Advertising Prints and Multiples

Social Distortion Shepard Fairey 18 x 24″ Screen Print, Signed and Numbered Edition of 600. Band poster of punk icons as pioneers, Social Distortion from 2019. "I first heard Social Distortion in 1985, and I was immediately struck by their punk power and rebellious themes delivered with an undeniable melodic appeal. I begged my parents to buy me the first Social Distortion album “Mommy’s Little Monster.” My parents hated punk, so when they asked me if the music was punk, I lied and said “no, it’s New Wave.” I listened to the album non-stop and a lot of the themes… freedom, generation gaps, questioning authority, sub-cultural community, etc… really resonated with me. As a frustrated teen, I especially related to the line, “I love the sound when I smash the glass… if I get caught they’re gonna kick my ass” from the song “Telling Them.” That line always stuck with me and was the first thing that came to mind when Mike Ness...

Original Autentica Banda Comica “El Empastre” vintage poster. Archival linen backed in A- condition, ready to frame. Printed by Mirabet in Valencia, Spain. El Empastre, a come...

Screenprint in colours, 1969, on wove paper, signed in ball-point pen and numbered with a rubber stamp, verso, 91 from the edition of 250 (there were also 26 artist's proofs lettered...

Shepard Fairey, POWER Lenticular Edition, 2024 2-phase lenticular print 45.72 x 60.69 cm (18 x 24 in) Edition of 831 This is a lenticular print edition with optical colours that...

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Cachou Lajaunie is French advertisement from 1905 by the artist, Francisco Tamangno. Cachou Lajaunie is a licorice candy whose strong flavor was designed to disguise the smoker's breath. Tamangno's composition places the Victorian woman in the center. She holds the small tin...

Artist: Nicolas De Stael Medium: Original Lithographic Poster, 1958 Dimensions: 27.1 x 18.7 in / 68,8 x 47,4 cm Classic poster paper - Good Conditi...

Artist: Georges Braque Medium: Lithographic Poster, 1965 Dimensions: 23.5 x 17.5 in, 59.7 x 44.5 cm Classic Poster Paper - Excellent Condition A This rare lithographic poster was...

Artist: John Giorno Title: Poppies Have Pockets Packed With Narcotic Treats Portfolio: Welcoming the Flowers Date: 2007 Screenprint, signed, numbered, and dated in pencil Edition of ...

Obey Deco Flower (Blue, Black, Red). Screenprint on thick cream Speckle Tone Paper. 18 x 24 inches. Signed by Shepard Fairey. Numbered edition of 144/300. "The Obey Deco Flower is inspired by Constructivism...

This original lithographic poster was designed after Pierre Bonnard, for the Orangerie Des Tuileries in 1947. This work encompasses still life as this table set takes center stage. Bonnard was a founding member of the Post-Impressionist group of avant-garde painters Les Nabis...

Artist: (after) Pablo Picasso (Spanish, 1881-1973) Title: "Galerie Louise Leiris (The Painter & His Model)" Year: 1972 Medium: Lithograph, Exhibition Poster on light wove paper Limit...

This lithograph was printed at the Atelier Mourlot in Paris in 1959 and is a part of the "La Ville" portfolio. It is annotated "Epreuve de l'atelier Mourlot /...

Designed in the 1930's by Niccolitch this poster shows the dance duo of Nijni and Stone. Like many other posters of the era, there is a strong influence of the Constructivist Movemen...

This Europe poster was created circa 1960 by the gifted American artist David Klein (1918 -2005) for TWA. Klein chose to depict some of the European highlights for this poster: The R...

Le Corbusier's original 1971 exhibition poster at Galerie Denise René embodies the essence of the famous architect's visionary design and revolutionary aesthetic. This remarkable pos...

This bright and cheerful poster was created by famous poster artist, Leonetto Cappiello in 1903 for a fundraiser being held in Paris' Bois de Boulogne. One of his signature smiling l...

Maurice Estève created this original lithographic poster to promote an upcoming show of his new series of collages at the Galerie Claude Bernard in Paris in 1974. He was known for hi...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

After Andy Warhol (1928-1987) Russell Means (American Indian), 1979 Medium: Offset lithograph on paper (exhibition poster) Dimensions: 33 x 23 1/4 inches...

"Orient-Express" is a lithograph poster by Pierre Fix-Masseau. It depicts two people dining and being served drinks on a luxury train. The artist signed the artwork in the image lower right. There was a small tear on the margin that has been repaired. 38 5/8" x 24 1/4" art 40 1/2" x 26" frame French Poster...

Delahaye is a 1989 poster by Pierre Fix-Masseau. The artwork features the classic 1937 Delahaye model 135 M amidst the backdrop of the famous Casino de Monte-Carlo. This poster comme...

