Medium Abstract Sculptures

The artwork is crafted on a wooden circular canvas, enhancing its organic and natural appeal. The folds, created from durable mesh and coated with plaster, add depth and texture to t...

Joe Garnero’s medium of choice for his winding abstract wood sculptures is reclaimed Redwood roots, which he finds along the northern California coast. The distinct curving shapes of...

CHROMA “Companion With Heart” Sculpture — 28.5 Inches Mixed Media, Resin, Glass Beads, Acrylic Mexico City, Contemporary This striking 28.5-inch CHROMA “Companion With Heart” sculpt...

Mid-Century Modern wrought iron sculpture a person with oversize top, shorts, and carrying a hat, signed, artist's monogram and cipher, further mounted on a plaster base. 28" H. This a unique piece. It is interesting in that it speaks of a transition, leading into the later aluminum public pieces that kind of defined his work in the 70's. According to his estate this is most probably cast bronze. It might possibly be wrought iron.. William Dickey King was born in 1925 in Jacksonville, Florida and grew up in the Coconut Grove neighborhood of Miami. As a boy, William King made model airplanes and helped his father and older brother build furniture and boats. “I was 19, 20, my mother gave me a hundred bucks, says, ʻGet out of this state and don’t come back until you’re 65; there is nothing here for you,’ ” Bill King recalled in a video interview for the Smithsonian museum. He came to New York, where he attended the Cooper Union and began selling his early sculptures even before he graduated. He later studied with the sculptor Milton Hebald and traveled to Italy on a Fulbright grant. He was a contemporary, at the Cooper Union, of Alex Katz and Lois Dodd, his first wife, and remained close in many ways to their common aesthetic grounding, shared also with younger sculptors such as Red Grooms and Marisol Escobar. The hallmark of King’s early work was radical experiment keeping company with social connection and hedonism. The mix of big, important, innovative ideas and immediate, sensory, in-the-moment experience was a kind of visual jazz. For this was not just the time of Franz Kline’s big open defiant brushstrokes and Jackson Pollock’s all-over mists of intricately drooling line, but of Charlie Parker and Dizzy Gillespie. If we look at the works that King made in the early 1950s when he got back from his Fulbright to Italy we see free, experimental, open forms that take their cue from jazz as much as art in their fusion of virtuosity and cool.American sculptor King is most noted for his long-limbed figurative public art sculptures depicting people engaged in everyday activities such as reading or conversing. He created his busts and figures in a variety of materials, including clay, wood, metal, and textiles. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses — a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. Mr. King’s work often reflected the times, taking on fashions and occasional politics. In the 1960s and 1970s, his work featuring African-American figures (including the activist Angela Davis, with hands cuffed behind her back) evoked his interest in civil rights. But for all its variation, what unified his work was a wry observer’s arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. His first solo exhibit took place in 1954 at the Alan Gallery in New York City. William Dicky King was elected to the American Academy of Arts and Letters in 2003, and in 2007 the International Sculpture Center honored him with the Lifetime Achievement in Contemporary Sculpture Award. Mr. King’s work is in the collections of the Metropolitan Museum of Art, Guggenheim Museum, Whitney Museum and the Museum of Modern Art in New York and the Hirshhorn Museum at the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder and Elie Nadelman. The New York Times critic Holland Cotter once described Mr. King’s sculpture as “comical-tragical-maniacal,” and “like Giacometti conceived by John Cheever.” From an article by David Cohen "In a career that ran in tandem with the hegemony of formal abstraction in sculpture, Bill King inevitably struggled with the prejudice that sculpture full of humanity and humor can’t be quite as serious as sculpture devoid of them. But the tide has clearly turned in ways that ought to work in King’s favor, with an increasing number of sculptors, fêted internationally, who are producing work that looks remarkably close in spirit, if not quite as regal in sheer mastery of form, as his own. When art historians of the future connect the dots of modern sculpture then artists like Franz West, Stephan Balkenhol, Huma Bhabha...

M.180603 is a glass sculpture by Japanese contemporary artist Toshio Iezumi, dimensions are 65 cm × 12 cm × 7 cm (25.6 × 4.7 × 2.8 in). The sculpture is signed and numbered, it is p...

Chronos is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 64 × 66 × 50 cm (25.2 × 26 × 19.7 in). The sculpture is signed and numbered, it is part of a lim...

