Portrait Prints and Multiples

This artwork Titled "Wind Chimes #2" 1983 in a color off set lithograph by renown Chinese/American artist Wai Ming A.K.A Lo Hing Kwok, b.1938. It is hand signed an inscribed A.C (Hors Commerce) in pencil by the artist. The image size is 30.25 x 22.75 inches, sheet size is 32.75 x 25.25 inches. It is in excellent condition, has never been framed. About the artist: Wai Ming, was born in Canton, South China on November 11, 1938, the son of a school master with nine children. Extremely poor as a child, he was raised in Hong Kong enduring many hardships amidst a chaotic environment of war and refugee settlements. Wai Ming's love for art flourished and he developed his drawing techniques without any art education, just painting what he saw. In the 1960s, Ming found representation in Hong Kong and also took the unusual step of opening his own gallery to display his work in. His primary interest being to capture images of life in fishing villages, or 'fish-folk', who have retained traditional Chinese culture, his work was at home with the sensibilities of many art buyers in Hong Kong. Crossing the ocean in his mid-30s, Wai Ming arrived in San Francisco from Hong Kong in 1974. There, he experienced initial resistance from galleries and the official art world for a variety of reasons, but was ultimately embraced by dealer Jack Swanson...

Lithograph on vélin paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Van Dongen, 1925. Published by Henri Floury, Paris; printed by Pierre Dumont, Pa...

The frontispiece for Hockney’s Six Fairy Tales from the Brothers Grimm portfolio and book features Catherina Dorothea Viehmann, the elderly German woman who recounted fairy tales to ...

Nice lithograph numbered 9/10 of Louis-François Schmied representing Athena. François-Louis Schmied (1873 - 1941), is a French painter, wood engraver, printer, publisher, illustrator, and bookbinder of Swiss origin. He is considered a major artist...

Poster. Measures 39.5 x 30.5 inches and is Unframed. Good/Fair Condition (i.e. white borders have been cropped).

Lucian Freud Solicitor's Head 2003 Etching on Somerset soft white paper 23 1/4 x 19 inches; 59 x 48 cm Edition of 46 Initialed and numbered in graphite (lower recto) Frame available upon request Published by Matthew Marks Gallery...

'George Stubbs Esq RA' Stipple engraving by W Nicholls after Ozias Humphrey RA (1742-1810). 1809. George Stubbs was a famous English painter of the horse and some wild animals. Th...

'Anti-Vivisection' Vanity Fair portrait of The Hon. Stephen Coleridge Hentschel-Colourtype. 1910. Stephen William Buchanan Coleridge (1854-1936) was an English author, barrister,...

Accompanied by a lantern, an elderly man sits alone, engrossed in a newspaper. Benton used a lithographic process to draw and produce this image. He renders the face and paper well-l...

'N Poussin' Steel-engraving, by J Posselwhite after a self-portrait by Poussin. C1850. 125mm by 100mm (image) 270mm by 175mm (sheet) Nicolas Poussin was a French painter who was ...

Amedeo Modigliani, After, Italian (1884 - 1920) - L'Amazone, Year: of original: 1909, Medium: Lithograph, stamp signed and numbered in pencil, Edition: 101/150, Size: 30.25 x 22....

GARDEN ROMANCE by the artist James Denmark is an original hand drawn, limited edition lithograph(not a photo reproduction or digital print) printed on archival Somerset paper using t...

'The Lord Mayor' Chromolithograph. 1902. Vanity Fair portrait of Sir Joseph Cockfield Dimsdale (1849-1912), Lord Mayor of London 1901-1902. With original descriptive text. 395mm...

Julián Grau Santos (Spain, 1911-2013) 'Figura en el jardín', 1985, Artist Proof lithograph on paper 22.1 x 30 in. (56 x 76 cm.) Unframed ID: GRA1332-001-000 Hand-signed by author Go...

"Olivia 1" by Alex Katz (2025) is a striking multicolored screen print on Museum quality fine art paper, signed and numbered in a limited edition of 50, showcasing Katz's iconic styl...

This exquisite lithograph, titled Sans titre, after Leonor Fini, from the folio L'Histoire d'O (The Story of O), 1962, was published and printed by La Compagnie des Vibliophiles, au ...

