Medium Sculptures

Persian Rose, Hot Pink and Manganese Blue Excess combo is a trio of thick and vibrant impasto paintings on wood. The elegant texture is spontaneously built up and creates the dynamic...

Important Fonderia Giorgio Sommer Bronze of a Drunken Satyr Reclining on a Wineskin, After the Roman Original from Herculaneum, 25 in. Wide Description: ...

Medium: Basswood, silver leaf As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual l...

Artist: Chris Berti Title: Untitled Year: circa 1990 Medium: Hand-Carved Wood, signature inscribed on stem Size: 10 x 30 x 10 in. (25.4 x 76.2 x 25.4 cm)

It was the tumult of the sixties that compelled me to drop out of Swarthmore College, move “back to the land” and become an intuitive artist. I believed that if we were to survive a...

Bronze freely rotating on a slate composite base Series of unique variations Stamped with monogram signature and uniquely numbered 624B The polished bronze spheres require care as ...

Peter Winter-Heidingsfeld Heidingsfeld 1871 - 1920 Allach near Munich Young Man with Mirror Bronze, signed 77 x 41.5 x 25 cm Winter-Heinigsfeld studied at the Munich Academy under...

Letters and numbers cut from a sheet of brushed steel. Hand signed and dated Brad Howe (born 1959) is an American sculptor from California. His work has been exhibited domestically and internationally. This is done in a bold and colorful Pop Art style reminiscent of the work of the Memphis Milano Group. Brad Howe was born in 1959 in Riverside, California. As a student of International Relations at Stanford University, Howe attended the University of São Paulo to specialize in Literature and Economic History. It was there that he discovered his passion for art and architecture that would eventually lead to his first exhibitions. He started his career as a sculptor in Brazil, using stainless steel, aluminum and polyurethane. He credits sculptor Alexander Calder as an early influence in his work. Since then, he has exhibited in over eighteen countries worldwide and his works have been placed in collections in more than 32 countries, including Brazil, Mexico, France, Germany, South Korea and United States. His work can also be found at various universities including Massachusetts Institute of Technology (MIT) in Boston, Temple University in Philadelphia, and UCLA. Monumental and Public Art have become a major focus of his career. Over the past ten years, he has completed over 30 public projects in 7 different countries. One of his sculptures can be seen in the city of Palo Alto, California. Moreover, as part of the Beverly Hills Centennial Arts of Palm Installation, he designed four sculptures outside the Beverly Hills City Hall, on North Santa Monica Boulevard in Beverly Hills, California. The Crocker Art Museum (Sacramento, California), the Honolulu Museum of Art, the Lancaster Museum of Art and History (Lancaster, California), and the Pasadena Museum of California Art (Pasadena, California) are among the museums holding work by Brad Howe. His work was included in the Arts of Palm exhibition in Beverly Hills, palm trees by prominent artists including Brad Howe, Michael McMillen, Mike Stilkey, Peter Shire, Peter Alexander and Ryan Schmidt. His studio is actively completing site-specific commissions and installations for cities, universities, museums, and private corporations. Brad Howe also actively participates in group gallery shows with smaller works that serve as models, or maquettes, for his large-scale pieces. SELECT GROUP EXHIBITS: On The Road: American Abstraction, David Klein Gallery, Detroit, Michigan Properties of Light, George Billis Gallery, Los Angeles, California Blur the Lines, Brad Howe and Takashi Murakami, Asian Art Works, Busan, Korea Brad Howe, Zachary Thornton, Lopez-Herrera, Thomas Punzmann Fine Arts, Frankfurt, Germany Gary Komarin and Brad Howe, Galerie Proarta, Zurich, Switzerland Color Balance, Marco Casentini and Brad Howe, Melissa Morgan Fine Art...

MICHAŁ KUBIAK (born in 1946) Studied at the Academy of Fine Arts in Poznan (1967-1972). He received his degree in sculpture in the studio of Olgierd Truszyński. Since 1972 he has p...

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Three Acrobats, signed mounted on black marble plinth 24.5"h x 14"w x 7"d (bronze alone) Chaim Gross (March ...

