Portrait Prints and Multiples

Medium: original etching. Published in 1880 by the American Art Review. Plate size: 8 1/2 x 5 3/4 inches. Not signed. Condition: there is minor foxing.

An artwork inspired by a love of nature with a focus on existentialism through the beauty of human feminine form. The woman is in a liberating pose of which she dreams to wander with...

Alfonso Fraile (Spain, 1930-1988) 'Hombres', 1985 engraving on paper 18.2 x 13.8 in. (46 x 35 cm.) Edition of 10 ID: FRA1262-002-010 Hand-signed by author ___________________________...

Medium: etching (etched by Paul Rajon after Leon Bonnat). Printed in 1882 on laid paper and published by Estes and Lauriat for the Nature and Art portfolio. Image size: 8 1/2 x 6 1/4...

Paper Size: 30 x 22 inches ( 76.2 x 55.88 cm ) Image Size: 13 x 22 inches ( 33.02 x 55.88 cm ) Framed: No Condition: A: Mint Additional Details: Hand signed, dated, labeled PP (Prin...

"My Great Mum" is a loving portrait of the artist's Italian mother. Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (...

RAPHAEL SOYER (1899 - 1987) THE MODEL 1944 (Cole 64) Lithograph Signed in pencil, edition 250, 11 ¾ x 7 ¾ Full margins, sheet 15 ¾ x 12 with deckle edge. Very slight toning to the ...

Female Face is an artwork realized by Leonor Fini in 1960 ca. 61,5x47,5 sheet, 40x32 lithograph, specimen no. EA XXX/XXX. Work hand signed lower right, inscribed "EA" and numbered...

Signed and titled in pencil, from the black and white edition of 7. Portrait of Frida Kahlo with her face inher palm, showing the rings on her fingers. The turbulent times of the ...

"Fishermans Dance" Black and White Photography 32x24 in Ed 2/7 by Lukas Dvorak 32" x 24" inch Pigment print on Epson Fine ART paper 2018 Ships rolled in a tube ABOUT THE ARTIST ...

THIS WORK (R:5002) of 2009 dedicated to Maryl (Streep) is one of the many portraits dedicated to great famous people made with the technique of PHOTOCOLLAGE. The final solution came ...

Tragic Mask Pompeian Style from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century. Signed on the plate. Good conditions and aged. ...

Copper-line engraving by Jacobus Houbraken (1698-1780) after Holbein. Houbraken was a Dutch engraver famous for his series of portraits of famous English historical figures with elaborate cartouches. Originally published 1739, this impression c1820. 360mm by 230mm (platemark) Sir Thomas Smythe...

Uses and Customs - Indian is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governmen...

In the heart of 19th-century Paris, the art scene flourished with an unparalleled vibrancy, attracting connoisseurs and creators from around the globe. One pivotal event that capture...

Medium: lithograph (after the painting). Printed in 1952 by Mourlot Freres on Arches paper and published in Paris by Louis Carre in an edition of 1000 for the rare "La Figure dans L'...

Silkscreen in colors and sepia-tones on Langdell fait à la main paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Bookmarks i...

Medium: lithograph (after the painting). Printed by Mourlot in 1951 in a limited edition of 3000. Sheet size: 12 1/2 x 9 1/2 inches (320 x 243 mm). There is text on the back side, as...

Etching in colors on Somerset vélin paper. Paper Size: 20 x 23 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Music, Deep Rivers in My Soul, 2003. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengili, Hinsdale, 2003. Excerpted from the folio, This edition of Music, Deep Rivers in my Soul consists of CD examples printed on Somerset paper. Dan Carr and Julia Ferrari designed the typography. Cast the Spectrum and Romulus type in metal, handset the type and printed the text at Golgonooza Letter Foundry and Press in Ashuelot, New Hampshire. The color etchings were printed by hand on Somerset paper by Peter Pettengili at Wingate Studio in Hinsdale, New Hampshire. DEAN MITCHELL...

Lithograph on grand vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Parallèlement, Illustré ...

