Baby Sculptures

This is a fine Italian white marble statue from the 19th century, depicting a young boy holding a bird's nest. The sculpture is hand crafted, capturing the innocence and natural char...

A fine classical form marble sculpture of a young boy with robe by Irish / American artist Martin Milmore (1844-1883). Milmore was born in Sligo, Ireland and was brought to Boston, Massachusetts in 1851, where his training began with his brother, Joseph, a stonecutter, who later became his assistant. Milmore was apprenticed to Thomas Ball from 1858 to 1862 working mainly on his equestrian "George Washington" (1858-61, Boston Public Gardens). After Ball departed for Italy, Milmore became Boston's leading sculptor. Realistic in his style, he is best known for his Civil War monuments and sculptures of prominent Bostonians including Wendell Phillips...

Herend female nude figure, hand-painted. #5719. Condition is perfect, circa 1960s. Has Herend stamp on the bottom Measures: 17.5” H x 9.5” W.

Mexican, sculpture, contemporary, figurative

Herend female nude figure, hand-painted. # 5723. Condition is perfect, circa 1960s. Measures: 16” H x 9.5” W.

2006, edition of 20 resin fiberglass painted & varnished 39 2/5 × 23 3/5 × 15 7/10 in - 100 × 60 × 40 cm The artwork is signed by the Artist , carved with edition number and date und...

Cast glass sculpture.

2015, 8 Editions Stainless Stell Polished & Carved , Painted and Varnished 15 7/10 × 24 4/5 × 18 1/2 in - 40 × 63 × 47 cm The artwork is signed by the Artist , carved with edition nu...

A Woman With A Yellow Swimsuit - Glazed Ceramic Sculpture 1 of 1 by Adi The statue comes with a certificate of authenticity and a letter of appraisal....

For Nicolas Bourriaud, the flea market is a place where “past production is recycled and switches direction” and where “an object is given a new idea.” On the stalls of the flea mar...

Latcholassie Akesuk (1919 - 2000) Owl, 1976 Stone sculpture Cape Dorset This is a classic example of this renown Cape Dorset artist's work. Some of the fi...

Sumo The sumo wrestler is a symbol of power and spirituality seen as a messenger from the gods in Japan. He throws an oil drum countering spiritual power and industrial power to ask ...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumultuous gatherings marked by disorder, commotion, and sometimes even quarrels. In the colonial past, mitote was a celebration commemorating the establishment of the New Spain kingdom, blending local pride with imperial solemnity. However, throughout both ancient times and the present day, mitotes serve as rituals embedded in the culture and religiosity of various indigenous groups in Mexico, such as the Nahua, Cora, Tepehuan, and Huichol. Adorned in rich attire, gathered around a fire amidst the sounds of musical instruments, and under the intoxicating influence of alcoholic beverages, mitotes serve as occasions to invoke sacred beings—whether protective deities of nature or Christian saints associated with agriculture—to pray for bountiful harvests. Mitotes encompass and have always embodied rites, myths, and life. In homage to the artist’s name, this exhibition is presented as a mitote: a celebration displaying the intimate mythologies of its creator through various artistic expressions such as sculpture, artwork, and video. Cosmic Duality is a concept wherein Mr. Mitote delves into memories of his childhood from a contemporary perspective. His mother introduced him at a young age to the traditions and customs of her native Maltrata, Veracruz, a town steeped in the memory of a noble past wherein it fought for its autonomy. Every year on January 1st, to invoke prosperity, the dance of the huehues (meaning “old people” or “elders” in Nahuatl) is performed. According to oral and local traditions, these characters embody foes in a mocked and vanquished manner, dancing beneath the lash of a tiger or devil. Their costumes feature pre-Columbian symbols merged with elements evoking nature, alongside nods to contemporary entertainment culture. Through the observation and interpretation of nature, numerous ancestral cultures created dual cosmologies. Far from viewing opposites, they conceived of dual complementary systems such as chaos-order, cold-heat, humidity-drought, feminine-masculine, and life-death, among others, to uphold cosmic order. Placed within the context of Mexico City, Mr. Mitote reimagines these enduring principles from ancient religious practices alongside contemporary languages. He does so through vibrant entities that blend tradition and innovation, memory and fantasy, past and present, ancestral ceremonies, and urban rituals. Each artwork serves as a reminder that across all latitudes and human territories, culture thrives, tradition evolves continuously, the past is revitalized, and the present shapes the path forward into the future. The body has served as the quintessential conduit bridging two dual dimensions: the human and the divine, the earthly and the celestial, the microcosm and the macrocosm. In several of his artworks, Mr. Mitote invokes propitiatory dances, and ritual practices, aimed at attracting abundant rain and fostering good harvests, many of which entail risking the physical well-being and even the lives of participants. The tiger hunt...