A cast acrylic sculpture titled Chin Up by American artist Marc Sijan. This sculpture is made from acrylic and portrays the upper torso of a clothed woman wearing a bandana over her ...

Step into the vibrant essence of summer with Roy Yariv's original wall sculpture "Summer," a striking composition where abstract painting and op art converge in a multidimensional fe...

An accumulation sculpture of paintbrushes by the great accumulator sculptor, Arman. This work features 13 paintbrushes with various shades of paint in oranges, greens, and reds again...

Ivars Miķelsons (1962) - I still want to sleep Bronze H 66 cm; W 30 cm; L 40 cm

Artist: Stefan Vladescu, Romanian/American (1952 - ) Title: Epiphany Year: 1994 Medium: Bronze Sculpture, signature and date inscribed Size: 25 inch diameter x 1.5 wide Base 3 x 8...

Ancient Light is a remarkable fusion of Colombia Quartz, Quartz Crystal, Olive Wood, and a handcrafted steel base, illuminated with integrated LED lights that reveal the natural bril...

Guardian of Grace is an elegant fusion of Teak Wood, Malachite, Quartz Crystal, and a handcrafted stainless steel base, beautifully illuminated with integrated LED lights that enhanc...

'Grandmother' is an original black serpentine sculpture by the celebrated second generation Shona artist Colleen Madamombe. The sculpture presents a character common to Madamombe's work: a woman with a round face and wearing a billowing, layered dress. Here, a woman leans on her cane, suggesting her old age. The imagery reminds of Madamombe's larger themes of womanhood, sisterhood, and matrilineage. As is so desired of her work, this sculpture is a play in texture: their faces and hands are polished and smooth, which is juxtaposed with the rough-hewn surfaces of the clothing and hair. black serpentine 28 x 15 x 10 inches Signed along the base on the reverse Acquired directly from the artist (C-51) Excellent condition with no chips or signs of wear Colleen Madamombe (1964–2009) was born in Harare, Zimbabwe. Considered to be among the finest new talents from Zimbabwe, she won the award of Best Female Artist of Zimbabwe three years in a row, and became an established figure of the Second Generation of Zimbabwean stone...

Norma Marquez Orozco explores concepts of impermanence, perception, form and balance through physical movement of the work itself in a lucid, game-like context, like puzzles. All the elements are made of paper, molded into three-dimensional forms. The repetitive geometric shapes are assembled inside boxes built out of translucent paper. The arrangement is random and unfixed to allow movement and unpredictable composition. The harmonies and tensions in the work arise from different exchanges between the colors, the patterns, and the geometric and organic shapes, as well as the sense that change is constantly occurring as the elements shift and move. When one looks at these compositions, you see them for the first time, every time, because what is creating and completing the artwork is always changing; such as light, weather and forms merge and interact. As a result of these dynamic relationships, the work extends beyond her personal hand, sustaining an appearance and composition entirely of its own. Norma Márquez Orozco was
 born
 in
 Chicago,
Illinois,
 and
 raised
 in
 Guadalajara,
 Jalisco,
 Mexico. Her work can be seen as an investigation into the way relationships emerge and evolve when elements like color, form, shape, lines, angle and pattern are blended, shifted and layered. She currently lives and works in New York City. Marquez Orozco
 has
 curated
 exhibitions throughout
 New
 York
 and
 has hosted
 lectures
 and
 artist
 talks
 for
 the
 public. In
 2001
 she founded
 Floor4Art, an
 alternative
 space
 in
 West
 Harlem
 that
 houses
 artist’s
 studios
 and
 exhibition
 space
 aimed
 at
 producing,
 promoting
 and
 connecting
 artists.
 Exhibition venues include: ODETTA, Brooklyn, NY, Longwood Art Gallery, Queens Museum, The (S)Files 007/ El Barrio...

Simon Waranch (b. 1999) is an artist at the vanguard of fine art glass sculpture. Blending a mastery of classical techniques with imaginative formal experimentation, Waranch’s work ...

