Realist Prints and Multiples

Artist: Norman Rockwell, American (1894 - 1978) Title: Ye Pipe and Bowl Year: 1976 Medium: Hand Drawn Lithograph on Arches paper, 100% acid free, hand signed in pencil by Norman Rock...

Currier & Ives The Burning of Chicago, 1871 Hand-colored lithograph 7 5/16 x 12 11/16 inches After undertaking apprenticeships in Boston and Philadelphia, Currier set up a print pu...

This realistic limited edition print captures a highly detailed, cropped, close-up view of water lightly rippling over rocks. The water reflects light above it to add dimension and d...

This coastal Limited Edition print by Daniel Pollera pictures a sandy walk with wooden fencing and grass on either side, leading to a beach. Two beach chairs and an umbrella overlook...

WOMAN LONG DARK HAIR is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter, 1...

Lowell Nesbitt Orchid, 1979 Silkscreen on wove paper Pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front Published by Charles Cardinale Fine Creations, Inc., with blind stamp on the front 25 × 25 inches Unframed This work is pencil signed, dated and numbered 144/175 by Lowell Nesbitt on the front. About Lowell Nesbitt. Lowell Nesbitt, who was born in Baltimore on Oct. 4, 1933, was a graduate of the Tyler School of Art at Temple University in Philadelphia and also attended the Royal College of Art in London, where he worked in stained glass & etching. In 1964, the Corcoran Gallery or Art in Washington gave him one of his first museum exhibitions, and by the mid 1970's he had decided to leave the museum a bequest of more than $1 million. But in 1989, he publicly revoked the bequest after the Corcoran canceled a disputed exhibition of photographs by Robert Mapplethorpe, who was an old friend. Mr. Nesbitt named the Phillips Collection as a beneficiary instead. He was frequently grouped with the Photo Realists, but his images were more interpretively distorted, somewhat loosely painted and boldly abbreviated. He had many subjects: studio interiors, articles of clothing, piles of shoes and groupings of fruits and vegetables. He also painted his dog, a Rottweiler named Echo, the Neoclassical facades of SoHo's 19th century cast-iron buildings and several of Manhattan's major bridges. Despite such variety, Lowell Nesbitt was best known for gargantuan images or irises, roses, lilies and other flowers, which he often depicted in close up so that their petals seemed to fill the canvas. Dramatic, implicitly sexual and a little ominous, they earned the artist a popularity with the general public that tended to overshadow his reputation within the art world. In 1980, the United States Postal Service issued four stamps based on Mr. Nesbitt's floral paintings. He also served as the official artist for the space flights of Apollo 9...

Leonard Tsuguharu FOUJITA The Fortune Teller, 1960 Original woodcut Signature printed in the plate On vellum 37 x 28 cm (c. 15 x 11 in) REFERENCES : Catalogue Raisonne Sylvie Buiss...

This artwork titled "Hoer Dachstein, Austria" c. 1960 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed in pencil by the artist. The plate ...

This is a coastal Limited Edition print titled "Beach Along Dune Road" by Daniel Pollera. The print depicts a sandy walk with wooden fencing and grass on either side, leading to a be...

This artwork titled "Innsbruck" is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991 It is hand signed dated and dedicated in pencil. The plate mark (image) siz...

Work on paper

Keeping in Touch: The Post Office in Town Original vintage poster Lithograph 74 x 91 cm This "Keeping in Touch: The Post Office in Town" poster is a vintage advertisement produce...

Regina Silveira (Brazil, 1939) 'Clip from Portfolio ""Eclipses""', 2005 photoengraving on paper Velin Arches 300 g. 27.6 x 19.7 in. (70 x 50 cm.) Edition of 99 ID: SIL1692-002-106_7 ...

From a series of paintings by Clifford and Rosemary Ellis. To see them or our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from thi...

This Limited Edition print, "Into the Light," by Daniel Pollera is a contemporary realist seascape that depicts a Bay House in Long Island. The Bay House can be seen to the right, su...

David Loggan (1634-1692) Habitus Acamedici in Universitate Oxoniensi - Oxford Academical Dress Engraving 39 x 52 cm Loggan was born to English and Scottish parents, and was baptised...