The “Welcome Visitor” diptych is a thought-provoking exploration of the contradictions inherent in America's tourism industry and its immigration policies. Through this striking artwork, Shepard Fairey delves into the uncomfortable collision of economic opportunism and xenophobia. The piece reflects on the historical context of America as a melting pot, symbolized by the Ellis Island narrative and the hope of embracing diversity. However, it also draws attention to the contemporary climate of fear and scapegoating faced by Latino and Muslim communities. The diptych specifically highlights past events like the immigration ban and internment of Japanese individuals, including Japanese-American citizens during World War II, when unfounded fear led to prejudiced policies against them. Shepard Fairey skillfully uses this historical reference to shed light on the irrational and disproportionate fear. By contrasting the past with the present, Fairey aims to inspire contemplation and empathy, urging viewers to consider the humanity and dignity of all people as a paramount factor in shaping immigration and tourism policies. Shepard Fairey is a renowned contemporary artist and graphic designer whose work often explores political and social themes. Born on February 15, 1970, in Charleston, South Carolina, Fairey gained widespread recognition for his iconic "Hope" poster created during Barack Obama's 2008 presidential campaign. His art has since become synonymous with activism and social commentary. Fairey's unique style combines elements of street art, pop culture, and political messaging, earning him a prominent place in the world of contemporary art. In addition to his prolific career as a visual artist, Shepard Fairey co-founded the design studio Studio Number One and the art collective BLK/MRKT Inc. He has exhibited his work in galleries and museums around the globe, leaving a lasting impact on the art world and beyond. Fairey's art continues to inspire dialogue and challenge societal norms, urging viewers to question and engage with the issues he addresses. Shepard Fairey's art is influenced by various sources, including street art, punk rock aesthetics, propaganda imagery, and political movements. He credits the DIY ethos of punk culture and the rebellious spirit of street art for shaping his artistic vision. Fairey's fascination with propaganda and political art from historical movements, such as Soviet Constructivism and Chinese Cultural Revolution...

Artist: Fernand Leger Medium: Lithographic Poster, 1956 Dimensions: 30 x 20 in, 76.2 x 50.8 cm

Condition: Print has been stored flat since purchase. Print has four sharp corners. Signature Hand-signed by artist, Print is signed and numbered in pencil by the Artist, Shepard Fa...

An elegant woman in a blue Victorian dress toasts with a glass of “the coldest” and “most carbonated” sparkling water from Vichy, France. In early...

Belle Époque lithograph of Folies Bergère: Fleur de Lotus by Jules Chéret, published in 1896 by Imprimerie Chaix, Paris. While Fleur de Lotus ...

In the mid-1960s, David Lance Goines crafted an original poster for The Antique Guild, embodying the essence of the era's design ethos. With a blend of a...

Obey Paint it Black 2, From Series of 3 - Shepard Fairey Contemporary Art Print. 18 x 24 inch dimensions. AP (Artist Proof)apart from the standard editi...

Futura 2000 NYC 1984: A rare 1980s Futura announcement card published on the occasion of: FUTURA 2000 at Pizza A Go-Go June 27, 1984; 121 W 31st, New York, NY. Offset printed annou...

Richard Prince, Dude Ranch Nurse, Lithograph with Collage, 2008 Lithograph with collage with offset lithography, hand colouring, hand cutting and pencil F...

Artist: Denis Paul Noyer, French (1940 - ) Title: Ledoyen Yea: circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 133/180 Size: 35 in. x 25 in. (88.9 cm x 63.5 cm)...

This Los Angeles poster was created circa 1965 by the gifted American artist David Klein (1918 -2005) for TWA. The image shows the three-bell tower ...

Original vintage Cognac Pellisson poster by Leonetto Cappiello of figure carrying Pellison Pere & Co. Cognac barrel printed by Vercasson. Raised Maxmi...

Éluard, Paul. Liberté j’écris ton nom. Paris (Seghers), [1953]. Folding broadside (leporello), with continuous color silkscreen by Fernand Léger, integrated with text, extending th...

John Fitzgerald Kennedy (1917-1963) is one of the fondest remembered United States Presidents of the past century. There is perhaps no more r...

"Maeght Editeur" is a color lithograph poster. This poster was for an exhibit on Alexander Calder's work in Paris, France. It depicts a black tree with red fruits on the left side an...

The Joseph Perrier Company traces its history to 1825 in France. The Company continues to this today with a proud heritage of 190 years. The design celebrates the full bodied taste of this Champagne and the image of the grapes emphasizes the richness and purity of the product. The artist, Joseph Stall (1874-1930) has created a crisp image that reflects the clear taste and eye appeal of the actual Champagne Joseph Perrier...

Soon after the German invasion of the Soviet Union in June of 1941, the Okna TASS studio spontaneously formed in Moscow. Comprised of renowned artists, poets and literary figures, th...

