints and Multiples

Artist: Darryl Hughto, American (1943 - ) Title: Johnny B. Gord Date: 1978 Edition: 150 Screenprint, signed, titled, dated and numbered in pencil Image Size: 39.75 x 29 inches Size...

Artist: Paul Burlin, American (1886 - 1969) Title: untitled from Drawings Portfolio Year: 1968 Medium: Screenprint on Paper, signed and numbered in pencil Edition: 31/50 Paper Size:...

What mask are you wearing? 80x80cm, print on canvas Edition of 20 pieces

Snake by Donald Saff, American (1937) Date: 1980 Etching, signed and numbered in pencil Edition of 50 Image Size: 23 x 18.5 inches Size: 39 in. x 27.5 in. (99.06 cm x 69.85 cm)

Small Abstract (Abstract print) Silkscreen - Unframed Melissa Meyer has created a diverse oeuvre that includes oil paintings, drawings, watercolors, prints and large-scale public c...

Artist: Milton Resnick, American (1917 - 2004) Title: Untitled - Brown Abstract Year: circa 1982 Medium: Etching, signed and numbered in pencil Editio...

This is a unique monotype, signed and dated lower right. The image measures 21.75 x 23.75 inches inches and it is currently unframed. Pat Passlof was bor...

Spring Fever XVI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Spring Fever XIV (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Artist: Paul Burlin, American (1886 - 1969) Title: untitled from Drawings Portfolio Year: 1968 Medium: Silkscreen on Paper, signed and numbered in pencil Edition: 31/50 Paper Size: ...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

On Arches French art paper. Fima (born Efraim Roeytenberg) (1914 – 2005) was an Israeli artist born in China. He spent most of his career in France. Ephraim (Yafim) Roeytenberg, know...