This is a framed 18th century folio-sized colored stipple engraving with hand-finishing entitled "Le Mangabey, Buff, Simia Aethiops, Linne", which was drawn and engraved by Jean Baptiste Audebert...

Cherry Kate - Oversize limited edition - Kate Moss Beautiful archival pigment print of the supermodel and fashion icon by the London based contemporary pop art image creator and ...

Ohh Baby ! - Oversize Signed limited edition - Pop Art - Kate Moss by the London based contemporary pop art image creator and artist, BATIK. Measures 60 x 40" inches / 152 x 101 ...

Medium: collotype (after the painting). Printed in 1926 at the Leon Marotte atelier and published in an edition of 1000 by Editions des Quatre Chemins. Image size: 8 x 5 1/2 inches (...

Vanity Fair portrait of General Sir Francis Grenfell KCB Chromolithograph, 1889. Field Marshal Francis Wallace Grenfell, 1st Baron Grenfell, GCB, GCMG, PC was a British Army offic...

Félix BRACQUEMOND (1833-1914) Lover, Portrait after a Poem of Ronsard, 1899 Original lithograph (Champenois workshop) Printed signature in the plate On vellum, 40 x 31 cm (c. 16 x 1...

A luminous artifact of Soviet visual propaganda, this 1972 poster by the legendary Viktor Koretsky embodies the powerful optimism and ideological clarity of late-stage socialist realism. Titled “Сохраним и вырастим!” — “Let’s Preserve and Raise!” — the poster was part of a campaign promoting agricultural productivity and humane animal husbandry during the Brezhnev-era push for rural modernization. Rendered in Koretsky’s unmistakable photomontage style, the composition presents a radiant, smiling woman — a collective farm worker or veterinary technician — bottle-feeding a calf. Her expression, almost saintly in its warmth, becomes a symbol of maternal care projected onto the state’s vision of stewardship over the land and its creatures. The background, suffused with an almost neon green pasture and meticulously ordered barns, represents the ideological fantasy of agricultural abundance. Unlike many Western posters...

Edouard MANET (after) Spanish Guitar Player, 1873 Original Etching Engraved by Courtry under the supervision of MANET Printed signature in the plate ...

'R.A.M' Chromolithograph. 1904. Vanity Fair musician portrait of Sir Alexander Campbell Mackenzie (1847 - 1935) who was a Scottish composer, conductor and teacher best known for h...

'Eduard Strauss' Chromolithograph, 1895. Vanity Fair musician portrait of Eduard Strauss (1835 – 1916) the Austrian composer. 400mm by 270mm (sheet)

Medium: original etching. François Nicolas Augustin Feyen was known as Auguste Feyen-Perrin. This impression on laid paper was printed in 1872 by A. Salmon and published in Paris by ...

Published anonymously c. 1920, Vienna, in an edition of 100, after the original gouache, watercolor and pencil on paper, signed and dated in the plate by the artist in middle right: ...

Linda Stein, Eleanor Roosevelt 785 - Signed Limited Edition Feminist Contemporary Art Print Linda Stein considers her Women of Courage Mood Portraits series a feminist labor of lov...

Original Lithograph by Depression-era Philadelphia artist Albert Gold (1916-2006). This work depicts the trolley on Sunday in downtown Philly. The image measures 10 ½ x 13 ½ inches, ...

Louis - Leopold Boilly 1761 - 1845, was a French painter and draughtsman of portraits and genre subjects. His career spanned one of the most important eras of the French Revolution a...

