American Modern Art

A limited edition woodcut portrait of Don Quixote de la Marcha by George De Groat (1917-1995). Don Quixote is instantly recognizable due to his thin fa...

This is such an interesting image. Are there 'Four women'? Is the head on the upper right from a hat store or is she another person in the scene. And what a...

Alexandre Calder (1898 - 1976) Santa Claus : Figures with Canes, 1974 Original Etching Handsigned in pencil On vellum 51 cm x 66 cm (c. 20,1 x 25,9 inch) Very good condition

Seymour Chwast, B. 1931, American, 'Girl on a Buick', Painted Sheet Metal. A label on the reverse reads: "Seymour Chwast, 'Girl on a Buick', Metal Cut-Out, $2,000" Provenance: Bache...

shipped in roll Colorful teapot with flowers and polka dot coffee mug still life Acrylic Painting on canvas One of a kind artwork Size: 80 × 100 × 3 cm (unframed) The artwork is t...

"Rosemary" Berkeley Figurative School by Patricia Gren Hayes 1980 A large scale portrait of a blond woman by Patricia Gren Hayes (b. 1932). The model is in front of a window, with h...

This artwork titled "Silver Wood" 1966 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, dated, inscribed A.P and titled in pencil by the artist. The image size is 16 x 22 inches, sheet size is 12.25 x 27 inches. It is in excellent condition. About the artist: Virgil Thrasher...

Jacques Monory The American Dream, 1976 Original screen print Handsigned On BFK Rives 38 x 28 cm (c. 14x 11 in) Limited to 300 proofs, not numbered INFORMATION: This work is publi...

Artist: Marshall Goodman, American (1916 - 2003) Title: Young Girl on Couch Year: circa 1960 Medium: Oil on Canvas Size: 24 x 30 in. (60.96 x 76.2 cm) Frame Size: 26.5 x 32 inches

This artwork titled "River Mist" 1987 in an original color serigraph by American artist Virgil Trasher b.1943. It is hand signed, inscribed A.P and tit...

This black and white mezzotint of a shell next to a violin is an artist proof that was inscribed Happy New Year 2000 and signed by the artist. The regular e...

This is a unique mixed media edition of 50. on handmade paper with fabric, gold and other elements. Raised and educated in New York, Pat Hammerman is an ...

Original US 1-sheet: I AM CUBA. Linen-backed. This movie was re-released in the US in 1995. Linen, backed with restored theater-issued fold marks. It is: Ready to frame. Conditio...

Artist: Marshall Goodman, American (1916 - 2003) Title: Children Playing Year: circa 1960 Medium: Oil on Canvas, signed l.r. Size: 30 x 25 in. (76.2 x 63.5 cm)

This is an artist's proof (xv/xv) of an early telephone that is signed and numbered by the artist in pencil Schkolnyk was born in Paris, France in 195...

An original fine art print by Jacob Lawrence from the Kent Spirit of Independence Poster Portfolio, published in 1975 by Lorillard. The offset prints from this portfolio are unsigned...

"Mutual Admiration" Flower Mid-Century Modern Oil Painting Monterey Artist Mid-Century Modern painting of a little blonde girl in a white apron adoring her flowers by Monterey Artist Rose Marie (Smith) Ansel, (American, 1921-2012) Rose Marie was born and lived in the Monterey area all her life. She volunteered in various city government associations and founded the Parade of Nations in 1970 which celebrated the many ethnic cultures on the Monterey Peninsula...

Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...

Alice Helen Waugh (American, 20th century) Untitled, late 20th century Oil on board 19 3/4 x 23 3/4 in. Framed: 24 x 28 x 2 1/2 in. Signed lower left: Alice Waugh A painter and prof...

Howard Daum Factory Along the River, 1937 Signed and dated lower right Watercolor and pencil on paper 12 x 13 3/4 inches Provenance The artist Ashby Gallery, New York Carl Ashby, Ne...

Mitch Epstein Boboli Gardens, Florence, Italy 1977 Hand signed and titled verso 11 X 16.25 image. Sheet: 13 x 19 3/16 in. frame is 19.5 X 24.75 Italian landscape with statue Mitchel...

James Rosenquist An Intrinsic Existence, 1975 Original lithograph (Printed in Mourlot workshop) Unsigned On vellum 31 x 24 cm Edited by San Lazarro, 1975 Excellent condition

This image is stamped as being rom the personal collection of Arms Referenced as Fletcher #386 the image is signed .and inscribed in pencil and is from a small edition of 16. The An...

