Baby Sculptures

Resin, crystal, cotton and wood sculpture Edition of 250 Not signed, numbered via ZHEN authentication New, as issued. Minor imperfections may appear due to the nature of the material...

Date: 19th Century Origin: Italian Dimension: 18 in x 12 in x 9 1/4 in

MADRE TERRA (Mother Earth) by Lorenzo Vignoli (2012) striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical referenc...

The portraits, loaded with symbolic imagery, gaze out at the viewer, with a variety of intensities and emotions. This is to say, each woman has a story, which may not be directly evi...

grandfather sitting with grandchildren

Italian 19th Century marble bust depicting the young Emperor Octavian. The sculpture, carved in white Carrara marble, is an exquisite example of neoclassical works and shows a fascin...

Unique One-OF Dunny sculpture by Kid Robot and The Andy Warhol Foundation. This Dunny was created for the LOVE MUSEUM Pop-Up in L.A. as the ultimate social media photo opportunity. T...

Todd Warner sculpture signed and numbered “baby’s 1st steps bulldog”. In good condition measures 9x9x7.

Italian sculpture dated 1981. Capodimonte ceramic artwork signed B. Merli depicting a romantic subject, a couple of lovers. Sculpture signed on the base with a production stamp attri...

This piece titled "MySpace Tom No. 4" is a one-of-a-kind original piece by Nicole Nikolich (Lace in the Moon) and is made from crochet acrylic. This piece measures 30"h x 33"w framed...

Neo Jomon: Blue Headache By En Iwamura En Iwamura (born 1988, Kyoto, Japan) is a contemporary artist renowned for his innovative ceramic sculptures that blend traditional Japanes...

DANZA (Dance) by Lorenzo Vignoli striking hand carved Carrara marble frieze relief by contemporary Italian sculptor Lorenzo Vignoli, incorporating mesmer...

ANTONIO PIAZZA Italian, (Late 19th/Early 20th Century) signed 'A. Piazza Carrara' 33 1/2 x 14 in. x 13 in. Notes: A Fine Italian Carrara Marble Figure of a Boy Holding a Hat

Richard Klemm, German (1852 - 1916) - Couple Proposing, Medium: Porcelain Clock, maker's mark stamp verso, Size: 39 x 12 x 6.5 in. (99.06 x 30.48 x 16.51 cm)

The Wind II is a unique bronze sculpture by contemporary French artist Chésade, dimensions include the rod and the base are 22 × 15 × 17 cm (8.7 × 5.9 × 6.7 in). The sculpture is si...

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

William Zorach (American 1891-1966) First Steps, 1918 Bronze 8.5 x 5 x 4 inches, including base Born in 1887 in Lithuania, William Zorach immigrated with his family to the United States when he was just four years old, settling in Cleveland, Ohio. Zorach displayed an exceptional artistic talent at a young age and, at the recommendation of his seventh-grade teacher, began studying lithography at night at the Cleveland School of Art. It was not long before he was apprenticing at a lithography company in Cleveland. It was there that he realized he wanted to become an artist - to escape the commercial end of the field in which he was suddenly immersed. In 1907, Zorach saved enough money to move to New York and study art at the National Academy of Design, where he received several awards for his paintings and drawings. He continued his studies in Paris in 1910 at La Palette. This year abroad would turn out to be quite fruitful because in Paris he was greatly influenced by the Cubist and Fauvist movements and had several paintings exhibited at the Salon d'Automme. This influence and subsequent success fueled his career back in the states where he was honored with his first one-man exhibition. Due to this new-found stability, he married a young woman he met at school in Paris, and they moved to New York and set up a studio. Shortly after, their work was accepted into the famous 1913 Armory Show. For the next nine years, Zorach continued to think of himself as a painter, although he had already begun to experiment in sculpting. He was experiencing modest success with his painting and was therefore reluctant to abandon it completely. However, he was impelled toward sculpting, and in 1922, he painted his last oil. Zorach's involvement with sculpture began largely be accident. While he was working on a series of wood-block prints, Zorach suddenly became more interested in the butternut panel than the print and turned the panel into a carved relief. With no formal training as a sculptor, Zorach's first sculptures were of wood and his carving tools were primitive, such as a jack-knife. I n fact, his early works have a certain stylized look, suggesting the influence of various primitive arts such as African and American folk. Zorach found his sculptural direction by instinct, but was not unaware of what other sculptors were doing, both here and abroad. He soon allied himself with a growing number of modern sculptors who believed in the esthetic necessity of carving their own designs directly in the block of stone or wood rather than modeling them in clay. From the beginning he found a deep satisfaction in the slow and patient process of freeing the image from its imprisoning block, watching the forms emerge and appear. "The actual resistance of tough material is a wonderful guide," Zorach said in a lecture on direct sculpture in 1930. The sculptor "cannot make changes easily, there is no putting back tomorrow what was cut away today. His senses are constantly alert. If something goes wrong there is the struggle to right the rhythm. And slowly the vision grows as the work progresses." Zorach also found that the material itself had a constantly modifying effect on the artist's vision. The grain of the wood, the markings in the stone, the shape of the log or boulder all set limits and suggested possibilities. He was always sensitive to the characteristic qualities of his material and occasionally let them play a major role in determining his forms. In works such as these, the feel of the original material is preserved in the finished piece and is often heightened by leaving parts of the original surface untouched and other areas roughly marked by the sculptors tools...