Singularity II is a wood sculpture (walnut) by Wouter van der Vlugt, dimensions are 42 × 65 × 55 cm (16.5 × 25.6 × 21.7 in). It is a unique signed piece and it comes with a certific...

MOUSE IN THE HOUSE (DELUXE!) — Huichol Beaded Sculpture 31 inches height A commanding and playful presence, Mouse in the House (Deluxe!) transforms an iconic cultural silhouette in...

This piece titled "Mercy Seat" is an original artwork by Jason Andrew Turner made of acrylic on MDF, plywood, acid-dyed linen, foam, and batting. Cut and se...

P.010502-II is a glass sculpture by Japanese contemporary artist Toshio Iezumi, dimensions are 75 × 38 × 9 cm (29.5 × 15 × 3.5 in). The sculpture is signed and numbered, it is part ...

Nature-Inspired Minimalist Abstract Color Field painting on three wood panels in shades of light brown, beige, and gray Acrylic on 3 panels Each panel is 8 x 24 x 2 inches Panels can be oriented or stacked horizontally or vertically, recommended spacing between panels is 1-2 inches Overall measurement for vertical install with 1 inch spacing: 28 x 24 x 2 inches We are amazed by this artist's ability to achieve multiple flawless layers of acrylic paint, wiping it on and off with cotton cloth, to create a subtle yet distinctive woven texture on a smooth surface. The artist's work is inspired by patterns found in nature such as tree rings, rock lines, ethereal horizons, or water ripples. It appears as though a light source is originating behind the panel, glowing softly in a pale, dreamy green palette. This unique surface spreads all the way to the very edge of each panel. The 2 inch deep sides are cleanly painted white for a seamless finish. These panels hang flush to the wall by resting on two nails on either side of the panel, and can be arranged in any number of ways, highlighting the work's sculptural element. Artist's Statement: My paintings merge the detailed textures and colors found in the natural world with the linear and geometric patterns visible in industrial and architectural structures. The interplay of these elements drives the work and provides a platform for constant change and narrative. By simultaneously layering and removing paint with rags instead of brushes, my hand is directly involved with the process. Each piece contains multiple panels that evoke a nuanced and evolving universe. Ginny Fox builds up each non-representational piece with overlapping streaks of paint that frequently span two or three panels. Working with rags instead of brushes, Fox’s hand moves along parallel paths, emergent colors cascading gently towards the edges of the composition's plane. There’s something vaporous to the outer layers of the work, the interwoven strands of color offering glimpses at the painting’s earthy base and hinting at the artist’s gradual process. Having received her education from New York University in the 1970s, Fox has since exhibited throughout the United States, especially in New York City and the northeastern U.S. RESUME Solo Exhibits 2019 Winterscape Soho20 Bushwick, New York 2017 Perpetual Earth Soho20 Bushwick, New York 2015 Intimate Universe Soho20 Chelsea New York...

SPECIAL COLLECTIBLE BATMAN ITEM UNIQUE IN THE WORLD!! 1/1 THE GOTHAM CITY'S SON . . . a more traditional HUICHOL style sculpture. Looks great on any wall in any room!!! ALTERATION ...

Serendipity hand-fabricated steel 24 x 24.5 x 24" There are two sides to any circle: the inside and the outside. In a similar way, there are two elusive forces at work when ex...

Abstract sculpture by American artist, Jack Youngerman (b.1926). Nexus, 1990. 24.5 inches. Aluminum, numbered 2/3. Signed and numbered on base. 1926 Born, St. Louis, Missouri; moved with family to Louisville, Kentucky in 1929 1943-44; 1946-47 Attended University of Missouri 1944-46 U.S. Navy, University of North Carolina 1947-49 Ecole des Beaux-Arts, Paris 1949-55 Lived and worked in Paris 1956 Returned to the United States; lived in New York City 1956-1995 1995-current Resides in Bridgehampton, New York ONE MAN EXHIBITIONS: 1951 Galerie Arnaud, Paris 1958 Betty Parsons Gallery, New York (1960, 1961, 1964, 1967, 1968) 1959 Museum of Modern Art, New York, "Sixteen Americans" 1962 Galerie Lawrence, Paris (also 1965) 1963 Galeria dell' Ariete, Milan Everett Ellen Gallery, Los Angeles, California The Phillips Collection, Washington, D. C. 1971 Pace Gallery, New York (also 1972, 1975) 1972 Portland Center for the Arts, Oregon Seattle Art Museum, Washington 1973 The Arts Club of Chicago, Illinois Galerie Denise Rene, Paris 1975 Hopkins Center, Dartmouth College, Hanover, New Hampshire 1976 Parrish Art Museum, Southampton, New York 1981 Washburn Gallery...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Unity III is a bronze sculpture by contemporary artist Delphine Brabant, dimensions are 73 × 14 × 17 cm (28.7 × 5.5 × 6.7 in). The sculpture is signed and numbered, it is part of a ...

