Advertising Prints and Multiples

Mighty Mouse Ronnie Cutrone, American (1948–2013) Screenprint, signed and numbered in pencil Edition of 45/150 Image Size: 36 x 26 inches Size: 40 x 30 in. (101.6 x 76.2 cm) Frame Si...

Crafted in 1958 by the artist Nathan, the original travel poster for Air France's North America destinations offers a captivating glimpse into the golden age of air travel. Nathan, a...

Molotov Cocktail, 1991 Screenprint 37x44 inches Edition of 95 Alexander Kosolapov (Russian: Александр Семёнович Косолапов) (born January 1, 1943, in Moscow, Russia) is an American sculptor and painter. He immigrated to the United States in 1975 and has since lived and worked in New York. In the late 1950's Kosolapov attended the Art School of the Surikov Moscow Art Institute. Amongst his classmates were Leonid Sokov...

Robert Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas, which ingeniously incorporated photographs. His arti...

TENERA LA NOTTE Dècollage 
cm 100×70 Firma a matita in basso a destra. II/L in basso a sinistra Signed with pencil lower right. II/L lower left

The original poster by Georges Reben captures the essence of Pau, a picturesque city renowned for its climate and sports. Highlighting iconic landmarks such as the Chateau, the Casin...

MARILYN Dècollage
 cm 100×70 Firma a matita in basso a destra. P.A. in basso a sinistra Signed with pencil lower right. P.A. lower left

Louise Bourgeois I Have Been to Hell and Back Handkerchief (Blue), 2009 Embroidery on 100% cotton handkerchief Signed in plate, hand numbered 319/1000, with the artist's silkscreened...

David Shrigley I'm So Excited, 2022 17 colour screen print with a two varnish overlay on Somerset Satin Tub sized 410 gsm 29 1/2 × 22 in 75 × 56 cm Edition of 125

Original Air France Grece vintage travel poster. Linen-backed original travel poster by Air France to Greece. Stylized Greek columns and the Parthenon in Athens, Greece sit on a me...

UNTITLED (INV# NP2231) Ken Price silkscreen on Arches 88 paper 14.875 x 12.375” 1981 edition of 150 stamped by Ken Price, SOMA Fine Art Press and Arabesque Books Ken Price (1935 - ...

Color lithograph fundraising poster for Learning Through Art/ The Guggenheim Museum Children's Program. Numbered out of 350 and dated in pencil. Blindstamped in bottom right corner. ...

Katrina Revenaugh “The Varsity Theater” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled on l...

Katrina Revenaugh “The Granada” Dye Sublimation Print on Aluminum, 2024 Size Options: 12 x 12 inches, 20 x 20 inches or 30 x 30 inches Edition: 75 + AP Signed and titled on label pro...

IL GRANDE DITTATORE Dècollage 
cm 100×70 Firma a matita in basso a destra. P.A. in basso a sinistra Signed with pencil lower right. P.A. lower left

The original poster titled "Les camps de concentration en Union soviétique - jamais ça en France" ("Concentration Camps in the Soviet Union - Never in France") serves as a stark poli...

The 1935 original poster by Roger Pérot for the XIIe Salon des Arts Ménagers showcases the quintessence of Art Deco style, embodying the elegance and modernity of the era. Created to...

Circa 1950 original exhibition poster by Falck for "Ténéré Tchad Missions Berliet" at the Musée de l'Homme offers a captivating glimpse into the exploration and adventure of the Berl...

16 colour silkscreen print on Somerset Radiant White Tub Sized 410gsm Paper 96.7 × 70 cm Edition of 75 hand-signed and numbered by the artist on verso published by ICA London XXX, i...

The 1917 original advertising poster for "Les On Dit" stands as a testament to the vibrant press culture of its time. This satirical publication, with its bold and compelling poster,...

When the cinematic Bond was born. The most complete account of the making of the first James Bond film, Dr. No (1962). “Bond, James Bond.” Since Sean Connery uttered those immortal...

Original 1942 CASABLANCA vintage movie poster. Archival linen backed in very good condition, ready to frame. The original production fold marks have been touched up and restored. This is an authentic vintage 1942 issue of Casablanca for sale. "Casablanca" is widely regarded as one of the greatest films in cinema history. It received critical acclaim upon its release and won three Academy Awards, including Best Picture, Best Director for Michael Curtiz, and Best Adapted Screenplay. The cast's performances, memorable dialogue, and timeless romance have contributed to the film's enduring popularity. "Casablanca" remains a cultural touchstone and is often referenced in popular media. • Rick Blaine (Humphrey Bogart): The owner of Rick's Café Américain, an establishment known for its lively atmosphere. Rick is initially portrayed as detached and cynical, but his past is revealed as the story progresses. • Ilsa Lund (Ingrid Bergman): A Norwegian woman with a complicated history with Rick. She is caught in a love triangle between Rick and her husband, Victor Laszlo. • Captain Louis Renault (Claude Rains): The corrupt and witty French police captain in Casablanca. He adds a layer of humor to the film and undergoes a moral transformation as the story unfolds. Over the years, the Casablanca poster...