This stunning 1960s travel poster by Pan American World Airways (Pan Am) perfectly encapsulates the romantic allure of the South Pacific, a dream destination for jet-age travelers. Featuring a young Polynesian woman immersed in tranquil waters, the advertisement embodies the exotic, idyllic, and untouched paradise that Pan Am sought to promote as part of its growing international network. The visual composition is simple yet evocative. The subject, a smiling woman in a red floral bikini, sits partially submerged in crystal-clear waters, her gaze inviting and serene. The lush, blurred greenery in the background creates an atmosphere of tropical seclusion, reinforcing the idea of the South Pacific as a haven of beauty, peace, and escape from the modern world. The typography is particularly elegant. The words “South Pacific” are rendered in a flowing, calligraphic script, emphasizing the region’s exotic charm and gentle rhythms of island life. Below, the bold capital letters of "PAN AM" provide a striking contrast, reminding viewers of the airline’s prestigious global reach. By the 1960s, Pan Am had firmly established itself as the premier airline of the Jet Age, pioneering long-haul luxury travel to far-flung destinations like Tahiti, Fiji, Samoa, and Hawaii. Posters like this one played a crucial role in shaping public perceptions of international travel, presenting the South Pacific as an exclusive retreat for the world’s elite—a place of untouched beauty, rich culture, and warm hospitality. This era of airline advertising was as much about selling a dream as it was about selling a ticket. With its lush setting, inviting subject, and soft natural lighting, the poster taps into Western fantasies of the Pacific Islands as a place of exotic adventure and relaxation. It also reflects the broader cultural fascination with Polynesia in the mid-20th century, which influenced everything from Hollywood films to tiki bars and Hawaiian shirts. Today, vintage Pan Am travel posters...

This exquisite lithograph after Pierre-Auguste Renoir (1841–1919), titled Jeune femme en buste (Young Woman in Bust), from the album Les Lithographies de Renoir (The Lithographs of R...

'Head of Demeter of Cnidos' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner ...

This is an early 18th century portrait of Sir John Powell entitled "The Honorable Sr. John Powell, Knight. one of the Justices of her Majesties' Court of Common Pleas. Ano. D 1711". It was engraved and published by John King in London in 1711, after an earlier work by William Sherwin. The engraving depicts a bust length portrait of Powell wearing an elaborate fir-trimmed robe and collar. The portrait is encompassed in an ornate oval frame, sitting on a pedestal with an impressive coat-of-arms below. This engraved portrait is printed on laid, chain-linked watermarked cream-colored paper The sheet measures 15.25" high and 11.38" wide. It is adhered to an archival thick card at the upper corners, There is a 1/8" tear at the lower edge of the sheet, but the print is otherwise in very good condition. This engraving is held by museums and institutions, including the British Museum and the Harvard University Art Museum. Sir John Powell (1632-1696) was an English lawyer and judge who served as a justice of the King's Bench from 1683 until his death. He was born in Glamorganshire, Wales, and studied at Jesus College, Oxford, before being called to the bar at the Middle Temple in 1656. Powell was known for his staunch support of the monarchy and the Church of England, and he played a prominent role in the trial of the Whig leader Lord William Russell in 1683, which resulted in Russell's execution for his alleged involvement in a plot to assassinate King Charles II. Powell was also involved in the trials of several other prominent Whig politicians, including Algernon Sidney and Titus Oates. In addition to his work as a judge, Powell was also a member of Parliament for various constituencies throughout his career, and he served as Solicitor General and Attorney General for Wales under King James II. However, he opposed James's efforts to promote Catholicism and supported the Glorious Revolution of 1688, which led to James's overthrow and the installation of William and Mary as joint monarchs. Powell was known for his intellectual rigor and his legal expertise, and he authored several influential legal treatises during his lifetime. He was widely respected by his peers and by the legal community as a whole, and his legacy as a jurist and judge continues to be celebrated today. William Sherwin (1645-1709) was an English engraver who worked during the late 17th and early 18th centuries. He was born in Chesterfield, Derbyshire, and is known for his high-quality engravings of various subjects, including portraits, landscapes, and architectural views. Sherwin was trained as an engraver and worked as an apprentice to the renowned engraver Robert White. After completing his training, he went on to establish his own studio in London, where he produced a significant body of work over the course of his career. One of Sherwin's most famous works is his engraving of the portrait of John Locke...

'New York Tribune' Chromolithograph. 1902. Vanity Fair portrait of Whitelaw Reid who was a US politician and newspaper editor. 395mm by 265mm (sheet)

'First Violin' Chromolithograph, 1884, after Ape (Carlo Pellegrini 1839-1889) Vanity Fair portrait of Alfred (1844-1900), the second son of Queen Victoria. He was known as the Duke...

'Impromptu' Chromolithograph. 1908. Vanity Fair portrait of Mark Hambourg (1879-1960) who was a distinguished Russian-British concert pianist, among the most famous of his age. ...

'Crystal Palace' Chromolithograph. 1895. Vanity Fair portrait of Sir August Friedrich Manns (1825-1907) who was a German-born conductor who made his career in England. After servi...