A play on words provides the title for this image -- a circle created out of the deconstructed parts of Singer IV This image is #37 from an edition of only 50, referenced as Firos 78...

Dixie Land Jazz, New Orleans, '52 Watercolor and ink on paper, c. 1965 Signed lower left in ink (see photo) Titled in pencil (see photo) Condition: Excellent, minor handling issues I...

Abstract Composition with Viridian Square by Ellis Hopkins (American, b. 1952). This abstract composition features bold brushstrokes and highly contrasting colors. A large blue sha...

Winker is pulling out all the stops to make as stunning a Western Landscape as possible. The sky in this impression is open. There are also impressions with clouds in the sky. Sign...

While this is probably a military airport, Kent Hagerman still shows it at its futuristic best. Hagerman was an amazing draftsman who managed to get fantastic detail into his work. This is really a portrait of a plane -- the Fairchild C-119. The words 'United States Air Force' on the side of the plane date it to 1947 or later, after the Air Force split from the Army. The design featured the 'twin boom' clearly showing in this etching. Thanks to this feature it was called the Flying Boxcar. About 1100 were built and used until 1955. It was also used by the Chinese Air...

Signed in pencil. This scene is a hundred years old but if we have snow this year it can easily be recreated.

Born in Brooklyn, New York, Frank Kleinholz was a painter based in New York City whose work spanned several art movements including Expressionism and Social Realism. His early works ...

This artwork "Landscape with Trees" c.1980 is an original lithograph on wove paper by noted American artist Robert Kipniss, b.1931. It is hand si...

Seated Figure by Geno (sometimes Genoi) Pettit, made in 1945, is a wonderfully 'moderne' image. The woman is wearing a roman-inspired blouse or dress and is shown against a yellow/green, chartreuse background. There is the feeling she is about to lead an ancient procession at any moment! Pettit and her husband, Guy McCoy...

Signed "Reily" at lower right Frame is wormy chestnut with a casein liner, and measures 33 1/4 x 43 1/4 inches.

Mid Century Abstract Expressionist Kelp Forest by Honora Berg This mid century modernist landscape painting by Honora Berg (American, 1897-1985) depicts Monterey Bay's iconic kelp f...

This artwork titled " Plato" 1970 is an original lithograph on Japan paper by noted Italian/American artist Beniamino Benevenuto Bufano, 1890-1970. It is hand signed, inscribed Bon a Tirer and dated April 70 in pencil by the artist. The image size is 13.35 x 10 inches, framed size is 24.65 x 20.75 inches. Published by First Impressions, San Francisco, printed by Fikrat Al-Khouri at First Impressions Graphic Society. it is beautifully custom framed in a wooden gold frame, with gold color spacer. It is in excellent condition. About the artist: Beniamino Benvenuto Bufano was born in San-Fele, Italy on Oct. 14, 1889. At age three Bufano's family brought him to NYC where he spent his childhood and was educated by private tutors. He studied at the ASL in NYC from 1913-15, the pupil of James L. Fraser, Herbert Adams, and Paul Manship. He came to San Francisco in 1915 to work on a sculpture for the PPIE. For awhile he worked in the studio of coppersmith Dirk van Erp. He then traveled extensively for four years in France, Italy, India, and China. After returning to San Francisco in 1921, he remained there the rest of his life except for visits to the Orient and Europe. Always a radical, he lost his teaching position at San Francisco Institute of Art in 1923 because he was too modern for the conservative faculty. He later taught at UC Berkeley and the CCAC (1964-65). Henry Miller wrote of him, "He will outlive our civilization and probably be better known, better understood, both as a man and artist, five thousand years hence." His work, simple in style and monumental in scale, includes smoothly rounded animals in granite and icons sheathed in stainless steel. Only five feet tall, Bufano was a controversial, free spirit until his death in San Francisco on Aug. 16, 1970. Member: SFAA; NSS; American Artists Congress. Exh: Whitney Museum (NYC), 1917; Arden Gallery...

Dennis Corrigan gives us a fresh, admittedly whimsical, interpretation of the important nineteenth-century American author, Nathaniel Hawthorne. Known to most of us for the 'dark rom...