This artwork titled "Munichau (Austria)" 1926, is a color etching on paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed in pencil by the artist's estate at the lower center. The plate mark (image) size is 11.5 x 11.5 inches, framed size is 21 x 20.75 inches. Custom framed in a wooden gold frame, with grey/green matting . It is in Excellent condition. About the artist. Luigi Kasimir was born in 1881 at Pettau, today Ptuj, Slovenia, then a part of the Austro-Hungarian monarchy. He inherited his talent from his ancestors; his grandfather was a painter and a poet, and his father an officer in the Habsburg army, who later became a professional painter. Kasimir attended the Vienna Academy of Art where he studied under Wilhelm Unger, who introduced him to the technique of the coloured etching, and also to his future wife, the artist Tanna Hoernes.[1] He died in 1962 in Grinzing, a suburb of Vienna.Kasimir was among the first to develop the technique of the coloured etching. Before this, prints were usually hand-coloured with the colour being applied in a casual, haphazard manner. Kasimir would first create a sketch usually in pastel, he then transferred the design on as many as four to six plates, printing one after the other and applying the colour on the plate, all done by hand. Kasimir is mainly famous for his etchings, but he also produced some oil painting, as well as some pastels. One of his favourite genres was the landscape, or veduta. He demonstrated a predisposition street scenes, and tourist landmarks. He depicted places from all over Europe, mainly Italy, Austria, and Germany. He also travelled to the United States to do a series of etchings of famous sights ranging from urban landmarks such as New York City skyscrapers, to natural wonders like Yosemite Valley. Luigi Kasimir’s etchings...

This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...

This artwork titled "La Lettre du Fils" (The Son's Letter) 1938 is an original color woodcut by French artist Paul Jacoulet, 1896-1960. It is hand signed in pencil by the artist, wit...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Map of Cambridge 12 x 16 cm Engraving (1727) An eighteenth-century map of Cambridge eng...

Willibrord Haas (*1936 Schramberg), Rising, 1980. Etching, 35 cm x 22 cm (plate size), 53.5 cm x 38 cm (sheet size). Signed “Willibrord Haas” in pencil by the artist, dated “1980”, t...

This coastal seascape Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and re...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson Clarendon Building, Oxford Signed, published by Stafford Gallery, with their blindstamp Lithograph 32x26cm Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...

This offset lithograph is hand signed and dated in pencil by the artist "Richter, 1969" at the lower right margins. It was printed by Hoppe & Werry, Mulheim an der Ruhr. and was co-...

This artwork titled "Saint Florian Monastery, Austria" c.1950 is a color etching on Wove paper by noted Austrian artist Josef Eidenberger, 1899-1991. It ...

SEATED SEAMSTRESS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism...

This artwork, "Children in a boat" 1976 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 21.5 x 28.75 inches, sheet size is 32.5 x 39.5 inches. Custom framed in wood dark brown rustic frame and beige matting. It is in excellent condition About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

Work on paper

HAROLD LUKENS DOOLITTLE (1873 - 1974) WESTERN PEAKS c. 1945 Aquatint signed and titled in pencil. 6 3/4 x 8 7/8 sheet 9 5/8 x 12 3/4. Good condition save for just a hint of darkening within the window and small bits if tape on the sheet edge verso. Doolittle was a renaissance man. His day job was as an engineer for the Edison Electric Co. But he produced an outstanding body of prints for 5 decades as well as photographs. His very rare arts and crafts furniture is highly sought after. He was a long time member and officer in the California Print...

Beautiful figurative limited edition lithograph by Robert Baxter (American, b. 1933). Signed and numbered "R. Baxter 20/75" lower left. Displayed with wh...

Caps of the Natives of Oonalashka (Alaska) is from the 1784 First Edition Atlas Accompanying Capt. James Cook and King; Third and Final Voyage of Captain James Cook. John Webber (175...

Richard Haas The Whitney (Marcel Breuer Building), 1979 Woodcut engraving Signed, titled, dated and numbered by the artist on the back. This is a rare Artist Proof 9/10, aside from the regular edition of 60. 22 3/4 × 18 1/4 inches Unframed This vintage 1979 woodcut engraving by the world's top architectural muralist and trompe d'oeil artist, Richard Haas, depicts the building New Yorkers nostalgically call the "Old Whitney". Long before the Whitney moved to Manhattan's trendy meatpacking district...

This artwork "Frankfurt, Germany" c.1930 is an original color etching by Austrian artist Luigi Kasimir 1881-1962. It is hand signed in pencil at the lower center. The plate mark (ima...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. We also have a series of prints and original oil paintings by Trevelyan. Julian Otto Trevelyan, RA (1910 -1988) Peterhouse, Cambridge College (1959/1962) Proof print aside from the edition of 70. Signed by the artist and numbered in pencil. 38 x 44 cm (15×17 in.) This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex...

This realistic limited edition print by John Harris features an earth-toned palette and captures a close-up view of water rushing over small rocks in a river bed. Toward the top of t...