Portrait de Jeune Fille is a haunting portrait of a young girl also known as .. Justine… she could be either fading into the distance or just materializing out of a dream state. Her hair and the air around her is in shades of pale blue and the background is the white of the paper. This is a limited edition ( 170/300) aquatint , signed in the plate. In good condition with a 1" repaired tear midway on the right border which will not show when framed. Argentinian-born artist Leonor Fini (1907-1996) is considered one of the great female artists of the twentieth century. She moved to Paris in the early 1930’s where she spent most of her life and almost immediately formed friendships with Salvador Dali, Cartier- Bresson, Max Ernst and other intellectuals of the time. At twenty five she had her first one person show in Paris and was included in the 1936 pivotal exhibition at MOMA…Fantastic Art, Dada and Surrealism…..and that same year had an exhibition at a famous avant garde gallery in New York. Although Fini never considered herself a Surrealist she maintained close personal relationships with several members of the group. One can see how their ideology influenced her work but she remained firmly rooted in the tradition of Symbolism, Metaphysics and Italian and German Romanticism Her works can be found in most important collections of modern art around the world. Fini was renowned as a portraitist and as a painter of erotic sexual tensions with a mysterious atmosphere. She was adamant about being independent and not belonging to any one group. She lived life on her own terms and is sometimes referred to as …..the female Dali. She was also involved with designing for fashion and creating elaborate sets for opera and theatre. As a feminist she was definitely ahead of the times. She produced the first erotic male nude...

Medium: etching. Etched by Jules Jacquemart after Frans Hals. This impression on cream laid paper was published in Paris by L'Art in 1880. The image m...

Art Edition (No. 1–100) with the signed print Yves Saint Laurent, 1981 and the book Eighties in a clamshell box, also signed by David Bailey. Inkjet print on Hahnemuhle pearl paper, ...

Caricature etching by American artist Charles Bragg. A viking poses looking out into the distance. Viking Charles Bragg,American (1931–2017) Date: circa 1970 Etching, signed, number...

Medium: Lithograph on vélin d’Arches paper Year: 1959 Paper Size: 16.5 x 10.25 inches Catalogue raisonné reference: Cramer, illustration 101 Inscription: Inscription: Unsigned and un...

Medium: engraving (after the painting). Engraved by French artist Henri Bérengier (1881-1943) after the Manet painting. Printed in 1910 on watermarked BFK Rives paper and published i...

'a sculptor' Vanity Fair portrait of Lord Ronald Charles Sutherland-Leveson-Gower. He was a connoisseur and collector. He practised as a sculpto...

Portrait of Woman is an Original Lithograph realized by Edouard Chimot. The very beautiful artwork is in good condition except for some spots on the yellowed paper, included a cardboard passpartout (34x26 cm). Hand-signed by the artist on the lower right corner. Represents a young lady with red hair...

Male nude by San Francisco based Mark Jenkins. Jenkins has spent the majority of his career working as a commercial photographer and graphic designer. But in his personal work, much ...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under each of the 50 prints is a gold signet intaglio printed on the cream paper each of which Klimt designed for the publication as unique and relating to its corresponding image; H.O. Miethke, Editor-Publisher; k.k. Hof-und Staatsdruckerei, Printer; printed in a limited edition of 300 numbered plus several presentation copies; Vienna, 1908-1914. The idea of collaboration in the arts is anything but new; however it has so often been viewed and assessed as somehow devaluing the intrinsic worth of art. It’s as if it was a dirty secret to be hidden away. More so even than the eroticism explored by Klimt, which divided public opinion, the artistic avant-garde began to boldly flaunt artistic collaboration beginning in the 19th century- which gained steam in the first part of the 20th century- to become a driving vehicle of contemporary artistic creation. Viewed in this context, the folios of collotype prints published by H.O. Miethke in Vienna between 1908-1914 known as Das Werk Gustav Klimts, are important art documents worthy of as much consideration for their bold stand they take on established ways of thinking about artistic collaboration as they are for their breathtakingly striking images. 1908 is indeed a watershed moment in the history of art. To coincide with the 60th anniversary of the reign of Emperor Franz Joseph I, Kunstschau opened in Vienna in May of that year. It was there that Klimt delivered the inaugural speech. Speaking about the avant-garde group’s unifying philosophy of Gesamtkunstwerk, or the synthesis of the arts, Klimt shared his belief that the ideal means to bring artists and an audience together was via “work on major art projects.” It was at Kunstschau 1908 that Klimt first exhibited his most iconic painting, The Kiss, as well as The Sunflower, Water Snakes I and II and Danae. It was at Kunstschau 1908 that Das Werk Gustav Klimts was first available for purchase. Thanks to Galerie Miethke’s organization, Kunstschau 1908 was possible. Miethke’s pioneering art house had become Klimt’s exclusive art dealer and main promoter of his modernist vision. Paul Bacher and Carl Moll, a founding member with Klimt of the Vienna Secession, who all broke away during the rift in 1905, took stewardship of the gallery following the fallout with the Secession. Das Werk Gustav Klimts is a prime example of Miethke’s masterful and revolutionary approach to marketing art. Miethke’s innovative marketing strategy played to a penchant for exclusivity. The art gallery and publishing house utilized the press and art critics- such as Austria’s preeminent Art Historian, Hugo Haberfield, who became Director of the gallery in 1912- as a means of gaining publicity as well as maintaining effective public relations. Miethke used the grand exposition format to extend the art gallery’s market reach, cultivating their product’s prestige by stroking the egos of current art patrons while simultaneously creating accessibility for newcomers and others avid collectors to share a relative proximity to other wealthy and respected members of the art collecting community. Essentially, their approach paved the way for what is still the predominant means of marketing. Between 1908 and 1914, H.O. Miethke published a total of 5 installments of print folios of Klimt’s painted work, each comprising 10 prints. The series was limited in availability to 300 and purchase was arranged through subscription. Each issue was presented unbound in a gold embossed black paper folder. Included in the folio was a Title Page, a Justification page and a Table of Contents page itemizing each of the 10 printed works with details about their corresponding painted works as well as information about each work’s current owner. These folios were not comprehensive of Klimt’s work; but rather, they feature what he believed were his most important paintings from 1898-1913. Only 2 collotypes in each folio were multicolored. To punctuate the fact that Klimt, himself, was very much an active player in creating these printed works, he created square-shaped signets, unique to each collotype which were intaglio printed in gold ink at the bottom of the cream wove papers to which the chine collie papers were affixed.These signets relate thematically to their corresponding printed images and designate each of those images by their placement in the folio’s Table...