Dr. Goldfoot and the Bikini Machine. This is a bikini machine ... Order your '66 model now. US 1 sheet, linen backed with original fold marks restored, ready to frame. Excellent condition. NSS: 65/364 Starring Vincent Price, Frankie Avalon, Dwayne Hickman, Susan Hart...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Picasso created a series of posters at the atelier of Mourlot Freres. The...

Paper Size: 32 x 34 inches ( 81.28 x 86.36 cm ) Image Size: 27.75 x 33.5 inches ( 70.485 x 85.09 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Shipping and ...

Paper Size: 16 x 16.25 inches ( 40.64 x 41.275 cm ) Image Size: 15.5 x 16 inches ( 39.37 x 40.64 cm ) Framed: Yes Condition: B: Very Good Condition, with signs of handling or age Ad...

Original 1962 poster by Roger Chapelet titled "Le Maroc par les paquebots rapides de la compagnie de navigation Paquet" transports viewers to the exotic allure of Morocco via the swi...

The original poster advertising S/S Homeric vacation cruises by Home Lines in 1972 offers a captivating glimpse into the allure of luxury travel to the Bahamas and the Caribbean duri...

Paper Size: 20 x 30 inches ( 50.8 x 76.2 cm ) Image Size: 20 x 30 inches ( 50.8 x 76.2 cm ) Framed: No Condition: A: Mint Additional Details: Hand painted montage of latin American ...

Artist: Steve Kaufman Title: 20 Shekel 1998 Circulated Bank Note Medium: Screenprint on Canvas Size: 14 x 27.5 Inches Edition: 28 of 50 Year: 2007 Notes: Israel 20 Shekel 1998 Circul...

Crafted around the 1950s, the original poster by Paillot titled "Personnel féminin de l'armée de l'air" (Female Personnel of the Air Force) stands as a testament to the changing role...

A travers.Portfolio with 14 silkscreens. Publisher GKM. Unframed. Edition of 200 ex. Signed, dated and numbered. Free shipment worldwide. “I paint because painting is a private Utopia,” Erró writes of his art. The landscapes in Erró’s work are a constantly changing kaleidoscope of images, multivalent and mysterious, not infrequently controversial, bursting with life – and titillating, too! There is room in his pictures for both paradise and visions of fear. Erró is the alias of Gudmundur Gudmundsson, born on 19 July 1932 in Olafsvik, in north-western Iceland. Since Gudmundur first became enthralled by pictures of works of art in a catalogue from the Museum of Modern Art in New York at the tender age of ten, painting has been his passion and his mission in life. He was accepted into art school in Reykjavik as a 19-year old, subsequently complementing what he had learned there with further studies in Oslo. Erró travelled extensively in Spain, Italy, France and Germany in the 1950s, studying at the Florence Academy of Art in 1954 and at the School of Byzantine Mosaic Art in Ravenna in 1955. It was around this time that he began to exhibit his works, first and foremost in Paris, where he chose to make his home in 1958. During the 1960s he established contact with the Swedish museum director Pontus Hultén, who encouraged him and took him under his wing. Over the years Erró has taken part in hundreds of exhibitions and today his works are on show in museums all over the world, including the Centre Pompidou in Paris. Erró’s pictorial world is peopled by comic-strip characters and autocratic despots alike. Donald Duck with his Daisy, Chip & Dale, and other Walt Disney creations are unselfconsciously juxtaposed with Greek gods and madonnas. Elsewhere the German dictator Adolf Hitler stands shoulder to shoulder with his Iraqi counterpart Saddam Hussein...