Smooth black granite has been engineered by Canadian artist Jeremy Guy into an elegant sculpture in the form of a mobius strip. Granite base measures 7.25 W x 7.25 D x 2 H inches. ...

Alegria is an abstract bronze sculpture by French artist Antoine Vidal. Dimensions are 66 × 19 × 13 cm (25.9 × 7.4 × 5.1 in) Antoine Vidal’s bronze sculptures, often characterized b...

"The Wall" by Dwight Davidson is an original, handmade glazed stoneware sculpture that depicts a herd of cows attempting to pile up and climb over a brick wall.

Totem (4) is a fired clay constructed, painted and mounted on MDF sculpture by Patricia Volk, dimensions are 63 × 48 × 18 cm (24.8 × 18.9 × 7.1 in). It is a unique signed piece and ...

Hypomnema. A term that is composed of the ancient Greek preposition Hypo-Mneme and literally means “commemorative memory.” It is the meeting of several layers in an object, the memor...

"Modus Lumen 08" is an original artwork by Hyland Mather made of illuminated lost-object assemblage with translucent acrylic, tape drawing, string, aerosol, and light. It measures ap...

M.251001 is a glass sculpture by Japanese contemporary artist Toshio Iezumi, dimensions are 65 × 10 × 7 cm (25.5 × 3.9 × 2.7 in). The indicated dimensions do not include the base. Th...

This stunning contemporary vessel was hand-built from clay by Susan Collett. Her intricately detailed vessels are sculptural and created by twisting, squeezing and shaping paper cla...

"Duet" by Mark Leichliter Abstract Sculpture 30 x 20 x 10" Powdercoated Steel on Stone Base signed and numbered 2/20 Shipping price includes the custom packing necessary for safe tr...

Artist: Kuno Vollet Title: Orbit Contemporary rusted steel sculpture for inside or garden outdoor spaces. Beautiful circle - sign for infinity. Stunning large artwork. Possible to...

This free-standing sculpture of a blue abstracted rabbit by Jeffie Brewer is made with powder coated steal. Two cut-out circular eyes are situated beneath two ears which extend upwar...

Spray acrylic, latex, black cherry, MDF & matte varnish Scott Troxel has exhibited his work at numerous fairs and exhibitions across the United States, including The Other Art Fair ...

On offer is a pair of vintage hand-carved African figures. These serve as a classic example of traditional African post sculptures, closely matching the ancestral stylistic tradition...

The Guardian of Love is a striking blend of Selenite, Quartz Crystal, Acacia Wood, and a steel base, illuminated with LED lights, offering not only visual beauty but also profound he...

Contemporary, Porcelain, Sculpture, Abstract, Design, Harumi Nakashima, Japanese Harumi Nakashima is the Director of Tajimi City Pottery Design and Technical Center. Based in the p...

Boaz Vaadia Zofar, 1997 Bronze, bluestone, and boulder Overall 20 x 29 x 27 inches From the edition of 7 Provenance Elaine Baker Gallery, Boca Raton, Florida Boaz Vaadia is the in...

CHROMA AKA RICK WOLFRYD LOVE TEMPLE AP 2026 CHROMA LOVE TEMPLE Huichol Beaded Sculpture 29 X 23 × 11 inches Description . . . 2!!!!! Magnificient pieces . . . . Love Temple tran...

Smooth-surfaced, black granite flecked almost imperceptibly with copper and white has been engineered into an elegant ribbon in tangible contrast to its weight. The work is aptly tit...

Sap Green, Forget Me Not, and Prussian Blue Trio Combo by Chloe Hedden offers a contemplative journey through emotional tone, natural reference, and material excess. In this trio, He...

Limited edition of 8 + 4 artist's proofs. Each cast is signed and numbered. Sold with a granite base. Dimensions of the bronze sculpture: 67 H x 37 L x 18 D cm Dimensions of the bas...

Surrealist acrylic painting on cut paper and mounted panel, depicting fragmented sculptures across a dreamlike sunset terrain. This original work by Gozo Collective is part of the Fr...