Pietro Consagra (Italian, 1920-2005). Hand signed in pencil and numbered limited edition color lithograph on Magnani paper. Embossed stamp with limited edition numbers in pencil to lower left, and having artist pencil signature to lower right. (from a limited edition of 80 with 15 artist's proofs) Published by Stamperia 2RC, Rome Italy and Marlborough Gallery, Rome, Italy. Abstract Modernist work in colors, produced in the style of the Forma art movement of Postwar Italy, of which the artist was a prominent member. Pietro Consagra (1920 – 2005) was an Italian Post war artist working in painting, printmaking and sculpture. In 1947 he was among the founding members of the Forma 1 group of artists, proponents of structured abstraction. (similar to the Art Informel and Art Brut in France and the Brutalist artists) Consagra was born on 6 October 1920 in Mazara del Vallo, in the province of Trapani in south-western Sicily, to Luigi Consagra and Maria Lentini. From 1931 he enrolled in a trade school for sailors, studying first to become a mechanic, and later to become a captain. In 1938 he moved to Palermo, where he enrolled in the liceo artistico; despite an attack of tuberculosis, he graduated in 1941, and in the same year signed up at the Accademia di Belle Arti, where he studied sculpture under Archimede Campini. After the Invasion of Sicily and the Allied occupation of Palermo in 1943, Consagra found work as a caricaturist for the American Red Cross club of the city; he also joined the Italian Communist Party. Early in 1944, armed with a letter of introduction from an American officer, he travelled to Rome. There he came into contact with the Sicilian artist Concetto Maugeri, and through him with Renato Guttuso, who was also Sicilian and who introduced him to the intellectual life of the city and to other postwar artists such as Leoncillo Leonardi, Mario Mafai and Giulio Turcato. Consagra signed up at the Accademia di Belle Arti di Roma in September 1944 and studied sculpture there under Michele Guerrisi, but left before completing his diploma. In 1947, with Carla Accardi, Ugo Attardi, Piero Dorazio, Mino Guerrini, Achille Perilli, Antonio Sanfilippo and Giulio Turcato, Consagra started the artist's group Forma 1, which advocated both Marxism and structured abstraction. Steadily Consagra's work began to find an audience. Working primarily in metal, and later in marble and wood, his thin, roughly carved reliefs, began to be collected by Peggy Guggenheim and other important patrons of the arts. He showed at the Venice Biennale eleven times between 1950 and 1993, and in 1960 won the sculpture prize at the exhibition. During the 1960s he was associated with the Continuità group, an offshoot of Forma I, and in 1967 taught at the School of Arts in Minneapolis. Large commissions allowed him to begin working on a more monumental scale, and works of his were installed in the courtyard of the Foreign Ministry in Rome and in the European Parliament, Strasbourg. His work is found in the collections of The Tate Gallery, London, in Museo Cantonale d'Arte of Lugano and the Museum of Modern Art, Paris, and the National Gallery of Art in Washington, D.C.. Consagra returned to Sicily where he sculpted a number of significant works during the 1980s. With Senator Ludovico Corrao, he helped created an open-air museum in the new town of Gibellina, after the older town had been destroyed in the earthquake of 1968. Consagra designed the gates to the town's entrance, the building named "Meeting" and the gates to the cemetery, where he was later buried. In 1952 Consagra published La necessità della scultura ("the need for sculpture"), a response to the essay La scultura lingua morta ("sculpture, a dead language"), published in 1945 by Arturo Martini. Other works include L'agguato c'è ("the snare exists", 1960), and La città frontale ("the frontal city", 1969). His autobiography, Vita Mia, was published by Feltrinelli in 1980. In 1989 a substantial retrospective exhibition of work by Consagra was shown at the Galleria Nazionale d'Arte Moderna in Rome; in 1993 a permanent exhibition of his work was installed there. In 1991 his work was shown in the Hermitage Museum in St. Petersburg. In 2002 the Galerie der Stadt Stuttgart opened a permanent exhibition of his work. He was one of ten artists invited by Giovanni Carandente, along with David Smith, Alexander Calder, Arnaldo Pomodoro, Lynn Chadwick, and Beverly Pepper, to fabricate works in Italsider factories in Italy for an outdoor exhibition, "Sculture nella città", held in Spoleto during the summer of 1962. He was included in the The 1962 International Prize for Sculpture the jury included Argan, Romero Brest and James Johnson Sweeney the former director of the Solomon R. Guggenheim Museum in New York. The participants included Louise Nevelson and John Chamberlain for the United States; Lygia Clark for Brazil; Pietro Consagra, Lucio Fontana, Nino Franchina, and Gió Pomodoro for Italy; Pablo Serrano for Spain; and Eduardo Paolozzi, William Turnbull, and Kenneth Armitage for England. Gyula Kosice, Noemí Gerstein, Julio Gero, Naum Knop...

