Portrait Prints and Multiples

Démidoff is an original Litograph realized by Denis Auguste Marie Raffet in 1837. Hand-signed and dated in china ink by Anatole de Démidoff (Anatolij Nikolaevic Demidov) on the lowe...

The portrait of man after Raphael is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and...

Medium: original etching. This impression on cream laid paper was printed in 1880 and published by the American Art Review. The American Art Review featured original etchings by lead...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Le Jongleur (The Minstrel). 1930. Etching and aquatint printed in colours. Chapon/Rouault 199 d. 12 1/4 x 8 1/2 (sheet 17 1/4 x 13 1/8). Series: Cirque plate 2. Edition 270. Initial...

Artist: Roland Topor (French, 1938-1997) Title: Nouvelles En Trois Lignes I Year: 1975 Medium: Lithograph with pochoir hand coloring Edition: Inscribed A.P (Artist Proof) Paper: Wove Image size: 21 x 15 inches paper size: 25.5 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Editions Sauret, Paris, Monaco Condition: Excellent Description: From the suite"Nouvelles En Trois Lignes" About the artist. Roland Topor (January 7, 1938 – April 16, 1997), was a French illustrator, painter, writer, filmmaker and actor, known for the surreal nature of his work. He attended the School of Fine Arts in Paris (1955-1964). He publishes his first drawings in the review « Bizarre », his first short stories appear in the review « Fiction » in 1958. His corrosive humor leads him to collaborate with the satirical newspaper « Hari-Kiri » (1961-1965). « Masochists » his first book is edited by Losfeld in 1961. Totally tragic, absurd and grotesque , the humor he disseminates evokes more the one of Central Europe. All his creations from the beginning till the end remain provocative and bizarre. He is mainly known as an illustrator and graphic artist and famous for combining surrealism with black humor. Abram Topor, father of the artist came to settle in Paris in 1930 thanks to a grant from the Warsow Arts Academy. In his young age during the war, he and his family will stay for a while in Savoie trying to escape Nazis. In 1962 he created the Panic Movement (mouvement panique), together with Alejandro Jodorowsky and Fernando Arrabal. Topor wrote the novel "The Tenant" (1964), which was filmed by Roman Polanski as The Tenant Topor was responsible for the odd visual style of the Czech/French animated sci-fi feature La Planete Sauvage (Fantastic Planet...

First edition advertising poster created by Diane Chanel for a special promotion for Agnes B, a French couture clothing store for women and men. The lithograph was printed in the ear...

