Graphics Prints and Multiples

Chromolithograph, 1878. From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior designers with st...

Poli Arctici is an ancient map realized in 1650 by Johannes Janssonius (1588-1664). The Map is a Hand-colored etching, with coeval watercoloring. Good conditions with slight foxing...

This set of three grayish-green Japanese-inspired monotypes was made using fresh-cut long-stemmed wild iris (iris douglasiana) that grow along the California coast. Their impossibly...

Joan Miró Composition for 'from XXe Siecle', No. 16 1961 Lithograph Numbered 58/75 in the lower left. Hand-signed in the lower right. Image Size: 33 x 23 cm Framed Size: 68 x 53 cm...

Charles LAPICQUE (1898-1988) The Olympic Flame, 1970 Original Lithograph Signed in pencil Numbered / 163 On Arches vellum 65 x 50 cm (c. 26 x 20 in) REFERENCE : Catalog raisonne de...

This print of a violin replicated several times in black and red across the composition is indicative of Arman's classic technique of recomposition. Transferring the image across the...

The circa 1825 original engraving of "Syrie" by Giraldon Bovinet, based on the work of L. Vivien, is a historically significant map that reflects early 19th-century cartographic tech...

Robert Indiana, American (1928 -2018) - To the Bridge from the American Dream Portfolio, Year: 1964 (1997), Medium: Screenprint on Wove Paper (unsigned), Edition: 395, Image Size:...

Dahlias Color woodcut, 1939 Unsigned (as usual) Format: oban Publisher: Takemura Hideo Stamp verso: "Made in Japan" Provenance: Robert O. Muller Biography Hodo Nishimura...

Edition 5 JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a distinct and fine British sense of humour, 
he ...

AJ Masthay - Bertha,. Gold Gilded Edition - Pop Art & Contemporary Prints Artists: Masthay, AJ Manufacturer: Furnace, The - Hartford, CT Edition Detail...

Julka Julia Juleczka is a vintage offset print on paper realized by Terechowiicz in 1974. Good condition and aged. Print: Terechowicz

'Flower Piece' shows the artist, John Billmyer, to be a highly accomplished wood engraver. There are endless patterns and created details -- all executed flawlessly. Mostly made up o...

Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved v...

Romantic Mid-century French lithograph of table setting in front of window, circa 1960. Title lower left. Signed lower right. 67/150 Original artwork on paper displayed on a white ...

Paper Size: 35 x 25 inches ( 88.9 x 63.5 cm ) Image Size: 35 x 25 inches ( 88.9 x 63.5 cm ) Framed: No?Condition: A-: Near Mint, very light signs of handling Supplemental Condition I...

Plan and Facade of a Greek House is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the go...

Cynthia MacCollum is a painter, printmaker, and photographer who lives and works in New Canaan, CT. Her work has been shown online at ODETTA, NYC, and in person at the Center for Contemporary Printmaking...

Woodcut Engraving on cream wove Montval paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Hélène Chez Archimède, 1955. Publis...

Luis Rodolfo Trimano (Argentina, 1943) ' Untitled II from Estigmas', 2006 silkscreen on paper 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 Unframed ID: TRI1706-001-106_2 Hand-signed b...

Electronic Man by Max Papart French (1911–1994) Date: circa 1982 Aquatint Etching with Carborundum, Collage, signed and numbered in pencil Edition of HC Image Size: 22 x 29.5 inches ...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

Cisco Jimenez (Mexico, 1959) 'Pañito', 2006 silkscreen, collage on paper 23.7 x 31.5 in. (60 x 80 cm.) Edition of 99 Unframed ID: JIM1752-001-109 Hand-signed by author in pencil

Paper Size: 35.5 x 29.5 inches ( 90.17 x 74.93 cm ) Image Size: 35.5 x 29.5 inches ( 90.17 x 74.93 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supplement...

James Rosenquist, American (1933 - 2017) - XIV Olympic Winter Games, Year: 1983, Medium: Poster, Size: 33.5 x 24.25 in. (85.09 x 61.6 cm)

Paper Size: 33.5 x 23.5 inches ( 85.09 x 59.69 cm ) Image Size: 33.5 x 23.5 inches ( 85.09 x 59.69 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional D...

Over 350 year old antique copper engraving of the floor plan to the Spada palace in Rome, Italy by Italian Giacomo Rossi, 1650. Original artwork on paper displayed on a white mat wi...

Offset print 4C process with cold stamp Edition of 300 Signed and numbered on the front Mint

Map of the World is an Original Etching realized by an unknown artist of 19th century in 1820. Very good condition on two sheets of white paper joine...

Date: circa 1975 5 screenprints in colors each consisting of 5 die-cut sheets of wove paper, signed and numbered in ink Edition of 89/175 Size: 23.5 x 23.5 in. (59.69 x 59.69 cm) Pri...