Original BLAZING the OVERLAND TRAIL 1956 Chapter 1, US 1-sheet .. Lee Roberts, Tom Bridger. Chapter 1. "Gun Emperor of the West!" NSS: 56/4803. Archival linen backed with original fold marks restored, ready to frame. Blazing the Overland Trail, Heroes of the Pony Express!, the 1956 Spencer Gordon Bennet cowboy western serial ("A Columbia Super-Serial") starring Lee Roberts ("as Tom Bridger, Army Scout"), Dennis Moore, Norma Brooks, Gregg Barton, and Don C. Harvey. Heroes of the Pony Express! Movie poster description: BLAZING THE OVERLAND TRAIL 15 CHAPTER SERIAL , Chapter ! 1956 "Blazing the Overland Trail" is Columbia's 57th and last serial production and also the last sound-era serial (of 231 total) made for theatrical release by any major studio. PLOT: Rance Devlin intends to build his own empire in the American west, using his Black Raiders and allied Indians to do so. Only US Army scout Tom Bridger, associated with Pony Express rider Ed Marr and US Cavalry Captain Frank Carter, can stop him. This is a genuine 27" x 41" U.S. one-sheet ORIGINAL MOVIE POSTER issued by the studio when the film was released and meant for theatrical display. CAST: Lee Roberts … Tom Bridger Dennis Moore … Ed Marr Norma Brooks … Lola Martin Gregg Barton … Captain Carter Don C. Harvey … Rance Devlin Lee Morgan...

1938 original advertising poster for RAI Amsterdam stands as a testament to both the artistic prowess of its creator and the significance ...

Dive into the seductive world of Rockin’ Jelly Bean's "True Romance – Variant," a captivating homage to the cult classic film that has captured heart...

The original exhibition poster by Calder at the Théâtre Français de la Danse in 1969 stands as a vibrant testament to the innovative spirit of both the artist and the venue. Created ...

Artist: Robert Rauschenberg, American (1925 - 2008) Title: The Most Distant Visible Part of the Sea Year: 1979 Medium: Lithograph and Screenprint, Signed and numbered in pencil Editi...

Artist: Steve Kaufman Title: George Washington: Father of Our Nation Medium: Screenprint on Canvas Size: 20 x 20 Inches Edition: 97 of 200 Year: 2000-2010 Notes: Hand Signed and ...

Original advertising poster by Philippe Sommer for Champagne Liébart Régnier Propriétaire Récoltant encapsulates the essence of luxury and celebration associated with Champagne. Craf...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin...

Immerse yourself in the raw energy and gritty allure of urban culture with "Shook (Mobb Deep), 2020" by the acclaimed artist Mark Drew. This striking screenprint captures the essence...

Original poster: HEAD OUT TO OZ, artist: James McMullan. Size 24" x 37". Rolled, Not folded; very good to excellent lithograph condition. Year: ...

The Ideal Power print was inspired by the need to address gender inequality regarding both wages and basic respect. I believe power should come from the quality and merit of one’s wo...

Keith Haring Rare Hiroshima Peace Celebration poster (hand signed by Keith Haring), from the Patrick Eddington Collection, 1988 Original offset litho...

Shepard Fairey AK-47 Lotus (Vietnam War, Protest, Flowers, Gun Barrels, Pacifist, Iconic, Gun Violence) Offset Lithograph on thick cream Speckletone paper Year: 2024 Size: 36x24 inch...

Connor Brothers Those Who Say It Cannot Be Done 2020 1 6 1/2 x 11 2/5 in. From the rare limited edition of 50 Giclee print on paper ...

The original poster for the "III. Internationales ADAC 500KM RENNEN" in 1962 encapsulates the excitement and prestige of this iconic motorsport event. This poster serves as both a hi...

Original vintage poster: FREEDOM FROM WANT, Ours to fight for ... Original. Artist: Normal Rockwell. Archival linen backed in fine condition, ready to frame. Note: All US Go...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Miro created a series of posters at the atelier of Mourlot Freres. The li...

Shepard Fairey AR-15 Lily (Vietnam War, Protest, Flowers, Gun Barrels, Pacifist, Iconic, Gun Violence) Offset Lithograph on thick cream Speckletone paper Year: 2024 Size: 36x24 inche...

Shepard Fairey AK-47 Lotus & AR-15 Lily Set (Vietnam War, Protest, Flowers, Gun Barrels, Pacifist, Iconic, Gun Violence) Offset Lithographs on thick cream Speckletone paper Year: 202...

Connor Brothers There's Nothing So Seductive as a Dangerous Idea 2021 16 1/2 x 11 2/5 in. Numbered from the Rare Limited Edition of 20 Plus 5 Artist Proofs Hand Colored Pigment ...

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Kerry Lee (1902 - 1988) Dublin Original vintage poster 103 x 64 cm A detailed and brightly-coloured map of Dublin...

The original poster for the Services de la Méditerranée by the Compagnie Internationale des Wagons-lits et des grands express européens, advertising the Hôtel Riviera Palace in 1893,...

Probably a bank poster from the first half of the 20th century urging financial literacy. The poster features a young man dreaming about the future abd th...

(After) Francis Bacon Study for a corrida Poster, 1995 Printed and published by Maeght Size 86 x 50 cm (c. 33,8 x 19,7 in) Mint condition