A continuous strand of slender, silver aircraft cable is threaded through polished squares of stainless steel to create an ethereal mask. The compelling work by Dale Dunning is powde...

Artist: George L. Pearlman, American (1960 - ) Year: 1988 Medium: Painted and Glazed Ceramic Wall Hanging in four parts, signed and dated verso Size: 26 x 36 x 6 in. (66.04 x 91....

Luis Miguel Valdes (Cuba, 1949) "Ceramic #13", 2017 Ceramic in Uriarte's Talavera 22 × 22 × 2 2/5 in (55.9 × 55.9 × 6.1 cm) Hand-signed by author ____________________________________...

Resin, steel, string and acrylic paint with hand-drawn canvas Edition of 250 Figure 36 × 19 × 22 cm (14.2 × 7.5 × 8.7 in); Canvas 20.5 x 16.3 cm (8 x 6.5 in) Signed and numbered on t...

EMBRIONE by Lorenzo Vignoli striking hand carved Carrara marble sculpture by contemporary Italian sculptor Lorenzo Vignoli, incorporating classical references and contemporary Medit...

Slumber, Rodger Jacobsen bronze sculpture skinny man sleeping bed with a big head Slumber, small bronze sculpture skinny man sleeping bed with a big head...

Amy Young Two Figures Year: 2020 Material: Stoneware, underglaze Size: 15 x 8 x 6 (each) Signed COA provided Ref.: 924802-797 ----------------------------...

Howdy, Rodger Jacobsen, bronze cowboy sculpture, gold patina, Texas edition registered, numbered, edition of 100 cowboy

The three series that make up her thesis show all center around the woman as an art historical trope who becomes a contemporary archetype of tenderness and tenacity with her own narrative. The tradition of the woman as muse or object is questioned and turned upside down as she gives her women the position of subject, i.e., the position of power. The jars, which uphold pairs of women, are the ultimate overturn of male dominance as she removes and replaces all male characters from famous artworks with women. The couples care for one another and are so consumed in their connection that the viewer is ignored. They do not exist for the viewer’s fantasy because their desires are already fulfilled. Through these three bodies of work, she creates archival objects which combine to build a narrative of women’s power, based on the Love Ethic, as discussed by bell hooks in her book, All About Love. Furthermore, notions of power are investigated in tandem with Mary Follett’s writings on power, which delineate Western conception as power-over, and the feminist ideal as power-with. Alex Hodge...

Jos de Wit Baby 40 x 27 x 29 cm eucalyptus wood Painted with acrylic paint Dutch artist Jos de Wit can be seen exclusively in our gallery with his very spe...

Artist: (Garo) Karapet Balakeseryan Medium: Ceramic, Clay, Handmade, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Motherhood, Size: 23" x 15'' x 3'' inch, (...

This figurative sculpture titled "Flowering Ballerina" is an original artwork by Debra Broz made of secondhand ceramics and mixed media. The sculpture measu...

Artist: (Garo) Karapet Balakeseryan Medium: Gips, Handmade, One of a Kind Year: 2023 Style: Classic, Impressionism, Subject: Nut Man , Size: 8" x 6'' x 7'' inch, (20x15x18cm), ...

“This piece is a part of the Historic Jar Collection and references Bernini’s marble sculpture of the same name. While Bernini created an erotic scene to be housed in the Cornaro Cha...

Outstanding Italian Neoclassical Sphinx Carrara Marble sculpture designed as entrance guardian, this mythical lady sphinx statuary display the head and chest of a neoclassical woma...

Painted Terracotta sculture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his child...

Painted Terracotta sculpture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his chil...

Painted Terracotta sculpture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his chil...

Painted Terracotta sculpture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his chil...

Painted Terracotta sculpture realized by Sirio Pellegrini in 1960s. Good condition. Sirio Pellegrini, born in Rome on March 1, 1922, of Abruzzo origins (Capestrano), spent his chil...

Wall Hanging Sculpture, Ceramic Tile, French Cleat, Painted Stoneware, Gallo “Animals carry strong associations that make them ideal in portraying, sometimes humorously, our basic d...