Little Tony- Vintage Autographed Photograph is a vintage photo, realized in the 1960s. Signature and dedication by the singer Little Tony: "A Lancio il giornale degli sportivi con a...

"Darth Ziggy" Signed Limited Edition Darth Ziggy by BATIK Archival pigment pop art print signed & limited edition. BATIK is a London based fine artist and image maker. 20 x 16 i...

Artist: Josephine Cardin Medium: Photography Limited edition of 30 Cardin uses a mix between photography and painting to develop her contemporary figurative art, inspired by music...

"David Bowie Heathen" by Markus Klinko David Bowie Heathens album cover, 2002, framed in an orange wood frame with anti glare Perspex. (photo by Markus Klinko) Heathen (stylised as uǝɥʇɐǝɥ) is the 23rd studio album by English musician David Bowie. It was originally released in Europe on 10 June 2002, and the following day in America. After departing EMI/Virgin, it was his first release through his newly-formed ISO Records label, in conjunction with Columbia Records. It reunited Bowie with producer Tony Visconti, marking the two's first full-album collaboration since 1980's Scary Monsters. Recording mostly took place at New York studios from August 2001 to January 2002 and featured overdubs from several guest musicians, including Dave Grohl and Pete Townshend. Two tracks, including "Afraid" and "Slip Away" evolved from Bowie's shelved Toy album, while three were covers by Pixies, Neil Young and the Legendary Stardust Cowboy. Framed Orange Framed Size: 33" x 24" (Inches) Image Size: 28" x 19'' (inches) Vintage C Type Poster...

Signed Limited Edition Etching by Charles Bragg. Women in Golf Suite : FORE! 1988 Etching 13" x 14.5" inches Signed in pencil, titled and marked 94/300 Unframed Charles Bragg (1931 – 2017) was an American sculptor, painter, artist and author known best for his satirical artwork. Bragg has won many awards, including the Gold Medal for the National Society of Illustrators as well as the Award of Merit from the Art Directors Guild of New York. Step into the world of Charles Bragg, a master satirist whose exceptional talent shines through in his artwork. With "FORE!" a signed limited edition art...

Artist: George Deem, American (1932 - 2008) Title: George Washington with Powder Year: Circa 1980 Medium: Lithograph, signed and numbered in pencil Edition: 300; AP 40 Image Size: 25...

Medium: original etching. This impression on cream laid paper was printed in 1880 and published by the American Art Review. The American Art Review featured original etchings by lead...

This lithograph from the portfolio "Egon Schiele" is a reproduction of "Melanie Schiele", an original artwork realized by Egon Schiele in 1906. The portfolio, that includes 10 lithog...

Kollwitz, Kathe. SCHWANGERE FRAU. Etching and soft ground, 1910. Klipstein 108(V) 14 7/8 x 9 3/8 inches (377 x 236 mm.). Signed in pencil, and with the names of the publisher Richter...

Paper Size: 25.5 x 25.5 inches ( 64.77 x 64.77 cm ) Image Size: 25.5 x 25.5 inches ( 64.77 x 64.77 cm ) Framed: No Condition: A: Mint Supplemental Condition Information: Heavy cr...

'The Honourable Lady Stanhope' Anne Hussey (Delaval), Lady Stanhope (died 1811) was the wife of Sir William Stanhope of Whig Park. James Watson (c1739-...