Beatrice de Domenico is a French sculptor born in 1956 who lives & works in Nice, France. She works between traditional sculpture, classical sculp...

Frederick Hart is America's greatest figurative sculptor. Not only did he create works of great beauty and gravitas, he was singularly responsible for restoring to American public mo...

E. DECORI Italian, (19th C.) Marble Statue of a Winged Nymph H 23.50 in. x W 11 in. x D 14 in.

Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

My figures speak to me of that peaceful place in myself - calm, open, aware. My art reflects the influence of my childhood in Japan and of the rigorous discipline of my apprenticesh...

Through a variety of structural and wall-hanged pieces, Karine Payette’s Adaptation examines how changes in the environment can begin to have an impact on our physical existence. Ele...

Roby Dwi Antono is acclaimed for his art that intricately explores cultural and societal themes. His work seamlessly merges traditional techniques with modern perspectives, offering ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

The artwork of Alejandra España is an invitation to her intimate cosmogony. In it, she displays modules to give meaning to the observer through the configuration of maps or cartograp...

The first decades of the 21st century shaped the period of reconfiguration of the "world order", according to Pedro Pablo Gómez1, into three options: "rewesternalization, dewesternal...

-This artwork needs 3 weeks to be shipped to you- Jimmie Martin is an established luxury brand and designer since 2004, based in London, United Kingdom...

Mixed media sculpture

"This Is Not A Manet II is a decorated wood sculpture. It is created by the French artist Eric Liot. About the artwork: TECHNIQUE: Mixte, Low reliefs, wood assemblage, collage, ...

Information: Anna is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia i...

Nicholas Crombach has a BFA from OCAD University with a major in Sculpture and Installation. In 2016-17 he participated in a year-long studio residency at The Florence Trust in Londo...

"Looking For" is a ceramic bust of a small child signed on bottom by Orly Montag. The child looks upwards sadly, almost pouting. His body is purely white e...

John Edward Jones (Irish – 1806-1862) “Portrait of Lady Lucy Henderson” Signed and dated London 1858, and inscribed, “Lucy Henderson, Nee Durham” 28 ½” high x 20 ½” wide x 11” deep Provenance: Collection Saratoga Springs, NY About John Edward Jones was born in Dublin on May 2nd, 1806. He was the son of a miniature painter Edward Jones. He was trained as an engineer under Alexander Nimmo and worked with him on many important works in Ireland, including the building of the bridge at Waterford between 1829 in 1832, of which he was in charge. A taste and an aptitude for sculpture induced him to relinquish his prospects as an engineer and he commenced practice in London as a sculptor. He achieved considerable success, especially in portrait busts, and was employed by many notable persons of the time. He first exhibited at the Royal Academy in 1844 and continue to do so until his death. He executed a considerable number of bust of Irish personages. He paid occasional visits to Dublin where he contributed to the Royal Hibernian Academy in 1847, 1852,1853 and 1854. A full-length statue by him of Sir Robert...

Bevan Ramsay completed his graduate degree in sculpture nearly a decade ago, but it's only now that he feels he has truly graduated from his MFA. This liberating feeling comes with a...

Italian, 19th Century 32 in. x 15 in.

Cement, USB cord, video

Mauro Corda’s figurative sculptures maintain a reverence for classical and modernist traditions, while also expressing the artist’s voice. Though born in France, the artist hails fro...

[Portland, OR b. 1971 - Hunstville, Alabama] Dirk Staschke is a full time studio artist who is best known for his exploration of Dutch Vanitas still life themes in the medium of ce...

After WILLIAM ADOLPHE BOUGUEREAU French, (1825–1905) Cupid With Butterfly H 34 in. x W 16 in. x D 16 in.