In my tree is a unique Statuario Carrara marble sculpture by contemporary artist Francesca Bernardini. The sculpture is maintained on the white marble base with a rod but it is movab...

This piece titled "Omoplata 162 in Royal Blue" is an original piece by Matt Shlian and is made from hand-folded archival paper. This piece measures 27.25”h x 21.5”w x 1.5”d unframed....

This contemporary glass wall sculpture is inspired by nature. Cheryl Wilson Smith's ethereal glass work reflects her deep connection to the rugged landscape that surrounds her North...

Georges Charpentier, French (1937 - 2024) - Nude in Abstract, Year: circa 1980, Medium: Bronze sculpture with gold patina, signature and numbering inscribed, Edition: EA, Size: 3...

French sculpture from the mid-20th century. Plaster work depicting a Sailor in Art Deco style, copy of the famous Meurice ceramic, Ideal Man scanning the...

Mnemonic Rhythm (Bright, Multicolored Textile Inspired Abstract Wall Sculpture), made by Susan Stover in 2025 wood, oil paint, varnish, waxed linen thread 30 x 30 inches Lightweight,...

This piece titled "RLRR in Red" is an original artwork made from manipulated paper by Matthew Shlian. This piece is shipped in the pictured white frame ...

Large abstract bubble wall sculpture in hand molded clay forming a multicolor 3D mosaic panel with high relief surface. This large-scale wall sculpture is composed of individually h...

Hot Pink, Light Rose, and Vermillion Excess Trio Combo by Chloe Hedden erupts in a visceral symphony of heat, sweetness, and saturation—an unapologetic celebration of color’s emotion...

Canadian sculptor Shayne Dark creates uniquely beautiful abstract pieces often inspired by nature. This new series called Maelstrom (a whirlpool in a sea or river) is a nod to the tumultuous times experienced by the world over the last two years. This arresting wall sculpture in celery green is hand forged from a series of small round aluminum rods layered in a circular wreath-like form. The dynamic energy of this piece is so palpable it almost appears to be in motion. “In my studio, I had a forced solitude with no interruptions, giving me plenty of time...

Dan Murphy Metal Sculpture Mid Century Modern Modernist Silver 29 Inches. In good condition

Contemporary, Mixed Media, Wall Sculpture, Yarn Over Wood, Framed, Sculpture Douglas Dale uses contoured yarn to trace and mimic wood grain, allowing solid forms to seemingly dissol...

Helicoil is a fired clay constructed sculpture by Patricia Volk, dimensions are 48 × 65 × 45 cm (18.9 × 25.5 × 17.7 in). It is a unique signed piece and comes with a certificate of ...

Framed in a clear UV acrylic shadowbox, Catherine Latson's contemporary wall-mounted fiber sculpture Specimen 25 reads as an artistic rendition of a beautiful sea specimen. Rich, jew...

Linda Stein, Equality 272 - Mixed Media Metal Wood Stone Contemporary Art Museum Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works th...

This contemporary wall mounted fiber sculpture, Specimen 24 reads as an artistic rendition of a beautiful sea specimen. Rich, jewel-toned purple hand-dyed cotton thread is wrapped ar...

Erin Vincent is a Toronto based-artist whose work draws on a variety of repetitive and labor intensive processes and materials. Things and common objects have always fascinated Vinc...

Resonance II is a bronze sculpture by contemporary artist Romain Langlois, dimensions are 58 × 72.5 × 67.6 cm (22.8 × 28.5 × 26.6 in). The sculpture is signed and numbered, it is pa...

Coux is a fired clay constructed, painted and mounted on MDF sculpture by Patricia Volk, dimensions are 78 × 56 × 13 cm (30.7 × 22 × 5.1 in). It is a unique signed piece and comes w...

Created specifically for the exhibition Timeless Remnants in Knokke, "Milkmaid" is part of Laura Pasquino’s new totemic ceramic series. This standing sculpture, composed of stacked, ...

Sculpted of earthenware paper clay, this dynamic work by Canadian artist Susan Collett is multi-fired to achieve complex surfaces. The work is rich with craquelure in hues of blue, p...

A limited edition, pink marine grade painted mild steel sculpture on a black steel base. The sculpture is typical to Uwe Pfaff's tongue in cheek approach, depicting a human arm showi...

Smooth surfaced, engineered white marble flecked almost imperceptibly with grey and black, sparkles gently in the light. The sinuous shape seems to spin dynamically on its narrow bas...