William Stephens Shields, Jr., 1925 - 2010 "Saturday Night Live" 1996 Oil on canvas 36"x48" artist framed Signed lower right William Stephens Shields, Jr., 1925 - 2010 He was born in san Francisco, in 1931, Bill moved to Texas, where he grew up. Moved to New York in 1940 and later joined the Naval Air Corps at the age of 18. He served as an Aviation Cadet in the U.S. Navy from 1943 to 1945. At the end of WWII, Bill returned to Texas. At 21, Bill re-focused his energy and enrolled in the Chicago Academy of Fine Art as an Illustration major. What followed was a whirlwind of success, great friendships and a sense of belonging he had never before experienced. Art was his calling and the art-world could not have been less prepared for the likes of Bill Shields. He took them by storm, first Houston, then San Francisco, followed by New York in the late 60's. For 35 years, Bill produced some of the country's best illustrations: fresh, playful, loose and innovative. His illustrations were coveted by such clients as Bantam Books, Time Life, MacMillan Publishing Co., and were awarded numerous gold medals by the Societies of Illustrators in New York, San Francisco and Los Angeles, and the Houston Artists Guild. Later, following inspirational trips to Mexico and France, Bill shifted his attention to the self-directed world of fine art. After years of sculpting, making assemblages, painting nudes and landscapes, he settled on the exploration of large abstract oil paintings. His paintings have been exhibited in galleries in San Francisco, Connecticut and New York. CV EDUCATION: Chicago Academy Of Fine Art San Antonio Art Institute MAJOR FIELDS OF PROFESSIONAL ENDEAVOR: Freelance graphic design and illustration Instructor of painting and illustration Landscape, figurative and abstract painting ART RELATED EMPLOYMENT: (Professor of Art) California College of Arts and Crafts, Oakland, CA Academy of Art College, San Francisco, CA San Francisco Art Institute San Jose State University AWARDS FOR ILLUSTRATION, Gold Medals: New York Society of Illustrators Los Angeles Society of Illustrators San Francisco Society of Illustrators Dallas-Fort Worth Art Director's Club Houston Artist's Guild BIBLIOGRAPHY: Feature articles in: American Artist, Communication Arts, Print, North Light. Architectural design featured in: Better Homes and Gardens, American Home, Sunset Magazine, Architectural Digest. ILLUSTRATION CLIENTS: Oil Companies: Champlin Oil Company, Mobil Oil Company, Continental Oil Company, Standard Oil Company, Humble Oil...

No matter the seriousness of the subject, everything is always beautifully drawn on the lithographic stone by Bendiner, but in this instance the negative space is exploited amazingly. This courtroom...

"Second Course Fish" The Perfect Meal - Menu - Intaglio - Style of Chagall The artwork "Second Course Fish" by Michael Parker, created one of a group show at San Francisco State Uni...

Bernard Sanders (1906-1967) was a master at suggesting layers of meaning. Here, at first glance, this is study of sisters, posed to show subtle differences in height and profile. But...

A striking and highly textural handwoven wall-mounted textile artwork by American fiber artist Barbara Coburn, created during the 1970s studio craft movement. Executed in richly laye...

The artwork "Nipples & Peas" by Tina Heck, created in 1983, is a print that combines elements of realism and abstraction. The technique appears to be a combination of printmaking, ...

Kent Hagerman was an amazing draftsman who managed to get fantastic detail into his work while showing the environment and atmosphere. This print captures the moment a 'pod' is bein...

"500 Calories al mode" The Perfect Meal - Menu - Dessert - Collograph Watercolor The artwork "500 Calories al mode" by Betty Swift, created one of a group show at San Francisco Stat...

The Artist Studio - Original Modernist on Artist Board Original modernist oil painting of an artist studio. As the viewer looks forward, a desk sits in front, a sink to the left, wi...

