Realist Prints and Multiples

ROYDS, Mabel Allington. Tightrope Dancer, ca 1911. Color woodcut. MB 1. From a small edition. Signed and titled in pencil. After working with Walter Sickert in Paris at the turn ...

"Botanical Rhapsody" by Judith Allen-Efstathiou is an exquisite photographic cyanotype print in deep blue and white of wildflowers abstracted. Highly intricate and lavishly depicted...

"Horse Wrangler" is an original lithograph by the artist Lawrence Barrett signed in the lower right hand corner. Four beautifully drawn horses use a moment of commotion to escape a corral. Low hills and an expansive sky serve as a background. Image: 8.75" x 12.25" Framed: 11.9" x 16.5" Lawrence Barrett was an etcher, lithographer, teacher, illustrator, sculptor, writer, and painter. Born in Guthrie, Oklahoma, Barrett was a student at the Broadmoor Academy...

"November Morning" is an original etching by Churchill Ettinger. The artist signed the piece in pencil lower right and titled it in pencil lower left. It depicts two fishermen workin...

Jean-François Raffaëlli (1850-1924), La Fumee du Bateau, color etching and drypoint, 1911, signed and numbered in pencil lower right. Reference: Delteil 98. In very good condition, ...

César - Original Lithograph 1961 Dimensions: 32 x 24 cm From the art review XXe siècle Unsigned and unnumbered as issued

"December Roots" by Judith Allen-Efstathiou is an exquisite cyanotype print in deep blue and white of wildflowers abstracted showing roots. Highly intricate and lavishly depicted, ...

Chaloner Smith (Engraver not ascertained, Class III) 9. Published by C. Shepherd, Oct. 31, 1775 London. Inscribed in plate lower center: "Charles Lee, Efq. / Major General of the Continental Army in America. / Published as the Act directs 31 Octr. 1775 by C. Shepherd". Inscribed in plate lower left: "Thomlinson pinxt". Flag inscribed in plate: "An Appeal to Heaven...

Venezia, Calle dei Preti, 1984, rif. 540 Platemark mm 64.2x24.4 Original etching, signed and numbered. Limited edition of 90. The etching was exhibited last year in the critical ret...

Jean-Emile Laboureur (1877-1943), Orage en Briere, etching and drypoint, 1932, signed in pencil lower left, numbered lower right and annotated “imp” (impressit, printed by the artist...

Theodore Roussel, Laburnums and Battersea, etching and drypoint, 1889/1890 and 1898; signed in the plate lower right, and signed in pencil on the tab, with the inscription IMP. Hausb...

Edmund Blampied (1886-1966), Ostend Horse, drypoint, 1926, signed in pencil lower margin [also signed and dated in the plate lower left], from the edition of 100, printed on ivory laid paper with full margins with deckle edges, 7 x 9, the sheet 9 1/4 x 12 1/2 inches, still in the original SFA Museum mat with extensive annotations. Provenance: Kennedy Galleries (with their stock number A49359) Ex Collection: Albert M...

Alphonse Legros (1837-1911), Un Charron (The Wheelwright), etching, c. 1890, signed in pencil lower right. Reference: Bliss 267. In good condition, printed on a cream laid paper with...

Gioco Di Morra is an original hand-colored print realized by Bartolomeo Pinelli in the XIX century Good conditions except for some foxings and some folds along the margins. This...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 29x40. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...

Jean- Louis Forain (1852-1931), Similitudes, etching and drypoint, not signed [signed in the plate upper right], 1880, from the total edition of 545, on wove paper, in generally good...

Jean-Emile Laboureur (1877-1943), Le Ferveur, etching, engraving, roulette, drypoint, 1928, signed in pencil lower left, numbered lower right, and annotated “imp.” Reference: Laboure...

Massimo Listri is a Florence-based photographer whose work often presents interiors of great architectural and cultural importance, some open to the public, others not easily accessi...

Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...

Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want. David Loggan (1634 - 1692) Pembroke College, Oxford (1705) Engraving 31 x 44 cm Loggan's view of Pembroke from the second edition of the 'Oxonia Illustrata'. Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University. The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College). Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views. Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers. The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...

Frederick Landseer Griggs (1876-1938), Palace Court, 1933, etching, signed and inscribed in pencil. Reference: Comstock 49, third state (of 3), from the printing of about 75. In exce...

Cascina Riazzolo, Ref. 401 Original etching, signed and numbered. Limited edition of 90. Federica Galli was one of Italy's leading contemporary etchers. She achieved this fame bec...