Limited edition lithograph featuring an ornate, Art Nouveau style gate in a wintry landscape with bare trees on the horizon by David Corbett (American, 20th Century). Numbered, title...

This artwork Titled "Happy Sisters" 1977 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed and inscribed A.P (Artist Proof) in pencil by the artist. The image size is 29 x 19 inches, sheet size is 36 x 25 inches, framed size is 42.25 x 31 inches. Custom framed in a wooden gold leaf rubbed, scratched style frame, with off white matting. It is in excellent condition, the colors are fresh and bright. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

Jean-Baptiste VALADIE Blue Eyes Original lithograph Handsigned in pencil Limited /199 copies On vellum 76 x 56 cm (c. 30 x 22 in) Excellent condition

Sepia-toned architectural photograph of San Zavier Mission, a historic Spanish Catholic mission located near Tucson, Arizona, on the Tohono O'odham Nation San Xavier Indian Reservati...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Trinity College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Trinity College, Cambridge, engraved ...

This artwork titled "Silvia" 1980 is an original colors lithograph on Wove paper by renown Costa Rican/Mexican artist Francisco Zuniga, 1912-1998. It is hand signed, dated and number...

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) King's College Chapel, Cambridge Engraving 12 x 16 cm An eighteenth-century view of the interior of King's College ...

This is a screen print of a pink rose on wove paper, 1990, signed in pencil and numbered from the edition of 72 (total edition includes nine artist's proofs). Published by Lincoln Ce...

Mily POSSOZ (1888-1967) Sewing Girl , 1930 Original etching Handsigned in pencil by the artist Numbered / 50 copies Blind stamp of the editor Marcel Guiot (Paris) On vellum 67 x 47 ...

This artwork titled "Starling" c.1990, is a color woodblock print on paper by noted Canadian/Japanese artist Suezan Aikins, b.1952. It is signed and numbered 82/150 in pencil by the artist. The artwork (image) size is 10 x 23.25 inches, framed size is 17.25 x 30.25 inches. Custom framed in a silver metal frame, with double off white matting. It is in excellent condition, the frame have some small minor rubs. About the artwork: This artwork required 3 different carved wood blocks and 7 layers of colors to complete. About the artist: Born in Montreal in 1952, Suezan was influenced early in her life by the works of modern Japanese woodblock printmakers which hung throughout her parents’ home. She attended the Fine Arts programme at Mount Allison University in Sackville, New Brunswick (1969 - 1971), The Ontario College of Art (1971-73), L’ ecole du Musee des Beaux Arts (1974), Nova Scotia College of Art and Design -BFA (1975) as well as a very intensive year of study with Toshi Yoshida in Tokyo (1984-85). She has exhibited extensively in both public and private galleries throughout North America and Japan. Recent exhibitions include solo shows in Tokyo, Osaka, Okinawa, and Boston with group exhibitions at the Wenniger Gallery, Boston, Royal Canadian Academy in Toronto and the Canadian Museum of Nature in Ottawa. Her paintings and woodblock prints are found in many collections such as The Canada Council Art Bank, The Nickle Art Museum, The Art Gallery of Nova Scotia, The Royal Bank of Canada, Prince Takamanonamiya Norihito, the Embassy of Canada in Tokyo, The Thomas Moore Institute as well as private collections. Suezan Aikins was awarded the Elizabeth Greenshields Foundation grant in 1983, Nova Scotia Department of Culture - Development Grants in 1980, 1987 and 1988. She was elected to the Royal Canadian Academy of Art in 1990 and received the Canadian Progress Club- Women of Excellence Award for Culture in 1993. Her work has been featured in a number of television documentaries as well as many Canadian magazines. STUDIES: Yoshida Woodblock Print Studio Tokyo, 84-85 Nova Scotia College of Art & Design, Halifax, 74-75 BFA Ecole du Musee des Beaux Arts, Montreal, 74 Ontario College of Art, Toronto, 71-73 Mt. Allison University, 69-72 SELECTED SOLO SHOWS: 25 Year Retrospective of Woodblock Prints traveled to three Public Galleries in Germany: Dornum Castle; Tollhousverein, Leer; Rastede Palace, Oldenberg 2000-2001 color catalog and reviews. Private Exhibitions, Falmouth, Mass., July 1996; Montreal, November 1996; Gibson Island, Md., April 1999. Gold Paintings and Woodblock Retrospective, travelling: Kabutoya Gallery, Tokyo; Genkan Gallery, Tokyo American Club; Blue Nile Gallery, Osaka; Kanda's Gallery BOQ, Okinawa; May 1994 (color catalogue) Edo Gallery, Boston, November 1992, Private Exhibitions, Chatham, Mass, July 1992, Toronto, Oct. 1991 New Paintings and Woodblocks Kabutoya Gallery, Tokyo, May 1991, and also in 1987. Japanese Garden and Pavilion Foundation, Montreal, September 1990, Ownens Art Gallery, Mount Allison University 1988 Zwickers Gallery, Halifax, NS, 1979; Gallery 78; Fredericton, November, 1983; Robertson Galleries, Ottawa, November, 1982 SELECTED GROUP SHOWS: "A New Leaf" 30 foot instalation of mixed media/ goldleaf reliefs, Artsplace, Annapolis Royal, N.S., 2000 color catalog "Far and Wide" Juried Bienials, Art Gallery of Nova Scotia; 1996 to '99, travelling, catalogs "Moku Hanga Travelling Exhibition: Contemporary Japanese Woodcuts...