Signed, dated and numbered to underside 'K Wiley 06 99/250' Published by Cerealart, Philadelphia.

Artist: R.C. Gorman, Native American (1931 - 2005) Title: Shard Picker Year: 1996 Medium: Glazed Terra Cotta Pottery, Signed, Titled, and Numbered ...

When I sculpted this sculpture of a woman, I wanted to convey the state of her openness. She enjoys the space around her and accepts any of its manifestations: sun, wind, rain, smells .. This woman is in a state of inner balance, she is happy. There is a small Swarovski crystal in the center of the chest. I left the pink clay texture on purpose. Clay is also alive and breathes through its pores. Sve...

Polo (Wall Plaque) Polychromed ceramic, c. 1930-1931 Signed with the artist's initials: VS recto Cowan Pottery stamp verso References And Exhibitions: Designed by the artist while working for Cowan Pottery in 1930. One of Cowan's clients, an interior designer, requested plates decorated with different outdoor activities. Others in the series included "Swimming," "Tennis," "Golf," and "The Hunt." Condition: with the usual craquelure Size: 11 1/4 inches in diameter Industrial design democratizes high style, and Mr. Schreckengost was widely considered among the most democratic industrial designers. He made, quite literally, the stuff of life — things found routinely in homes, backyards and garages in this country and around the world. He designed bicycles for Sears and everyday china for American Limoges. He designed children’s toys and pedal cars; flashlights, furniture and fans; lawn chairs, lawn mowers...

"PANDASAN FLOWERPOWER" StainlessSteel 50cm, 2015 Stainless Steel Carved Painted & Varnished 19 7/10 × 15 7/10 × 15 7/10 in 50 × 40 × 40 cm Edition of 8. ejem 3/8 Drawing on ideas of collectability and fantasy, Japanese artist Hiro Ando combines tradition with contemporary culture in his sculpture work…. Ando’s editioned sculptures resemble enlarged toy cartoon characters and bear the names SumoCat, Samurai...

Signed and numbered lithograph. In good condition. Measures 31x27

16th-century Florentine sculptor, greyhound in pietra serena. This fascinating sculpture, which has come down to us in fragmentary form, depicts a dog, an elegant greyhound crouching...

Leonardo da Vinci 400% & 100% Bearbrick: A unique, timeless Leonardo da Vinci collectible trademarked & licensed by the Louvre Museum Paris (Musee du Louvre). The partnered collectib...

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...

Provenance Acquired by the gallery directly from the artist Description Masked suggests a sense of mystery and eccentricity, and begs the question: Who is the man behind the mask? ...

Elizabeth Alexander's series A Mightier Work is Ahead transforms a series of commemorative Confederate plates that are collected and displayed in many homes. Alexander interrogates t...

This is an original ceramic functional dish by Southern California artist, Cheryl Tall. Its dimensions are 5.25" x 5.25" x 1". A certificate of authenticity will follow delivery. ...

Maeve Eichelberger is a Colorado native, capturing both urban and rural lifestyles in her artwork. Passionate about collage, Maeve specializes in a new form of 3 dimensional collage....

Mixed media, fiberglass and metal Artist proof edition of 50, aside from the main edition of 200 Digitally signed on the feet, signed and numbered on COA New, as issued. Minor imperf...

Roby Dwi Antono Kira (Gold), 2021 Bronze sculpture with black patina finish and crystal resin tears 12 1/5 × 10 1/5 × 9 1/10 in 31 × 26 × 23 cm Edition of 75 Published by Avant Arte...

Cracked Bear - Pink, 2019 Fabric, plaster, and pigment Edition of 500 + AP with a holographic label verifying its edition number and authenticity. 24.76 x 20 x 20 cm In mint conditio...

This sculpture was created out of cothe stone to represent the king of the N'Tadi tribe in Zaire. This tribe is now called Pende. The sculpture stands 15 1/2" x 6" x 5 1/2". The Pe...

A native of Charlotte, North Carolina, Paul Rousso attended the Cleveland Institute of Art in Ohio and went on to earn his BFA from the California College of the Arts in 1981. In his...

Nok culture Sitting 500 B.C. - 200 A.D. Terracotta Height 60 cm TL expert opinion of the University of Vienna Prof. Dr. Rudolf Erlach Provenance: Private collection Nice

Amy Young Girl with Serpent and Sunflowers Year: 2020 Material: Stoneware, underglaze, glaze, wire Size: 15 x 15 x 11 inches Signed COA provided Ref.: 924802-796 (MADE TO ORDER - Lea...

Contemporary bust from John Goodman, whose sculptures, drawings and paintings are a dichotomy of understated minimalism conveying a subtle, but evi...

Piccola terracotta a soggetto mitologico firmata sul retro sulla base "Zambini", che per la grafia (in particolare la Z che ricorda una F) permette di identificar...