Abstract and stylised, the bent wooden sculpture is made of black walnut with a red limestone base. The sculpture represents a swan in movement on water .The swan symbolizes love, grace purity and sincerity. In Japan, a legend tells that the swan is a bird sent by the children as a peace messenger. The elegance and purity of the lines are reminiscent of Native American art from Western Canada including that of Benjamin Chee Chee...

Mask III is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 70 × 48 cm (27.6 × 18.9 in). The sculpture is signed and comes with...

Mask I is a glass fiber reinforced concrete wall sculpture by contemporary artist Pavlína Kvita, dimensions are 69 × 41 cm (27.2 × 16.1 in). The sculpture is signed and comes with a...

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

"Shapes of experience Nr. 2" Sculpture 26 x 14 x 14 in Ed. 1/1 by Sergii Shaulis Medium: aluminum, stainless steel, steel From the EXPERIENCE series Approximate weight 35lbs ABOUT...

MATHURIN MOREAU (French, 1822-1914) Signed: ‘Moreau’ 19th Century 31 1/2 in. x 20 in.

"Shona Chief" is an original serpentine sculpture signed by the artist Chemedu Jemali. This sculptor works in the Shona tradition of Zimbabwe. The sculpture depicts an abstracted head of a man and weighs 95 lbs. The signature is on the back. 25" x 12" x 10" sculpture 95 lbs. Chemedu Jemali was born on March 3, 1971 in Harare where he did his primary education. He and his family then moved to the Shamva township where he completed high school. His family is originally from Malawi and their totem is of the Miranzi (mouse). He started sculpting in 1990. He was taught to sculpt by his brother Chituwa Jemali. He has three brothers and one sister. In the early 1990's, Chemedu took an interest in carving, inspired by the success of his older brother, Chituwa, and became an established carver. Initially, he worked as an apprentice to Chituwa who introduced him to carving the local hard stone such as verdite, springstone, cobalt and lemon opal. His brother, Salim, is also a full time sculptor. Chemedu produces abstract creations of various themes - from spirit birds to stylized busts. He has become a well known artist in the Shona Art...

This is an original wooden sculpture with hand painting on both sides. it does not appear to be signed or numbered and does not currently have any label. I believe this might be the ...

Sezione Aurea 2024-007 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of black Palissandro marble and gold leaf, dimensions are 61 × 31 × 6 cm...

Fiberglass / Carbon Fibre Impregnated With Catalysed Polyester Resin Graphite Filled Acrylic Laquor On Filled Polyester Resin Base "Don Frost, sculptor, creator of completely unique...

Title: Going Home Year: circa 1970 Medium: Bronze Sculpture, signature inscribed Edition: 2/7 Size: 24 inches tall + 4 inch base

My work bridges the divide between sculpture and painting and drawing. Paintings are geometric masses of color in oil paint and wood dowels, on shaped canvas. Often grouped in d...

A suite of 2 sculptures. Lovers, man and woman nestled together. sleek minimalist mod sculpture. polished finish on one side. not sure if theese are stell or aluminium. they are cast and signed in Hebrew with initials and numbered 9/9. It is 2 parts that nest together. Aharon Bezalel (born Afghanistan 1926) Born in Afghanistan in 1926 and immigrated to Israel at an early age. As a youth was engaged as a silversmith and craftsman, and was a student of the sculptor Zev Ben-Zvi from whom he absorbed the basic concepts of classic and modernist art and interpreted, according to them, ideas based on ancient Hebrew sources. Aharon Bezalel works and resides in Jerusalem, he taught art for many years. “I saw myself as part of this region. I wanted to find the contact between my art and my surroundings. Those were the first years of Jean Piro’s excavations at the Beer-Sheba mound. They found there, for example, the Canaanite figurines that I especially liked and that were an element that connected me with the past and with this place.” “…a seed and sperm or male and female. These continue life. The singular, the individual alone, cannot exist; I learned this from my father who dabbled with the Kabbalah.” (Aharon Bezalel, excerpt from an interview with David Gerstein) “The singular in Aharon Bezalel’s work is always potentially a couple if not a threesome, the one is also the many: when the individual is revealed within the group he will always seek a huddling, a clinging together. The principle of modular construction is required by this perception of unity and multiplicity, as modular construction in his work is an act of conception or defense. Two poles of unity, potentially alone, exist in Aaron Bezalel’s world: From a formal, sculptural sense these are the sphere and pillar, metaphorically these are the female in the final stages of pregnancy and the solitary male individual. Sphere-seed-woman; Pillar-strand-man. The disproportional, small heads in Aharon Bezalel’s figures leave humankind in it’s primal physical capacity. The woman as a pregnancy or hips, the man as an aggressive or defensive force, the elongated chest serves as a phallus and weapon simultaneously. (Gideon Ofrat) EIN HAROD About the Museum's Holdings: Israeli art is represented by the works of Reuven Rubin, Zaritzky, Nahum Gutman, Mordechai Ardon, Aharon Kahana, Arie Lubin, Yehiel Shemi...