Paper Size: 33 x 23.5 inches ( 83.82 x 59.69 cm ) Image Size: 32 x 23.25 inches ( 81.28 x 59.055 cm ) Framed: No Condition: A: Mint Additional Details: This is an original exhibitio...

Paper Size: 56 x 41 inches ( 142.24 x 104.14 cm ) Image Size: 56 x 41 inches ( 142.24 x 104.14 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible marks Sup...

Adam Buck (1759–1833) was an Irish neo-classical portraitist and miniature painter and engraver principally active in London. 300mm by 208mm (sheet).

Miriam Schapiro Flash and Annie Year: 1992 8 Color Lithograph Edition: 38 Paper: Rives, Waterleaf Paper Size: 46 x 32.25 inches Image Size: Same Signed and numbered by hand COA provi...

Michael Knigin, American (1942 - 2011) - Their in Tune, Year: 2002, Medium: Chromogenic Print on Canvas mounted to board, signed and dated lower left and signed, titled, numbered an...

Medium: lithograph. This lithograph (after the Vlaminck painting) was printed in Paris in 1958 by the Mourlot atelier, and published by Andre Sauret in an edition of 2000. The image ...

Nude with stockings is an etching realized by Edouard Chimot in the 1930s. Signed on the plate by the artist on the lower right corner. Good condition. Édouard Chimot (26 November...

Paper Size: 25.5 x 18.5 inches ( 64.77 x 46.99 cm ) Image Size: 16.5 x 13 inches ( 41.91 x 33.02 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

Medium: original etching. Published in Paris in 1897 by Gazette des Beaux Arts. Catalogue reference: Sanchez & Seydoux 1897-13. A lovely impression in sanguine ink printed on cream w...

Rienz, inspiré de Ribera is a wonderful etching realized in 1868 by Charles Jacque (1813-1894). This is the fifth plate from a suite of eight etchings inspi...

Cher is a silver gelatin print created in 2004 from a 1974 negative. An example of this photographic portrait is owned by the Smithsonian for their National Portrait Gallery who hold...

Medium: original etching. Published in Vienna in 1901 by Vervielfaltigende Kunst for the "Kunst in Wien" portfolio. A rich, magnificent impression with plate tone printed on heavy wo...

Artist: Roland Topor (French, 1938-1997) Title: Nouvelles En Trois Lignes III Year: 1975 Medium: Lithograph with pochoir hand coloring Edition: Inscribed A.P (Artist Proof) Paper: Wove Image size: 21 x 15 inches paper size: 25.5 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Editions Sauret, Paris, Monaco Condition: Excellent Description: From the suite"Nouvelles En Trois Lignes" About the artist. Roland Topor (January 7, 1938 – April 16, 1997), was a French illustrator, painter, writer, filmmaker and actor, known for the surreal nature of his work. He attended the School of Fine Arts in Paris (1955-1964). He publishes his first drawings in the review « Bizarre », his first short stories appear in the review « Fiction » in 1958. His corrosive humor leads him to collaborate with the satirical newspaper « Hari-Kiri » (1961-1965). « Masochists » his first book is edited by Losfeld in 1961. Totally tragic, absurd and grotesque , the humor he disseminates evokes more the one of Central Europe. All his creations from the beginning till the end remain provocative and bizarre. He is mainly known as an illustrator and graphic artist and famous for combining surrealism with black humor. Abram Topor, father of the artist came to settle in Paris in 1930 thanks to a grant from the Warsow Arts Academy. In his young age during the war, he and his family will stay for a while in Savoie trying to escape Nazis. In 1962 he created the Panic Movement (mouvement panique), together with Alejandro Jodorowsky and Fernando Arrabal. Topor wrote the novel "The Tenant" (1964), which was filmed by Roman Polanski as The Tenant Topor was responsible for the odd visual style of the Czech/French animated sci-fi feature La Planete Sauvage (Fantastic Planet...

An Old Corsican. 1921. Etching. Fletcher 27. 6 5/16 x 4 9/16 (11 1/2 x 9 3/8). Edition 76. A beautiful, rich impression with plate tone, printed on 'J. Whatman' laid paper on the ful...

French 18th century engraving, published in Paris, of the Emperor of Persia, Tahmasp Quli Khan (c.1688-1747), also known as Nader Shah. 150mm by 100mm (platemark) 170mm by 120mm (sh...

Eduardo Naranjo (Spain, 1944) 'La creación VII', 1984 etching, aquatint on paper Guarro Super Alpha 250g. 20.9 x 15 in. (53 x 38 cm.) Edition of 225 Un...

Lavender Marilyn Oversize Signed limited edition - Pop Art - Marilyn Monroe by the London based contemporary pop art image creator and artist, BATIK. Measures approximately 30 x ...