This artwork titled "Someday" c.1980 is an original colors offset lithograph on Wove paper by noted American artist Sheldon C. Schoneberg, 1926-2012. It is hand signed, titled and numbered 10/425 in pencil by the artist. The image size is 20 x 25 inches, sheet size is 21.75 x 29.5 inches. It is in excellent condition, it has as a small brown ink spot in the bottom margin under the title. has never been framed. About the artist: Born in Oak Park, Illinois; family moves to Beverly Hills; Attends El Rodeo, Beverly Hills High then Chouinard Art Institute, Los Angeles; University of Southern California, BFA cum laude. MFA, 1951; Academia di Belle Arti, Rome, 3rd Year Certificate; Universidad Michoacana, Morelia, Mexico, 1952, Graduate School - Fresco Printings. TEACHING: Santa Monica College, 1947; Hollywood Art Center School 1948; Pratt University, New York, 1950; Academic Rank of Full Professor of Art - University of New York, New Paltz, 1964 and University of Southern Maine 1967; Master Drawing Classes, Paris-American Academy of Art, Paris, France 1984-1985, Drawing, Painting and Contemporary Art History- University of New England, Biddeford, Maine 1993 - 2002. CYCLES OF WORKS IN ART: • Biblical, American Indian, Rome 1948-62, Oil Paintings • Drawings Wash and Ink, Wood and Ink, Sepia Conte and Ink, Pastels 1940-1968, California, New York, Maine • Archetypal Frescos 1948-55, Mexico, California, Israel • Goyescas, Satiric Ink and Wash Sketches, Spain and Greece 1954-1962 • Tapestries of the Zodiac 1961-1963, Spain • Para-Mandalas, Collages, Mixed-Media, Oil Paintings 1961-1967 • Flower-Children Series and Flag Series, Charcoal Pastel Drawings, California and Maine 1965-2008 • Bas-Relief polyester Resin Sculpture, Bronze Sculpture, 1966-1968 • The Centaurs Garden Suite, Centre Genevois de Grauvure Contemporaine, Geneva, Switzerland, lithographs on stone and etchings 1971 • Oil Paintings,Landscapes, Portraits, Nudes and Still Lifes, Mykonos, Greece, Spain, California, France, Mexico, Maine, British Columbia, Switzerland 1960-2008 • Barbary Coast Drawings, Full Color and Monochromatic 1967-1994 • The Apocalypse Series, Acrylic and Oil Paintings, Drawings 1973-1983 • Charcoal Pastel Drawings, California, Maine, France, Switzerland 1946-2008 • Metamorphous Series, Charcoal Pastel Collage Drawings on Museum Board 1987-2008 • Collage Series Drawings, San Francisco, Limington, New paltz, Los Angeles 1958-2008 • Poster Series, 90+ Charcoal Pastel Drawings on Museum Board 1985-2008 • Fayum Portrait Series, Charcoal-Pastel and Fauve Drawings 1992-2008 • Formal and Informal Portraits - Oil Paintings, Drawings, Models, Commissions, Compositions, Re-Creations 1942-2008 • Murals- Commissiond, Given and Inspired Oil paintings, Drawings, Acrylic Paintings, Collage Drawings 1936-2008 • Maquettes-100+ small original Charcoal Pastel Drawings for commissions 1970-2008 • The Great Masters of Art Series 1998-2008 • Flower Oil Paintings on Canvas ( Sunflowers, Hydrangas,etc) 2000-2008 EXHIBITIONS: INTERNATIONAL: COMBINED TOTAL OF 214, INCLUDING 82 ONE_MAN EXHIBITIONS. A SELECTION FOLLOWS. • Museum of Munich 1948 • Museum of Morelia, Michoacan, Mexico 1952 • Hellenic-American Union, Athens, Greece 1961 • Casa de Cultura, Malaga, Spain 1964 • Exposition Internationale d'Art de Mode, Val de Grace, Paris, France • 20th Anniversaire Paris American Academy 1985 • Gallery International Inc, St Maarten, Netherlands Antilles 1990-93 • National Museum of Mexico,D.F.1970-2008 Genesis Fresco 12'x35' • Galerie du Carlton, La Croisette, Cannes, France 1964-78 • Galerie des Champs-Elysees, Paris, France 1966-78 • Galeria "M" Copenhagan, Denmark 1967 • Galerie del Cisne, Madrid, Spain • Upper Grosvenor Galleries, London England 1966-68 • Kunsthandel Monet, Amsterdam Holland 1960-80 • Harrison Galleries, Vancouver BC Canada 1970-2008 • Guild Gallerie Calgary, Canada 1975-98 SELECTED EXHIBITIONS: USA • University of Southern California 1950 • Palos Verdes Community Galleries, CA 1955 • Cowie Galleries, Los Angeles, CA 1956 • Los Angeles Municipal Galleries, Barnsdall, CA " Art of the Mural" 1959 • Maxwell Galleries, San Francisco, CA 1962-63 • Raymond Burr Galleries Beverly Hills, CA 1961-64 • Gallery 235, Chicago,IL 1967 • Triton Museum of Art, Santa Clara CA (Retrospective 1969-2008) • Lars Laine Art Galleries, Palm Springs, CA 1969-84 • Two Squares Gallery, Denver, CA 1966-70 • Fisk University Art Museum, Nashville TN 1968 • Lewis Galleries, Omaha Nebraska 1973-2008 • Talberts Galleria Tacoma, WA 1978-2008 • Lyon Art Gallery San Francisco CA 1974-1980 • Owl 57 Galleries Woodmere NY 1979-2008 • Walt Kuhn Galleries, Cape Neddick...

L'Assomoir is an original artwork realized by Marcellin Desboutin in 1886. Original etching on paper before Letter. The artwork is from the cachet "British and Foreign Artists Asso...