'Praise and Prayer' Chromolithograph, 1874, after Ape (Carlo Pellegrini 1839-1889) Vanity Fair portrait of Ira D. Sankey (1840 -1908), known as The Sweet Singer of Methodism, who w...

'Finger Prints' Chromolithograph. 1905. Vanity Fair portrait of Sir Edward Richard Henry, 1st Baronet GCVO KCB CSI KPM (1850-1931) who was the Commissioner of Police of the Metropo...

Black Aleph (2007) by Zoobs Professional Giclee Art Print on Fine Art Paper 14 x 21 inch (35,5 x 53,3 cm) print size 17 x 22 inch (43,2 x 55,9 cm) paper size Edition of 50 Numbered...

A set of four screen prints produced by Bob Whitaker around 2005. Just 25 sets of Artists Proofs of these bold and dramatic screen prints were produced. Each print is made on on 27.5 x 39.5 inch paper, and numbered out of 25 AP's under the image area in pencil. One print (Paul McCartney) in each set has been signed by Bob Whitaker. They are sold as a complete set of four. The price is for the set, framed. Individual image sizes...

In the heart of 19th-century Paris, the art scene flourished with an unparalleled vibrancy, attracting connoisseurs and creators from around the globe. One pivotal event that capture...

'Head of a Gaul' Photogravure from a collection of photogravures depicting Greek and Roman marbles and bronzes in the British museum. Plate number above top right corner of the imag...

This 1943 original wartime poster by illustrator C.C. Beall is a searing psychological appeal rendered in oil and urgency. Created during the height of World War II, the image confro...

Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin. Artwork is in excellent condition. All reasonable offers will be considered.

This exquisite lithograph after Raoul Dufy (1877–1953), titled Le Flutiste (The Flautist), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), originate...

RAPHAEL SOYER (1899 - 1987) THE MODEL 1944 (Cole 64) Lithograph Signed in pencil, edition 250, 11 ¾ x 7 ¾ Full margins, sheet 15 ¾ x 12 with deckle edge. Very slight toning to the ...

Male nude by San Francisco based Mark Jenkins. Jenkins has spent the majority of his career working as a commercial photographer and graphic designer. But in his personal work, much ...

Love and Death (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1900. Mezzotint. Hardie 71 between i and ii. 24 1/2 x 12 (sheet 27 1/4 x 13 3/ 8). Edition 350 in state one. London, Published May 1st 1900 by Robert Dunthorne ,5 Vigo Street, London W. Rubbing and discoloration from a previous mat in the margins, well outside the image. A rich proof printed on Japon paper. Signed in pencil by Watts and by Short. Housed in an archival folder ------------------------------------------------------------------------------------------------------- Winged Love...

Contributors to Gerlach & Schenk’s publications valued design and innovation in the graphic arts just as much as they examined allegories as subject matter for exploration. Here, Gus...

This is an 18th century copperplate engraved portrait of the 17th century physician and scientist Thomas Willis, MD from "The Heads of Illustrious Person...

This 1962 travel poster, designed by Nourry, captures the essence of French alpine tourism at Col de Voza, Mont Blanc, in Saint-Gervais (Haute-Savoie). With its vivid colors and dyna...

Signed on plate with Felix Vallotton's F.V. monogram. Image Dimensions : 16 x 12.5 cm Passepartout included : 39.5 x 34.5 cm This artwork is shipped from Italy. Under existing legis...

This exquisite lithograph after Raoul Dufy (1877–1953), titled Autoportrait (Self-Portrait), from the folio Lettre a mon peintre Raoul Dufy (Letter to My Painter Raoul Dufy), origina...

Mother and Child is a beautiful original print realized by P. Reynolds, Signed on the plate at the top. titled on the lower center in French" Portrait de Mistress Hoare et de son enf...

This lithograph from the portfolio "Egon Schiele" is a reproduction of "Melanie Schiele", an original artwork realized by Egon Schiele in 1906. The portfolio, that includes 10 lithog...

"Bardot Supreme (Riviera Rose)" acrylic, oil-based ink and diamond dust hand-pulled screen print on linen by artist Russell Young. Depicts Brigitte Bardot smoking. Signed Russell You...

Paper Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Image Size: 12.25 x 16 inches ( 31.115 x 40.64 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additi...