Sezione Aurea 2024-015 is a unique wall sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and gold leaf, dimensions are 64 × 43.5 × 5 cm (25...

Carole Eisner's indoor sculptures, averaging two to four feet tall, are made from a welded collage of drops and cut-out steel pieces from the same series of scrap she found in a Conn...

"Symphony I" Bronze sculpture 28" x 15" inch by Ibrahim Abd Elmalak Bronze & Marble Signed & Dated Sculptures that mostly depict his characteri...

The Big Door (La Grande Porta) is an original Contemporary artwork realized in 1986 by the italian Contemporary artist Leo Guida (1992 - 2017). Relief ...

Larry Mohr, American (1921 - 2013) Painted Metal Sculpture Abstract Construction Hand signed, dated and titled (signature is a bit faint) Bars II Sketch 1982 Dimensions: 18.5" x 24....

MEDIUM/MATERIALS: Bronze Casting. Polished bronze, patina and crystal. This abstract bronze sculpture is a tribute to the beauty of shells that have been eroded by time and the ocean.

Medium: Bleached basswood As an artist I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line and surface are used as the visual langu...

Jo Yarrington’s photographs, prints, works on paper, glass sculptures and architecturally-based installations have been shown in exhibitions at the Aldrich Contemporary Art Museum, Yale University, Cornell University, the Museum of Glass, the DeCordova Museum and Sculpture Park, Artists Space, St. John the Divine Cathedral, Grounds for Sculpture, the Museum of American Glass and ODETTA, among others. International exhibitions have included Guangzhou Academy of Fine Arts Museum, Glasgow School of Art, Glasgow Cathedral, Glasgow University, Galeria Sala Uno and Centro de las Artes de Guanajuato. She represented the United States at the Sharjah Biennial, United Arab Emirates and participated in the Berlin Biennial. in 2010 she received the Bronze Prize, the Museum of Contemporary Art, Skopje, Macedonia. Yarrington is a recipient of artist grants and Fellowships from the Pollock Krasner Foundation, the New York Foundation for the Arts, the Pennsylvania Council on the Arts and the Connecticut Commission on Culture and Tourism. She has received Residency Fellowships from the MacDowell Colony, the Museum of Glass, the Museum of American Glass, the Bridge Virtual Residency/ SciArt Center, the Lucile Walton Fellow/Mountain Lake Biological Station, the Virginia Center for Creative Arts, the Anderson Center and the Ucross Foundation, among others. International grants and fellowships have included the Banff Center for Arts and Creativity/Canada, SIMS Residency/ Iceland, Cill Rialaig Artists Residency/Ireland, the Burren College of Art Residency/Ireland and the American Scandinavian Foundation. She is a Professor of Visual and Performing Arts at Fairfield University and lives and works in New York City. STATEMENT In site-specific exhibitions, public art commissions, collaborative and individual projects Jo Yarrington has used varied combinations of glass, waxed surfaces, found artifacts and experimental analog photography to investigate the way we perceive – searching for, experimenting with and developing throughout a sensory-based vernacular. Her mostly translucent materials function as physical framework and symbolic membrane. Light, both natural and ambient, provides a kinetic or time-based element to her work. Scale and the integration of architecture are also pivotal components. In the 6-part installation for the two-person exhibition Illuminated, Yarrington continues her interest in the connections between vision, sound and language. In Mute-ability: Compositions 1 – 6, her title for this light-based comprehensive work, she combines the words mute and malleability. The work focuses on found piano rolls, a music storage medium, originally conceived as coded notations or ‘note control data’ for music produced in pneumatic player pianos...