S.O.C. #2 2014 Etching 76.5 x 91cm Yang Chihung (Chinese: 楊識宏; pinyin: Yang Chihung; born 1947) Taiwanese-American artist. Yang Chi-hung was born on 25 October 1947, in Chungli, Taiwan. He developed an interest in art in early childhood, and found inspirations to pursue an artist career after reading Lust for Life – The Life of Vincent van Gogh, translated by poet Yu Kuang-chung, in junior high school. Between 1965 and 1968, he attended the National Taiwan College of Art, developing a sound foundation in oil painting under the tutelage of famous Taiwanese artists of the Japanese Colonial period, such as Liao Chi-chun, Li Mei-shu and Yang San-lang. Meanwhile, he actively attended events organized by the modern art groups of Taiwan, namely the Fifth Moon Group and Ton Fan Group, only to find himself both intimidated and dissatisfied with the then relatively conservative art environment in Taiwan. In 1979, he emigrated to the United States of America with his wife, Jane, and their son, Daniel. His pioneering works soon landed him the “Outstanding Asian-American Artist” award. The concept and style of abstract expressionism as represented by the works of Jackson Pollock in the 1950s had great impact on Yang’s work. With the sense of nihilism that gave rise to abstract expressionism in the post-war period, artists no longer clamored to depict the external environment, but rather chose to focus on their own inner experience. Yang Chihung embraced this spirit about the early 1990s when his style turned abstract. In 1984–85 and again in 1985–86, he was twice awarded a year's residency at The Clocktower Studio in New York City by MoMA P.S.1. In 2013, Yang, along with Xu Bing, Zhang Huan, and Li Chen, were the four artists featured in the Discovery Channel Asia documentary series, Chineseness, a multi-series production that focused on postwar Chinese contemporary artists. He is of the generation of artists such as Chen Tingshi, Liang Yifeng, Yang Yuyu, Pang Jiun, Yinhui Chen, Jui-Ling Hung, De-Jinn Shiy, Yong-ik Cho, Wan Chuan Chang, Kuosung Liu, Sanlang Yang, Chetsai Shen, Fu-sheng Ku, Chunxiang Zhao, Ming Ju, Ming-Che Huang, Jiutong Liu, In-Ting Ran, George Chann, Yi Hong, Tzu-Chi Yeh, Max Liu, Yi-Hsiung Chang, Che Chuang Awards and recognition 1989, Outstanding Asian American Artist Award, by Governor of New York 1984–1986, MoMA P.S.1 National Studio Program, Residency at Clocktower Studio, New York SELECTED GROUP EXHIBITIONS 1969 Contemporary Young Artists Exhibition, U. S. I. S. Lincoln Center, Taipei, Taiwan 1974 Asian Contemporary Art Exhibition, Ueno Museum of Art, Tokyo, Japan 1977 10 Chinese Leading Artists, Metropolitan Museum of Art, Tokyo, Japan 1978 Contemporary Chinese Art from Taiwan, Hong Kong Arts Centre, Hong Kong 1978 International Exhibition of Prints, National Museum of Modern Art, Seoul, South Korea 1979 6th British International Print Biennial, Bradford Art Galleries and Museum, England 1980 4th Miami International Print Biennial, Metropolitan Museum Coral Gables, Florida 1982 Summer Invitational, Susan Caldwell Inc, New York City 1982 Four Artists, SoHo Center for Visual Artists, New York City 1983 New Acquisitions and Trustee's Choice, The Aldrich Museum of Contemporary Art, 1983 Cleveland (UK) 6th International Drawing Biennale, Middlesbrough Art Gallery, England 1983 Dreams Demons Madness, Alternative Museum, New York City 1984 Rambunctious, Siegel Contemporary Art, New York City 1984 Invitational Painting Exhibition, Part II: Eight Imagist Painters, Siegel Contemporary Art, NYC 1984 Salvo, Ruth Siegel Ltd, New York 1984 Modern Art, Ted Greenwald Gallery, New York City 1985 Exotica, Paintings and Works on Paper, Stephen Rosenberg Gallery, New York City 1985 The Art of the 1970s and 1980s, Aldrich Museum of Contemporary Art, Ridgefield, CT 1985 Large Figurative Drawings, Virginia Museum of Fine Arts, Richmond, Virginia 1985 Studio Programs, 1984 -1985, The Institute for