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL SEATED ON A STOOL TYING HER SHOE signed "Juan Clara" and stamped A.G. Paris (on the stool ) bronze figure 6-3/8 x 3 x 4 inches (16 X 7.5 X 10 cm.) PROVENANCE Private Collector, France Gilded bronze sculpture of Art Nouveau style, depicting a little girl sitting on a sidewalk tying her shoe. The plasticity that Juan Clará achieves with the bronze when shaping this beautiful little sculpture is wonderful. We notice the effort that the little girl is making to put on her shoe, her gestures and attitudes which moves us and attracts us towards her. Juan Clará Ayats. Olot (Gerona), 6.XII.1875 - Paris (France), II.1958. Sculptor Student of José Berga at the Olot School of Fine Arts, developed his training in France, first at the School of Fine Arts in Toulouse, in 1896, and from 1901 in Paris. At this stage he lived with his younger brother, José Clará...

COA by the artist. Manuel Mendive is an eminent Afro-Cuban painter, sculptor, and performance artist. His colorful, evocative paintings and carvings—as well as his dynamic performan...

Laure Krug. Contemporary French artist Holder of a license in plastic arts, she naturally turns to sculpture. Materials: She begins by working the soil and masters the different co...

PAOLO FOLCHI (ITALIAN, 19TH/20TH CENTURY) Finely carved signed ‘Folchi Roma’ Italian Carrara marble. Maker: Paolo Folchi (Italian, 19th/20th Century) Date: 19th century Dimension: ...

Visje Little Fish Nude Female Bronze Sculpture Woman Lady Contemporary Brown The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the atmos...

medium fire clay, glaze

Embrace by Nguyen Tuan The Vietnamese master sculptor Nguyen Tuan is internationally known for his seemingly “weightless” figurative sculpture merging Western techniques with tradi...

JUAN CLARÁ AYATS Spanish, 1878 - 1958 A GIRL BUST signed "Juan Clara" and Buenos Aires stamp mark (on the back ) bronze figure 6-3/8 x 4-1/8 x 4-1/8 inches (16 x 10.5 x 10.5 cm.) 8 x 4-1/8 x 4-1/8 inches (20 x 10.5 x 10.5 cm.) base included PROVENANCE Private Spanish Collector Art Noveau bronze...

2006, edition of 20 resin fiberglass painted & varnished 39 2/5 × 23 3/5 × 15 7/10 in - 100 × 60 × 40 cm The artwork is signed by the Artist , carved with edition number and date und...

Contemporary animal terracotta sculpture Unique Signed by the artist

Vase Ceramics

Coming from a family with a long artistic tradition. Vincent Du Bois accomplished to synthesize both classical background and contemporary vision. From...

A piece from the exhibition "Cosmic Duality" by artist Mr. Mitote. Mitote is a term we use today to describe a lively, noisy, and excessive gathering. It’s also used to depict tumul...

The quiet force.

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In Extrapolations, Lachapelle extracts seemingly mundane mechanical objects from a typical cityscape – such as radiators, fire hydrants, and balconies – and manipulates their appearance by creating 3D printed models that visually oscillate between the magical and the monstrous. In some of his sculptures, Lachapelle uses photogrammetry – a method that scans a series of two-dimensional photographs or images to create three-dimensional models. While photogrammetry typically enables real-life objects to be accurately reproduced, the artist challenges this paradigm by tampering with the machine’s process, both by accepting the machine’s glitches and by triggering them. When scanning images, the results may not always be what is anticipated, however, for Lachapelle it is about welcoming the unknown. In several examples, he encourages the program to read screenshots of images and extrapolates what should be there, filling in blank data with added images and various shapes. The resulting sculptures are symmetrical and geometric, appearing uncannily familiar like human vertebrae, yet unfamiliar in fantastical abstracted forms. The sculptures merge between two different worlds, bridging human and machine through unexpected adaptations to everyday things. Extrapolations balances between this duality, ultimately reflecting on the increasing dependency humans have on technology in our everyday world. For Lachapelle, this is especially pertinent in a world where technology is continuously developing. The sculptures highlight the dynamic and everchanging relationship between humans and technology, making us question this reliance on technology. In this exhibition, Lachapelle also introduces the inclusion of human characters back into his art practice. He places people in unnatural and impossible exchanges with machines and technology. For instance, while in past exhibitions, he has usually tried to conceal the electronic components that make moving pieces...

Guillaume Lachapelle’s work combines the real and the imaginary to create miniature environments and scenarios that showcase connections between humans and their everyday worlds. In ...

Born in 1980 in Sainte-Émelie de l’Énergie, Karine Giboulo lives and works in Montreal. Since early 2000, she has been creating work in a variety of media from paintings and works on...

AAGAR was initiated by visionary innovators committed to sustainability and reducing carbon footprints. It was Arun Agarwal initiative, whose passion for creating beauty from seeming...