Advertising Prints and Multiples

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Miro created a series of posters at the atelier of Mourlot Freres. The li...

Shepard Fairey AR-15 Lily (Vietnam War, Protest, Flowers, Gun Barrels, Pacifist, Iconic, Gun Violence) Offset Lithograph on thick cream Speckletone paper Year: 2024 Size: 36x24 inche...

Shepard Fairey AK-47 Lotus & AR-15 Lily Set (Vietnam War, Protest, Flowers, Gun Barrels, Pacifist, Iconic, Gun Violence) Offset Lithographs on thick cream Speckletone paper Year: 202...

Connor Brothers There's Nothing So Seductive as a Dangerous Idea 2021 16 1/2 x 11 2/5 in. Numbered from the Rare Limited Edition of 20 Plus 5 Artist Proofs Hand Colored Pigment ...

Dan Flavin Rare invitation poster for 1970 ACE Gallery exhibition, 1970 Letterpress and stencil on colored paper Not signed Frame included Floated in the original ACE gallery vintage wood frame. Measurements: Framed: 17.75" x 17.75" x 1.6 inches Poster: 16 inches x 16 inches Extremely uncommon letterpress and stencil poster designed by Dan Flavin on the occasion of his 1970 exhibition “Two Cornered Installations in Colored Fluorescent Light from Dan Flavin” at the legendary Ace Gallery in Los Angeles. The poster, like most exhibition invitations of that era (including those from the Leo Castelli gallery in New York) was undated, as these works were so much of the moment. This work was acquired directly from the collection of the ACE Gallery. Other than the present work, we've never seen another example of this collectors item anywhere in the world, on or off the market (If anyone is aware of others, we'd love to see!) More about the legendary ACE gallery, and the sale of some of its art collection from the bankruptcy estate, from where the present work was acquired: ACE Gallery founder Douglas Chrismas opened his own frame shop and gallery in Vancouver at the age of 17. His gallery became known as a venue where Vancouver artists could show alongside major New Yorkers, and get the feeling of belonging to a bigger scene. In the 60s and early 70s he brought artists such as Robert Rauschenberg, Carl Andre, Sol LeWitt, Bruce Nauman, and Donald Judd to Vancouver, Canada. The gallery expanded to Los Angeles in 1967 at the former Virginia Dwan Gallery space in Westwood, and then further expanded to New York in 1994. The galleries were noted for doing museum-level exhibitions by up and coming and internationally renowned artists. While in New York the gallery’s presence was amplified by doing exhibitions in conjunction with cultural institutions such as the Guggenheim Museum and the Cartier Foundation (Paris). Under Chrismas' directorship, ACE Gallery has had either offices or galleries in art centers outside of the United States, such as Mexico City, Paris, Berlin. and Beijing. In 1972, Chrismas mounted Robert Irwin’s installation Room Angle Light Volume at the first ACE/Venice, which opened at 72 Market Street in 1971. In 1977, ACE mounted exhibitions of work by Frank Stella and Robert Motherwell, along with Michael Heizer’s Displaced/Replaced Mass. Installed at ACE/Venice, the Heizer piece required that huge chunks be gouged out of the gallery floor to create recessed areas able to accommodate boulders. In April 2016, ACE Gallery emerged from a three-year bankruptcy proceeding under the leadership of Sam S. Leslie. In May 2016, founder Douglas Chrismas was terminated from all roles at the gallery. In July 2021, Douglas Chrismas was arrested by the FBI and charged with embezzlement. In May 2022, Douglas Chrismas was ordered to repay 14.2 million in ACE art sale profits, which were diverted to personal accounts. Chrismas is awaiting criminal trial in January, 2023. He faces up to 15 years in prison if convicted. Controversies In a 1983 lawsuit in Los Angeles federal court, Rauschenberg sought $500,000 from Chrismas' Flow ACE Gallery; the artist won a $140,000 judgment in the suit in 1984. Eventually the two reconciled their differences and in 1997 Robert Rauschenberg insisted that ACE Gallery New York (in conjunction with the Guggenheim Museum) host his Retrospective. In 1986, Chrismas pleaded no contest after Canadian real estate developer C. Frederick Stimpson alleged that he had improperly sold work belonging to the collector, among them pieces by Andy Warhol and Rauschenberg. Under the terms of the settlement, Chrismas agreed to pay Stimpson $650,000 over a period of five years. He continues to work with the Stimpson family in handling their art interests. In 1989, ACE Gallery wanted to borrow a work by Judd along with Carl Andre's 1968 Fall, both owned by Count Giuseppe Panza, for an exhibition devoted to minimal art called The Innovators Entering into the Sculpture. Rather than shipping the two large scale works from Italy, Panza authorized ACE Gallery to refabricate the pieces in Los Angeles. In Panza's collection archives, there is a series of signed certificates signed by Judd that granted Panza broad authority over the works by Judd in his collection. These certificates "authorized Panza and followers to reconstruct work for a variety of reasons," as long as instructions