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

Pierre Bonnard - The Sun Original Lithograph Dimensions: 32 x 24 cm Verve . Revue Artistique et Litteraire. Vol. V, Nos 17 et 18. Signed in the plate Unumbered as issued

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details:...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Souvenirs et portraits d'artistes, 1972. Pu...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Chagall Lithographe, 1960; published by André Sauret, éditeur, Mon...

Colour linocut, limited edition, Artists Proof, titled, signed and dated in pencil. 2019. Aileen Brown is a Melbournian printmaker. Since 1983 she has w...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Royal Hospital att Greenwich to the River" (Vol. 1, Plates 86, 87) Portfolio: Vitruvius Britannicus; or The British Architect, Co...

Colour linocut, limited edition (2/12), titled, signed and dated in pencil. 1999. Aileen Brown is a Melbournian printmaker. Since 1983 she has worked ex...

Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved v...

Steel-engraved map with original outline colouring by Isaac Slater. A detailed engraved map of the English county with title, scale, and key. Decorated with an uncoloured engraved vi...

Signed and numbered. Flores Para Juarez pays homage to the women in Juarez, Mexico. The female figure in the image is a friend of Magallanes who had witnessed a lot of abuse growing up in Juarez, and emerged from her experience a very strong woman. Magallanes’ piece is part of an ongoing series of portraits of personal heroes and martyrs that also serves as a mapping of the artist’s own psyche through his cultural, historical and political influences. Oscar Magallanes was born in 1976 in Duarte, CA. He recalls, “The first art I saw were murals of Zapata and Mexica glyphs from the Chicano movement. These were juxtaposed next to homeboy role calls and Old English writing. I didn’t see a gallery or museum until I was 15.” After a troubled youth and his expulsion from high school at the age of fifteen, Oscar was accepted into the Ryman Arts program which he credits with encouraging him to pursue a career in art. From 1998 to 2003 Oscar’s studio was located in the thriving Pomona Artist Colony. Oscar also worked closely with the late Gilbert “Magu” Lujan...

In 1941, French cartographer L. Larmat created a remarkable map titled Atlas de la France Vinicole: Les Vins de Bordeaux - Entre-Deux-Mers, Graves de Vayres, Sainte-Foy Bordeaux, whi...

Yellow Rose is a beautiful original black and white etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006). Hand-signed, dated and numbered in Arabic numerals ...

Still Life is a lithograph realized by Ibrahim Kodra in the 1980s. Hand-signed on the lower right, Numbered, edition of 150 prints. Good conditions. Ibrahim Likmetaj Kodra (22 Apr...

Artist: Dan May (American, 1955-) Title: "Book on Chair" *Signed and numbered by May in pencil lower left Year: 1989 Medium: Original Screenprint on unbranded white wove paper Limite...

The 1941 original map by L. Larmat, titled "Atlas de la France vinicole – Les vins de Bordeaux: Saint-Émilion, Pomerol, Néac, Côtes de Fronsac, Côtes Canon-Fronsac", offers a detaile...

This artwork titled "Circus Series C" c.1990, is an original woodcut monoprint on Wove paper by noted American artist Ruth Leaf, 1923-2015. It is hand signed, titled and numbered 1/1...

"The Santa Fe Opera" is a first edition exhibition poster designed and created by Robert Indiana in 1976. This piece was produced to celebrate the 20th ...

Dream It I by BATIK signed limited edition Oversize POP ART Paper Size OVERSIZE 40 x 30" inches / 101 x 76 cm Signed & numbered by artist on front ...

after Georges BRAQUE Mythology : Hera MEDIUM : Lithograph PRINTER : Atelier Art-Litho EDITOR : Armand ISRAEL, Paris SIGNATURE : Printed LIMITED : 399 copies unumbered PAPER : Arches...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Chagall Lithographe, 1960; published by André Sauret, éditeur, Mon...

Paper Size: 26.25 x 32.5 inches ( 66.675 x 82.55 cm ) Image Size: 22.75 x 32.75 inches ( 57.785 x 83.185 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Supp...

Georg Karl Pfahler (1926–2002) was a German Hard-Edge and Color Field painter known for his bold use of color and geometric forms. Born in Emetzheim, Germany, he studied under Willi ...

First release exhibition poster by Caroil Summers published by LIST ART in 1967 for the Cultural Showcase. The silk-screen has creases throughout. Blind stamped in the lower left cor...

Atanas MIHALTCHEV Mr and Ms A Speaking Lithograph Signe din pencil Numbered / 50 ex On Johannot vellum 48 x 63 cm (c. 19 x 25 inch) Excellent condition

The 1952 original poster by Claude Lepape for "Le Centenaire de la Médaille Militaire" is a commemorative piece that celebrates the 100th anniversary of ...