Keith Haring Illustration art 1986: Rare seldom available 1980s Keith Haring illustrated New School university pamphlet (New York, NY) featuring offset printed Keith Haring art throughout. Solid condition. Offset printed university pamphlet. 6.25 x 4 inches (opening to 6.25 x 12 inches). Minor signs of handling. Very good overall vintage condition. Haring artwork credit on lower area of listing image 4; from an edition of unknown; published 1985/1986 by the New School (New York, NY). Keith Haring rose to prominence in 1980s New York within the East Village art scene alongside Jean-Michel Basquiat, Kenny Scharf, and Jenny Holzer. He bridged the gap between the art world and the street, graffiting city subways and sidewalks before committing to a studio practice. Haring united the appeal of cartoons with the raw energy of Art Brut artists such as Jean DuBuffet as he developed a distinct pop-graffiti aesthetic that comprised energetic, boldly outlined figures against solid or patterned backdrops. His major themes included exploitation, subjugation, drug abuse, and the threat of nuclear holocaust; Haring boldly engaged with social issues, especially after receiving an AIDS diagnosis in 1987. Today, his work sells for seven figures at auction and has been the subject of solo shows at the Brooklyn Museum, the San Francisco Museum of Modern Art, and the Albertina Museum in Vienna, among other institutions. Related Categories: Keith Haring 1986. Keith Haring prints. Keith Haring cover art. Keith Haring catalog...

PETER PATHE, poster lithograph, Schnackenberg School, 1919, the image features the headline performer, Peter Pathe, in drag wearing a form-fitting button-down jacket, high-waisted shorts buttoning down the front, Mary Jane dance shoes and calf-length white socks; Pathe is depicted in motion with raised jazz hands which frame his bushy-haired heavily made-up face and body curving in dynamic lateral movement with raised front leg turned out; with printed text at the bottom: “PETER PATHE/und/Fritz Wolf-Killanyi * Renate Ferena/Tia Majja * Else Zimmermann tanzenmit grossem/Orchester (Leitung: Rob. Tants) Donnerstag, 18 Nov., amends 71/2 Uhr im Konzertsaal Hotel “Vier Jahreszeiten”/Karten zu Mk. 20. - bis Mk. 3.- bei Alfr. Schmid Nachf., Residenzstr. 7 und Otto Halbreiter, Promendeplatz 16.”; printed text at mid-right: “M. Pathe/19”; marked with the printer’s stamp in the lower right: “Oscar Consee/Kunstanstalt/Munchen/Valley Str./7-9”; the poster is secured by matting and framed with a plexiglass cover, Boston...

Original Serigraphy Jean Dubuffet, a French painter and sculptor renowned for his bold and unconventional approach to art, played a crucial role in shaping modernism and contemporar...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...

Maurice Chevalier, French superstar of theatre, film, and stage, is also the star of this charming 1930s poster. The cherry flavored extra-dry brandy is dwarfed by Chevalier's charm ...

Gaston Briand (1880-1957) and his family were producers of cognacs in the Domaine La Voute since 1850 and they sold most of their production to the major regional houses of Remy Mart...

Agent X Nas (Black & White) (50 Years, Hip Hop, Rap, Iconic, Artist, Musician, Rapper, Anniversary, Legend, Pop Art) Archival Pigment Print with Archival Inks on 240 gsm Hahnemühle P...

The poster is promoting the use of Christofle’s products as in Wedding Registry items. Christofle is a manufacturer of fine silver flatware and home accessories based in France. It w...

Lithograph on BFK Rives papers Edition 12 of 50 Signed and numbered in pencil and with artist's fingerprint

TECHNICAL INFORMATION Robert Rauschenberg Chow Bags - Monkey Chow 1977 Screenprint with collage of string 48 1/8 x 36 3/8 in. Edition of 100 with 20 ...

Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag at the Elite Club, Oct. 31 1981; with D.O.A., Saccharine Trust, & Overkill. A rare early Petti...

Lucian Bernhard was an award-winning graphic, interior, and typography designer and highly influential to the world of 20th century graphic and poster ...

A marionette and a woman with a fantastic, geometric headdress promote a ball in Düsseldorf; the shadows create a dramatic effect. “The modern poster as we know it- large, colorful ...

Edition Details: Year: 2017 Class: Letterpress Art Print Released: 10/10/17 Run: 219/450 Technique: Letterpress Paper: Cream cotton paper Size: 10 X 13 Markings: Signed & Numbered

Artist: Giancarlo Impiglia, Italian/American (1940 - ) Title: Grand Tier Year: 1984 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 11/40 Image Size: 25 x 19.5 inch...

Even in its earlier years, the movie industry was based around spectacle. Exploitation posters, especially those depicting drug culture, were often design...