and documentation provided by Judd were followed and either he or his estate was notified. This even included the right to make "temporary exhibition copies, as long as the temporary copy was destroyed after the exhibition; and the right to recreate the work to save expense and difficulty in transportation as long as the original was then destroyed." Miwon Kwon, in her account of site specificity: "One Place After Another," presents the account of ACE Gallery recreating artworks by Donald Judd and Carl Andre without the artist's permission. Andre and Judd both publicly denounced these recreations as "a gross falsification" and a "forgery," in letters to Art in America, however, the fabrication of the pieces were permitted by Panza Collection in Italy, the owner of the works. Despite the confusion surrounding the Panza refabrications, both Carl Andre and Donald Judd maintained a professional relationship with Douglas Chrismas and ACE Gallery. Andre showcased works at ACE Gallery in 1997, 2002, 2007, 2011 and present day. In 2007, Carl Andre's show entitled "Zinc" was exhibited at ACE Gallery in Beverly Hills. Donald Judd paid a visit to The Innovators Entering into the Sculpture exhibition at ACE Gallery and agreed to keep his sculpture in the exhibition. After the exhibition was over, Chrismas planned to sell the metal used for the re-fabrication of Judd's work for scrap metal but Judd wanted to own the re-fabrication for himself. ACE Gallery then sold the re-fabrication of Donald Judd's work to Donald Judd. After having consigned more than $4 million worth of art to ACE Gallery to sell in 1997 and 1998, the sculptor Jannis Kounellis filed a lawsuit in Los Angeles Superior Court in 2006, accusing Chrismas of keeping most of the profits of artworks and refusing to return the pieces that did not sell. According to the lawsuit, the primary agreement between Kounellis and Chrismas was oral. Chrismas returned all of Kouenllis' artwork, and did a full accounting of the proceeds from Kounellis' work—minus the expense of exhibiting it. The matter was resolved between the two of them and ACE Gallery still sells and exhibits Kounellis' work today. By 2006, Chrismas had filed for Chapter 11 bankruptcy protection at least six times since 1982, barring most of his creditors from collecting the money immediately owed to them. Chrismas filed for Chapter 11 bankruptcy to protect the gallery's extensive real estate holdings from the problematic landlord. The landlord of the Wilshire Boulevard space, Wilshire Dunsmuir Company, claimed that ACE owed back rent and penalties however, the claim was disputed by Douglas Chrismas. In court papers, Chrismas Fine Art claimed that it would cure "the pre-petition" debt by Feb. 1, 2000, and was asking the court to protect its right to remain in the property. A declaration filed by Douglas Chrismas characterized this leasehold as the business' primary asset. -Courtesy Wikipedia About Dan Flavin Dan Flavin (1933–1996) was a pioneer of Minimal Art. He rose to fame in the 1960s with his work with industrially manufactured fluorescent tubes, inventing a new art form and securing his place in art history. The exhibition at the Kunstmuseum Basel focuses on his works that are dedicated to other artists or make reference to certain events. Back in 1963 Dan Flavin mounted a single, industrial fluorescent light tube at a 45-degree angle to the wall of his studio declaring it art; the act was radical, and it still is. Indeed, it was owing to this action that standard commercial products would be introduced into art: The nascent Minimal Art of the era emphasised seriality, reduction and matter-of-factness. Somewhat ironically, while the autodidact Flavin never himself sought membership to this movement in art, he would, and quite literally, go on to become one of its most illustrious exponents. Flavin began work with fluorescent light tubes from the early 1960s on; arranged in so-called ‘situations’, he would then further develop them into series and large-scale installations. The colours and dimensions of the materials he used were prescribed by industrial production. Flooded in light, viewers themselves become part of the works: The space, along with the objects within it, are set in relation to each other and thus become immersive experiences of art triggering sensual, almost spiritual experiences. Flavin liberated color from the two-dimensionality of painting. The prevalent perception of his light works has, to date, largely centred on their minimalist, industrial aspect, and thus on the inherent simplicity of their beauty. The exhibition at Kunstmuseum Basel, by contrast, places emphasis on looking at Flavin’s oeuvre in a less familiar setting: His pieces, although initially without clearly recognisable signature, frequently make reference in their titles to concrete events, such as wartime atrocities or police violence, or are dedicated to other artists—as in the work untitled (in memory of Urs Graf...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Kerry Lee (1902 - 1988) Dublin Original vintage poster 103 x 64 cm A detailed and brightly-coloured map of Dublin...