Walter Lees was a bowler for Surrey and England. Tayler was an English artist who was a member of the Royal Academy of Painters. He was a cricketer himsel...

Duane Bryers, American (1911 - 2012) - Checking The Stock, Year: 1979, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 300, AP, Image Size: 18 x 22.5 inches, Size: 2...

Medium: Lithograph on vélin d'Arches paper Year: 1968 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Roger de la Fresnay...

"Designer Homage: Valentino Fall 2015 Collection", 2021, digital collage, print, matted and framed, figurative, Digital Print / Feminist Art and Contemporary Feminist / Figurative Ar...

Richard Corman Jean-Michel Basquiat 1984 (Red), 2020 Offset lithograph poster on color archival pigment paper Signed and numbered 2/100 by Richard Corman in silver sharpie on the fro...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Belongs to the series "The Bible". Edition of 275+30 out of commerce copies. N...

Bold, slightly abstracted etching of an elderly woman titled "Amazing Grace" by Claudette McElroy (American, b. 1943). Signed on verso "Claudette McElroy" in the lower right corner, ...

Portrait of Crown Prince of Prussia is an artwork realized by William Holl (1807-1871). Lithograph, printed in 1872 by Milliam Mackenzie, London. Good condition.

Portrait of William I King of Prussia and Emperor of Germany is an artwork realized by William Holl (1807-1871). Lithograph, printed in 1872 by Milliam Mackenzie, London. Good cond...

Almine Rech – Otis Kwame Kye Quaicoe – Rancher (Edition 70/75) Artist: Otis Kwame Kye Quaicoe Title: Rancher Medium: Archival pigment print on cotton paper Edition: 70 of 75 Signed: ...

THE JOY OF MARILYN is a fine art exhibition poster by the renowned American photographer and film producer, Sam Shaw produced in 1986 in conjunction with Sam Shaw's photography exhibition in New York City. THE JOY OF MARILYN was printed using color offset lithography techniques on white satin finish paper, fine quality poster, full color image, copyright text printed below image lower right. Print size - 34 3/8 x 22 inches, image size 22 3/8 x 17 inches, unframed, excellent condition, unsigned Year published - 1986. THE JOY OF MARILYN photo...

A tobacco farmer from the Viñales valley. The Spirit of the Revolution series documents the generation of Cubans that saw the dramatic changes of 1959 as young adults. They have a s...

This artwork titled "Apple Orchard" 1998, is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled a...

Title: Sinjar Medium: Mezzotint Image Size: 12" x 10" Edition Size: 20 ABSENCE OF PASSION / PORTRAITS OF IRAQ Sinjar is from The Absence of Passion suite of fifteen mezzotint portra...

Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973. Actors: Roger Moore and Jane Saymour, Gloria Hendry Keywords: James Bond, 007, action, Thriller, Great Britain, a...

Portrait of Jules Barbey d'Aurevilly is a modern artwork realized by Pierre Gandon. Black and white etching on creamy-colored paper. Signed on the plate. Good conditions. The Por...

Raphael Soyer Self-Portrait is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Pai...

"Fish Out of Water" Photography 20" x 16" in Ed. of 15 by Brendan North Available sizes: Edition of 15: 20" x 16" inch Edition of 3: 30" x 24" inch Edition of 3: 50" x 40" inch AB...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Please be aware that all prints are produced to order. Lead times expected between 15-20 days. Prices may change due to currency fluctuations. Giclée print on Archival Matte Paper ...

Paper Size: 12 x 9 inches ( 30.48 x 22.86 cm ) Image Size: 11.5 x 8.25 inches ( 29.21 x 20.955 cm ) Framed: Yes Frame Size: Condition: A: Mint Additional Details: Richard Prince is...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Etching realized by Félix Milius d'après Van Dyck in 1872. Very good condition.

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Portrait is an original print realized by Mino Maccari in Mid-20th Century. Beautiful black and woodcut print on ivory-colored paper. Included a passport: 49 x 34 cm. Good conditio...

This is a three-color photo lithograph Edition of 30 Printed by P.R.I.N.T. (The Print Research Institute of North Texas) at the University of North Texas, Denton, Texas Sign...