Robert Bonfils: 1886-1972. Well listed French artist with auction results for posters and prints over $8000. This fabulously busy etching measures 12 1/2 inches wide by 9 high. It is...

Frank Algernon Stewart (1877-1945) The Heythrop at Stow on the Wold Lithograph 24x63cm Signed in pencil A typical hunting print by Stewart, showing o...

Léonard Tsuguharu Foujita Mother and daughter Original lithograph Printed signature in the plate Edited by La Guilde internationale de la gravure (Geneva) and printed in Atelier Ré...

This realistic nautical limited edition print by Michel Brosseau captures the bow of a ship, with the sail tied down and a lightly cloudy blue sky behind it. The artist pays hyper at...

This realistic limited edition print by John Harris features an earth-toned palette and captures a close-up view of water rushing over small rocks in a river bed. Toward the top of t...

Work on paper Dimensions of the "passe-partout" frame 19.9 x 14.8 cm

This contemporary realist Limited Edition print by Daniel Pollera is rendered from the perspective of a view from a beach house porch, looking out toward a body of water. Two Adirondack chairs are positioned on the grass between the edge of the porch and the water, with a streaked, cloudy sky and sailboats in the distance along the horizon line. The artist has employed a stark use of light, which provides a serene element to the overall mood of the piece. This Limited Edition giclee print by Daniel Pollera is an edition size of 10. Printed on canvas, this giclee ships framed in a warm silver floater frame wired and ready to hang. Other floater frame options are available in gold, black, white, and walnut. For additional sizes and alternate frame options, please contact us. This print comes with a Certificate of Authenticity and ships for free. The artist granted permission to Sorelle Gallery to produce his Limited Edition prints which are printed with pigment ink on a Premium Fine Art Matte Canvas 410g/m2, designed to meet museum longevity requirements and ensure consistency. Please allow additional time for printing prior to shipping. Daniel Pollera was born in 1953 in the coastal town of Freeport, New York. His interest in art began at a very young age, gravitating toward drawing and painting the surrounding coastline of Long Island. After a short study at SUNY Farmingdale in Commercial Art, he left to enter the family business. For almost 15 years, Daniel took a sabbatical from painting, but this didn’t affect his love for the sea. He obtained a Captain’s License in 1977 from the United States Coast Guard and took passengers for hire on the open ocean. Through this experience and visual knowledge he was drawn to begin painting again. Although Daniel was primarily self-taught, he worked with Frances Norris Streit, a portrait and mural artist, assisting her on a 14’ x 30’ historical mural for the Roslyn Savings Bank. He also studied with Everett Molinari, a well-respected President of the National Mural Society. Museum collections include Long Island Museum, Parrish Art Museum, and Guild Hall Museum. Daniel split his time between his home in East Quogue...

This limited edition print by Daniel Pollera depicts a figure wearing a hat, sitting in a sailboat, sailing out into the open bay. The sailboat creates misty ripples in the water as ...

Brenda Zlamany Blu on Red, 2013 Limited Edition special giclee print. Hand signed and numbered. Edition of 100 19 1/2 × 19 1/2 inches Unframed Gorgeous giclee print based upon an o...

This realistic coastal limited edition print by Michel Brosseau features a light blue and white palette and captures a large sailboat as it sails through the ocean, carrying four pas...

This artwork "Cityscape with Bridge" c.1940 is a color etching on wove paper by Austrian/American artist Tana Kasimir Hoernes, 1887-1972. It is hand signed in pencil by the estate o...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

This Limited Edition print titled, "Into the Light," by Daniel Pollera. It is printed on canvas and ships rolled with natural edges. It can be stretched upon arrival - please see ima...