(After) Francis Bacon Study for a corrida Poster, 1995 Printed and published by Maeght Size 86 x 50 cm (c. 33,8 x 19,7 in) Mint condition

The original poster for the Services de la Méditerranée by the Compagnie Internationale des Wagons-lits et des grands express européens, advertising the Hôtel Riviera Palace in 1893,...

Probably a bank poster from the first half of the 20th century urging financial literacy. The poster features a young man dreaming about the future abd th...

Original 1959 “Sint-Truiden Carnaval!” vintage lithograph poster. Archivally linen backed in very good condition, ready to frame. No paper loss, no tears, no stains. Excellent gr...

Original David Klein, Germany Fly TWA Jets (Smaller format)—professional acid-free archival linen backing; ready to frame. The image of this original travel to Germany scene featur...

The original 1914 poster "Your King and your country need you" is a seminal piece of British propaganda from World War I, embodying the fervor and urgency of the time. Released shortly after the outbreak of the war, it aimed to rally men to enlist in the armed forces and serve their country in its time of need. At the heart of the poster is a striking image of Lord Kitchener, the British Secretary...

The 1953 original exhibition poster by Raoul Dufy for the Musée National d'Art Moderne is a vibrant and captivating piece that captures the essence of Dufy's iconic style and celebra...

The circa 1930 original poster by A. Freppel promoting the Syndicat d'Initiative Sainte-Marie-aux-Mines offers a captivating glimpse into the charm and allure of this historic French...

Original poster for the 1993 Multimedia Expo 93 at CNIT Paris La Défense, created by Apple, represents a pivotal moment in the history of technology and innovation. As the world ente...

The original 1915 poster featuring Lord Kitchener's iconic proclamation serves as a powerful artifact of World War I propaganda, encapsulating the urgency and fervor of the times. With the backdrop of the Great War raging across Europe, governments on both sides sought to rally their citizens to support the war effort in various ways, including recruitment, fundraising, and industrial production. The poster's message is clear and direct, conveying the urgency of the situation and the need for immediate action. The central quote from Lord Kitchener emphasizes the critical importance of three key resources: men, materials, and money. These were seen as the essential elements necessary to sustain the war effort and ensure victory on the battlefield. Lord Kitchener, as the British Secretary...

This lithograph in colors with raised chop mark was printed by Imprimerie Chaix in Les Maîtres de l'Affiche, 1899, on fine woven, heavy stock paper. Measures 15 ¾ x 11 3/8 (40 x 29 c...

The original advertising poster "Apple - S'il s'en sort, on l'appellera Macintosh" (translated as "If he pulls through, we'll call him Macintosh") from 1991 encapsulates the innovative and playful spirit of Apple Inc...

Original poster: Parc de Bagatelle et Louis Vuitton 1999 Hand-signed by the artist Razzia in black marker on the left side. In plate right side. Linen backed, ready to frame. Ex...

Original 1959 poster titled "Festivals of India" stands as a vibrant testament to the rich cultural tapestry of the Indian subcontinent. Created during a p...

Crafted in 1975, the original poster by Al Hirschfeld titled "A Fine Mess! The Crazy World of Laurel & Hardy" captures the timeless charm and humor of one of the most beloved comedy ...

"Keith Haring: Sculpture & Painting" January 17 to February 14 1987 at Tony Shafrazi Gallery, NY: Vintage original 1987 gallery announcement card Dimensions: 6 x 9 inches Excellen...

The 1949 original travel poster by Jean Carlu for Pan American World Airways offers a captivating invitation to explore the stunning beauty and sophistication of the French Riviera. ...

24" x 18" Unframed Screenprint in Color on Wove Paper Hand Signed by Shepard Fairey

Shepard Fairey Joe Strummer – Know Your Rights Screen print on thick cream Speckletone paper Year: 2023 Size: 24x18 inches Edition: 550 Signed, dated and numbered by hand COA provide...

Original travel poster by Edouard Collin for the Compagnie Générale Transatlantique beckons travelers to explore the enchanting destinations of Paris, Marseille, Alger, Oran, and Tun...

Andy Warhol Exhibition Poster, Le Cento Imagini Di Andy Warhol. Edited by The Museo of The Villa Croce in 1989 Excellent condition Size is framed Andy Warhol (1928-1987) became a ...