Art and Urban Resources, Inc, The Clocktower, New York City 1985 Surplus, Exit Art, New York City 1985 Four Painters From New York, Janet Steinberg Gallery, San Francisco, California 1985 Harvest, Ruth Siegel Ltd, New York City 1986 The Object Revitalized, The Paine Art Center and Arboretum, Oshkosh, Wisconsin 1986 Annual Juried Exhibition '86, The Queens Museum, New York City 1986 Summer Group Show, Galleri Mustad, Sweden 1987 New Work - New York, Helander Gallery, Palm Beach, Florida 1988 The Shell: Design Spirit, Bergen Museum of Art and Science, Paramus, New Jersey 1988 Works on Paper, Nina Freudenheim Gallery, Buffalo, New York 1988 The Flower Show, Betsy Rosenfield Gallery, Chicago, Illinois 1988 Classical Myth and Imagery in Contemporary Art, The Queens Museum, Flushing, NY 1988 Continuity and Change; Five Contemporary Chinese Artists, Yale University Art Gallery 1988 First Anniversary Exhibition, Michael Walls Gallery, New York City 1989 Second Anniversary Exhibition, Michael Walls Gallery, New York City 1990 The Matter At Hand; Contemporary Drawings, UWM Art Museum, University of Wisconsin, 1991 Entr'acte, Michael Walls Gallery, New York City 1991 Taipei - New York: Confrontation of Modernism, The Taipei Fine Arts Museum. Taiwan 1991 Past Becoming Future, The Contemporary Art Gallery, Seibu, Tokyo, Japan 1992 Intimate Universe; Small-Scale Paintings By Twenty-five American Artists, Michael Walls 1993 Paper Trails; The Eidetic Image, Krannert Art Museum, University of Illinois, Champaign, 1993 Intimate Universe, Nina Freudenheim Gallery, Buffalo, New York 1994 Isn't It Romantic? On Crosby Street, New York City 1994 To enchant (blue), Cynthia McCallister Gallery/Bixler Gallery, New York City 1994 Singapore International Art Fair, Sarina Tang Fine Art, Singapore 1994 Taipei Modem Art Exhibition, The National Gallery, Bangkok, Thailand 1995 A Romantic Impulse: Seventeen American Artists, O'Hara Gallery, New York City 1995 Chinese Artists in the United States, Hong Kong Land Limited, The Rotunda, Hong Kong 1996 Taipei Modern Art Exhibition, Shanghai Museum, Shanghai, China 1996 In Full Bloom: Flower and Garden Paintings, Lizan-Tops Gallery, East Hampton, New York 1997 Intimate Universe [Revisited], Robert Steele Gallery, New York City 1997 A Thought Intercepted, California Museum of Art, Santa Rosa, California 1997 Forces of Nature, Taipei Gallery, New York City, 1997 Lizan-Tops Gallery, East Hampton, New York 1998 Asian Aesthetic, Takara/Yukiko Lunday Gallery, Houston, Texas 1998 Contemporary Art from the Overseas Chinese, Galerie Pierre, Taichung, Taiwan 1999 Looking for the Light, The Gallery on the Hudson, Irvington, New York 1999 Visions of Pluralism, National Art Museum of China, Beijing, China; Mountain Art Museum, Kaohsiung, Taiwan 2001 Fifteen Asian American Artists, Staller Center For the Arts, University at Stony Brook, Stony Brook, New York (Artists: Arai, Tomie; Byun, Chong Gon; Huang, Wennie; Jo, Sook Jin; Kawata, Tamiko; Le, Dinh; Lee, Bing; Li, lan; Ng, Chee Wang; Rahman, Ram; Shin, Jean; Snyder, Kit-Yin; Wong, Paul; Yamaoka, Carrie; Yang, Chihung) 2001 Rain Forest/Contemporary Paintings Kaohsiung Museum of Fine Arts, Taiwan 2001 Taipei Contemporary Art Exhibition, Shanghai Art Museum, Shanghai, China 2001 Rain Forest, Taipei Gallery, Chinese Information and Culture Center, New York 2002 Rain Forest, Las Vegas Art Museum, Las Vegas 2002 Contemporary Chinese Abstraction, Guangdong Museum of Art, Guangzhou, China 2002 Contemporary Chinese Abstraction, SenJuing Museum of Art , Guangdong, China 2003 Vision, 456 Gallery and Cork Gallery / Lincoln Center, New York 2003 World Artist's Calligraphy Biennale, Son Arts Center of Jeollabuk-do, Korea 2003 Fifty Years of Post War Taiwanese Art, Chan Liu Art Museum, Taoyuan, Taiwan 2004 Salon Comparaisons, Espace Auteuil, Paris, France 2005 Kuandu Extravaganza, Kuandu Museum of Fine Arts, Taipei, Taiwan 2005 China-Korea Modern...