Adam Buck (1759–1833) was an Irish neo-classical portraitist and miniature painter and engraver principally active in London. 300mm by 208mm (sheet).

Lynd Ward, 'Pope' from the series 'Moriae Encomium (In Praise of Folly),' mezzotint, 1943, no edition, proofs only. Signed in pencil. Annotated 'POPE - CARDINAL - BISHOP' - 1943 in ink, lower left. A superb, richly-inked impression, on cream wove paper; the full sheet with margins (1 3/8 to 1 7/8 inches) in excellent condition. Matted to museum standards, unframed. Scarce. Created by the artist for 'Erasmus's Moriae Encomium,' or 'In Praise of Folly,' published by the Limited Editions Club, 1943. A rare, signed, proof impression apart from the Limited Editions Club publication. Image size 7 3/4 x 4 3/4 inches (197 x 121 mm); sheet size 10 11/16 x 8 1/16 inches (271 x 204 mm). ABOUT THE ARTIST Lynd Ward is acknowledged as one of America’s foremost wood engravers and book illustrators of the first half of the twentieth century. His innovative use of narrative printmaking as a stand-alone storytelling vehicle was uniquely successful in reaching a broad audience. The powerful psychological intensity of his work, celebrated for its dynamic design, technical precision, and compelling dramatic content, finds resonance in the literature of Poe, Melville, and Hawthorne. Like these classic American writers, Ward was concerned with the themes of man’s inner struggles and the role of the subconscious in determining his destiny. An artist of social conscience during the Great Depression and World War II, he infused his graphic images with his unique brand of social realism, deftly portraying the problems that challenged the ideals of American society. The son of a Methodist preacher, Lynd Ward, moved from Chicago to Massachusetts at an early age. He graduated from the Teachers College of Columbia University, New York, in 1926, where he studied illustration and graphic arts. He married May Yonge McNeer in 1936 and left for Europe for their honeymoon in Eastern Europe. After four months, they settled in Leipzig, where Ward studied at the National Academy of Graphic Arts and Bookmaking. Inspired by Belgian expressionist artist Frans Masereel's graphic novel ‘The Sun,’ and another graphic novel by the German artist Otto Nückel, ‘Destiny,’ he determined to create his own "wordless" novel. Upon his return to America, Ward completed his first book, ‘God's Man: A Novel in Woodcuts,’ published in 1929. ‘Gods’ Man’ was a great success for its author and publisher and was reprinted four times in 1930, including a British edition. This book and several which followed it, ‘Madman’s Drum,’ 1930, ‘Wild Pilgrimage,’ 1932, ‘Prelude to a Million Years,’ 1933, ‘Song Without Words,' 1936, ‘Vertigo,’ 1937; and ‘Last Unfinished Wordless Novel’ (created in the 1960s and published in 2001) were comprised solely of Ward's wood engravings. Ward designed each graphic image to occupy an entire page, the sequence of which conveys the story's narrative. In 1937, Ward was named Director of the Graphic Arts Division of the Federal Art Project, a division of the Works Progress Administration (WPA). In the following years, Ward went on to illustrate more than one hundred books (some of which he wrote), including classics for the Limited Editions Club Goethe’s ‘Faust,’ Faulkner’s ‘A Green Bough,’ and Mary Shelley’s ‘Frankenstein,’ and several children’s books. He also produced single-subject wood engravings, paintings, and drawings. His print ‘Sanctuary,’ 1939, was shown at the 1939 New York World’s Fair, and ‘Clouded Over,’ 1948, received the 1948 Library of Congress Award and was included in ‘American Prize Prints of the 20th Century’ by Albert Reese. He received the National Academy of Design Print Award (1949), the New York Times Best Illustrated Award (1973), and the Regina Award (Catholic Library Association, 1975). ‘The Biggest Bear,’ a children’s book with illustrations by Ward, was the recipient of the esteemed 1952 Caldecott Medal of the American Library Association. An Honorary Fellow of the Royal Society of Painter-Etchers and Engravers, Ward was a member and board member of the National Academy of Design and the Artists’ League of America. He served several terms as president of the Society of American Graphic Artists and was a member of the American Artists Congress and the Society of Illustrators. Ward exhibited at the American Artists Congress; the National Academy of Design; the John Herron Art Institute; and the Library of Congress. He had a one-person show at Associated American Artists, NY, on the publication of his monograph 'Storyteller Without Words,' 1974; AAA mounted a memorial exhibition in 1986. The May 1976 issue of 'Bibliognost,' a book collector’s publication, was dedicated to Ward. ‘Lynd Ward, His Bookplate Designs,’ an article by Dan Burne Jones, was published in the American Society of Bookplate Collectors and Designers Yearbook, 1981/82. In 2001, sixteen years after his death, Rutgers University Libraries published ’Lynd Ward’s Last Unfinished Wordless Novel.’ The blocks were intended to be part of a novel in woodcuts, the first since Vertigo, but Ward did not live to complete the project. Master printer and book designer Barbara Henry collated and printed the twenty-six finished blocks out of the forty-four initially planned for the still unnamed narrative. In 2010 the Library of America honored Ward’s achievements with the meticulous production of a collection of Ward’s woodcut novels—the first time the Library had gone wordless. The publication replicated his original editions with a single full-size image printed on the right page of each double-page spread. In his introduction to the books, renowned cartoonist/illustrator Art...