Plombiers Les Bains (Bosges . Original vintage French travel poster: Artist: Adrien Senechal. Travel from Paris in 5 Hours. Note ...

The 1951 original travel poster by Louis Berthomme Saint-André for Lourdes, commissioned by the French National Railway Company (SNCF), is a captivating testament to the allure of th...

The original poster by M. Leroy, titled "La Guerre et les Humoristes," serves as a poignant reflection of the intersection between art and the tumultuous events of World War I. Creat...

Medium: lithograph (after the original lithograph poster). During the late 1940's and throughout the 1950's, Henri Matisse created a series of posters at the atelier of Mourlot Frere...

Hand signed by the artist in felt pen, lower right, above printed signature, 'K. Haring' for Keith Haring (American, 1958-1990) and dated 1988. 'National Coming Out Day'. Original ...

28 1/2" x 22 1/2" Unframed Screenprint on Cream Speckletone Paper Hand Signed by Shepard Fairey

Paper Size: 63 x 47.25 inches ( 160.02 x 120.015 cm ) Image Size: 41.25 x 30.5 inches ( 104.775 x 77.47 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supp...

Paper Size: 26 x 17.5 inches ( 66.04 x 44.45 cm ) Image Size: 26 x 17.5 inches ( 66.04 x 44.45 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Supplemental Condition Information: Some small dents and scratches throughout. Additional Details: Silkscreen on Tin. Babe Rainbow...

When the cinematic Bond was born. The most complete account of the making of the first James Bond film, Dr. No (1962). “Bond, James Bond.” Since Sean Connery uttered those immortal...

Original Limited Edition Lithograph on vellum paper. Edition: 300. Inscription: Unsigned and unnumbered, as issued. Excellent condition. Notes: From the volume, Cirque, Lithographies...

The 1949 original travel poster by Guerra for Air France, titled "Paris is two thousand years old," stands as a captivating invitation to explore the rich history and timeless allure...

Shepard Fairey Gears of Justice (Star Gear, Empowerment, Industrious, Leveling the playing field) Screen print on thick cream White Speckletone paper Year: 2024 Size: 24x18 inches Ed...

Medium: lithograph (after the original lithograph poster executed for the Annual Ball of the School of Decorative Arts, of Paris). During the late 1940's and throughout the 1950's, H...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

Paper Size: 22.75 x 29.5 inches ( 57.785 x 74.93 cm ) Image Size: 22.75 x 29.5 inches ( 57.785 x 74.93 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additio...

hand-signed by artist on recto

Paper Size: 22.5 x 28.5 inches ( 57.15 x 72.39 cm ) Image Size: 17.25 x 26 inches ( 43.815 x 66.04 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional ...

The original Soviet propaganda poster created by Vladimirov in 1963, titled "De record en nouveaux records ! Gloire aux sports sovié...

Linocut on wove paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: From the volume, Pablo Picasso: Linogravures. Published by Éditions Cercle d'...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

The original travel poster from 1950 by Dubois, inviting viewers to "Join the sun on a ski run in France," encapsulates the allure and excitement of winter sports in the French Alps....

Original movie poster: BREAK THROUGH. U. S. 1-sheet vintage, linen-backed vintage 1950 release. Very good condition; ready to frame. Breakthrough is a 1950 American war film di...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

Paper Size: 31 x 25 inches ( 78.74 x 63.5 cm ) Image Size: 20.25 x 19.5 inches ( 51.435 x 49.53 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Det...

Paper Size: 39.25 x 23.5 inches ( 99.695 x 59.69 cm ) Image Size: 29.75 x 19.25 inches ( 75.565 x 48.895 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addit...

Paper Size: 62.75 x 47.25 inches ( 159.385 x 120.015 cm ) Image Size: 62.75 x 47.25 inches ( 159.385 x 120.015 cm ) Framed: No Condition: B: Very Good Condition, with signs of handli...

David Shrigley Untitled (Get Your Thoughts In Order), 2022 Off-set lithography printed on 200g Munken Lynx paper 70 x 50 cm

The original poster by André Devambez, "La protection du réformé Nº2 - Aidez-nous à assister les blessés et malades de la guerre - Réformés sans pension," holds significant historica...

Paper Size: 34 x 24 inches ( 86.36 x 60.96 cm ) Image Size: 32 x 24 inches ( 81.28 x 60.96 cm ) Framed: Yes Frame Size: H: 34 x W: 24 inches Condition: A-: Near Mint, very light sign...

The original Soviet poster for the "Festival de la jeunesse et des étudiants" in 1956 represents a significant event in the history of the Sovie...