Artist: Willem de Kooning, Dutch/American (1904 - 1997) Title: Rainbow - Thelonious Monk - Devil at the Keyboard Year: 1972 Medium: Six Color Lithograph on Thin Velin, printed signat...

"Sierra Madre" is a color woodblock signed by Carol Summers. As suggested by the title, the print teeters the line between Summers' fanciful landscapes an...

Artist: Jasha Green, American (1923 - 2006) Title: Untitled 11 Year: circa 1979 Medium: Lithograph, signed and numbered in pencil Edition: 250 (on Arches), L (on Japon) Size: 22 x 30...

Set of Four CONCH V, CONCH IX, CONCH X, CONCH XI Color lithograph on handmade paper with gold flakes, 1987, three signed, dated and titled in pencil, published by Crown Point Press, San Francisco and with their blind stamp, the full sheets, framed. each sheets 24 x 17 3/4 inches each frame 28 x 22 1/4 inches Robert Kushner born 1949, Pasadena, CA is an American contemporary painter who is known especially for his involvement in Pattern and Decoration. He has been called "a founder" of that artistic movement. In addition to painting, Kushner creates installations in a variety of mediums, from large-scale public mosaics to delicate paintings on antique book pages...

"In the Sky" is an original 1982 poster for the exhibition of "40 international aerial artists exhibiting over Purchase, New York, Aug 8, Washington DC, Oct 9, New York City, Oct 16, 1982". Produced and orchestrated by the Rainbow Art...

Spring Fever VI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Red Echo Adja Yunkers b. 1900, Riga, Russia; d. 1983, New York Adja Yunkers was born Adolf Junkers on July 15, 1900, in Riga, Russia (now Latvia). He studied...

Book A Lea Nikel, Israeli (1918–2005) Date: 1991 Screenprint, signed and numbered in pencil Edition of 110, HC Size: 15.5 x 23 in. (39.37 x 58.42 cm)

In Motherhood, Eva Kolosvary-Stupler distills the profound essence of maternal connection into a composition of abstract, geometric forms. The larger figure, situated to the right, e...

Artist: Howard Hodgkin, British (1932 - ) Title: Artist and Model Year: 1979 Medium: Etching with Hand-Coloring, signed 'HH' and numbered in pencil Edition: 53/100 Size: 31.5 x 40.5...

This is a unique monotype, signed and dated lower right. The image measures 21.75 x 23.75 inches inches and it is currently unframed. Pat Passlof was bor...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP Size: 22.5 x 30 in. (57.15 x 76.2 cm)

Artist: Willem de Kooning (1904-1997) Title: Rainbow: Thelonious Monk, Devil at the Keyboard Year: 1976 Medium: Color lithograph on cream wove Beckett paper Edition: 125, plus proofs...

Larry Brown Long-time established New York painter as well as faculty member the The Cooper Union, Brown works in oil on canvas and tempera paints on paper. He deals with themes of science and universality. EDUCATION: 1970 M.F.A. in Painting, University of Arizona 1967 BA in Painting, Washington State University SELECT GROUP EXHIBITIONS: Mixed Company: Women Choose Men, AIR Gallery, New York, NY Easy Breezy, Sears-Peyton Gallery, New York, NY From Stone and Plate: Contemporary Prints from Tamarind Institute, California State University Change of View Tamarind Institute Gallery, Albuquerque, NM Animal As Muse, The Norton Museum of Art, W. Palm Beach, FL Painting--Larry Brown, Joseph Haske, David Schoffman, Helander Gallery, New York, NY Paper Houses, David Beitzel Gallery, New York, NY Curators Choice, Albright-Knox Art Gallery, Buffalo, NY Current Trends in Abstraction-- Larry Brown, Bill Drew...

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Numa I Michael Steiner, American (1945) Date: 1979 Scree...