Till the Clouds Roll By 1945 Frank Sinatra Mid Century Modern Hollywood Film WPA TILL THE COULDS ROLL BY (Film Set), oil on canvas, 20 x 24 inches signed “Richard Whorf” lower right and signed and dated on the verso “R. Whorf/ Dec. 21, 1945. Frame by Hendenryk. ABOUT THE PAINTING This painting is from the collection of Barbara and Frank Sinatra, dated December 21, 1945 (just nine days after Frank Sinatra’s 30th birthday), and depicts the Metro-Goldwyn-Mayer Culver City backlot during the filming of Till the Clouds Roll By, the direction of the film having been taking over by Richard Whorf in December 1945. It is not presently clear if Whorf gave the Sinatras this painting as a gift, as the presence of the Dalzell Hatfield Galleries label on the verso indicates the painting may have been sourced there. Frank and Nancy Sinatra acquired a number of works from Dalzell Hatfield Galleries during the 1940’s, or perhaps they framed it for the couple. Sinatra performed “Old Man River’ in the film. Sinatra and June Allyson are depicted in the center of the painting. PROVENANCE From the Estate of Mrs. Nancy Sinatra; Dalzell Hatfield Galleries, Ambassador Hotel, Los Angeles. An image of the Dalzell Hatfield label and the back of the original frame (which we replaced with a stunning Heydenrk frame) are attached. Nancy Sinatra was Fran's first wife. Nancy Rose Barbato was 17 years old when she met Frank Sinatra, an 18-year-old singer from Hoboken, on the Jersey Shore in the summer of 1934. They married in 1939 at Our Lady of Sorrows Church in Jersey City where Frank gave Nancy a recording of a song dedicated to her titled "Our Love" as a wedding present. The young newlyweds lived and worked in New Jersey, where Frank worked as an unknown singing waiter and master of ceremonies at the Rustic Cabin while Nancy worked as a secretary at the American Type Founders. His musical career took off after singing with big band leaders Harry James and Tommy Dorsey...

Fred Nagler was born in 1891 in Springfield, Massachusetts, where he first studied wood carving. From 1914 to 1917, he studied at The Art Students League of New York, where his profe...

Luke Gilliam has an unusual woodcut technique that he pairs with a complex object of his own creation. He uses technique to create a technical tour-de-force with the intriguing title...

Ed Heck (American, Born 1963) Signed: Heck (Lower, Right) And: Copyright Ed Heck 2012 (on verso) " Lookin' Cool 2 ", 2012 (Titled and Dated on Verso) Acrylic on Canvas 48" x 36" ...

Shabbas Candles by Sandu Liberman, Romanian/Israeli (1923–1977) Date: circa 1970 Edition: 64/175 Lithograph, signed in pencil Image Size: 20 x 13 inches Size: 30 x 21.5 in. (76.2 x 5...

Etching on cream wove paper, 2 3/8 x 3/14 inches (61 x 83), full margins. Signed, dated and inscribed "IV" in the artist's hand. In superb condition with the numerals "365" written i...

Eugene Gauss: 1905-1988. Well listed American sculptor who has Auction results as high as $13,200. He exhibited at the Pennsylvania Academy for fine arts as well as the national Acad...

Modern abstract style painting of a woman fishing. The work is signed by the artist Lynwood Kreneck, who is known for printmaking. The painting is framed in a wooden frame with a silver trim. Dimensions Without Frame: H 40 in x W 30 in. Artist Biography: Lynwood Kreneck (born 1936) received his BFA and MFA from The University of Texas at Austin. Kreneck is Professor Emeritus of Art at Texas Tech University, Lubbock, where he taught printmaking for nearly forty years. He is founding curator of the exhibition series Colorprint USA and was instrumental in the development of water-based screen print inks and methods. Kreneck is represented in numerous collections, including the Art Institute of Chicago (IL), Philadelphia Museum of Art (PA), High Museum (Atlanta, GA), Mabee-Gerrer Museum of Art (Shawnee, OK), Museum of Contemporary (Knoxville, TN), Silvermine Guild Arts...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 7 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

"From John to John" - Rare Signed Figurative Lithograph in Ink on Paper Bold lithograph by Eugene Hawkins (American, b. 1933). Rendered in a semi-abstracted style, depicting John F. Kennedy, Jr. saluting his father. Titled, numbered, dated, and signed along the bottom edge: "From John to John litho #46/50 Jan 64 Eugene Hawkins, Legend #412" Presented in a new black mat. Mat size: 20"H x 16"W Image size: 15"H x 11"W Eugene Hawkins (American, b. 1933) is a BIPOC artist...

Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...

Blizzard in Woods Graphite on paper, c. 1945-1963 Unsigned Provenance: Sid Deutsch Gallery, New York Annotated with notes for completing the drawing. Deutsch Gallery has handled Bur...

"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism. 30 x 24 inches. Oil on canvas. Signed on stretcher, c. 1940s. Frame is likely original to the painting. Realist painter-printmaker Kyra Markham...

Richard Anuszkiewicz Old Door, 1953 Watercolor on paper Signed and dated by the artist on the lower right front 20 × 14 inches Unframed This unique and extre...

Artist: Stanley Sobossek, American (1918 - 1996) Title: Rockport, Mass. Year: circa 1960 Medium: Oil on Canvas, signed l.r., signed and titled verso Size: 30 x 24 in. (76.2 x 60.96 c...