Etching on cream laid paper, full margins. Trimmed at the plate mark. Scattered light caramel colored areas of discoloration in the sheet corners, light skinning on the verso at the ...

Artist: Currier and Ives Title: Boy and Girl Year: circa 1863 Medium: Hand-colored lithograph Size: 11 x 8 in. (27.94 x 20.32 cm) Frame Size: 16 x 14 inches

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

'Asclepios' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the image. ...

ABOUT THIS ARTIST: Carla Sutera Sardo was born in Agrigento in 1983. She studied law and graduated in 2011. During her university career, she became interested in photography, thus s...

A set of four screen prints produced by Bob Whitaker around 2005. Just 25 sets of Artists Proofs of these bold and dramatic screen prints were produced. ...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Marilyn Monroe Turquoise Red No. 43 by BATIK Archival pigment pop art print signed & limited edition. paper size 30 x 30" inches / 76 x 76 cm signed and numbered by the artist on ...

Medium: wood engraving (after the watercolor). Printed in Paris in 1955 at the atelier Coulouma for "Mille nuits et une nuit" (1001 Nights) which was the last major portfolio by Kees...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

Etching hand colored realized by Christoph Suhr in 1808. Belogs to the Series "Der Ausruf in Hamburg vorgestellt in ein hundert und zwanzig colorirten Blättern". Beautiful engravin...

Medium: Lithograph on vélin d'Arches paper Year: 1973 Paper Size: 26 x 20 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Les Réalistes Lyriques, VIII, ...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Lithograph and stencil on vélin Chiffon de Mandeure paper. Unsigned, as issued. Good condition. Notes: From the folio, Visages, 1969. Published by Éditions L'étoile Pilante, Paris, a...

Modena is an original offset print by Luigi Ghirri. The artwork is the offset poster of the exhibition held by the artist at Rondanini Galleria d'Arte Contemporanea in 1980. Th...

Portrait of King Oedipus is an original etching realized by Giacomo Manzù in 1970. Limited edition series, numbered on the lower left: 31/125. The state of preservation is very goo...

Robert Brawley White Blouse Year: 1991 Lithograph Edition: 45 Paper: Arches Cover, White Paper Size: 34 x 25 inches Image Size: 28.5 x 21 inches Signed and numbered by hand COA provi...

Lucian Freud Head of a Naked Girl 2000 Etching on Somerset Textured White paper 23 1/2 x 22 1/2 inches; 60 x 57 cm Edition of 46 Initialed and numbered in g...

Artist: Alex Katz Title: Rob from White Shirt series Year: 2021 Medium: Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper Edition: 50; signed and numbered in p...

"Aiutante di Camera con la Mazza" is an Artwork realized in 1828 by the Engraver, Giuseppe Capparoni (Rome 1800- 1879). Etching hand colored on ivory paper. Signed on plate and date...

Medium: etching. This impression was printed on laid paper in 1914 by Porcabeuf and published by Henri Floury for the catalogue raisonne "Alexandre Lunois, peintre, graveur et lithog...