Artist: Adrien-Etienne Gaudez (1845-1902) Origin: French Date: 19th century Dimension: 32 in(H) x 21 in(W); 29 1/2 in(H) x 22 in(W) Adrien-Etienne Gaudez entered the Ecole des Beaux...

medium: aluminum (found cans), wire, blue Flashe paint Unique, open edition Available in multiple color/finish options (see second image on listing for options). Installations are made to order, sizes and shapes of butterflies vary and can be oriented leftward or rightward. Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. Paul Villinski is a professional visual artist who has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally, recently including the solo exhibition “Passage: A Special Project,” at the Blanton Museum, University of Texas, Austin; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; “Second Lives: Re-purposing the Ordinary,” at the Museum of Arts and Design, New York, NY; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer redesigned and rebuilt into a solar-and wind-powered mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major public works created by commission. His studio is currently at work on “SkyCycles,” three full-scale “flying bicycles...

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

Transponder 24" x 24.5” x 1” Transponder is a low relief wall sculpture made with bright orange latex washes on birch finished with satin lacquer. It is mounted on a MDF backer that...

“Man's profound gestural relationship to objects, which epitomizes his integration into the world, into social structures, can be a highly fulfilling one, and this fulfilment is discernible in the beauty - the 'style' - of the relationship in its reciprocity.” -Jean Baudrillard, The System of Objects (1996) The cliché that “one man’s trash...

David E. Peterson – Puzzle #119 (2022) Acrylic, Birch wood, Art Resin 32 x 13 x 3 inches Dynamic, architectural, and deeply textural, "Puzzle #119" by David E. Peterson seamlessly...

Stormwarning VI NY State slate/pigmented and sealed steel 25" (height) x 12" (width) x 5" (depth) Stone and metal, usually granite or slate, and found object steel are central in my...

"Fire Spiter's Mask/Senufo Mask of Worship Ceremonies" is made of wood and was created in the Ivory Coast circa 1930. This mask has to heads on either side...

"Lemon Squeeze" by Kevin Barrett Epoxy, acrylic, and urethane on carved aluminum panel Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall...

Edition of 12 A magnificent bronze sculpture of a King Penguin by Tobias Martin, finished with a vivid blue patina, a mottled white belly, and a touch of orange on the beak and bill...

"Trash Fish" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, googly eyes, paint. This piece measures 10.75"h x 24.75"w x 2.5"d and comes with a galler...

Evocative Sculpture, in Excellent condition, created in Hand Painted Wood by Sculptor Lorenzo Servalli to narrate, in the year 1998, the Evocation of ...

Emily Feinstein grew up with a father who was a cabinetmaker with a shop in the basement. She spent a lot of time making things and constructing with wood. Her ongoing interest in r...

Weaving is a form of drawing, of plotting and connecting lines. Fabricating a three-dimensional, transparent object using thin strips of paper with differing colors on either side re...

"Tiny Buckets" is an original piece byJedediah Morfit made from fiberglass reinforced plaster, paint.This piece measures 26.5"h x 17"w x 2.5"d and comes with a gallery-issued Certif...

The Big Door 3 is a Contemporary artwork realized in 1986 by the italian Contemporary artist Leo Guida (1992 - 2017). Hand carved relief in mahogany woo...

American sculptor Hana Geber (1910 - 1990) She was born in Prague of Czechoslovakian heritage and eventually settled in New York. Her sculptures deal with Jewish themes She taught s...

"Copper Green" by Joel Perlman Abstract metal sculpture in copper Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While ...

Intense Sculpture, in Excellent condition, created in wood by Sculptor Lorenzo Servalli to enlighten, in the year 2000, the most Sensitive and Delicat...