“America was quick to reveal strong Art Nouveau voices; it was Louis Comfort Tiffany who encouraged Bing to open his salon, and artists Will Bradley and Ethel Reed exhibited a Japonist simplicity that presented a strong, refined take on the Art Nouveau ideal. Louis Rhead was born in England but emigrated to the United States in 1883 at the age of 24, and quickly found himself celebrated both in the United States and in France, exhibiting his designs in the prestigious Salon des Cent in Paris in 1897.” -Quoted from Flowering Lines: Rare Art Nouveau Graphics 1883-1911 by Thomas Negovan (2017) Lithograph of Louis Rhead’s Prang’s Easter Publications, published in 1897 by Imprimerie Chaix, the printing house known for publishing the works of Belle Epoque master Jules Chéret. This example was printed with a plate of shimmering gold ink. While this poster was printed in multiple sizes and formats, this 1897 edition of 25 strikes on Japon paper is the most desirable and extremely scarce edition. Japon paper allows inks to rest upon its surface rather than being absorbed by a more permeable paper stock. The rare, small format poster lithographs created at this time were printed using rich, dense, lead inks. This world-class example of lithography captures superior resolution and color-richness to that of its large-format counterpart. This artwork is presented in archival rag mat and arrives accompanied by a certificate of authenticity. Notable museum collections containing this work include: Metropolitan Museum of Art, New York City (medium-format version on paper) (1984.1202.146) Notable museum collections featuring works by John Louis...

Vintage Keith Haring exhibition poster: Vintage original Exhibition poster for Keith Haring at San Francisco Museum of Modern Art, May 0...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell of the Henri de Toulouse-Lautrec’s colorful and sensuous posters depicting theatrical and decadent subjects. Schnackenberg became a regular contributor of similar compositions to the German magazines Jugend and Simplicissimus before devoting himself to the design of stage scenery and costumes. In the artist’s theatrical work, his mastery of form, ornamentation, and Orientalism became increasingly evident. He excelled at combining fluid Art Nouveau outlines, with spiky Expressionist passages, and the postures and patterns of the mysterious East. In his later years, Schnackenberg explored the unconscious, using surreal subject matter and paler colors that plainly portrayed dreams and visions, some imbued with political connotations. His drawings, illustrations, folio prints, and posters are highly sought today for their exceedingly imaginative qualities, enchanting subject matter, and arresting use of color. SCHNACKENBERG: KOSTUME, PLAKATE UND DEKORATIONEN, a cardboard bound art book consisting of 43 prints of work by Walter Schnackenberg, 30 of which are color lithographs that are signed and some are titled and dated in the plate, as well as black and white prints and photographs with accompanying text by Oskar Bie; lithographs printed at Kunstanstalt Oskar Consee in Munich, other images printed by Gesellschaft Pick & Co. in Munich, the text and cover with color images by Schnackenberg front and verso printed by R. Oldenbourg in Munich; published by Musarion Verlag, Munich, 1920. The majority of Walter Schnackenberg’s artistic output was destroyed by bomb attacks in Munich in 1944. The highly publicized 2013 auction in New York of the recovered pre-war poster collection once belonging to German poster aficionado, Hans Sachs has reintroduced the world to Walter Schnackenberg’s graphic genius and priceless ephemeral art from a lost era. Besides the museum world, designer Karl Lagerfeld is one of the most prodigious collectors of Schnackenberg. Flipping through the pages of Kostume, Plakate und Dekorationen, it becomes quite clear that Schnackenberg’s collection is ground zero at the crossroads of early modern fashion where the cult of celebrity meets up with dance, music, theater and cabaret, film and the graphic medium. Berlin and Munich under Germany’s Weimar Republic in the first quarter of the 20th century produced just the atmosphere to feed this burgeoning industry. Rising inflation sparked a recklessness to live large for the moment and heightened a desire for escapism. An influx of Indian and East Asian dancers and musicians added to the artsy bohemian cultural mix. A new decadence and tolerance resulted. Film boldly featured provocative subject matter. Cabarets became popular venues giving rise to the demi-monde in which people from all social stations mixed more freely in a thriving underground economy and culture where there was a blurring of boundaries and of social codes. Noted art historian and cultural doyen, Oskar Bie astutely observes in his introduction to Schnackenberg’s publication that what unites the images is fantasy and advertisement. Schnackenberg uses the eye as an instrument to brilliantly construct and convey this double message. His personages never directly confront the viewer. Their eyes gaze off in the distance like those of the screenplayer and film star Hedamaria Scholz in Schnackenberg’s “Die Rodelhexe” movie poster. Their eyes follow the path of a dance composition or become a transfixed and ogling male gaze such as the iconic 1911 Odeon Casino poster...