Spring Fever X1 (2016) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Artist: Don Wyman Title: Sockdolaga Year: 1972 Medium: Serigraph, signed and dated in pencil Edition: Trial Proof Paper Size: 22 x 27.5 inches [55.88 x 69.85 cm]

Lithograph on papier Kitakata à la main, mounted on papier Cartiere Enrico Magnani à la main paper, as issued. Paper Size: 23.5 x 19 inches. Inscription: Unsigned and unnumbered, as ...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

Artist: Lamar Briggs, American (1935 - ) Title: Tiva Landscape Year: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: AP 40 Size: 21 x 29 inches

Artist: Abraham Rattner, American (1895 - 1978) Title: Red Abstract Year: 1964 Medium: Lithograph, signed, numbered and dedicated in pencil Edition: 8/9 Artist's Proof Size: 30 x 21...

Edition of 150 104.1 x 71.7 cms (41 x 28 1/4 ins)

Artist: After Larry Rivers (1923-2002) Title: Gershwin Brothers, exhibition poster Year: 1966 Medium: Lithograph on wove paper Size: 37 x 26 inches Condition: Excellent Notes: Publis...

Fima (born Efraim Roeytenberg) (1914 – 2005) was an Israeli artist born in China. He spent most of his career in France. Ephraim (Yafim) Roeytenberg, known as "Fima" or "Pima", was b...

Title: Steal 32 color screenprint on 100% rag handmade, shaped deckle edged paper. hand signed in pencil, stamped and numbered from edition of 20. The piece below is one of a series...

Cold Spring 1 (2016) Solar Plate Etching 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Artist: Terry Haass, American (1923 - 2016) Title: Offrende a l'Invisible Year: circa 1960 Medium: Etching with Aquatint, signed and numbered in pencil Edition: 14/25 Image Size: 9 x...

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Pales I Michael Steiner, American (1945) Date: circa 198...

Spring Fever XXI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Artist: Nick Wallis Title: More Afterthoughts 10 Year: circa 1980 Medium: Acrylic on Canvas, signed l.r. Size: 48 x 48 inches (121.92 x 121.92 cm)

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Lithograph on Japon à la main, attached with chine appliqué to vélin d’Arches paper. Paper Size: 21.5 x 17.875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From th...

Artist: John Grillo, American (1917 - 2014) Title: Guitarra Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200, AP 25 Image Size: 22 x 29.5 inches Size:...

Chris Keegan Boom Limited Edition Silkscreen Print Edition of 50 Sheet Size: H 56cm x W 40cm x D 0.1cm Sold Unframed Please note that in situ images are purely an indication of how a...

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Michael Steiner, American (1945) Date: 1979 Screenprint,...

Artist: Arman (1929-2005) Title: New Romanticism Year: 1979 Edition: A.P., 150, plus proofs Medium: Silkscreen on Arches paper Size: 30 x 22.25 inches Condition: Good Inscription: Si...

Artist: Jasha Green, American (1923 - 2006) Title: Spring Street (13) Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 250 Size: 22 x 30 in. (55.88 x 76.2 cm)

Spring Fever VI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Artist: Antoni Tapies, Spanish (1923 - 2012) Title: Le Riz Year: 1969 Medium: Etching with Aquatint with Carborundum on Chiffon de Mandeure, signed and numbered in pencil Edition: 28...

Theo Tobiasse (1927-2012) "Woman" Original Color Lithograph Signed / Numbered c.1960s Titled "Woman" Dimensions 27" x 20.5". The frame measures 36.5" x 30.25". Signed and numbered...

Spring Fever IX (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Spring Fever XVI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

An abstract expressionist lithograph print by Karel Appel from 1980. Artist: Karel Appel Title: Floating in a Landscape Year: circa 1980 Medium: Lithograph on Arch...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - B Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

Cold Spring 2 (2016) Solar Plate Etching 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Artist: William Taggart, American (1936 - 2007) Title: New Deal Year: 1978 Medium: Screenprint, signed and numbered in pencil Edition: AP 30 Paper Size: 24 in...